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More so. Und-Uzgar was a fortified position built on the side of a populated Karag, the 'Watchtowers' of the Watchtower Clans are more self-sufficient military outposts.
For some reason, until this moment, I'd always pictured Und-Uzgar as being on a mountainside north of the Death Pass. Perhaps because that's the direction we'd just come from through the Underway.
Being built into one of the Eight Peaks does make much more sense, especially with other pieces of info, like the scouting and digging out of the tunnel connection during the reclamation.

As for the broader opportunities for a theoretical Umgi of proven trustworthiness these plans offer, I could very well see the Winter Wolves try to step in as the leaders of Barak Varr's proposed outpost/ally, where Magical Border Princess Mathilde demurred.
"What support would King Byrrnoth be willing to provide to a theoretical Umgi of proven trustworthiness who might be carving a principality out of the area?"
And also provide Ruprecht Junior with the opportunity to prove himself that his ambition demands, as well as that honing ground against unpredictable foes the Winter Wolves appear genuinely to need.
What are Barak Varr's plans for Mad Dog Pass?"

She hesitates. "We plan to have plans for Mad Dog Pass." You're surprised at that - for them not to have a course planned out already must mean they're truly scrambling.
I suppose this is a hint that events outside their expectations were influencing Barak Varr's plans and timetable, i.e. Thorgrims' about-face.
 
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"Okay, leave him alone," you say, and Hubert is foolish enough to shoot you a grateful look. "Whatever form of dismounted swordplay he practices with the General is between him and her." Gretel and Adela dissolve into laughter, and Max and Johann are both fighting back grins. Panoramia, to your surprise, is blushing almost as much as poor Hubert. Weren't Jades supposed to be more worldly?
I don't think we ever quite figured out why Panoramia was blushing at this moment. She doesn't seem the type to be embarrased by innuendos. My current running theory is that she came across Soizic "drilling" Hubert.
 
I don't think we ever quite figured out why Panoramia was blushing at this moment. She doesn't seem the type to be embarrased by innuendos. My current running theory is that she came across Soizic "drilling" Hubert.
Maybe? She was a lot more easily flustered once upon a time, before she internalized that Mathilde is a showoff, not a skinwalker.
Could've also been that she was crushing on Mathilde at that point, and Mathilde making an innuendo, well, got her blood going a bit?
You offer to help set it up, but you're quite relieved when he rebuffs you, and after filling the funnels with alchemically-altered gold, bolting them onto the bench, and fitting himself with a truly horrifying-looking headset that straps his eyelids open, he climbs atop the bench top and aligns himself under them. "If all goes well, this should only take ten minutes or so," he says.

"And if it doesn't?"

"Oh, we'll know right away," he says with a tense little laugh.

[Rolling...]

You know right away.
On another note, that last line still makes me chuckle.
 
Maybe she had a crush on Soizic?
As a sapphic woman myself, I can attest to how attractive lady knights are. Panoramia has good taste.
Maybe? She was a lot more easily flustered once upon a time, before she internalized that Mathilde is a showoff, not a skinwalker.
Could've also been that she was crushing on Mathilde at that point, and Mathilde making an innuendo, well, got her blood going a bit?

On another note, that last line still makes me chuckle.
I was deliberately avoiding anything to do with that part. It's still painful to read and I was tempted to skip it. I don't like going over the eye boiling, I've grown to like Johann.

Things were so much simpler when I distrusted him.
 
I was deliberately avoiding anything to do with that part. It's still painful to read and I was tempted to skip it. I don't like going over the eye boiling, I've grown to like Johann.

Things were so much simpler when I distrusted him.
Oh, sorry. Yeah, it's not a big word count, but the words that are there paint a viscerally unpleasant picture.
I've had a lot of stuff in my eyes over the years, and near-boiling hydraulic fluid was definitely the worst. I don't like imagining what molten gold would feel like.
Wasn't it so much simpler when Max was a brat, Pan star struck, and Johann a shady motherfucker?
 
