TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands.
To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.
I'll still hang out here, though, since this still does have a sepcial place in my heart.
I'd like to thank you all for making this a wonderful experience while it lasted.
I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all.
So if Star Wars was big in our Timeline with the original Trilogy, and we've seen how big the first 2 movies got, how insane will it be after this master piece is revealed
If anything, it'd be a more sadder yet thougtful "Final Fight" Piece that gives the emotion and feeling of "What could've been?" With motifs that makes the song references to the Tatooine theme, the Vader theme, added with new melodies that intertwine with soft and hard, different instruments that seem to clash one another into one that somehow works for this song..
Basically, an emotional piece handcrafted with Williams stepping out of bounds of the current music theory and just craft things that turn an otherwise whimsy and ignored piece into the "Main Show".
It'll be called "The Skywalker Theme" - John William's equivalent to the Ninth Symphony of Beethoven.
Here's a confession. When I was but a wee child seeing the remastered version in theaters I cried during that scene where the ewok dies and his friend mourns him. My family would occasionally bring it up for decades afterward.
It's not Warwick's character but it makes me think of it.
Here's a confession. When I was but a wee child seeing the remastered version in theaters I cried during that scene where the ewok dies and his friend mourns him.
I'd wait for Pixar to gain enough experience, and not go through the whole "Get Shrek'd" Phase of-
Yeah, I'm not kidding. Legit the whole booted off from Prince of Egypt into Shrek is called "Getting Shrek'd" by the animators themselves. It appears to be making memes even before it became a meme.
In fact, we should create Shrek, Monster's Inc, The Incredibles, and some for the animators and innovation to gain experience and allow the animation of Hair (Yes, Hair was one of the hardest things to animate for 3D animation at the time) more smoother than running their heads into a brick wall numerous times.
Also, I wonder when we'll create a partnership with Apple on the creation of Pixar's HQ (After All, Steve Jobs apparently redesigned the Pixar Headquarters from their old layout).
In fact, we should create Shrek, Monster's Inc, The Incredibles, and some for the animators and innovation to gain experience and allow the animation of Hair (Yes, Hair was one of the hardest things to animate for 3D animation at the time) more smoother than running their heads into a brick wall numerous times.
For one thing, they have the resources of Lucasfilms. They have legitimately some of the greatest directors of animation in not only Japan and America working with them.
Their workplace is completely free of the crazy bullshit that plagues other companies. like stock dividends... and corpo's that will be willing to destroy everything for profit. Look at Zaslav at Warner if you don't believe me to remind you we're not a completely dysfunctional asshole who is ruining everything he touches.
Mike Eisner believes in them, and what they are doing. Which is something.
THat reminds me, 83 is when we need to talk to Mike about his new contract.
Because dear lord that man is going to be wanting something... substantial for the amount of work he has done for us.
Also, I wonder when we'll create a partnership with Apple on the creation of Pixar's HQ (After All, Steve Jobs apparently redesigned the Pixar Headquarters from their old layout).
Steve works for us, we own most of Apple.
And depending on what happens, he might do it himself because he sees what is happening at Pixar and wants in.
I want to say yes, I really want to say yes but...
Consider the final of ESB Luke being tempted and tortured by Vader. He is the Son, and in the previous movie, it was clearly set up that there is another. Does Luke fall like Vader? Is the film about his redemption... or elimination?
On a meta-narrative level, Bruce is such a strong presence that Han could lead, and he's clearly getting the Girl. He could take over as the Main character and Hero.
One of the elements that makes ROTJ so captivating is the ambiguity in the scene where Luke enters Jabbas palace. Everyone else has seemingly failed or been corrupted. Leia didn't wait for Luke to unfreeze Han. Why? Is he no longer able or willing to help? He's dressed in a long dark outfit with a hood, reminiscent of Vader or the emperor. The Dark use of mind tricks and choking on the guards and Bib Fortuna adds to the suspense. The seeming indifference in giving away of R2 and C3PO versus C3p0 shock, the lack of a lightsaber in the rancor pit, and the indifference again at Leias situation all contribute to the intrigue. And the fact that he's the last to enter among all the infiltrators raises the question of his true intentions, is he here to help or to set up his rule as Father and Son?
So yeah, this is a brilliant trailer for when we already know how the movie ends, when we see the sister is Leia when we know Luke's outfit has a white interior, and when we know Luke's lightsaber is Green and not Red. But when the suspense is on the line? No. It is a brilliant Nostolga trailer, but as an initial trailer, there needs to be some minor editing to not spoil the plot.
