Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
Last edited:
Throne of Blood

Throne of Blood
Directed by: Akira Kurosawa
Produced by: Sōjirō Motoki, Akira Kurosawa
Distribution (USA): Lucasfilm Unlimited
Starring: Toshiro Mifune, Isuzu Yamada, Takashi Shimura, Akira Kubo, Yōichi Tachikawa, Minoru Chiaki, Takamaru Sasaki, Chieko Naniwa, Kokuten Kōdō, Sachio Sakai, Yū Fujiki, Kichijirō Ueda, Takeshi Katō, Shōbun Inoue, Asao Koike, Eiko Miyoshi, Isao Kimura and Seiji Miyaguchi.


Audience: D100+20 => 52
Critic: D100+20 => 112

International Box Office: $14,000,000

Lucasfilm Unlimited Profits: $7,000,000

Mike had given you hell when you tried to release this film last month, and you could see his reasoning; Star Wars was still dominating in the Theatres, and any and all films that were trying to compete with George's masterpiece were getting decimated. To release Throne of Blood in such an environment was the equivalent of releasing a School of fish into chum-laced waters. They would be lucky to come out with alive, if even that.

Waiting for one more month was still no better, but it gave a greater chance at success as he was sure audiences would be more receptive to something new...well, "newish" if you want to be more correct. Throne of Blood is an old film, one of those movies that, just like 7 Samurai, had made its debut in the 50s and 60s, and promptly been ignored despite reviews praising the attempt at doing Shakespeare in Japan. Frankly, seeing those same reviews now, you have to admit they were downright generous considering the outright hatred for all things Japan.

Time praised it as "a visual descent into the hell of greed and superstition". The New York Times called the idea of Shakespeare in Japanese "amusing", and complimented the cinematography. Heck, most critics stated that the visuals filled the gap left by the removal of Shakespeare's poetry. A great praise for an eastern adaptation of the bard. Mifune, on one of the times that he told stories from his previous work, even mentioned how Kurosawa was such a perfectionist that he actually waited for fog to naturally appear before filming, rather than just using smoke machines!

So you just knew that you needed to have this movie released, the sooner the better if only to take advantage of Mifune's popularity as Obi Wan. That this was a highly praised movie that involved one of your favorite plays was another matter altogether, and the early numbers of attendees quickly dispelled any of your doubts for the success of the film itself...only for the numbers to soon start dwindling as, from what you were able to find out, most of the audience was going in expecting to see either something exciting and gory like Lone Wolf and Cub, or something destructive and campy like any of the Godzilla series. Watching an adaptation of Shakespeare, on Japan, using more traditional Noh Theatre techniques was something out of their comfort zone and understanding, and even when some came for a rewatch it was not in the same numbers one would expect.

The story itself is innovative in your opinion; Generals Washizu and Miki hear a spirit predict the future, and when it comes true it sparks in Washizu the embers of ambition that he nonetheless keeps at bay, had it not been for his wife, Asaji, then he would not have acted in order to kill Lord Tsuzuki and become the Lord of Spider's Web Castle. Lord Tsuzuki's son, Kunimaru, believes Washizu to be guilty, yet Miki remains faithful to his friend. Washizu then plans to make Miki's son his heir as he has no son, but then kills them when Lady Asaji tells him she's pregnant. Washizu soon starts falling into madness, exacerbated when his son is stillborn and the news of Kunimaru joining hands with their previous enemy (Lord Inui) and Miki's son, Yoshiteru. He once more goes to speak with the spirit who tells him he won't die until "the trees of the Spider's Web Forest rise against the castle", which makes him arrogant and overconfident, to the point he does not flinch even when his men tell him that such a thing is happening, with the approaching army using the cut trees as shields.

The movie ends with Washizu shot by arrows by his own men, a change that in your opinion works with the entire context that the story is working with. And the many critics who have seen the movie seem to agree with you. Where the previous critics from a decade ago where willing to acknowledge the film existed, this new generation of critics, having seen the offerings distributed by Lucasfilms, have nothing but praise and adoration in seeing the Bard's work recognized and adapted as it was. From the camera usage to the ambience, to the actors' roles themselves (and yes, they did heap a great amount of said praise upon Mifune as you hoped) there didn't seem to be enough words for them to describe how this movie made them feel, and how this movie should serve as example to any and all new and up and coming directors in how to produce their craft.

Now, who could they have been aiming that comment to?