Wasn't it so much simpler when Max was a brat, Pan star struck, and Johann a shady motherfucker?
Absolutely. At least Mathilde remained perfectly consistent over the years, never revealing any new facades aspects to her coworkers. :V
Could've also been that she was crushing on Mathilde at that point, and Mathilde making an innuendo, well, got her blood going a bit?
This seems quite possible, (at least in retrospect), given that the blush incident was in '82.5 social, and we started the dating pool in '83.
Still, Mathilde is also a Knight, so perhaps it's a little of column A, a little of column B.
The closest thing the locals have to a leader (apart from yourself, of course) is a man with a slightly larger herd and a slightly larger hut, and representatives from the hill clans gather there to give you their oaths. The reception they give you is muted but not hostile; the general consensus seems to be that yes, you're a witch, and therefore probably a dangerously insane meddler in powers man was not meant to meddle in - but at least you're not a merchant. You ride a horse of shadow, but at least you can ride, and that sword on your back sends a clear message; you're an odd sort of knight, but you're infinitely more a knight than those of the Stirlandian League that 'owned' the land previously, so you'll do, seems to be the general consensus.
'Not a merchant'. Well. Technically, just a major shareholder in a merchant enterprise...
 
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I'm going to be making an effort post, so fair warning, it's gonna be kinda long. I want to sorta analyse Panoramia and the development of her relationship with Mathilde, at least in the beginning.

So, Panoramia. She's changed a lot hasn't she? Or at least the face she presented to Mathilde changed a lot. In the beginning, she was like this:
"I was with the forces of Ostermark as they marched on the Dead Wood," she says breathlessly, apparently awestruck. "We truly did plan to strike into Sylvania, but the horrors of that place! Mordheim was supposed to be long dead, but it was a battleground between Beastmen and Vampires and swarmed with the dead and with chaos alike. By the time it was pacified and every last building was pulled down, Stirland's campaign was over and the Drakenhofs had fallen." She stares at you wide-eyed, somehow giving the impression of looking up at you despite being an inch taller. "Is it true that when the Elector Count fell, you seized command of the Army and forced them to continue? That with magic and sword you toppled the Castle of Drakenhof from the mountain it perched upon and fell to the floor below?"

"Artillery deserves a significant part of the credit," you admit, "but apart from that, yes, that's how it happened."

She squeals, and breathlessly quizzes you about the campaign, and when Asarnil is mentioned she dashes off to her bags and comes back with a copy of his memoirs and you reluctantly sign it. You manage to squeeze a few questions in directed back at her, and she gives her name as Panoramia, apparently named after one of the most skilled potion-makers of her order. She admits her own abilities in that with some reluctance, but says that she couldn't bring her bottles due to their fragility so it's unlikely she'd be able to make more on the road; you admit that you have spells to generate heat (or, technically, to concentrate sunlight) sufficient to melt sand into glass, and she starts squealing all over again. Most of her spells seem focused around plant growth, and she's hoping to find new and exotic types of plants on the expedition, but rapid plant growth does have combat possibilities to go along with the logistical boon they represent.
Breathless, starstruck and kind of a squealing fangirl. It was cute, and the basis of the start of Mathilde's relationship with Panoramia, and it didn't last very long. After this Mathilde had a few interactions with Panoramia to cultivate her herbalism to an asset that could be cultivated, something that was greatly appreciated with the Black Lotus poison. The next step of course, was when Panoramia disobeyed Mathilde's orders, displaying an independent streak.
You shake your head to rid yourself of the unwelcome memory, and clear your throat loud enough to break through the conversation. Only because you were looking for it were you able to catch the flash of panic on Panoramia's face before she excused herself from her fellow workers to come over to you. "Magister!" she says with aggressive cheerfulness. "The soil here has had a harsh time of it - I believe it would have hosted greenskin fungi for a few generations until it was exhausted. They can overcome that, but they have an easier time of it underground, and of course there's no shortage of caves here, so once the soil gave out it was abandoned." You say nothing, and Panoramia wipes her hands absently on her robes, where the fading of its colour suggests that she had done so and then had to scrub the stain out innumerable times in the past. "The Halflings don't have the Rhythm of Rhya, but they've got something called Phineas' Footsteps which is a child's skipping rhyme that dictates almost the exact same rotation. Isn't that interesting?"

"Sleep well?" you ask.

"Oh." To her credit, she doesn't even try to lie.

"Grey Order, remember. We see all, we know all."

"Magister, I'm sorry, but-"

"But there was a battle and you couldn't just lie there and sleep while your little friends might have been bleeding and dying?" She's staring at you, and you have to keep yourself from laughing. It's easy for people to suspect you can read minds if what they're thinking is so obvious. "Panoramia. Druid name, right?"

"Yes, Magister."