Seen a bunch of these and had this idea in my head thought I'd give it a go
Movie Pitch Idea- Galen Mason, and the Wild Hunt
1,500 years ago Camelot fell with the wounding of Arthur, on Camlann hill. The Once and future King was taken to Avalon where he would remain until the time was right for his return, or so the legend goes. The Legend leaves out one part, the part where Arthur, with the help of Merlin still trapped in his tower, and the Lady of the lake along with countless other defenders of humanity used Excalibur and several other relics of heroes past to create a magic barrier to separate the realms of magic, and men so that humanity would have a true chance to move on, and advance without the interference of monsters, and jealous gods.
Today the barrier wanes, all along the magical realms monsters stir, and Ancient beings prepare to once again entertain themselves at the expense of humanity, and beings who had long since died stirred brought back by the memory of their stories, and now a crack in the barrier, the first hole through which the lands of men can once again be accessed is found. Oberon king of the Fae needs but a moment of thought before making his declaration. "Assemble a Hunt."
Seeing this Arthur still recovering from his wounds inflicted by Mordred discusses what to do with the Lady of the Lake, before Merlin makes an appearance to declare that if the time of monsters, and villains has returned then so has the time of heroes, and that while Arthur may not be ready to return that doesn't mean new heroes can't emerge as well, in fact he's kept an eye on several options as he monitered the barrier between realms.
The three will debate what aid to provide the hero to come a weapon would be required, however Excalibur was needed to keep the barrier from weakening further, but there were other weapons to consider. They eventually come to chose the blade Caliburn, reforged from when it was shattered by Arthur. Once again the blade would announce the changing of an era.
Galen Mason was your average teenager enjoying his vacation in a foreign country. He didn't ask for any great destiny, but when a portal opens up in on his street, and he rushes to in to stop a young boy, from being run down from the crazy man on horseback with a sword he gains it anyway. With the clash of blades the first fight in the new age of magic begins.
Galen will throughout the rest of the movie go on to learn more about the crazy events that are happening as he struggles with the idea of if he's good enough to tackle what's to come, with the support of Nancy the pretty girl across the street, and Josh Galen's new friend the adventure of a lifetime will commence with duels with Fey Knights, lessons from the eccentric wizard Merlin, and ending in the final climatic battle where Galen will face Oberon and his master of the hunt, after defeating the Master of the Hunt, Oberon will give Galen an offer if Galen swears to be as loyal to Oberon as he is to the land he's defending, then Oberon will call off the hunt for a decade.
Galen agrees to the deal, but when Oberon demands his new vassal follow him to the land of the Summer court, Galen reveals the he's American, and he's just visiting England, so he has no loyalty to the land, and therefore no loyalty to the fey king. Oberon can only laugh as he leaves telling Galen well played, but the hunt was only the first of many that would get through the barrier, and he couldn't be every where.
Gonna be honest this probably sucks, but had the idea in my head and figured why not I'll throw a pitch in. Ideally this would be the first installment in an extended universe the first couple movies being various heroes around the world forming being gifted and item from myth and legends, and facing a different threat who's gotten through the barrier. A couple ideas include a Irish kid fighting formorians with Gae Bulge, A Scandinavian person using Balmung to fight Fafnir and the like
We could do a Re-structuring of the Stocks to give him more, but a Balance of Power still exists.
Have him able to create films (Although I think he already has that)
Or, something impressive that really gives thanks to him - Possibly a Lucas ltd. Bio story that is basically the origins of the company and success with it being Eisner Centric?
Is there anything that hints out what he wants in previous threads of the quest? Perhaps there is something there.
An Interview Post Filming: ABC Edition: Steven Spielberg on Directing The NEw Star Wars Movie with Peter Jennings
An Interview Post Filming: ABC Edition: Steven Spielberg on Directing The NEw Star Wars Movie with Peter Jennings
Peter: We're back from the break, and one of the questions our audience has been asking since the announcement of the new Star Wars Picture, is the fact why George Lucas didn't try his hand at the director's chair again, or why he didn't hand the reins over to Bruce Again? Was there conflict behind the scenes that was causing it?
