[x] Go with Mami
-[x]Keep talking.
-[x]Ask about Masami...how do they know each other? What's she like?


So, I have commisioned my sister to draw me a picture of Sabrina; and this is what she did.
What do you guys think?

Note to self: Don't forget to pay my Sister.

 
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[x] Go with Mami
-[x]Keep talking.
-[x]Ask about Masami...how do they know each other? What's she like?


So, I have commisioned my sister to draw me a picture of Sabrina; and this is what she did.
What do you guys think?
*cool art*
...Okay, that's just amazing. :D

The leg text looks a bit flat, and I thought the warhammer design described was a bit more...practical (for lack of a better word) plus Sabrina apparently lost her soul gem...But that coat design is gorgeous, the grief designs are a nice touch, and it's really, really good. Nice touch with the coat logo too. Shame I can only like it once. :p

What does that white text on the inside of the coat say?
 
Direct Intervention pt. 5
Even in the middle of the night, Mitakihara City bustles as you and Mami soar over the rooftops. Cars stream endlessly on the road, and you fancy that perhaps one or two of the twinkling lights are the fire engines, and perhaps another carries journalists hurrying to the scene of the fire.

Not your problem, in the end.

"So, Mami?" you begin.

"Yes, Sabrina?" Mami asks.

"What's this Masami like?" you ask. Taller buildings are becoming shorter now as you head out towards the suburbs, and Mami leads you on a weaving path amongst them to ensure that you aren't seen.

"Hm... Peppy would be the best word to describe her. Always cheerful and happy, always listening to music of some kind of another," Mami replies. "Really quite powerful, though!"

"Huh. How'd you meet her, anyway?" you query, making a particularly tricky hop across a building- you're forced to tuck and roll to avoid an inconveniently placed antenna.

Mami shrugs. "Oh, I met her about... half a year ago, I think? I... well, I saved her from a Barrier, and told her a little about magical girls. She became one a while later, but since she lived so far away, we sort of... never kept in touch."

You can tell there's a little more to that story, and decide to risk pushing a little. "I get the feeling there's more to it than that?"

Mami laughs. "Can't hide anything from you, can I?" She tries for nonchalant. "She... stopped answering my calls. When I went to check on her, she told me she needed her space," she finishes evenly, but the slight stumble as she lands on a roof gives lie to that.

Ouch. You wince to yourself, and take a few quick steps forward to bump Mami's shoulder with your own. It's probably an old hurt at this point, but you can't help but feel that a little comfort would be for the best here. She turns and gives you a smile that's tinged with gratitude and just a little melancholy.

Mami's next words, spoken, not telepathic, are almost snatched away by the wind as the two of you leap for the next building, but straining, you can just hear them. "I'm glad you're here."

The two of you continue on in silence after that, now forced to move at the street level, keeping to darker areas and avoiding cars. You soon sense a magical presence, ahead... and above you? "This way, Mami," you say, veering off to the side.

The houses are sparser in this area- there is a remarkable amount of greenery and open ground around here, and you frankly have no idea how that works with land-starved Japan, unless the Kanames actually happen to be richer than gods, plural. But then again, it's not like theirs is the only house in this read, and nor is this land fenced off and 'Property of...'

There's... simply a perplexing amount of unutilized land here.

You circle around to the side of the house, where Homura's presence is, until you're almost directly on top of it. Your senses still say she's almost directly above you, but you don't see her.

"Here." Your head snaps up at the sound of Homura's voice.

As it turns out, she's perched incongrously on a tree branch, barely visible amongst the foliage until she shifted position slightly to look down at you. You squint at her position, and then back at the the Kanames' house, estimating angles. At a guess, you suspect that she can see into Madoka's window from her current position.

Homura hops down from her perch, landing softly beside the two of you.

"Homura," Mami says, inclining her head the barest fraction of a centimeter to the time traveller.

"Mami, Sabrina," Homura replies, returning the infinitesimally tiny nod.

Well, you'll take it. "Hello, Homura," you say.

[] Suggest talking in time-stop
[] Talk here
[] Suggest adjourning to elsewhere
[] Write-in conversational direction
- [] Degree of meta


=====​

The Kaname residence is ridiculous. I have no idea how to make sense of it.
 