"Parents Jade College as well?"

"Yes. Ma teaches now, Da's Perpetual." Perpetuals were Apprentices-in-Perpetuity, those who had some magic but lacked either the power, the desire, or the aptitude to attempt to reach full Magisterial status, many finding comfortable roles in the Colleges as servants or secretaries or assistants or librarians. Or, apparently, as spouses.

"So you grow up knowing you'll probably be magical, you got taught all the little tricks right from the start, you know to take your time and most Ghyran spells are happy to let you..." To Panoramia, magic was not a terrifying curse that appeared one day without warning and upended the life she thought she knew. It had been a constant her entire life, and even before her ability to touch and shape Ghyran had sprouted she had likely been surrounded by it and had known it intimately before her first spell. And Ghyran itself was very easy to let your guard down around. It encouraged life and growth, it thrived in happy little groves full of trees and animals and birdsong and flowers, it sprouted like a tree and flowed like a river. "I understand why you had to be there. But I told you to sleep for a reason. What's your worst?"

"What?" But she knows what you meant. It was a common game among young wizards. What's your worst miscast? "My, um, my hand, it cramped up into a sort of claw shape. I couldn't move it for..." she pauses as she sees the look you give her. "For about three minutes..."

"I summoned a daemon," you say, and you're grimly pleased at the expression on her face. "At the age of sixteen. Wisdom's Asp. It followed me from the other side of mirrors and it wanted so very much to wrap itself around me and bury its thorns into my skin. It stalked me for seven years until I managed to trap it." She stares at you in horror. "Don't you worry about that - they like Ulgu and Ghur and Hysh. No, mishandled Ghyran calls to Rotwyrms, giant insubstantial daemon-maggots that hunger for flesh." You look away, so Panoramia's horror doesn't dissuade you. "Just last month at Und-Uzgar, my shadow came to life and crushed to death the creature closest to me, which I'm very glad was a Skaven rather than any of my compatriots." You see her look down, and you follow her gaze to your shadow, which as always is flitting around obeying its own desires instead of the angle of the sunlight. "Yes, it's been like that ever since. Despite that, I consider myself lucky. During the Battle of Drakenhof, a Magister of the Light Order named Jovi Sunscryer fumbled something he was trying to do and exploded into flames of pure Hysh. Needless to say, he died. So did most of those unlucky enough to be living in that district. Are you starting to see my point?"

You turn to face her again, and eventually she remembers to reply. "Yes, Magister."

"I'm glad. If you really must be there, get one of your new friends to teach you the bow. Because if you keep casting when you shouldn't be casting, it won't just be you that suffers, it will be everyone around you. Understood?"

"Yes, Magister."

"Good. Off you go." She flees, and you sigh. You had to channel a bit of your Master- of your former Master for that, but if you ever met whoever taught Panoramia you won't need anyone's example to be properly scolding. Anyone that reaches Journeyman without being absolutely terrified of the consequences of mishandled magic hasn't been taught properly.

You hope the Jades weren't stupid enough to have let her be Apprentice to her own mother.
Here, we had a number of choices in increasing orders of severity on how to deal with Panoramia's insubordination. We chose the second least severe one, a talking to with no visible punishment. It clearly worked very well, and Panoramia was rightfully chastised and the dynamic seemed almost like a master and an apprentice briefly there, but the relationship didn't settle in that aspect either. The reason for this is what Mathilde did next. Mathilde could have chosen not to interact with Panoramia in a personal manner and keep their relationship strictly professional, but part of the reasoning for the next step was to make sure that there were no hard feelings, which leads to what happens next:
When she finally notices you there, Panoramia is only slightly and momentarily terrified, but she quickly rallies with an impressive facade of happiness that slowly turns genuine as it becomes clear you're not here to traumatize her. Titus seems happy enough to see you, and you reflect that even though you haven't spoken much, you've known and fought alongside Titus for longer than anyone else on the Council of War. Titus has been sipping his fair share of the cooking wine, and it doesn't take him long to start reminiscing about former battlefields, and Panoramia makes no attempt to hide her curiosity.

"It could have been any of them," Titus says, lost in memory. "At first we thought it was just fresh zombies, but no, they went straight from normal human upright and talking to horrible murderous corpse like the snap of your fingers."