In the end, though the critics praised the movie to the heavens and back, it still only did marginally better than the previous Lone Wolf and Cub film, with 5 Dates doing so much better in the audience front, even if Ebert did systematically tear down your direction. He gave 4 out of 4 stars to this movie though, so at least you know he's on the level. Well, this will teach you to listen to Mike when he tells you to wait a few more months before you release something. You had not counted on the huge strength of Star Wars keeping up even after near 4 months.

Incidentally, Toho had called and mentioned how Kurosawa had done another film which was an adaptation from Shakespeare's works, and he had been on the phone with them for a collaboration in order to make a new one.

This gave you ideas.
 
Truth, Justice
"You rat bastard."

Alan was used to being called at sorts of things, hell being disliked kind of came secondhand with the title of CEO of a major picture studio. Although he had to admit, he couldn't remember the last time somebody had actually called him a rat bastard and they WEREN'T wearing a pinstripe suit. "Mister Kane, I think you need to calm down before your blood pressure gets too high."

"Fuck my blood pressure, and fuck you for trying to pull this kind of shit!" Bob Kane shouted, slamming his hands down on Alan's desk and causing a view papers to topple over. "When DC started putting Finger's name on the covers I could deal with that shit, even if it DID go against the legally binding contract. But now THIS?!" He slams the piece of paper that's been in his hand, Alan looking down at the crumpled final draft copy of next week's Batman. Written by Bill Finger and Bob Kane. "He gets top billing?!"

"...it's just in alphabetical order Bob." Alan says after a moment of silence. "You're acting like we're taking your name off the title all together."

"You better not punk," Kane threatens, standing up and straightening up his suit. "You think I don't know you're plannin' that Batman flick too? What'do'ya think'll the papers will pay for a little inside scoop from Batman's original creator on that, huh?!"

"I think I could care less, I'm more interested in how you expect to have a job if you pulled a stupid stunt like that." Alan said coldly. "I don't think I need to remind you that just because we have to keep your name on the covers doesn't mean we have to have you actually involved with anything DC related."

The two men glared at each other a few moments longer before a knock was heard at Alan's door. A second later his secretary peeked in. "Sir, mister Siegel and mister Schuster are here to see you."

Bob frowned at that, turning to blink at the secretary who quickly dipped out before looking back at Alan. "The hell you want with them?"

"Personal business Bob. Now, if you don't mind? This is a private meeting." Alan didn't leave Bob any room for argument, the other man just huffing and stomping out of his office. Moments later the two men he was ACTUALLY glad to see popped in. "Gentlemen, thank you for coming."

"Was that Bob Kane?" Jerry asked, walking over to the desk and shaking hands with Alan who stood up. "He looked real angry."

"Did you tell him those clown paintings he's been doing look like crap? I heard he doesn't even do those himself." Joel said, shaking Alan's hand as well.

"Mister Kane was simply unhappy with a new direction we're taking the Batman title, but that's irrelevant to the reason of our meeting. I trust you two know of the Superman movie that's currently in production?"

"Yeah, that Reeve fella' looks like he'll do big blue good." Jerry said, Joel nodding along.

"Guess you called us in cause you want us to little media circuit run?" Joel asked.

"While that would be greatly appreciated, that's not the reason I asked you here today." Alan reached into his desk, pulling out two moderately sized stacks of papers and passing them to the other men. "About ten years ago you both attempted to obtain the copyright to Superman, of which you were denied. As Detective Comics is now owned by Columbia Pictures, we've decided rethink that decision."

Jerry was staring down at his own paper with wide eyes, mouth going from tightlipped to gaping every few seconds. It was Joel who finally spoke up. "Is this...does this mean-"

"Gentlemen, as of today you are both the legal owners of the Superman copyright." Alan said calmly, although there was a fair bit of a smile on his lips. "Of course Detective Comics still holds the rights to use Superman within the comics, and Columbia Pictures may continue to make Superman films. You two are free to pursue any new stories or mediums you wish for Superman to appear within." Not one to stop a ball while it's rolling, Alan continued. "Along with that, you will both be receiving a yearly lifetime stipend of $20,000 dollars a year."

Jerry ran a hand through his hair while Joel just leaned back in his seat and blinked like a deer caught in the headlights. "You're...you're serious?" Joel asked after a moment. "This isn't some cruel joke right? We've been asking for this for, gosh, it feels forever."

"We here at Columbia Pictures feel like it's been a long time coming that creators should actually be credited for their work." Alan paused, then smiled. "That, and this'll drum up some good press for the movie."

"Well, at least you're honest." Jerry finally said, still staring blankly at his papers. "This feels like a dream."

"Well, let's hope we never wake up then huh?" Alan said, standing up. "Now come on, I don't think my kids would ever forgive me if I didn't get to introduce them to the creators of Superman."

