UbeOne
Daydreaming CPU
- Location
- Philippines
- Pronouns
- She/Her
Did we know back then about our Grief trances?The souring of things with Ono was one of the costs of fucking around with barriers.
Did we know back then about our Grief trances?The souring of things with Ono was one of the costs of fucking around with barriers.
We knew making the barrier the first time made us zone out and lose track of time, but we didn't realize it was a full-on fugue state thing.
Or, better example, it's exactly as likely as a girl wishing for a cancelled TV show to come back on the air.
The souring of things with Ono was one of the costs of fucking around with barriers. It screwed Mami up enough that something had to give, and we gave on Ono. Probably one of the best things about this quest are the opportunity costs.
You did pick up on the hints that Ono might well have known the magical girl who became "spider witch" we killed with Kirika, right? Ono was walking away from the barrier with tear streaks down her face.
We knew it was an intense enough zone-out that we lost awareness of our surroundings and the passage of time.We knew making the barrier the first time made us zone out and lose track of time, but we didn't realize it was a full-on fugue state thing.
Considering her entire demeanor before then in our dealings with her, her reacting poorly to our calling off the meeting we pressured her into at the last minute is obvious.Technically, Mami's utter dependence on us was what screwed us over with Megane. We wouldn't have missed the meeting in the first place if Mami hadn't had her minor breakdown. Plus, not knowing how personally Megane would take us not meeting her. And then we proceeded to make things worse with the barrier.
We knew Mami was regularly contacting us because she was still very shaky about the mere idea of Sabrina abandoning her.No. Nor about just how badly Mami would react. Nor was there any reasonable reason to suspect that they would cause the Sayaka incident.
Mami's initial breakdown was because of the first barrier test -- Mami tried to contact Sabrina via telepathy, and there was no answer. She panicked and had to go to the nurse, because she was terrified that either Sabrina was dead, or Sabrina had suddenly gotten fed up with her and just stopped answering. Only for Sabrina to start talking to her again a bit later and acting like nothing had happened.
THEN, rather than figure out what was going on with Mami, we doubled-down, and the second barrier test happened with her right there.
Hm. It seems I got the order of events a bit muddied up. the first barrier was before lunch, while her trip to the nurse was after lunch.Wait, I thought that she was actually trying to force herself to stop contacting Sabrina? If we actually didn't respond, her reaction should have been way more extreme.
Hm. It seems I got the order of events a bit muddied up. the first barrier was before lunch, while her trip to the nurse was after lunch.
And somewhat related to that, a recent study showed that using proper punctuation in text messages makes you sound less sincere.Friendly reminder: if you use bold, italics, and underline all in one sentence, it comes across as very hostile. More so than a quest discussion really warrants.
Yeah, so simmer down just a bit.
And we didn't actually know that grief effects took up time like that, remember? The people who noticed what had happened thought that it was something unique to the grief barrier the first time we did it. Not that it wasn't incredibly stupid of us to not take that into account the second time we created one with Mami around.
But your Grief senses seem to be the exception to that, and you certainly managed to augment your melee fighting skills earlier. So what if you tried to play with that?
... probably best to warn your friends first, though.
"Hey, Mami, Homura?" you pulse out telepathically.
"Ah, Sabrina? I..." you can practically hear Mami's hesitance. "How are you?"
Hmm. You haven't heard from her since lunch, have you?
"Ah, I'm good. How are you, Mami?" you ask, mindful of Homura, listening in.
"I'm fine," Mami says. "We, ah, got our tests back today."
"Oh?" you ask. "That was fast. How did you do?"
"I... I got a seventy-eight," Mami replies.
"Ah, that's not half bad!" you say brightly as you hold hand out, summoning a small blob of Grief from the swarm of spheres following behind you. That ring of Grief glints faintly under what sunlight there is leaking through the cloudy skies.
"Mm... I think I'll be taking the retest, though," Mami says.
"... really?" you ask in faint disbelief.
"Yes, I think so," Mami says.
"Oh. Well, I'll help you, Mami," you say. "I promised."
"Thank you, Sabrina," Mami says.