"They burned out quick and then were basically normal zombies, but during that first burst of energy they were vicious," you remember. "I was interrogating one of the castle staff at Wurtbad and caught him in a lie, and next thing he was going for my face. Barely managed to get my greatsword in the way."

"I was curious," Panoramia says. "Why do you use a greatsword?"

You reach back and pat the comforting weight of it on your back. "Swords are the symbol of the Grey College, but honestly it was opportunity. I was at Eagle Castle, they were at Eagle Castle, so I went up and asked them to teach me. My teacher ended up being Sir Markus, the Champion of Stirland." You smile at the memory. "Ended up going into business with him and Wilhelmina, the steward, and we founded the EIC."

"What are you doing?" Panoramia asks suddenly, knocking you from your reminiscence just as you start to veer into sadder memories.

You look down at the bundle of twigs you'd been fiddling with, which was tied at one end and in the middle. "I have no idea. What is this?"

"Haven't you seen a whisk before?" You give her a blank look. "Oh, come on. Even the Grey Order needs to eat."

"I went straight from the College to Eagle Castle." You rotate the whisk in your hand, considering it. "Never had to learn. Is it some kind of pestle?"

"No!" Panoramia stops, and considers. "Well, I guess actually yes, sort of." She takes it from you and focuses on it. "You can use birch if you just want to have a permanent utensil, but fresh fruit tree twigs can add some extra flavour. Peach is nice, or apple. Of course there's none of those around here, but if we cheat a little..." She concentrates, and you can see the slightest stirring of Ghyran within her, and the twigs lighten slightly in colour as the wood forgets it no longer has a tree to provide sap. "There! Perfect for a lovely pie."

Titus almost overbalances as he suddenly tears himself away from his still-roasting haunch. "We're making pie?"
Here, Panoramia starts getting a deeper glimpse into who Mathilde IS rather than just taking a guess at it. She indulges in her curiousity and starts learning about her, and while she's scared in the beginning, probably thinking she's back for another frightening lecture, she sees Mathilde for who she is. A Ferrero Rocher. Hard and spiky exterior, soft and gooey interior. Her clumsy attempts at cooking clearly served to endear Panoramia to Mathilde, and it probably reassured her enough to take another step in their relationship. I have a feeling that without having taken this action, Panoramia would have been more distant and scared of Mathilde, but any fear she had was probably put on the backburner seeing how earnest and cute she could be.
The camp bustles with activity as the sun passes its zenith, and though the Dwarves swear by a light ale before battle, a light lunch is distributed to those who prefer a little more substance. Four of your five Journeymanlings sit with you as you spoon your way through your soup.

"Don't give him any," you say without looking up, and Panoramia lifts her soup back up from where she had been lowering it for Wolf.

"How did you-"

"Grey Order," you reply instantly, and Panoramia rolls her eyes.
This is the first time Panoramia rolls her eyes at Mathilde. She would not have had the courage to do it if Mathilde didn't spend time cooking with her the day before, too scared from the lecture otherwise. When Mathilde used being from the Grey Order in the lecture, she didn't question it, but when it was used here, Panoramia began realising that Mathilde is just dramatic as hell. Combined with how playful and happy Wolf is, which Pan used as a basis for determining that Mathilde's pretty nice actually, and she felt safe enough in being a bit irreverent with Mat's shenanigans.

Then she gets curious:
"The idea had crossed my mind, but the most important factor is preventing reinforcements. A few slit throats would have the greenskins on edge, might convince them to stop fighting amongst themselves."

"You say it so casually," Panoramia says.

"I'm familiar with slitting throats like you are with helping plants grow. In almost every situation, it's the best way I can contribute."

"Do you ever wish-" Panoramia cuts herself off. But it's a fair question.