"Your kids big Superman fans then huh?" Joel asked as they all stood.

"Actually, Scotty likes Spider-Man more."

Alan sat at his desk, another long night for a man with a lot on his plate. He knew he was walking the razors edge with how he was running things, his buyout of DC had been seen as risky and foolish, too much money spent on a medium that most of those around him didn't see the potential in it. Well Alan DID see the potential in DC, he just wish that fuckin' Bruce O'Brian hadn't run the bidding up so much.

But that was neither here nor there. Alan had to focus on what was in front of him, literally. He had the script and details for the Superman movie laid out a bit, everything seemed to be moving smoothly. The Batman and Wonder Woman movie ideas he'd been pitched had seemed interesting, if not typical. Probably have to work on that a bit.

He knew that, more than anything, he needed a real banger of a film to prove that his purchase of these stories and characters actually meant something, and while Superman, Batman, and Wonder Woman were all recognizable characters they were also a bit stuck in the times. Now that wasn't entirely a problem that couldn't be solved with a good script with a different take, but Alan felt like the real direction he needed to be looking was at another character all together.

He sighed, looking over at the stack of comics that had been left at his desk for this month and took the top one off the pile. Now, he wasn't one to believe in destiny or even pure luck, Alan believed everything happened for a purpose, which is probably why when he laid eyes on the cover before him, he nearly shot up out of his chair right then and there.

He flipped through the pages, speed reading and mostly focusing on the panels and artwork, before going back and reading over the actual dialogue boxes this time. By the time he was done Alan was already on the phone with his people. "Hey, yeah listen it's Alan....I know you're busy but shut the fuck up and hear me out. Clint Eastwood, he still on good terms with us because of Dirty Harry right? See if he's got time for a meeting sometime this week, I've got a proposition for him..."

"One I think he might like."
 
Last edited:
"Gentlemen, as of today you are both the legal owners of the Superman copyright." Alan said calmly, although there was a fair bit of a smile on his lips. "Of course Detective Comics still holds the rights to use Superman within the comics, and Columbia Pictures may continue to make Superman films. You two are free to pursue any new stories or mediums you wish for Superman to appear within." Not one to stop a ball while it's rolling, Alan continued. "Along with that, you will both be receiving a yearly lifetime stipend of $60,000 dollars a year."
There's no way that he can afford to do this. I'm pretty sure IIRC Columbia is in major debt right now and if Superman failed(it won't), then it would kill the studio. That's how bad the position they're in is right now.

He flipped through the pages, speed reading and mostly focusing on the panels and artwork, before going back and reading over the actual dialogue boxes this time. By the time he was done Alan was already on the phone with his people. "Hey, yeah listen it's Alan....I know you're busy but shut the fuck up and hear me out. Clint Eastwood, he still on good terms with us because of Dirty Harry right? See if he's got time for a meeting sometime this week, I've got a proposition for him..."
I love this to death though. No one better than Clint to play Jonah Hex.
 
Last edited:
Spider-Man Noir: The Pilot Episode
I have written more than six-thousand words dedicated to the pilot of a possibly five season long tv show pitch about Spider-Man Noir... as well as a possible TV movie...

Is this why don't have that many friends? :V

Spider-Man Noir: The Pilot Episode
Issue #1: Great Power




GENRE: Superhero/Noir

SUBGENRE: Drama/Gangster

FORMAT: TV Show (Animation/Possible Franchise)

Introduced this Episode
  • Peter Parker/Spider-Man
  • Benjamin Franklin Parker
  • May Parker
  • Katherine "Kitty" Pryde
  • Harold "Harry" Osborn
  • Mary Jane "MJ" Watson
  • Elizabeth "Liz" Allan
  • Gwendoline "Gwen" Stacy
  • Alan "Dash" Thompson
  • Eugene "Flash" Thompson
  • Mark Allan
  • Dr. Farley Stillwell
  • Norman Osborn
  • Gustav Fiers
  • Roscoe Sweeney
The opening credits and theme song play, before the Title Card drops.

"Great Power"

We open with our protagonist, Peter Parker, fast asleep on a school bus with his head leaning against the bus window. He's then awoken by a poke to the cheek from his very amused best friend Katherine "Kitty" Pryde, who tells the sleepy-head that they've arrived at Oscorp Tower.

Rubbing his eyes and looking out the window, Peter sees that have indeed arrived at Oscorp Tower. Putting on his satchel and adjusting his glasses, Peter thanks Kitty for waking him up before following her and the other students off the bus. Quickly looking around, he greets his other best friends Harry Osborn and Mary Jane "MJ" Watson, who are dating each other. Harry excitedly talks about how amazing this trip will be, to which Peter jokes that of course Harry would find a trip to his dad's company great. The two then begin to trade jokes and banter as Kitty and MJ giggle at their antics.

