Satan is primarily motivated by his pride, jealousy, and ambition and after being cast down, revenge against God.

Homura is primarily motivated by her love for Madoka. Her fucked up behavior is the result of being a 14 year old that has been horrifically traumatized for more then a decade.

Lol, no, no. Don't take it literally. It's a metaphor about the theme of the rebellion: prideful refusal to take the world's order as granted and challenging it, even when you goddamn shouldn't. Homura isn't fighting Madoka, she's fighting the Law of Cycles without realizing they are one and same.

On the other hand, eh. I am not a literary analyst, I'm not planning to become a literary analyst, I don't have a stake here, so this isn't the hill I'm dying on.

It's next one over there, where I fight you tooth and nail on the subject of Homura
There's also the basic difference that Satan was charismatic enough to convince a good portion of the angels to revolt against God's authority. Compare that to the socially awkward Homura.

planning the whole thing from the beginning, purposefully getting captured by Incubators in order to lure Madoka in and tear her in two. :V
( this is a joke. )
 
Homucifer is absolutely 100% based on the Buddhist demon Mara, who is trying to deceive Buddha and keep him from enlightenment and his greater destiny with illusions of pleasure and bliss in a perfect world.
 
Homucifer is absolutely 100% based on the Buddhist demon Mara, who is trying to deceive Buddha and keep him from enlightenment and his greater destiny with illusions of pleasure and bliss in a perfect world.

It's easier to list which mainstream religious groups weren't used as an inspiration for the Rebellion.

Which is obviously Neo-paganism, because Madoka has both eyes and doesn't have any ravens sitting on her shoulders.

Neo-paganism is totally used in PMAS, tho.
Sayaka is Thor, that one time when he had to pretend to be a bride in order to sneak into a giants' fortress and murder everyone.
 
Lol, no, no. Don't take it literally. It's a metaphor about the theme of the rebellion: prideful refusal to take the world's order as granted and challenging it, even when you goddamn shouldn't.
But Homura isn't motivated by pride, she's motivated by love. She didn't rebel because Madoka loved someone more then her.

Also was Madoka's World all that good? Better then the previous universe to be sure, but children are still being manipulated into becoming what are essentially child soldier litchs by a sociopathic cabbit, and are almost certain to die young. Difference here is Death Goddess Madoka mercy kills them before they become witches and assimilates them into the Law of Cycles.
Homura isn't fighting Madoka, she's fighting the Law of Cycles without realizing they are one and same.
I recall reading somewhere that one of the side stories in Magia Record (Kamihama Cheese Panic I think it was) implies that the Law of Cycles has a will of it's own and that the girls she saves do not know Madoka at all.

I'm not too familiar with that game, so correct me if I'm mistaken.
 

A neat short story, provided you don't take the plot as gospel. I liked the first two chapters for their character insight, along with Chapter 10 for how Lucifer presents his perspective on Homura's actions (which has some penetrating insights about Homura not owning her own actions, but his overall understanding of her motivations is fundamentally flawed because he doesn't have the background knowledge of Rebellion, even if she's too depressed to notice).

The only issue is that the author didn't decide on another way to add conflict to the story and progress the plot without rehashing the same tired 'Homura's universe is dying' plot everyone uses even though it has little basis in canon since we won't know anything about her universe until they make another sequel.

Another story that I remember presents the same sort of character insight (into Homura) near the start is Keys to the Contract (at least before the PMMM plot is mostly subsumed by Kingdom Hearts).
 
Last edited:
Plot twist: It turns out that this is PMAS canon and after the reveal and arrival of Feathers we're made to fight alongside Homukami against Madokatan. :V
I actually think a story that has Madoka being forced down Homura's canonical path would make for an interesting character study.

The oneshot And The Clock Ticks Ever Onwards has Madoka and Homura switch roles and in my opinion creates a plausible scenario for something like that to occur, though I think it veers to closely to Canon.
rehashing the same tired 'Homura's universe is dying' plot everyone uses even though it has little basis in canon since we won't know anything about her universe until they make another sequel.
Perhaps to avoid the cliche, someone should do a fic that is akin to Into The Stars, but set in the far future of Homura's universe, though I don't have the slightest idea what the plot of something like that would be.
 
I recall reading somewhere that one of the side stories in Magia Record (Kamihama Cheese Panic I think it was) implies that the Law of Cycles has a will of it's own and that the girls she saves do not know Madoka at all.