"I wasn't born a Dame. If I didn't have magic, I'd be in a thatch hut on a tiny farm, probably on my fifth or sixth child right now, unless a plague or a famine or some roaming terror from Sylvania had carried me off." That's the easy part of the question, but it's not what she was asking. What if you weren't of the Grey? "I love Ulgu, but I probably would have loved any other Wind if I'd ended up elsewhere. The duties of the Grey Order are possibly the heaviest - except maybe Shyish." A nod of accord from all. Nobody envied the Amethyst Order. "I'd probably be happy amongst the Gold," you say, nodding at Maximilian. "Just before my Magister examination, I realized I could be happy if all I focused on was learning all I could - as long as I had someone else write my papers for me." You nod to Esbern and Seija. "And the Amber... I've spent a lot of days on the back of my Shadowhorse, and I've found the wild can be addictive. If I had thinking company instead of magic in the shape of a horse, I might want to spend my entire life there." Finally, to Panoramia again. "As for Jade... I visited your College, once. It was beautiful. It would be nice if the products of my work was the same." You pause as your mind flits through the other options. Bright Order Mathilde? Likely even more at home on a battlefield than you are already. Celestial and Light Order, though... no thanks. But you know better not to say those parts out loud. "But look." You wave a hand at bulk of Karag Nar, stretching high above you. "Karag Nar. In the past thousand years, the only humans to ever know that name would have been a handful of Dwarven history obsessives at the University of Altdorf. Now it's looking like humans are going to be living in it. Karak Eight Peaks won't be a historical footnote, it will be a home for Dwarves and for Halflings and for men. The throats I slit yesterday were ugly, but the better tomorrow they've bought is beautiful." Your mind goes back seven years, to the first time your actions had resulted in blood. "We deal death to the corrupt to prevent the suffering of the innocent."
Panoramia is Kind. It's one of her traits in the Dramatis Personae. She likes to believe the best in people. So it is a bit of a stark contrast to start to see all the nice and soft parts of Mathilde and then come back to the reality that she is a stone cold killer. And then she begins to understand her perspective a little better. This is who Mathilde is to her core, a person who is very nice and cute and clumsy in some situations, but deals death and terror so that the world becomes a better place, because while Mathilde is kind, the world is not.

It's funny how much Mathilde is like a Romance Novel Protag. Sure she wears robes instead of shining armor, but she's a Knight wielding a Runic Greatsword with Misty Armor and that's just as good. Sure she doesn't have a normal horse, but she has a shadow horse and that's even cooler. She has the muscles to back it up, visible even through her robes judging by Kadoh being able to tell. And beyond that, she presents a mysterious, know it all, smug and sometimes brooding exterior, but is actually quite nice behind it all.
 
It's funny how much Mathilde is like a Romance Novel Protag. Sure she wears robes instead of shining armor, but she's a Knight wielding a Runic Greatsword with Misty Armor and that's just as good. Sure she doesn't have a normal horse, but she has a shadow horse and that's even cooler. She has the muscles to back it up, visible even through her robes judging by Kadoh being able to tell. And beyond that, she presents a mysterious, know it all, smug and sometimes brooding exterior, but is actually quite nice behind it all.

Mathilde hasn't ripped a single bodice, she gets a maximum score of 3/10 on the Romance Novel Protag scale.
 
This is who Mathilde is to her core, a person who is very nice and cute and clumsy in some situations, but deals death and terror so that the world becomes a better place, because while Mathilde is kind, the world is not.
Panoramia is hardly a shrinking violet--I vaguely remember a mention about the Ducklings being slightly disturbed when Mathilde lets Panoramia take them out on a skaven scouting run and she shows them what Jades are capable of on the battlefield.
 
Panoramia is hardly a shrinking violet--I vaguely remember a mention about the Ducklings being slightly disturbed when Mathilde lets Panoramia take them out on a skaven scouting run and she shows them what Jades are capable of on the battlefield.
Well yeah, but in the very passage I quoted she seemed briefly disoriented by how casually Mathilde referred to slitting throats.
 
She has the muscles to back it up, visible even through her robes judging by Kadoh being able to tell.
Mathilde has been wearing snug tailoring for many years, rather than the loose billowing fabric that robes tend to put in mind. (Or indeed, as portrayed in most of the illustrations).
Though a pair of under-robe shoulder holsters had some popularity amongst the Grey College, ever since you began learning the greatsword you've favoured practical snug tailoring secured with belts instead of the loose and billowy robes that would allow easy access to a hidden arsenal, though your accurate and conveniently slim Marksdwarf's pistol does find a home within an inner pocket.

I'll grant that openly fighting on a battlefield is very different from assassinating unsuspecting beings during their downtime in a "safe" place.
Split the difference then? Assassinate unsuspecting beings on the battlefield.
[Mid-battle ambush: Intrigue, 62+21+10(Magical stealth)=93 vs 61+15-10(Unaware)=66.]

Conventional wisdom would advise against attempting an assassination in the middle of a melee, but conventional wisdom wasn't a Grey Wizard.
...
...
You have a fraction of a second to feel smug before the rest of the Orcs impact.
 