About a few feet away, MJ's friend Liz Allan calls and waves her over to a group of other girls. MJ waves back and chastely kisses Harry on the cheek, saying she'll be back soon enough before walking over to her friend group.

Harry blushes slightly and smiles goofily after her before turning back to a smirking Peter and Kitty, who tease him a little as they file their way toward Oscorp Tower with the professors who organized this trip ensuring everyone knows which way to go. The conversation then turns to what they'll be doing once summer arrives: Harry proudly says that he'll be helping his father around Oscorp while Kitty says that she'll probably help tutor some other students or help out at the Kirby Hall library. They ask Peter what he'll do, to which he nonchalantly shrugs and remarks, "Whatever pays the best." The three all have a laugh as they enter Oscorp Tower.

Security guards quickly check the students before letting them pass, and they're welcomed by the enthusiastic and charming tour guide Mark Allan, Liz Allan's older stepbrother. After fondly greeting his stepsister and teasing her a little, Mark claps his hands and lays out some ground rules for the students to follow during their visit. While Mark is having this conversation, Peter pulls out a notepad from his satchel and begins to write about what he sees around him in vivid detail. Looking over his shoulder, Kitty is impressed and says as much, asking Peter if he's ever considered becoming a writer. Peter replies that he had for a short while before deciding to instead pursue science, though he wouldn't object to writing for a scientific journal. The two continue to talk briefly before Mark claps again and says that now that he's done explaining all the rules, they can get to the fun part of the visit now.

We then cut to a short montage of Mark guiding the students around Oscorp Tower as he regales them with the proud history of Oscorp and the many advancements in biology and chemistry it has pioneered. Peter eagerly listens to and writes down what Mark is saying while Kitty admires all the fancy equipment and Harry walks alongside Mary Jane. The montage ends as the students arrive in a laboratory run by the arrogant but affable Dr. Farley Stillwell, who greets them and begins to show off what he and his assistants are up to.

As he does this, Harry, a camera in hand, walks up to Peter and asks if he can quickly take a picture of both him and MJ for them. A little surprised, Peter asks why Harry doesn't want to listen to Dr. Stillwell speak, to which Harry responds that though Stillwell is a great scientist, he also toots his own horn far too much for Harry's liking. Nodding in understanding, Peter tells him to bring MJ over so that. As Harry walks over to MJ, Peter looks over and fiddles with the camera, unaware of an odd spider crawling onto him. He finally notices the spider, however, as it crawls onto his hand and bites him. Flinching a little, he quickly flicks it off of his hand and rubs the sore spot on his hand, muttering under his breath.

Harry calls out to him from next to a table and teasingly tells him to hurry up and take the picture already. Good-naturedly rolling his eyes, Peter turns around and says that he working on it, no need to rush him. He then tells Harry and MJ to adjust their positions just a little, which they do. He then says "Smile" before a flash of light envelops the screen.

As the light fades, we transition to Peter returning home from school, a small but lovely house in Queens. Rubbing his forehead a little, he knocks on the front door, calling out to his aunt May Parker that he's home. A few seconds later, Aunt May slowly opens the door and smiles widely, hugging Peter tightly and welcoming her favorite nephew home. Peter jokes that he's her only nephew, to which she kindly replies that she still loves him all the same. As Peter walks into the house, he takes in a deep breath through his nostrils and sighs contentedly before asking if Aunt May has prepared her famous spicy chili with extra cheese for dinner. Aunt May's eyes twinkle a little as they walk into the dining room, and she replies that she also made some homemade bread to go with it. Slinging his satchel onto a nearby chair and casually seating himself on it, Peter thanks Aunt May for making lunch as he reaches to get some food. However, Aunt May gently taps his hand away and lightly scolds him about being patient. "We haven't even blessed the food yet," she gently chides him as she takes a seat herself.

Peter chuckles hesitantly and quickly apologizes, to which Aunt May simply smiles and says that he should keep it in mind in the future. They then pray over the food before beginning to eat. As they eat, they talk about how Peter has been doing in school. As they talk, Peter begins to feel a bad migraine come over him, causing him to grunt in pain and rub his head in a futile attempt to stop it. A very concerned Aunt May asks him what's wrong, to which Peter replies that he doesn't quite know before letting out a pained sigh. Seeing this, Aunt May tells him that he should go to sleep early today so that he'll feel better. Peter tries to argue, but Aunt May firmly tells him that he needs to rest and that that is the end of this discussion.