I'm not too familiar with that game, so correct me if I'm mistaken.

Returns from the depths of hell, after being busy with countless real-life stuff.

Magia Record isn't the only source for this information, but yes, PMMM confirms the Law of Cycles and Madoka are separate from each other. To cite my sources, have a gander at information from The Rebellion InuCurry Artbook:

Fake town's children love Madoka, but not the Law of Cycles. The Devil is alright. Only Manuke loves everyone. Children like watching dramas on the box in the teahouse. Their favorite one is "The pumpkin that was left all alone because of the goddess". They don't like the one with the mermaid.

The Clara Dolls make a direct point to differentiate between both Madoka and the Law of Cycles, treating the two as different individuals.

As for Nagisa and Magia Record, you remembered it correctly @King Washington. Nagisa outright points out that the Law of Cycles wishes runs counter to what she feels was the reason why she was sent to Kamihama: The Law of Cycles would prefer to simply break the timeline and have it be the same as all the others from the PMMM verse (Which would result in MagiReco's Madoka being erased from existence like all others, along with the deaths of Ui, Touka, Nemu and more). Instead, Nagisa believes (correctly) that she was sent to scope out the timeline and find an alternate solution and preserve the MagiReco timeline.

A summary can be found on the wiki: https://wiki.puella-magi.net/Magia_Record_Story_Kamihama_Cheese_Panic!

Reading between the lines of what Nagisa remembers about being within the Law of Cycles: It's less like Heaven/ Valhalla (take your pick) and more like FFVII's Lifestream or Code Geass's World of C... where you merge together with everyone else who once was alive -losing individuality and or conscious awareness- until Madoka summons you for some task and sends you back. This also implies that the main reason Sayaka and Nagisa remembered all of their past timelines was because of holding onto a part of the LoC for Madoka. This also lines up with why -despite hosting the souls of countless past Magical Girls within her- Madoka as a Goddess is described as so lonely... she can't even interact with her own charges except at the moment she comes to collect them.

Edit: fixed the wiki link & added an alternate comparison.
 
Last edited:
Office Complex pt. 27
"Sa-ba-ka," you say, pointing accusingly right back at Sayaka. You can't hold the expression for long, though, a massive grin stealing back across your face. You're going to tell Sayaka about one of the biggest secrets. You're going to bring her in, with Homura's help, and it's a huge step forward. Not just for her, not just for you, but also paving the way to tell Mami sooner, rather than later.

"Uuuugh." Sayaka blinks, makes a sound of disgust, and flops over backwards onto the floor of your flight platform.

You snicker.

"So, in other matters - I asked you before the training, and just to round things out, I'll ask you again," you say. "How're you feeling about it? Training with Kyouko, I mean."

"It's good!" Sayaka says, stretching. "She's a tough teacher, but she knows her stuff. Plus, like you said, she's really a big softy."

"Yeah, she is," you say with a grin. Good, good. It's a start.

... It's not like you're going to force them together, but you know that they could be great together, and you can't help but want to encourage that. Admittedly, if Sayaka does manage to get Kyousuke to actually notice her, you'd be both impressed and happy for her - but also annoyed at having to throw out half a dozen theories. Either that, or just mark Sayaka down as a bizarre outlier.

You're mildly interested to note that Hitomi's shown no sign of wanting to declare her affections for Kyousuke, mind. If you had to guess, she's at the very least extremely reluctant to, because with Sayaka's sense of duty and indebtedness, she'd immediately bow out, and that would be uncomfortably close to coercion. You can respect that.

"Aaaalso, in sort-of-related stuff," you say as a thought strikes you. "Didn't you think about a bracelet for your power gems before? But you found it too confusing?"

"Sorta?" Sayaka says, tucking her arms under her head. "OK, so, that time, I wanted to put all of them onto the bracelet. Or a belt, I think. And that didn't work out too well, because I couldn't distinguish them properly. But what I'm thinking is that I pick out the... three most useful ones, let's say, and put them spaced out nicely, so I can tell which is which just from the position."

"Oooh, OK," you say, nodding. "So you just need to memorize where they are, rather than having to sort them out. Yeah, that's a good call."

"I was thinking Yuma's healing, Miss Benouna's juggernaut thing, and... hmm. Not sure of the last one," Sayaka says, pursing her lips. "Miss Koizumi's clones? Kure's antimagic? Miss Umeko's invisibility?"