Steve: It was actually because Bruce was directing Moonlight Dinner and George and I made a promise that, after I directed Raiders, he wanted me to try and direct Jedi, because he was so scared about how to end a trilogy. We all were scared, I mean, Bruce made one of the best films ever, and George I still to this day, made one of the greatest films of all time. And I can't think of anyone else who could have done it, I was very honored that he considered me. But the thing was, we had so many wonderful things that we wanted to do during the pre-production I won't get on about, but I remember being horrified and a bit afraid about what was going to happen, and how we were going to do this. Star Wars, I think a new hope was a famously... well infamous production with minor hiccups, it almost went over budget but didn't, and Bruce and George ... no it was mostly George and ILM, invented entire pieces of equipment for Empire that blew everything away.
Peter: And you think it was because of Raiders that you got the job?
Steve: I was going to get the job, raiders or no raiders. The thing that surprised me about this production was the fact that everyone on it, from ILM to the wonderful puppeteers from the Jim Henson Company and Frank Oz... I mean George was there as the second unit director and I had Bruce help me with some scenes when I had to take a day off for my health because I was feeling sick to remain on schedule. It was wonderful having a great team with me that just made everything work and it was stressful at times, especially near the end, but we got it done. And every one of the actors did their jobs with conviction and the script had some minor issues that were fixed during the production that just made everything clearer and much better than I initially thought. Because we're doing possibly one of the largest films ever made, maybe not to scale, but definitely scope. We're doing things, I'd argue that no one would be crazy enough to do except George Lucas.
Peter: And you think that it will make it greater if it fails?
Steve: Sid and Alan and Rupert might like that, they are scared that Star Wars is going to shut down the whole world, and I want to make more films after that are less franchise-centric and what I want to do. I mean, kinda, I want to do more Indiana Jones, and want to do other projects that are for me. And not just for the sake of filling out a schedule, which is sometimes what we have to do. We don't have huge production runs of films per year, but they are so good that people understand what we are doing.
Peter: So what is it that you loved best working on the film?
Steve: George having the utmost faith in me, and talking to me, and trusting me through every step of the way with his dream and his vision for Star Wars, where I put my own spin and interpretation as well, which makes it what we all need. I wasn't afraid of changing things that I thought needed to be changed for the better, and he explained why things couldn't. There is a phrase I say to describe George and that was "He dreams for a living." And I think because of that, he's going to change the world for the better because of it.
It was a simple fact of life to him, something that was imbedded in the fabric of the universe as he would explain if asked; water is wet, the sun rises in the morning, and he hated westerns. See, simple, no muss no fuss as his mom would say. Then again, she loved to call him a contrarian because he never went with the flow of things, all because he refused to remain on living in Harlem or look for a steady paying job just after college. It was not that James was a bum, or that he hated working hard; the Lord above knows that he would have never graduated had he not put in the hours to get his diploma.
But then, how could he explain to her mother that he just couldn't keep on living there? That he needed to expand his wings, to look forward to what he was sure would be the industry of the future?
He couldn't. His mother never saw the point of it after all. "It's just a fad", "You can't make a living out of it". James had the argument with her over and over again. So many that he were sure the neighbors heard both of them and may have been on the verge of calling the cops. Mrs. Johnson made sure to visit often after that day. Always a busybody, though James did appreciate how it made it harder for his mother to start an argument.
Now how the heck does hating westerns equated to James' less than stellar relationship with your family and your career choices? Simple; it had been your utter dislike of the genre what had pushed you into the very inspiration for your current location and job interview.
For James had dived deep into the works of Science Fiction; Asimov, Clarke, Herbert, Niven, etc. If it had Science Fiction, then it would be among the ones he had read. He had bought a subscription to Amazing Stories, and been among the first to get another for Asimov's Science Fiction the moment it had made its debut among others. James would not call himself obsessed of course, but he could very well admit to being a fan and connoisseur of good Science Fiction, the works that inspired the mind to dream higher, and to imagine whole new worlds where the fantastic became possible.
Of particular love for him had been Asimov's works, and his "Three Laws of Robotics", as well as how it affected the development of robots in the future. It was eye opening to see how mankind could and would develop, as well as how they could play at being God by creating life, yet still shackling it to their whims. In a way, it showed him how mankind could not trust their creations, for they could not trust themselves completely either. And though Asimov's works had mostly the reason triumphing over the non-reason, part of James always kept on thinking...
What if instead of a world where reason is seen as the highest virtue, it is emotion instead what drove us.
It was a simple line of thought, perhaps somewhat nonsensical, but just like how his hatred of westerns drove him into Science Fiction, it was this sentence that drove him into the path of work that would drive a wedge in his family; for James was now determined to become an author, and have his stories be written and shared with everyone around. He would create worlds of technological wonders that children would read, just like he'd once done.