Seeing that he can't convince her otherwise, Peter reluctantly nods before Aunt May quickly sends him over to his bedroom. As he enters, we see it is filled with Captain America merchandise and home science equipment. The room is rather messy and unorganized, with some clothing scattered around. He quickly changes into his sleepwear and takes off his glasses before unceremoniously flopping onto his bed and falling fast asleep.

We then cut to Dr. Stillwell being berated by Norman Osborn for somehow losing one of the spiders that he and his department had been experimenting on. Stillwell tries to deflect the blame onto his lab assistants, saying that they're clumsy and not up to the task, but Osborn angrily replies that if that were the case then clearly Dr. Stillwell had failed to instill a proper work environment and teach his assistants basic workplace safety. Taking a minute to compose himself, Osborn then states coldly that Dr. Stillwell will no longer lead the project as it is now clear that he is unfit for the role. "Dr. Octavius will take the reins now," Osborn states with finality as he leaves the room. A shocked Dr. Stillwell angrily asks if Osborn is really going to put that Kraut rat-bastard freak in charge, but he only receives cold silence in reply.

We then cut to a dizzy, unoriented first-person PoV of Peter blearily waking up the following day. The shot is blurry, with Peter rubbing his eyes and groggily asking if a truck hit him. Slowly getting out of bed, he saunters over to his bedroom door and opens it. At least, he tries to before accidentally pulling the doorknob right off of the door. Shocked into full consciousness, Peter panics and tries to drop the doorknob, but the doorknob is seemingly glued to his hand. Panicking even more, he frantically shakes his hand in an effort to get it off only to stumble into various furniture, causing his room to get even messier than it already was. He finally manages to get it off his hand after a few seconds, thought not before tripping and falling flat on the floor. Moaning in embarassment, he pulls himself up and stares at his hand in disbelief. His eyes then trail up to his now muscly arms, which he tentatively feels up. Turning to a nearby mirror, he gapes in utter disbelief as he realizes that his stature has turned into one fit for a Greek hero, even pulling up his shirt to discover that he has abs now.

Peter then silently stares at himself in the mirror with wide eyes, almost as if waiting to wake up from a dream and return back to disappointing reality. After a few seconds pass, he hears his uncle Ben Parker on the other side of the door asking what all the commotion was about and if Peter is alright. Peter, a little dazed by his circumstances, pinches himself, causing him to flinch. Realization then washes over him that this isn't a dream, and he replies in a dreamy tone, "I'm g-good, Uncle Ben... I'm doing really good..."

"...Also, the doorknob broke, we might need to get a new one."

We then quickly cut to Aunt May and Peter eating breakfast in relative silence, with Peter shaking in subtle anticipation and excitement. As Peter chews on some fluffy pancakes, Uncle Ben walks down the stairs, smiles at Peter, and says that he fixed the doorknob. As Uncle Ben takes a seat and opens the latest issue of The Daily Bugle, he remarks that he hadn't expected a perfectly good doorknob to break like that, to which Peter, after swallowing his food, nervously scratches his neck and replies that he hadn't expected it either. Uncle Ben chuckles and says that life tends to throw you curveballs like that. "Speaking of curveballs, champ," Uncle Ben adds, "how's that head of yours doing now?" Peter chuckles in turn and replies that he feels as if the headache never happened at all before taking another bite of his pancakes. Aunt May smiles and says that that's wonderful, stating it would have been a shame for him to have gotten sick during the weekend.

Uncle Ben quickly cuts in and jokes that he's sure Peter would've preferred getting sick during a school day, causing Aunt May to lightly slap him on the wrist and Peter to bark out a laugh. Chuckling before taking a slow sip of coffee, Uncle Ben then notes that Jonah still hasn't let up in his lambasting of the mayor's policies, to which Aunt May replies that Ben knows that Jonah has always been extremely passionate about his opinions. "He's not entirely wrong on how bad the rent and mortgage prices can be either," Aunt May adds as she takes a sip of coffee herself.

As the two discuss the state of New York City and how they're going to pay for their bills, Peter quickly finishes his breakfast and puts his dishes in the sink before telling Uncle Ben and Aunt May that since he's feeling better now, he wants to take a walk around NYC for a while and get some exercise. Uncle Ben simply nods and tells Peter to stay safe and make sure to get back before lunch, to which Peter quickly replies that he will as he runs up the stairs to his bedroom.