"Look at you, spoilt for choice," you say with a snicker. "I think antimagic would be the best panic button, though if you get a more, uh, direct teleportation power than Miss Saki's, it would also be good."

"Maybe a second bracelet," Sayaka says, considering. "Or... a necklace. Actually, yeah, a necklace might work nicely. Not too conspicuous."

"Sounds good to me," you say. "Let me know if you need help forging something?"

"Can do," Sayaka says with a nod. She fidgets for a moment, watching the lone cloud in the sky scud by, before sitting up. "This secret."

"Yeah?" you say, giving her a curious look.

"It's..." Sayaka trails off, makes a face, and subsides, thumping the heel of her palm against her knee.

"What is it, Sayaka?" you ask. You turn away from watching the metaphorical road ahead -you're cruising above skyscraper level, anyway- and face her fully.

"I, uh... look, it's this big, scary secret that everyone's tiptoeing around, and now that I've committed to it I'm just kinda nervous about it," Sayaka says, fidgeting uncomfortably with her hands, her gloves rubbing together. "I want to ask questions now even though I know we're gonna discuss it soon."

"Oh," you say sheepishly. "Yeah, that's fair. I promise we're gonna do our best to explain it properly, alright? But not out here, where... anyone or anything could hear."

"Yeah, yeah," Sayaka says, waving you off. "I know, I'm just nervous."

"Completely understandable," you say. "Won't be long, though."

"Mmrh," Sayaka agrees, and falls silent, staring up at the evening sky. A few stars are starting to peek through, glimmering, distant points of light wheeling far above as you soar towards home.

Homura cuts a distinctive figure even from a distance, standing statue-like on the roof. The evening wind's picked up a little, pulling her hair into a streaming black banner, bold and prominent against the blazing hues of sunset. And perched on her outstretched arm is an equally familiar figure.

"Hey!" you call as you land, grin already stretching from ear to ear.

"Hey, Homura," Sayaka says, rolling off the side of the dinner plate of doom to land on her feet. "... I see you found Mugin."

"It wouldn't stop pecking me until I picked it up," Homura says, a hint of a smidgen of a sliver of reproach colouring her tone.

The bird in question squawks loudly, fluffing up its feathers.

"Maybe he's hungry," Sayaka says, shrugging and reaching under her cloak. "Hold on, I've got some birdseed in my bag..."

As it turns out, a handful of scattered birdseed is enough to appease Mugin, who hops off Homura's arm and flutters down to peck at the birdseed. Homura, freed of her burden, catches your eye, and you nod, grinning. She cranks her shield-

-and you find her gripping your wrist lightly. You grin at Homura, meeting violet eyes with your own.

"We're going to tell Sayaka," you say. "We're going to tell Sayaka!"

"... Yes?" Homura says.

You find laughter, bright and joyous, bubbling up from your chest, loud enough to fill the emptiness of Homura's time stop, and before you can stop yourself, you pull her into a hug, and she's so light in your arms you can't help but pick her up and swing her around. She flails a little. And-

You blink, freezing, and set her down gently.

Are you blushing? You might be blushing. You're definitely feeling embarrassed enough.

"Um. Sorry," you say, sheepish, and ease into a more neutral hold. "Just... we're telling Sayaka, because she wants to know, and she's going into this with both eyes open, and just, just- this is huge, Homura."

"... yes," Homura says.

"... sorry about the hug?" you say, grinning weakly. "I know, um, not everyone is as touchy-feely as I am. Just, this is such a huge step forward and it's progress and I've been getting through to Kyouko too and it's a huge step forward and just, ugh, I'm repeating myself."

Homura shrugs, looking about as awkward as you feel.

"It's OK," she murmurs. "It... it is a big change."

"Yeah," you say with a happy sigh. "Yeah, it is. Before we begin, how are you? How did things go with Mami?"

"It... went well. The... the Kures were well behaved," Homura says, looking away and nailing the water tank on the roof with a glare. "I'm fine." She closes her mouth, frowns slightly, and looks up at you. "The... extra security is reassuring. What was that about Kyouko?"

"I'm glad," you say, smiling warmly. "And about Kyouko - I got her to agree to meeting Mami. To talk! I've got high hopes for reconciling them, and, and just- progress."

Homura nods, once and sharp.