[x] Suggest talking in time-stop.
- [x]Everything we know about Kirika and Oriko that doesn't involve meta- let Homura choose how much to talk about herself, but we're telling Mami everything we can explain away about Oriko's power, actions so far, and Krika's new power/her probably being unstable.
-[x]Working together to stop a repeat of Sayaka's house, and stopping Oriko & friends, in that order.
 
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[x] Suggest talking in time-stop.
- [x]Everything we know about Kirika and Oriko that doesn't involve meta- let Homura choose how much to talk about, but we're telling Mami everything we can explain away about Oriko's power, actions so far, and Krika's power.
-[x]Working together to stop a repeat of Sayaka's house, and stopping Oriko& friends, in that order.
 
[x] Suggest talking in time-stop.
- [x]Everything we know about Kirika and Oriko that doesn't involve meta- let Homura choose how much to talk about, but we're telling Mami everything we can explain away about Oriko's power, actions so far, and Krika's power.
-[x]Working together to stop a repeat of Sayaka's house, and stopping Oriko& friends, in that order.

The Kaname residence is ridiculous. I have no idea how to make sense of it.
Look, there are excellent reasons not to build too close to the house​. :tongue:
 
Slight rewording to give Homura a bit more leeway in revealing her powers and to make it 'not' look like we're forcing her hand. Line added.

[x] Suggest Homura use her 'power' so everyone can talk privately.
-[x] Telepathy Homura: Kyubey figured it out somehow and has no problems telling other magical girls. Not much point in hiding it anymore.
-[x] Everything we know about Kirika and Oriko that doesn't involve meta- let Homura choose how much to talk about herself, but we're telling Mami everything we can explain away about Oriko's power, actions so far, and Krika's new power/her probably being unstable.
-[x] Working together to stop a repeat of Sayaka's house, and stopping Oriko & friends, in that order.
 
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My biggest worry about Oriko is what her motive is. What's the point in doing everything she's done so far? What does burning down Sayaka's house get her? Or at the least what does insinuating that she did so get her?

If I knew that I'd be much more comfortable having Sabrina interacting with her.
 
Why am I thinking of this as Oriko breaking the "meguca Unwritten Rules"?

...Meh. Too much Worm, I guess.
Well, because it makes sense. Going against "civilian" friends and/or family of MG or potential would get after your head each and every MG that heard about that and either have decent relationship with her friends and/or family or contracted because of their death. Because it press a big "DO NOT WANT" button and as MG tend to have much less inhibitions than average...

For example Kyoko gone cynic, but I suspect when she will hear about that it would push each and every feeling she repressed and put her in rage mode.
 
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Well, because it makes sense. Going against "civilian" friends and/or family of MG or potential would get after your head each and every MG that heard about that and either have decent relationship with her friends and/or family or contracted because of their death. Because it press a big "DO NOT WANT" button and as MG tend to have much less inhibitions than average...

For example Kyoko gone cynic, but I suspect when she will hear about that it would push each and every feeling she repressed and put her in rage mode.
Ironically, while Yuma contracting means we can afford to leave her alone without having to worry about her getting herself killed/self-destructing due to being a solo murderhobo, it also means she's much more likely to stick to her own turf. So...overall, that's a win for us.
 
Well I was hoping to at some point deal with Kyoko's problems and get her to join the team as well, so I don't know that her sticking to her own turf and defending it better is really a good thing from that perspective.
 
Well I was hoping to at some point deal with Kyoko's problems and get her to join the team as well, so I don't know that her sticking to her own turf and defending it better is really a good thing from that perspective.
She's not going to die on us, she and Yuma are a relative constant, and with luck the team won't need them. It's not perfect but it's better than some of the alternatives.
 
Kyouko is going to eventually realize that taking care of Yuma in the long term while trying to hunt in an area that's scarce on resources is going to be untenable. One way or another, she's going to have to speak to Mami again.
 
Kyouko is going to eventually realize that taking care of Yuma in the long term while trying to hunt in an area that's scarce on resources is going to be untenable. One way or another, she's going to have to speak to Mami again.
Regardless, the Kyouko/Yuma situation is relatively stable in the short term, meaning we can focus on Mami's mental state,"Worst Diet Plan Ever" Masami, Sayaka's constant attempts to die, Madoka "Martyr for a good cause" Kaname, and Oriko's gang instead, at least for the moment.
 
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