We then cut to Peter as he walks into an alleyway next to a very dilapidated abandoned building. Looking around to make sure no one is watching first, Peter sneakily enters the building through an open window. Kicking up some dust and dirt, he coughs into his fist briefly as he awkwardly stands up. Pulling out his notebook out of his satchel and adjusting his glasses, Peter begins to mutter about his sudden body upgrade and the possible powers that came with it as he looks around the building. He mumbles and writes down his notes for a few seconds before flipping the notebook closed and stating out loud that now comes the fun part: testing for new powers!

A brief, humorous montage then ensues as he begins to test for whatever powers he has, which involves a lot of accidental falls, disappointing false starts, and general tomfoolery. As the montage ends, Peter Parker has narrowed down his list of powers to the following: super strength, super agility, super dexterity, super durability, and wall-climbing on surfaces. He notes that the wall-climbing hints toward the bite from the odd spider being the source of his powers. He also notes that this isn't quite a comprehensive test as of yet, but it's the best he can do right now. Slinging his satchel over his shoulder, he continues to write as he walks.

We then transition to the next monday as Peter walks to his locker in Midtown High School. Peter goes about his day as normal when suddenly, while getting his books out of his locker, a previously unknown instinct screams at Peter to move out of the way. Quickly moving to the side to open his locker, he's just in time to avoid a shoulder bump from local bully and jock Alvin "Dash" Thompson, with two of his minions trailing behind him. Dash sneers at Peter and says, "Oops. Guess a dweeb like you would know how to bravely run away from danger." Peter sighs longsufferingly and replies, "Sure wish I could do that more often. What I'd really like, though, is for you to leave me alone." Dash scoffs at that and states that he'll only leave Peter alone when and if he wants to. He throws out a few more insults poking at Peter's lack of masculinity, which somewhat rankles Peter, before strutting off arrogantly as his lackeys snicker behind him.

As they leave, Kitty walks up to Peter and sarcastically asks if Dash learned all his many insults from a ten-year-old, to which Peter jokes that he's pretty sure Dash hangs around kindergartens to learn from the best. The two share an awkward chuckle at the admittedly mediocre joke before Kitty asks Peter why he doesn't do anything about the bullying, to which Peter sardonically replies that the nerd going up against the jock would definitely end well for the nerd. Kitty snorts and gently elbows him in the ribs, saying that he wasn't that scrawny. Peter awkwardly chuckles at that before looking at a nearby clock. His eyes widen a little, and he says that they need to hurry as English class starts in a few minutes. The two quicken their pace.

We then cut to Mrs. Lucy Winterhalter, Peter's English teacher and one of his favorites, enthusiastically speaking about the themes of Moby Dick. Peter is eagerly listening to his teacher's lesson and writing down notes, but he's also somewhat distracted as he sneaks some small glances toward the girl seated in front of him; Gwen Stacy, one of the most academically gifted students at Midtown High who has a talent for getting into Peter's head, who is also eagerly taking down notes. Mrs. Winterhalter asks a question about what she just spoke of, to which Gwen shoots her hand up, eager to answer. Instead, Mrs. Winterhalter turns to Peter and asks him to answer instead. This causes Gwen to send him the stink-eye, which in turn causes Peter to flounder and waffle his answer. Mrs. Winterhalter sighs before turning to Gwen, who slightly smugly answers correctly, putting a little too much effort into letting people know how much she knows. Satisfied, Mrs. Winterhalter turns to the chalkboard and tells her students to turn to page 100 of their textbooks.

As Mrs. Winterhalter turns her back to the class, however, the same unknown instinct screams at Peter to duck, causing him to drop his pencil in shock. He quickly recovers, however, and reaches for the pencil. Just as a football soars right over his head and crash lands onto Mrs. Winterhalter's desk, causing everything on it to spill to the floor with a raucous noise.

Mrs. Winterhalter lets out a shriek at the sudden noise, and the classroom seemingly jolts to lively commotion, Peter stopping dead in his tracks. Staring at the football, a sickeningly sweet smile morphs onto Mrs. Winterhalter's face, and she turns to look at the culprit; a very guilty-looking Dash Thompson, who has realized just how much he messed up. "Mr. Thompson," she says in a deceptively calm tone, "I believe you and I will be having a chat after class." As Dash rapidly nods his head in fear, Peter reaches for his pencil. Once he's picked it up, he sees Gwen Stacy staring at him intensely as if she's examining him from head to toe, trying to figure out what makes him tick. Peter blushes and asks Gwen what she's looking at, with his words coming out far terser than he'd meant to, but for some reason he gets a bit tongue tied whenever he s around Gwen. Gwen replies by asking how the heck he knew to duck the football in time. He couldn't have seen or heard it, so how did he know to dodge. Peter deflects by stating that he just dropped his pencil at the luckiest time possible. Gwen scoffs and states, 'there's that Parker luck at play again', before shifting her attention back to trying to please the teacher. As Gwen's attention moves away from him, Peter rolls Gwen's words over in his head growing contemplative as he considers just what this meant.