He'd worked hard at it too. He'd made sure to write down his ideas, practiced on drawing when he had the time, even joined some clubs or classes whenever they were available during high school. When the time came to go to college he took Literature and Communication classes to better work on his ideas, creating a lived-in world and developing it. Learning just what made a character work and what didn't. Heck, he'd even gotten into some computer programming classes in order to better understand what made robots work.
That his mother basically threatened to kick you out unless you learned a trade that would actually give you a stable job had nothing to do with it.
But in the end, it was all worth it in order to finally graduate with a Major in Communications and a Minor in Computer Engineering.
Yet it had been that minor what would feed and keep him clothed, as not everyone was willing to take a risk on what he'd written. James was not discouraged however; he'd made sure to take the criticisms that came from the rejection letters (when they bothered to even offer it) and worked hard at it during his time off from work. Yet it never seemed to be enough, for rejection after rejection just kept on coming. 'Too infantile', 'Too silly', 'Too Childish'...James could not understand just what it was about his work that would make them think that.
A story about a robot fighting other robots to save humanity. A saga that he was certain had potential for not only a single story, but many more as the constant fights would allow for an adventure in a futuristic land, where different environments could be illustrated.
But it all came to nothing in the end. For years James just kept at his current workplace, making sure computer programming was up to par, he was even considered for a promotion. And for a moment, James felt that perhaps he should accept it, that perhaps his mother had been right, that his dreams for being an author had just been nothing but a fad that he had to give up now. His writing, his stories, were just not good enough for publishing.
Then, what would be called "The Crash of 82'" happened, and James soon found himself without a job as his company was one of the casualties of the collapse.
For James it had been one of the darkest moments of his life. It was true that it was not the end, as despite his company being hit, there were certainly other jobs that would still require his skills. The personal computer was still too useful a tool for it to be completely eradicated. But for him, after seeing his dream being crushed over and over again, followed by a sudden firing, all he could feel at the moment was apathy, followed by a deep depression from which he did not feel the strength to crawl out of.
It was perhaps only a chance occurrence, the roll of the dice when at night, unable to sleep, James turned on the TV, watching an interview at one late night show (and weren't there so many lately) where an interview between the host and his guests turned towards the recent collapse of the videogame industry and their effects. While most just joked about it and were already talking about videogames as just another failed fad, one of them actually spoke about it as something more. How he'd been to Japan and seen a thriving Market, one that kept on expanding, one that in many ways could represent the future thanks to their innovations.
It was a talk that mostly focused on what it could and could not be done with videogames, it did not last long, but it did leave an impression on a listless and directionless James as it mentioned a couple of things that moved him out of the rut he'd found himself in; videogames could have story integrated, and Lucasfilm's' was still going forward with their own videogame division.
It was a crazy thought, a crazy idea. But then again, it was par for the course for a man who'd decided to be a Science Fiction author out of not liking westerns.
He was sure he'd once more have a row with his mother over this, but for once in a while he once more had direction on what to do. He might not be a full-on expert for programming, but he had years of experience under him. But above all, he had a story to tell, his dream of becoming an authro might be dead, but a new dream, one to create stories in a different medium could start now. And lucky him, had just the one, a tale of adventure, a tale of the future, the tale of...
Videogame Pitch: Mega Man
Set Up: Rock, a robot made to serve as an assistant to his creator Dr. Light, is repurposed into Mega Man to battle the mad scientist Dr. Wily and his ever-growing army of robots, and stop them from taking over the planet by using their own special abilities against them. Utilizing his Mega Buster arm cannon and his ability to copy the special weapons of the boss robots he defeats; Mega Man must travel the world and traverse harsh environments in order to bring Wily's menace to an end. With the help of his creator Dr. Light and his assorted cybernetic companions, Mega Man's eventual goal is to one day achieve everlasting peace for both humans and robots.
Game Developer: LucasArts Entertainment Director: James Wyatt Genre: Sidescrolling, Action, Platformer.