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To call Johann skeptical about improving his Windsight would be an understatement, as it apparently sounds to him like some of the more esoteric parts of the arts of the Pick of Grungni that he tried and failed to reach an understanding of. But either out of respect for you or gratitude for the company, he barely puts up a fight and allows you to drag him into the White Tower, and you don't protest at the pack following him - both because you doubt you'd be able to separate them without a lot of trouble, and because they'd work quite nicely as subjects for observation.
Aside from this being another example of Johann looking doubtful and things turning out better than he thought, I really have to wonder what "esoteric parts of the arts of the Pick of Grungni" refers to. What the hell are they teaching him? "It's not enough to smash rocks like the pick, you must become the Pick"?

I know I made a post a little while ago about Johann forging his body into a tool and weapon, but I think the Dwarves might be taking that a bit too literally.
 
Aside from this being another example of Johann looking doubtful and things turning out better than he thought, I really have to wonder what "esoteric parts of the arts of the Pick of Grungni" refers to. What the hell are they teaching him? "It's not enough to smash rocks like the pick, you must become the Pick"?

I know I made a post a little while ago about Johann forging his body into a tool and weapon, but I think the Dwarves might be taking that a bit too literally.
No such thing
/dawi
 
From there, you take him through some of the more basic meditative exercises of the Grey College, which is a lot better received when you tell him that absolute stillness is not required, nor is refraining from playing with his wolf-rats.
Johann had previously insisted he had no head for languages, but you suspect he had no head for learning languages in a formal setting, which is rather vindicated by his blooming grasp of the vocabulary without ever picking up a book on the subject for longer than required to look up a word or two.
Something was niggling at me about Johann and I just had a eureka moment. Johann's learning strikes me as very similar to my ADHD? I'm a very mobile person who absolutely hates absolute stillness, and that's been really bothering me about meditation as I attempt it. Combined with my hate for learning in a formal setting and me preferring learning things from a more casual perspective where something captures my interest and I seek it out, and Johann's hitting a lot of similarities to me.

He could just be a kinesthetic learner or something, but he really strikes me as having ADHD, at least using my own personal experience.
 
I really have to wonder what "esoteric parts of the arts of the Pick of Grungni" refers to.
This sort of thing is my guess.
"HERE. SIT."
"For how long?"
"UNTIL YOU CAN SEE THE PICK OF GRUNGNI."
He hesitates a moment longer. "The First Mine, under the Citadel? The Priest took me to visit it as part of my training. I was supposed to meditate in there, but I was curious, and it turns out trace amounts of gromril left behind by a miner counts as 'creation'.
So yes, Johann doesn't really do 'still mind, still body' very well.
Johann, Beat Poet meditating:

Clear blue sky
Clear blue sky
Start tapping thigh
Sigh
No, I must try
Clear blue sky
My throat is dry
Open third eye
wonder why
this shaft is so high
...I should not pry
Perhaps if I'm sly
What would happen if I...
TOUCH
...
...oh my

I don't really know if that's anything like beat poetry, but I regretted the non-rhyming version when I posted it, so.
 
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ADHD plus the Tale of Metal spell sounds like a terrible combination. As in, that spell doesn't sound like it'd be useful at all to the person. But Johann seems to use it liberally.
Well, he uses Breach the Unknown liberally. In fact, he seems to hate the experience of Tale of Metal:
Johann's research into the gem hits an early stumbling block after he cast a spell on it, froze up, and staggered out of the laboratory. For the next week, he refused to do anything productive and had his wolf-rats fetch him food. "Just once," Johann says to you after emerging, "just once I'd like to cast Tale of Metal and find myself watching a master craftsman explaining the process to an apprentice or something. Not experience two hundred semisubjective years of the life of the world's most boring tree."

You turn your gaze to the black gem. "It's... what, a fruit?"

"Charcoal, I guess. It was growing at the base of a volcano, and the volcano eventually erupted. Immediately afterwards people appeared - Cathayan or Nipponese by the look of them - and dug the tree out of the solidified lava, found a piece of it they liked, and cut and shaped it like a gemstone, which is when the spell ended." He sighs and grimaces. "At least the birds were nice. I named them."
He hated the experience of Tale of Metal so much he started naming birds.