"That's good," she says, and... she sounds honestly glad, the usual dispassion faded from her voice.

You laugh again, almost giddy with joy. "Thanks, Homura," you say, squeezing her arm gently. "But now- are you ready?"

She doesn't respond for a long moment, silent and still enough to be mistaken for someone frozen by the timestop, like Sayaka. But her fingers are warm on your wrist, and she looks like she's thinking through something, so you hold your tongue.

"Do you think it'll go well?" Homura asks quietly.

"Telling Sayaka, you mean?" You smile at Homura's nod, and turn to face her fully. "I think so. She's a lot smarter than most give her credit for, and she's fully on board with us, this loop. It's... Sayaka's reckless and impulsive, but she's with us, you know? And we've got concrete goals and plans to work with. So long as she's got that, she'll handle it fine."

"And..." you huff a quiet sigh, cheeks puffing out. "Look, I'm quite confident that Sayaka handles the Witchbomb better than most. And it's part of why the Incubator targets her first."

"She's... she's not weak, this time," Homura says quietly.

"She's got the support she needs, and the facts to point her against the real enemy," you say, gently correcting her. "She might have been more inclined to Witching out, before, but that's as much circumstance as anything else - like I said, the Incubator targeted her, specifically. She's part of the team now, and we support each other, yeah?"

Homura takes a moment to digest that, and nods. "OK," she murmurs.

"And... one last thing. If she somehow realise you're a time traveler, I've got your back," you say. "I'm with you, Homura, and it's your call how you want me to intervene there."

"Just..." Homura closes her eyes, exhaling. "Just make sure she's still on our side." She nudges your hand to grip her elbow, freeing her hands to pull some string from her shield. A few quick motions knot it around her wrist, and then yours, and then you walk over to Sayaka to lay your hand on her shoulder.

"Guh." Sayaka gasps as colour bleeds back into her. She shakes her head, blue hair flying.

You chuckle, offering her the string with your free hand.

"Hey," you say. "OK there, Sayaka?"

"Yeah, yeah," Sayaka says, looking around the timestop as she loops the string around her wrist.

"Alright." You smile, pulling up enough Grief to make three simple chairs so that you don't have to sit on the roof, which isn't exactly clean. "Let's sit down for this."

"That's reassuring," Sayaka mutters, but sits down without any further fuss, tucking her hands on her lap like an attentive student - but from the way she clasps her fingers tightly together to not fidget, you can tell she's nervous.

"Right," you say, once everyone's seated comfortably. "So. Cleanses all around, first."

"That bad?" Sayaka says. Still, she offers up her own Soul Gem, as does Homura, and you drain them all away. This time, you don't collapse it all down, instead keeping it floating free around you.

"Yeah..." You sigh, flattening your palms on your thighs, and look at Sayaka. "As you guessed, what we're about to tell you is... awful, but it's something that we're trying to fix. Not just us, a few other magical girls, and it's something I'm actively recruiting for. Your help would be invaluable, if you're willing to after we explain this."

"Right..." Sayaka says, nodding slowly. "Who else is invol- no, nevermind, one thing at a time."

"One thing at a time," you agree. "So... let's start this right. You've watched Star Wars, right?"

"Yes, Sabrina," Sayaka says, rolling her eyes. "I've watched Star Wars."

"Great!" you say with a grin that you don't quite feel. "So when I tell you that it's true from a certain point of view..."

"Ugh," Sayaka says, rolling her eyes. "Just get on with it."

But she has relaxed a bit, so you'll take that as a win. And you should probably fight the urge to extend the metaphor to uncomfortable levels and point out that in that context, magical girls are Anakin Skywalker while Witches are Darth Vader.

"This stuff isn't called Grief for no reason," you say, letting the Grief coalesce enough to be visible to Sayaka. "I'm certain you've noticed that it actively makes you feel worse, and draining it away helps you feel better."

Sayaka nods slowly, eyes fixed on you. Her hands have stilled now, her attention fully on you.

"As your Soul Gem fills up, you feel worse and worse," you say softly. "And it's a vicious cycle, a feedback loop. The worse you feel, the more your Soul Gem fills up. I call it a Grief spiral, because that's what you do - spiral into the darkness. And finally, your Soul Gem fills up."

You exhale.

"It's not entirely true that we die if our Soul Gems fill up with Grief," you say. Your jaw tightens, because this is it. The big one. The point of no return. "We die... and a Witch is born from our Souls."

