Crake
I AM THE STORM THAT IS APPROACHING
- Location
- USA
Emma is even more irrelevant than she ended up becoming in canon. Taylor has so many bigger problems and on top of that low key flexes on both of her tormentors by being better at them in each of the respective spheres with which they regard with envy or admiration.
Mostly envy, in fact, because they are fairly flat characters. It's just a matter of scale.
Emma has always been a mean girl, but it went from maybe petty school yard intimidation and escalated into terrorism. She never really considers that her actions make her a bad person, and learning she was wrong just reveals she was as weak as she accused Taylor of being, since it's implies she dies like a punk, with no headstone, since the world ended.
Sophia evolves beyond thinking that there are people who can take punishment, not give any of it back, and grow stronger from it, 'survivors' as it were. But that doesn't make her a better person, and the ending of Worm reinforces that her philosophy having one whole dimension more than it did before does nothing more than highlight how pathetic she is, unsung, forgotten and promptly abandoned. I think it's implied this development doesn't happen that long after meeting Emma anyway, which proves that Emma couldn't grasp beyond that stupid, single note ideology.
And how I mentioned scale earlier? Who else lacks depth in Worm?
Jack Slash. He revels in the simplicity of his desires, and doesn't even pretend that anything he does serves any purpose beyond amusing himself. In the basement he couldn't see beyond himself because in his mind there was nothing outside that mattered anymore. And he triggered because everyone else was, in his mind, 'completely fine'. Which obviously they aren't and weren't already, but he couldn't stand people living their lives with him being the one ignored in a little bomb shelter. And his solipsistic point of view renders him incapable of imagining anyone else has valid experiences worth exploring, since he just puts on a little puppet show with whoever he interacts with.
Scale and agency is the only difference. Jack Slash has literal cheat codes and indulges without restraint in his desires. Sophia would do the same. Emma would do the same.
All three have another thing in common, because of their lack of nuance, none of them will have a large role to play in the story, because Joe is so beyond the former as to make the matter laughable, a dumb joke that ran out its welcome long before we read the punchline, and Taylor couldn't care fucking LESS about the Trio when she learned she had to be The Hero, save the girl, stop the bad guys. And that was before even finding out about the world ending.
She already assumes she's 'responsible' for 'saving' the city thanks to Joe failing to communicate with her. I would not be surprised if Taylor encounters Emma or Sophia, goes 'too busy, fuck off', then effortlessly carries on with her day thanks to being able to perfectly maneuver them into a situation where acting up gets them a black eye.
If we didn't already know Taylor wants to get back at them by exposing their bullying, anyway. So I understand why there was an Emma interlude. To remind you that plot thread wasn't dropped. But it's mostly a vehicle for the story to tip the first domino that coalesces into PRT ENE getting its Wards program shut down, and maybe a complete changing of the guard.
Which honestly, with all these other crisis actors, is just yet another 'first domino' event.
Mostly envy, in fact, because they are fairly flat characters. It's just a matter of scale.
Emma has always been a mean girl, but it went from maybe petty school yard intimidation and escalated into terrorism. She never really considers that her actions make her a bad person, and learning she was wrong just reveals she was as weak as she accused Taylor of being, since it's implies she dies like a punk, with no headstone, since the world ended.
Sophia evolves beyond thinking that there are people who can take punishment, not give any of it back, and grow stronger from it, 'survivors' as it were. But that doesn't make her a better person, and the ending of Worm reinforces that her philosophy having one whole dimension more than it did before does nothing more than highlight how pathetic she is, unsung, forgotten and promptly abandoned. I think it's implied this development doesn't happen that long after meeting Emma anyway, which proves that Emma couldn't grasp beyond that stupid, single note ideology.
And how I mentioned scale earlier? Who else lacks depth in Worm?
Jack Slash. He revels in the simplicity of his desires, and doesn't even pretend that anything he does serves any purpose beyond amusing himself. In the basement he couldn't see beyond himself because in his mind there was nothing outside that mattered anymore. And he triggered because everyone else was, in his mind, 'completely fine'. Which obviously they aren't and weren't already, but he couldn't stand people living their lives with him being the one ignored in a little bomb shelter. And his solipsistic point of view renders him incapable of imagining anyone else has valid experiences worth exploring, since he just puts on a little puppet show with whoever he interacts with.
Scale and agency is the only difference. Jack Slash has literal cheat codes and indulges without restraint in his desires. Sophia would do the same. Emma would do the same.
All three have another thing in common, because of their lack of nuance, none of them will have a large role to play in the story, because Joe is so beyond the former as to make the matter laughable, a dumb joke that ran out its welcome long before we read the punchline, and Taylor couldn't care fucking LESS about the Trio when she learned she had to be The Hero, save the girl, stop the bad guys. And that was before even finding out about the world ending.
She already assumes she's 'responsible' for 'saving' the city thanks to Joe failing to communicate with her. I would not be surprised if Taylor encounters Emma or Sophia, goes 'too busy, fuck off', then effortlessly carries on with her day thanks to being able to perfectly maneuver them into a situation where acting up gets them a black eye.
If we didn't already know Taylor wants to get back at them by exposing their bullying, anyway. So I understand why there was an Emma interlude. To remind you that plot thread wasn't dropped. But it's mostly a vehicle for the story to tip the first domino that coalesces into PRT ENE getting its Wards program shut down, and maybe a complete changing of the guard.
Which honestly, with all these other crisis actors, is just yet another 'first domino' event.