Mega Man consists of six side-scrolling platform levels freely chosen by the player. In each level, the player-character, Mega Man, fights through various enemies and obstacles before facing a "Robot Master" boss at the level's end. Upon defeating the boss, the player assimilates the Robot Master's signature attack, or "Special Weapon", into Mega Man's arsenal for the rest of the game. Unlike the standard Mega Buster, the Robot Master powers have limited ammunition replenished by collecting ammunition cells dropped by defeated enemies at random. Enemies also drop energy cells that replenish Mega Man's health gauge. While the player is free to proceed through the game in any order, each Robot Master is especially vulnerable to a specific weapon, which encourages the player to complete certain stages before others. The player can also revisit cleared levels. Besides the weapons taken from the Robot Masters, the player is able to pick up a platform generator item known as the "Magnet Beam" in Elec Man's stage.
When all six Robot Master stages are completed, the seventh and last stage appears in the middle of the stage select menu. This stage, in which the player traverses Dr. Wily's robot factory, is a chain of four regular stages linked together, each containing at least one new boss. During these final stages, the six Robot Masters must also be fought again in a predetermined order before the final confrontation against Dr. Wily. As Mega Man's ammo is not restored between stages, every action the player takes is consequential.
Rock/Mega Man: He is a humanoid robot created by Dr. Light. He battles the mad scientist Dr. Wily and his ever-growing army of robots in order to stop them from taking over the Earth by using their own special abilities against them. Utilizing his special Mega Buster arm cannon, and his ability to copy a defeated robot's Special Weapon, Mega Man must travel the world and traverse harsh environments in order to bring Wily's menace to an end. With the help of his creator Dr. Light and his assorted robotic companions, Mega Man's eventual goal is to one day achieve "everlasting peace".
Dr. Light: He is Mega Man's father and creator. He is a brilliant man and has a strong sense of right and wrong. He once worked side by side with Dr. Wily, but their friendship ended when a committee decided to cancel Wily's Double Gear research in favor of Light's research into robots with independent thought. They worked together for a while, until Wily betrayed him and corrupted the robots created by them into fighting humanity. After modifying Mega Man to fight against Wily's forces, he continues to aid him by creating new devices in order to aid him in battle.
Dr. Wily: He is a human scientist and both primary rival to Doctor Thomas Light and arch-nemesis to Mega Man. He aspires to conquer the world with his robot army lead by his Robot Masters. Dr. Wily grew jealous of Dr. Light's because Light received all the credit for the team's work, he then stole and reprogrammed Light's industrial robots, attempting to take over the world. Wily is shown to be hot-headed, prideful, and resentful, even as a student. These traits eventually evolved into pure hatred and evil, driving him in his bid for world domination and in his fight against Dr. Light.
Cut Man: He is a Robot Master created by Dr. Light to be a timber-felling robot, but was reprogrammed by Dr. Wily to help him conquer the world. His Special Weapon is the Rolling Cutter, an extremely sharp circular pair of scissor-like blades that can be thrown like boomerangs to attack from a distance. They are made of highly resistant "ceramic titanium", allowing them to slice through most materials effectively. His body was designed with a lightweight chassis that grants him fast and agile movement, even in strong rain and wind, as well as the ability to jump against horizontal surfaces to reach great heights.
Guts Man: He is a Robot Master created by Dr. Light to be a civil engineering robot, and to work alongside Bomb Man for the purpose of land reclamation and construction, but was reprogrammed by Dr. Wily to help him conquer the world. Guts Man possesses great physical strength, being capable of lifting and transporting heavy objects, including rocks of over two tons, with little effort. In battle, he can use his Super Arm to throw heavy objects, such as boulders and blocks, at his enemies. Guts Man can also use his strength to hit his enemies with a powerful tackle, and make the ground shake with his jumps.
Ice Man: He is a Robot Master created by Dr. Light to perform human-like tasks under extreme climate conditions. This can be done due to the fact he is impervious to chilling sub-zero temperatures. Ice Man is also capable of functioning in hot environments, though he is less powerful there. His Special Weapon is the Ice Slasher, a sharp ice blade launched from his mouth that can freeze anything with its temperature of 200 degrees below zero. Ice Man has been known to love showing off for crowds of people and can be known to be sometimes very self-centered, but cares deeply for his friends.
Bomb Man: He is a Robot Master created by Doctor Thomas Light for demolition and land development, blasting away debris so that land could be cleared for construction projects, working in tandem with Guts Man. Bomb Man's and Fire Man's development began at the same time, and despite being warned by Rock that working with both explosives and fire could be dangerous, Dr. Light went on believing that Ice Man could handle things if anything happened. A few flash fires did occur, but Ice Man ran away saying he doesn't like saunas. His Special Weapon is the Hyper Bomb—very powerful explosives originally used for land reclamation and destroying abandoned buildings.