The blood drains from Sayaka's face, and she seems to stop breathing entirely.

"Easy, Sayaka," you say, leaning forward to place your hand over hers. After a second, Homura's hand joins yours, hesitant and slow. "Easy. Take a moment."

Sayaka's shaking.

"T-the. The-" It takes Sayaka a few tries, speaking through bloodless lips. "The Witches we've-"

"They were once magical girls," you say grimly. "But no- you haven't killed them. Witches..." You sigh. "Witches don't die, not really. They just go dormant."

"What- why?" Sayaka whispers.

"Kyuubey," you say quietly.

"The Incubator," Homura spits.

"Why?" Sayaka demands.

"For energy," you say. You can't help the humourless laugh. "It's... almost banal. All this suffering, because according to them - the expression of our souls, as magic, as Witches, can combat entropy."

"I-" Sayaka raises a shaking hand to run through her hair. "God."

"Take your time, Sayaka," you urge. "We're not going anywhere."

"I don't- I don't want to take my time, I, I- we- we turn into Witches?" Sayaka demands.

"Witches are born from our Souls," you echo your earlier words. Better a clear statement than diving into the complexities, right now. "And, um, let me cleanse for you?"

"I-" Sayaka stiffens. Her eyes snap down to her own Soul Gem, and you can see her shaking intensify. "Y-yes, please, I- I don't want that to-"

"It's not going to," you say, cutting her off as you drain her Soul Gem. "Not while I'm alive."

"R-right," Sayaka says, and for a wonder - she manages a shaky smile for you. "I... right. Right, right. That's why... yeah. Your magic."

"Yeah. I've got you." You return the smile, trying to project as much confidence as you can into it. "We've got you - Homura'd help you too."

"Right," Sayaka repeats, turning to Homura. The shaky smile vanishes a second later. "But I, the, the Witches. The one's we've faced."

"Are less lucky magical girls," you say with a sigh. "Imagine... imagine a depressive episode. There's nothing good to life. Nothing that brightens your day. There's no way to pull yourself out of the darkness. And you're just... immersed in that, forever. Your regrets, your shames. Witches lash out, or they retreat into themselves, or..."

You sigh, looking away.

"Monsters born out of Grief," you say. "What else can they be? They lash out. Or maybe they don't. They're girls like us who fell to despair, who kill people because they can't escape their fear and hate and anger."

"That's horrible," Sayaka whispers. "It's, it's..."

"There are no words adequate for it," you murmur. "But..." You sigh. "I wasn't trying to be morbid about it. The point I wanted to make is that they... we can't really communicate with them. We can only stop them from hurting others, and... themselves."

Slowly, you withdraw Hildegard from your pocket, and set it on your thigh. It balances on its point, glinting in the eerie, directionless half-light of Homura's timestop.

"I can draw the Grief out of a Grief Seed," you say. "At the very least... they're not suffering, like this."

"Right," Sayaka mutters. "I... give me a moment."

"Take all the time you need," you say, sitting back a little. You don't remove your hand from Sayaka's - and neither does Homura.

You flash her a reassuring smile. It's going to be OK.

"S-so," Sayaka says. "Don't let Soul Gems fill up, or we turn into horrible monsters. I..." She swallows, and shakes her head, looking between you and Homura. "That's... that's why you don't want Madoka to become a magical girl."

"Among other things, yeah," you say.

"Right..." Sayaka sucks in a shuddering breath. "I..."

"No need to rush this, Sayaka," you urge. "Really."

Sayaka shakes her head.

"This is a secret, right?" Sayaka asks.

"Yes," you say. "The three of us know it, obviously. Oriko and Kirika, too. Mami does not. Neither does Kyouko. And this is... Sayaka, I cannot emphasize this enough, this is dangerous to know. Don't go sharing it round randomly, OK?"

"Right, yeah, because the whole... spiralling. Yeah," Sayaka says, looking faintly sick. "I... yeah, OK. Obviously."

"And... be careful how you talk about it. Don't talk about it over telepathy, because Kyuubey will hear, and it will weaponize it if it can," you say. "Timestop is safe. My privacy sphere is safe, and you've got a shadowcopy of that, right? With Kazumi's magic?"

"Yeah," Sayaka says. "This is... this is a lot."

"I know," you say. "I'm sorry."

