- Location
- spinning
Don't you have eyes on the back of your head?Hence the dubious part. And now, discuss part?
Don't you have eyes on the back of your head?Hence the dubious part. And now, discuss part?
I haven't found a complete collection yet. They are form the Madoka Magica Mobage (mobile game).Where are people getting these cards? They're really damn cool. Can I get a link to a collection or something?
I haven't found a complete collection yet. They are form the Madoka Magica Mobage (mobile game).
Just google that or Madoka cards and you're bound to find tons of them.
Where are people getting these cards? They're really damn cool. Can I get a link to a collection or something?
It's funny, no matter how cute that looks, all I can think of when I see it is Alice in Wonderland.
American McGee's Sabrina.It's funny, no matter how cute that looks, all I can think of when I see it is Alice in Wonderland.
~*~"But I don't want to go among mad people," Madoka remarked.
"Oh, you can't help that, we're all mad here. I'm mad. You're mad."
"How do you know I'm mad?"
"Well, you must be, or you wouldn't be here."
Madoka didn't think that proved it at all; however, she went on "And how do you know that you're mad?"
"To begin with, I've done most dreadful things to a good cup of tea! Hihihihi!~"
Her laugh was infectious, her grin broad and her eyes sparkled with good natured mischief - but Madoka couldn't so much as smile. Beneath the playful mood and silly jokes she felt an undercurrent of unease - a sense of secret meanings hidden just below the surface of this impossibly familiar stranger...
"No. I'm not mad."
"Really? This looks an asylum to me."
"I'm NOT mad."
"That so? Well, I suppose the only thing to do is to take it up with the warden, right?"
Madoka looked down at her tea, stomach churning in worry at the nameless fear that, somehow, something was dreadfully wrong...
And then, for just a moment, she saw her face reflected in her teacup not with eyes of pink, but of gold.
She started and looked up, with a question at the tip of her tongue, but the other girl was gone.
No teacup sat on the table; no chair sat opposite her.
Not a single trace that she had ever been there.
And no matter how hard she tried to recall the face of the white haired foreigner the only thing that she could remember about her was that her teeth seemed too sharp to be natural.
Who is dreaming? ~*~Who has dreamt?How I love Creepy!Wonderland (and creepy!Sabrina).
And, hey, how is Homu's get-up like a writing desk?*Insert witty Raven=Ravin' pun/reference here*
You can see either from Madoka's bedroom window.
...Pinky-spawned Sabina?And no matter how hard she tried to recall the face of the white haired foreigner the only thing that she could remember about her was that her teeth seemed too sharp to be natural.
[MGNQ intensifies]
Page 1 is a good place to start looking. I suggest "snippets of questionable canonicity".
I've read all those. I meant omakes that Firn's written.Page 1 is a good place to start looking. I suggest "snippets of questionable canonicity".
She nods slowly, letting the hand holding your Soul Gem fall to her side. "That won't be necessary," she says, carefully untying the rope from around her waist. "I have a longer rope." She lets go of her end of the rop-
-e. You grimace. "Ugh. Never going to get used to that." Homura's tying a brightly coloured length of rope to the one currently bound around your waist, and you follow that rope with your eyes - it trails across the landscape, reaching to the top of some old, half built structure, all exposed steel and I-beams. Homura nods at you, finishing the knot, and then lets g-
-o again. "Argh," you mumble into the floor.
Wait, why are you on the floor?
You push yourself up, off the floor, and look at the old structure where the rope led to... where the rope doesn't lead to.
...
At a guess, Homura misjudged the distance? She's now set up on a nearer building, and is waving an arm so that you can see her. You wave back at her, and she puts her hand down.
Well. Nothing for it, then.
I think we came to that consensus a long time ago. We just don't feel comfortable proceeding for fear of trampling on her free will again.
So uh, what exactly does it mean if we can make 4th dimensional things? I'm having a hard time comprehending what exactly this allows us to do.This is a series of experiments designed to test our ability to manipulate dimensions.
Dimensional Reduction I
1. Compress or otherwise reduce untransmuted grief to be two dimensional.1
2. If successful, GOTO Dimensional Expansion I
3. If unseccessful, GOTO Dimensional Reduction II
Expected results:
Success: A two dimensional sheet of grief is created. Great!
Failure: A two dimensional sheet of grief is outside of our ability to create, for now.
Unexpected Outcome: Huh. That's interesting...
Dimensional Reduction II
1. Transmute grief into a two-dimensional format.1
2. If successful, GOTO Dimensional Expansion II.
3. If failed, GOTO That's interesting.
Expected Results
Success/Failed/Unexpected are the same as in Dimensional Reduction I
Dimensional Expansion I
1. Attempt to expand grief into another dimension, reversing the process we used to reduce it to a two-dimensional state.2
2. If successful, yay!
3. If failure, GOTO Dimensional Expansion II
Expected Results
Success: Celebrate
Failure: Curious.
Dimensional Expansion II
1. Transmute Grief into a four-dimensional format.
2. If successful, celebrate.
3. If failed, GOTO That's interesting.
Expected Results:
Success: Go ahead and compare the result to witch barriers, but we got it.
Failure: Gather what data we can, we'll find out what went wrong.
1: Visualize a cone. It can be thought of as a nigh-infinite number of circles stacked upon each other, each of infinitesimally reduced size. We want one of those circles.
2: Visualize the same cone, from a perspective that can only see one of the circles. As the cone is moved perpendicularly to the circle, it seems to grow and shrink. We can't see where it's going, but knowing that it is a cone rather than a circle, we can infer that the rest of the cone which we can't see is going somewhere. A third dimension, if you will
Now, that third axis is perpendicular to both of our axes. Discard the limited perspective, and we can see this easily. Now, assume a fourth axis perpendicular to all three we can see, and push our cone along it.