Fire Man: He is a Robot Master built by Dr. Light to work in an incinerator at a waste management facility and is able to wield flames that can reach 7000-8000 degrees. Fire Man can melt or burn through almost anything with his Special Weapon, the Fire Storm, whose weapon system excellently combines offense and defense. A hot-blooded and charismatic, albeit hot-tempered individual, Fire Man sees himself as something of a hero, obsessed with fire and the ideals of justice, often referring to himself as the "Flame of Justice". His main weakness is the cold, and thus Ice Man's weapons.
Elec Man: He is a Robot Master created by Dr. Light to control the voltage of nuclear power plants. At the time of his creation, Elec Man was often hailed as Dr. Light's greatest creation and boasts razor-sharp judgement, as well as a physical agility that could not be matched. His Special Weapon, the Thunder Beam, fires off devastating bolts of very high-voltage electrical energy in multiple directions, with sufficient power to go through multiple enemies with one shot and even break through solid rocks. Elec Man is conceited and egotistical, with something of a sadistic streak in him, but is otherwise very responsible, smart and competent.
Blader: A helicopter enemy that will follow and swoop down into Mega Man repeatedly.
Blaster: A wall-mounted gun with a beak-like armored shell that opens and closes.
Octopus Battery: A one-eyed adhering barricade enemy that travels back and forth along a set path.
Super Cutter: A cutter-based enemy that is only in Cut Man's Stage and leap from the Super Cutter generators toward Mega Man. They bounce on the floor for a while in Powered Up as well.
Flea: A small jumping cricket enemy that constantly hops towards Mega Man.
Flying Shell: A flying reconnaissance enemy that fires in 8 directions all at the same time. They can only be shot when their eyes are exposed.
Big Eye: A large one-eyed jumping enemy that tries to jump and crush Mega Man.
Screw Bomber: A small enemy that is installed in floors and ceilings, and when Mega Man gets close to it, spins and shoots in five different directions twice.
Met: A small enemy that has an indestructible helmet and fires 3 shots occasionally toward Mega Man.
Picket Man: A type of Met that throws pickaxes at Mega Man and uses a shield. He is only vulnerable when he is throwing pickaxes.
Crazy Razy: A security guard enemy that fires a single shot at Mega Man. It will detach from its body and follow Mega Man if he tries to get around him or if he only shoots the torso.
Spine: A low-lying, spinning enemy that travels back and forth on a surface to collide with Mega Man. They speed up when Mega Man is on the same elevation and don't die from a Mega Buster shot.
Peng: A flying penguin enemy that flies in a wave-like motion towards Mega Man.
Foot Holder: An elevator enemy that is invincible. It also fires from its sides from time to time.
Bombomb: An invincible bomb that launches from pits and explodes, scattering shrapnel around.
Sniper Joe: A security enemy that is based on Proto Man. They either fire a single shot or jump, and if Mega Man tries to get around them, they will follow him.
Killer Bullet: An industrial bomb enemy that flies towards Mega Man. It blows up when its destroyed and the explosion can damage Mega Man. It flies in a wave-like form.
Tackle Fire: A small fire enemy the rises up from the lava in Fire Man's Stage in bunches of 4 to drop down slowly toward Mega Man.
Watcher: A reconnaissance enemy that passes by the screen and shoots two electric beams from its eyes when Mega Man is in front of it.
Yellow Devil: A gigantic robot, the first combat robot created by Dr. Wily. Its body consists of yellow goo-like shape-memory parts that can dismantle and fly across the screen to attack its enemies manipulated by its core, the eye in the center.
Copy Robot: It is an evil copy created by a 3D copy system inside Dr. Wily's robot plant, being an identical copy with almost the same performance as the original, but with a different personality.
CWU-01P: It is an aquatic robot that was originally created for water purification, but it is used by Dr. Wily to protect his fortress.
Wily Machine: A machine created in a hurry by Dr. Wily in order to face Mega Man when he managed to defeat all the Robot Masters.
A.N.: The reference video helps as I've found this review very helpful in seeing what would work and what would not when making the game. Megaman can be improved by shoring up its weaknesses and making it an icon that could serve as our own mascot character...at least until we manage to either make or get Sonic fr ourselves.
If RotJ gets over 1000, and Aliens come by, they're probably not gonna destroy Earth because it would mean destroying the people who made such a great movie.
If RotJ gets over 1000, and Aliens come by, they're probably not gonna destroy Earth because it would mean destroying the people who made such a great movie.