"I asked for it," Sayaka says, squeezing her eyes shut. She buries her face in one hand, trying to squeeze her temples with outstretched thumb and index finger. "Mami doesn't know?"

"Yeah," you say, sighing. "I... I can go into it later, but for now, trust me when I say I have reasons for not telling her yet. She knows that there's a secret, and she's... she's agreed not to ask about it for now."

"OK," Sayaka says. "Right. Same choice you gave me, kinda. Right, I..." She takes another hard, shuddering breath, and looks up. "What are we gonna do about this?"

[X] Thank Sayaka, and explain in some detail to her exactly how much you appreciate her choice to be told about the Witchbomb. Make it completely clear that this has been a huge, longstanding weight on you and that her choosing to be told about this stuff is just a really big deal for you on a personal level.
[] Elaborate on your plans and the people involved
- [] Write-in
[] Elaborate on any important details
- [] Write-in


=====​

Just in case someone's unfamiliar with the pronunciation, the "Sa" in "Sayaka" is pronounced more like the "sa" in "sardine".
 
Last edited:
What double post I see no doublepost here.

Also:
I'll help deal with witchbombing Sayaka, and attendant matters on Echoes of memories from the past that I'd long wanted to handle at the same time, when I wake up. Right now, I've had a thought that's been nagging at me since I last posted the tarot stuff. Namely, how the magician card would be used to construct Dedolere. Not just in character, but visually.

Originally, I'd thought to do this with an eye to theories about Sabrina's origins, but as it turns out it ended up pretty origin agnostic.

I'll start off by walking through the imagery and symbolism, for my sake as much as yours, and then conclude with the finished product.

First off, references; The Magician, Biddy Tarot

---------- Analysis at Length ----------

The first part of the proposal here is that Dedolere's base form is that of a marionette which has taken control of its own strings. All Sabrina's possible origins have doll imagery in one way or another, from Walpurgisnacht and Ultimate Kriemhild Gretchen outright being dolls to Homucifer's servants and soul fragments being dolls.

More than that, it can also be tied to how Sabrina views her body; Just how she casually talks it shows the way she's comfortable seeing it as a tool for her soul, let alone her willingness to use techniques like blocking out pain.

The marionette specifically seems like the most appropriate doll here because it best ties into Sabrina's themes; It's a doll that is normally a tool of others but in taking control of its strings it has taken power for itself and deliberately upended the natural order of things, for better or, in this case, worse. Plus the matter of what those threads and strings can be.

But that's for later, because with that base form, we can start with the elements of the card. Though not that, unlike Walpurgisnacht, I intend the marionette here to be upright. Dedolere's inversion will manifested in other ways.

First and most obvious are the tools on the table. If, in Sabrina, they are her connections to the magical girls who are her closest friends then, in Dedolere they should be the magical girls themselves. Those she's defeated transformed into the witch's tools and held in hands equal to their number. A mirror to how Sabrina at her worst has the capacity to manipulate people and see them as only tools or obstacles to her ends and the inverted Magician's symbol of the same.

Why many hands? Three reasons, firstly hands are the way we interact with the world, our primary influence on it, and they and the tools they use are how it is shaped. Once again, themes of power and manipulation. Secondly, it matches up to Sabrina's wings as endless extra limbs. Beyond that, witch who grows new arms as her power grows, as she bootstraps her way to godhood, would also bring up visual associations of Hindu deva as the process progressed. Or, towards the end, one who's name can be interpreted "To be detached from suffering" would become a thousand handed Bodhisattva. I find the symbolism there rather appropriate.

With that established, the next most notable item of the Magician then would but the rod he holds upright. This one is interesting because it also appears in other cards, the Chariot and the World. I'm not too versed on the Chariot but the World is often matched with Madokami, and in that guise it's appropriate the object represent the connections that made Madokami manifest to begin with. Fate, and the ties and strings that bind. Also appropriate that those strings be what should have been above her, now held low, her control bar and strings.

Thus, in her lower hand Dedolere holds her control bar and with it the severed threads of fate, which once bound her to others, and which which she now binds others as her weapons and tools.

Given @Godwinson's earlier longpost, It would also be appropriate if the control bar she holds were the witch's true core. Not only an act of separation reminiscent of the soul gem and body of a magical girl, but also a metaphor for how even Dedolere's own heart has become nothing but a tool to ensnare others in her manipulations. And, of course, the lowest held of all of them.