"No problem, Mami. But uh..." you say. "Um, this is important, so first... I'm on my way to school now, but I'm also going to test something, OK? So it might be, uh, a little Witchy. You know how it is."
"Ah, be careful, Sabrina," Mami says, a touch of anxiety in her voice.
"Understood," Homura says, voice clipped.
"Yeah, I will," you say. "Um, see you soon."
"See you soon!" Mami says.
"See you," Homura agrees.
You focus on the Grief in your hand. Something to amplify your detection range, so...
"Sabrina?" Mami's voice intrudes in your head again.
"Hmm, Mami? Is something wrong?" you ask, still considering the lump of Grief. Detection. The Grief wavers, edges becoming fuzzy and indistinct, before it collapses in on itself, shrinking and turning a bright, azure blue. It forms a small ellipsoid that floats into the air seemingly on its own volition, singing Witch in your senses.
The stone swings around your head in a gentle orbit without your prompting. That means it's working, you think?
"... Mami?" you prompt again.
"I... it's OK," she says. "Sorry."
You purse your lips. That is not normal. Very much not normal.
"Mami, what is it?" you ask, mental voice as gentle as you can make it. "Is everything alright?"
"Ah, I," Mami says. "Yes, I'm fine. I just..."
You lock your wings and glide for a moment, frowning at the little blue detection stone still orbiting your head. "Mami?" you prompt gently.
"No, it's just..." Mami stops for a moment before continuing. "I know I've been... a bit."
She stops talking for a moment. Just as you're about to prompt her again, she continues, voice terribly small. "I was... I was trying not to be so..."
"Mami..." you say softly, still gliding towards the school.
"It's hard." She says, mental voice a bare whisper. "I... oh. Um."
"Mami?" you ask, worried again.
"I... I'm going to the nurse's office," Mami says. "I... will I see you after school?"
"Yes, of course, Mami," you say.
"I just wanted to hear your voice again," she says, voice quiet.
"Oh," you say, drifting to a landing atop a building near the school. Down below, you can see the lush foilage of the park that fronts the school, and... you can sense Mami and Homura in school. You frown. It seems to be further than your usual range, you think. But you need to focus on Mami for now.
"Mami?" you ask again.
"I... I'm fine," she says. "School's almost over. I'm sorry, Sabrina."
"Don't be, Mami," you say.
Homura's voice intrudes into your mind. "I assume that's you," she says.
"Yeah, it is," you reply absently. You prompt Mami again. "Mami?"
"Sorry," she repeats. "I... thank you, Sabrina."
It's called emphasis.Friendly reminder: if you use bold, italics, and underline all in one sentence, it comes across as very hostile. More so than a quest discussion really warrants.
However, on further reading we did make a Grief Detection Range Extender in the middle of talking with her, immediately before she went to the nurse. Which is the griefhax I was thinking of, and thought it was the barrier instead.
you only really need one kind of emphasis in a given post, though.
that'd be because, from Sabrina's PoV, they did.Like I said, we didn't actually know that grief effects knocked us out like that, at the time. Many of them seemed to have happened instantaneously.
Pffft. Maybe if you sound like a zombie.you only really need one kind of emphasis in a given post, though.
Pffft. Maybe if you sound like a zombie.
Then again, I try to sound the same whether in text or in person, and I have been told that I talk like an Italian BRIAN BLESSED on cocaine. Too much energy.
Passion is not anger.
Known this guy for like half a decade. Can confirm: WAY too much energy. This is not exactly the first time he's come across as angry when he's just trying to be emphatic.Pffft. Maybe if you sound like a zombie.
Then again, I try to sound the same whether in text or in person, and I have been told that I talk like an Italian BRIAN BLESSED on cocaine. Too much energy.
...I'm not sure if I should thank you or be vaguely insulted.Known this guy for like half a decade. Can confirm: WAY too much energy. This is not exactly the first time he's come across as angry when he's just trying to be emphatic.
You're vaguely welcome!...I'm not sure if I should thank you or be vaguely insulted.
I'll settle for thanking you vaguely.
... I'm vaguely interested at the interestingly vague stories you have so vaguely hinted at.