We then cut to Peter backing up against a wall outside the school as an angry Dash and his posse corner him, with Dash snarling about Peter thinking he's so clever getting him in trouble like that. Peter rolls his eyes and replies that even if Dash hadn't missed, Mrs. Winterhalter would still have noticed what Dash had done and would still have punished him. This only serves to make Dash angrier, and he states he's gonna beat the smart out of Peter. Dash winds his fist back, preparing to clock Peter in the head and Peter turns his head and closes his eyes in resigned expectation. However, one of Dash's friends interrupts and says that while he'd also love to put Puny Parker in his place, they'll miss Dash's brother fight against Crusher Hogan later that night if they do that. A conflicted expression appears on Dash's face as he hesitantly glares toward Peter. The same friend tells Dash that the wimpy whelp ain't worth missing his brother beatdown his greatest rival, which convinces Dash to let Peter Parker go. He and his friends leave, though not before throwing one last snide remark Peter's way. Peter lets out a relieved sigh as he gathrrs himself, before pausing to ponder what Dash's friend said. "Prizefighting... You could win a lot of money from that." He quietly mutters, his eyes slowly lighting up with inspiration.

We then transition to a short montage of Peter rifling through a lot of old clothes stored in the attic in order to hobble together a good-enough costume. Eventually, he settles on a balaclava that covers his mouth, a pair of durable slacks, a black trenchcoat, and a pair of workman's gloves. After all, no one would connect a musclebound prize fighter with lightning reflexes to a scrawny nerd bullied on the regular, right?

We then cut to the next night as Eugene "Flash" Thompson knocks Crusher Hogan out cold in one fell swoop. He raises his arms in triumph, with the referee proclaiming him the winner, and flashes a cocky smirk to the cheering crowd. We quickly cut to Peter as he watches from behind the crowd, fearfully gulping at the display. He's then approached by one of the prize fight guards, who asks if he's here to fight. The nervous Peter quickly nods, though it's clear in his eyes that he's still hesitant. The guard quirks an eyebrow before leading him to the announcer and producer of the event, the portly and jovial-looking man Roscoe Sweeney. Roscoe claps and belly-laughs as the insensate Crusher is carried off in a stretcher, exclaiming that that was a fight worthy of greats like "Hammer" Harrison and Fighting Jack Murdock. As Roscoe chuckles, the guard walks up to him and gruffly introduces Peter, saying he's got some fresh meat for the fights.

Roscoe turns to Peter and sizes him up, quirking an eyebrow and asking him if this is his first time at a fight like this. Peter evasively replies, "It's my first time in the ring itself, sir." Roscoe guffaws at the answer and claps Peter on the shoulder, saying that the crowd would like spunk like that. Roscoe also notes that Peter's got some good muscles as well before calling up one of his assistants. He asks if they have a slot they can fit the rookie into, to which the assistant says that Flash's surprise opponent after Crusher had to back out due to ill health.

Roscoe grins and slaps Peter on the shoulder, saying that he's got their replacement right here. The assistant protests and says that the kid wouldn't stand a chance against Flash Thompson, which gets under Peter's skin. Not wanting to be seen as less manly than Dash Thompson, Peter steps up and says that he'll do it. Roscoe flashes a pearly white smile and applause Peter's willingness to be a good sport, promising to give Peter a cut of the profits after he loses. "There's no shame in losing, kid," he remarks after noticing Peter's eyes tense a little, "As long as you don't make it boring, that is." Roscoe then asks Peter if he has a ring name in mind, to which Peter replies that he'll go by the Human Spider. Roscoe does a so-and-so gesture with his handand says it could use some work, but it's a good base. He then tells his assistant to get Peter ready before approaching the ring.

Helped into the ring by the referee, Roscoe loudly asks the crowd if they've been entertained, to which he receives a thunderous applause in reply. Chuckling, he then says that he's glad they've all enjoyed tonight's main course, but he has something else to offer them tonight: dessert. He then begins to hype up this surprise match, slowly whipping the audience into an excited fervor. After the crowd reaches what he deems sufficient levels of anticipation, Roscoe then introduces a tired, but still enthusiastic, Flash Thompson, who steps back into the ring to cheers of the adoring crowd, or at least those who bet on him. He then introduces Peter as the Amazing-no... the Spectacular Spider-Man!