EDIT: To be clear, I realise that 200 semisubjective years would screw anyone over, but my point is that the way he spoke of Tale of Metal indicates he doesn't like it. He also doesn't abuse it, at least not as much as Breach the Unknown which is more "here's the information".
 
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So the elf who had some interest in guns
If we ever need a present for him I suggest a stirland repeater rifle
Spreading Anton's business to laurelorn 😅
 
There is, you reflect, something of a magnetism to Karak Eight Peaks. You suppose it's hard to turn your back on history in the making, and a new chapter being added to a story thought finished three thousand years hence very much qualifies. So far, Esbern and Seija are the only Wizards to have spent much time here without putting down roots.

The two of you chatter as he puts the crossbow together, resulting in something that does seem at a glance to be similar in shape to what the Quarrelers use, but closer examination reveals as having no actual mechanisms, and the two of you make your way out into the Eastern Valley to some archery butts near the base of Karag Lhune. "Who was Arha, anyway?" Maximilian asks as he fiddles with the crossbow.

"An Elf, probably. It sounds Eltharin."

"Figures," he says, and lifts the crossbow to his eye and takes aim. "Oh, that's a lot easier to aim than a bow. Let's see..." He concentrates, and Chamon flows from his hands and through the crossbow into the notch, and a silvery bolt forms and flings itself out of the crossbow and towards the earthen butt. "Huh," he says, surprised.

"That was new," you say. "With the bow, the arrows just sort of appeared near your hands, not actually in the implement."

"Maybe because it's metal?" he says, unsure. "The bow was wood, maybe its nature meant it didn't interact with the magics. Or maybe it's a matter of visualization? Because I made the crossbow myself?" He runs a finger down the bolt notch, then takes aim once more, and again the bolt forms in the notch before firing itself forward. This time he maintains the pose, and a moment later another appears and fires, and then another. You've seen better rates of fire, but only from your revolvers and the most skilled archers.

"Silver Bolts of Maximilian," you say, and he grins broadly.
This was largely overshadowed by Johann's second failure at Gilding, which I will continue to ignore because I don't like to talk about it, but I think it bears mentioning.

This genuinely interests me. Max making his own crossbow as an affectation somehow served as a conduit for his magic, improving his rate of fire somehow. Is this because of his own personal relationship with magic and how belief shapes magic? Maybe having a crossbow serves as an "anchor" that gives "meaning" to the metaphysical nature of the Silver Bolts, making it fire as if it comes from the crossbow and shortening the incantation, making it easier to spam the spell.

If so, then I have high hopes for Max's further pursuits in creation. In fact, Max seems to focus all his efforts specifically on creation rather than on enchanting, so I'm thinking of how Mathilde's enchanting might synergise with his creations.

Also, I definitely chuckled when I saw that Max originally planned to "just" be a high tier blacksmith in one of the Empire's major cities, but the sheer magnetism of K8P and the escalating deeds under Mathilde has lead him to a path more directed towards the pushing the limits of what is known. I very much agree about K8P having a magnetism to it, nothing like a grand story in the making attracts the adventurous and ambitious.
 
This was largely overshadowed by Johann's second failure at Gilding, which I will continue to ignore because I don't like to talk about it, but I think it bears mentioning.

This genuinely interests me. Max making his own crossbow as an affectation somehow served as a conduit for his magic, improving his rate of fire somehow. Is this because of his own personal relationship with magic and how belief shapes magic? Maybe having a crossbow serves as an "anchor" that gives "meaning" to the metaphysical nature of the Silver Bolts, making it fire as if it comes from the crossbow and shortening the incantation, making it easier to spam the spell.

If so, then I have high hopes for Max's further pursuits in creation. In fact, Max seems to focus all his efforts specifically on creation rather than on enchanting, so I'm thinking of how Mathilde's enchanting might synergise with his creations.

Also, I definitely chuckled when I saw that Max originally planned to "just" be a high tier blacksmith in one of the Empire's major cities, but the sheer magnetism of K8P and the escalating deeds under Mathilde has lead him to a path more directed towards the pushing the limits of what is known. I very much agree about K8P having a magnetism to it, nothing like a grand story in the making attracts the adventurous and ambitious.
I think those same questions could be asked about any staff or wand.

because you could say that ultimately, simply, Max's bow is a very costomsed wand.

of course, you could also say 'holy shit, his wand is also a weapon. That's rad, and arguebby a game changer for battle wizards if he can pass it on.

it's all how you look at it.
 
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