It would also make for another point that ties into her name rather well: Dedolere does not grieve; she has ripped away her heart, that part of her that does.

Of the ouroboros and infinity I have little to say we do not already see. They represent access to unlimited potential, and the way in which Sabrina is self-sustaining, In Sabrina herself they are both manifest in her grief control. Thus it would still be her grief control, the difference more made clear in Dedolere's use of it than her imagery. If the arms replace the wings of old as one use of that then all that remains is to tie it into into inverted magician in some way, his potential wasted, up in smoke.

With that, we come to the magician's robes. The inner white robe is purity, the outer red, worldly experience and knowledge. And Dedolere's experiences have brought her to self-destruction. I think there's a pretty good fit for this color scheme, as it so happens.

The witch has caught fire. As she tore herself from her strings she set herself alight. Her light colored clothing is charring and soot-stained with red flame rising high above. If the plants in the card are the fruit of the Magician's actions then, in Dedolere, they are found in so much smoke, her ambitions all gone up in the column of fire and ash reaching up and down to litter the earth and mar heaven as it links the earth and sky. The infinity and ouroboros that are grief control feed that fire, the physical embodiment of Sabrina's self sustenance now sustaining only endless flame.

As to the witch's motive and acts the inverted magician's poor planning comes into it heavily. Dedolere makes endless ill-considered sacrifices. She sacrifices those she would save to become the tools for salvation of a greater good that will soon be sacrificed as well in an endless spiral. A hard witch making hard decisions, cut from her emotions and instead of putting in the insight and introspection that would actually solve everything

And with that done,

---------- The resultant description ----------

Dedolere.

A many armed marionette garbed in charred light colors In her hands she holds the weapons of the magical girls she has defeated, their souls bound in her strings and reduced to nothing but tools, each new weapons held by arms endless new arms forged from the despair that once bore her aloft, coming to resemble a thousand hand Bodhisattva as she progresses.

Lowest of her tools the witch bears her own control bar and the torn threads. The marks on her body show clearly that these things that once bound her, and the result of this forcible removal have set her robes alight, fed only further by her use the power she once held with hope. The flames and smoke of this rise high into the sky and the witch is consumed by flame even as she grows ever more powerful.

---------- Addendum, an extra bit ----------

Interestingly, one thing that occurred to me is that everything here is that you could quite easily picture how an unfallen Dedolere would look, assuming a witch could ever be made manifest without a witchout.

Dedolere has not caught flame. She has not torn her strings. She has not grown new arms. She has not turned to endlessly seeking power at all costs.

Her garb is white and scant red. Her arms are six; One for herself and five for those closest to her since the moment of her creation. One each for a spear, a sword, a shield and, a ribbon, and she puts down these tools and takes up new ones as the time is right, though the ribbon, wrapped and embracing her wrist, is never truly far from her hand. Her own hand clutches her control bar close to her heart while the fifth, its tool secret and never seen, toys with the strings of her fate and clasps her own in prayer.

In her prayer she meditates on the folly of the control she sought and which became her nature, on the ever branching truth of things, and on how she might choose between the endless paths forwards.

(Because yes, even unfallen and wrapped in hope, at her core she's still that abyssal speck, a being of despair, and what would Sabrina's despair be in modern PMAS but the regret of past failures, shadowrunning, and analysis paralysis? She's hardly fallen to it, but it's very much a part of her and very much a drive for her.)
I've added this to the omakes section in the index! And can I say I love the amount of analysis you've put into this?
 
Oh thank goodness, it went the way I'd expected it would, not the way I feared it could.

@Redshirt Army
You've got all the Science we've been looking at for De-Witching on hand, yeah? Gonna want to throw that down for votecrafting. Though I'll need to join in tomorrow, since I'm up very late, after a very short sleep on a very long day, and have a short sleep and a busy evening ahead of me.
 
[X] You have two separate plans.
-[X] To keep this from happening in the first place, we're going to create a global cleansing network, then find a combination of every magical power on Earth that lets us expand to the other planets the Incubators are operating on.
-[X] For the people it's already happened to, we're going to learn how to reverse it. Your current best bet is refilling a clear seed with positive emotions.
[Q] And of course you have no idea what Feathers is, so you may be a couple weeks away from usurping a position of conceptual divinity and rendering all your planning moot.
[X] NOW do the happy thanking thing
 
Back
Top