The lights then flash onto Peter, who slightly flinches at the sudden brightness. At the prompting of the assistant, he then slowly approaches the ring as the crowd both boos and cheers for him. Peter steps into the ring, with Flash smirking and intimidatingly posturing at Peter. Peter silently gulps as the referee steps in between him and Flash, who quickly lists off the rules of the fight to the two.

As soon as the referee finishes explaining and signals for the fight to begin, Flash throws a coordinated flurry of punches at Peter, who quickly dodges all of them before throwing some of his own. They're quick but sloppy, which allows Flash to easily sidestep them before counterattacking. Peter duck and weaves around Flash's attack like a maniac, frustrating Flash as this rookie is making a fool of him. This boosts Peter's confidence and causes him to taunt Flash, zinging one-liners here and there while nonchalantly avoiding the punches he throws, which Flash in turn responds by accusing Peter of being a coward and saying that he should fight him like a man. Peter gets cocky, though, and fails to notice an easily-dodgeable left hook that sends him stumbling into the ropes. Smelling blood in the water, Flash rushes forward and strikes, only for Peter to barely dodge and counter with a devastating uppercut. A dazed Flash stumbles back, which allows Peter to go on the offensive. He holds back, though, and makes sure to space out his punches so that his knockout of Flash doesn't seem too impossible, which he accomplishes with a punch to the liver. As Flash crumples to the ground and moans in pain, a stunned crowd watches in silence as the referee counts Flash down and out for the count. The silence pervades the room for a few more seconds before someone in the crowd loudly exclaims, "Hah! Pay up, Jerry!" This triggers a chain reaction as the crowd explodes with angry moans and excited cheers, with Peter being declared the victor.

As Peter collects his money from a very surprised assistant, Roscoe, a slightly strained smile on his face, congratulates the kid on his win. He tells Peter to come around again, show the regulars that he ain't no fluke. Peter enthusiastically says he'll be sure to and shakes Roscoe's hand before walking away. As Peter walks away, though, he's stopped by a tired Flash, who also congratulates Peter on the win and states that he's never had that much fun in a fight before. He tells Peter that he's got great talent for fighting like that, which causes Peter to beam under his mask. His pride is short-lived, though, when Flash adds, "Of course, all that talent means crap if you don't get trained soon enough."

Flash chuckles seeing Peter deflate and states that it's clear as day that he never threw a punch before tonight. Since it'd be a shame for all that talent to go to the gutter, Flash offers to train Peter. When Peter points out that that'd eat into Flash's time to fight himself, Flash barks out a sharp laugh and says he'll make far more from betting on Peter than being beat on by him before offering his hand. Peter thinks for a second before taking Flash's hand and shaking it vigorously.

We then cut to a short montage of the following month as Peter continues to win prize fight after prize fight at the expense of his personal life. He begins to fall asleep during classes, his grades start slipping, and he grows distant from his friends and family. He's also more irritable and easily frustrated now due to lack of sleep, which he tries to blows off through punching people. In one shot, we see a worried Uncle Ben looking out of Peter's open bedroom window at night, desperately searching for his nephew out in the dark streets below.

The montage ends with Dash and his goons confronting Peter yet again, though this time they're in the school. Dash goads Peter and pushes at his buttons, saying that he's ready to beat the smart out of Peter again and insulting his manliness and lack if bravery. A crowd begins to gather around the two as Peter struggles to ignore Dash's taunts, with Kitty telling Dash to leave Peter alone. Dash simply scoffs and says that of course Puny Parker would need a girl to defend his sorry behind. He asks Kitty what she'll do if he doesn't back down: break a nail on him?

It's the straw that breaks the camel's back. Peter slams his locker closed and whirls around with a scowl on his face, to which Dash sneers and states that Petey's getting defensive over his girlfriend. His goons snicker as Dash takes a swing at Peter, who dodges with contempt and decks him in the jaw. Dash stumbles into the lockers behind him with a loud slam, stunning him and other students as well. As he rubs his now bruised jaw, Dash's shock soon gives way to anger as he yells at his lackies to surround the nerd, which they rush to do. Peter looks around before stashing his glasses away in his pockets and adopting a defensive stance. Letting out a war cry, the goons rush him with one swinging a left hook at Peter.

We then quickly transition to Uncle Ben carefully hammering an office desk. Checking it over, he smiles and turns to the worried deskworker next to him, stating that that should do the trick as he stands up. The deskworker sighs in relief and thanks Ben for the help, stating that he'd been worried his desk would topple over like a house of cards for the past few hours. Uncle Ben tells him to not sweat it as he picks up his toolbox and walks away, bidding the worker a good day as he leaves. As he walks, he rubs his belly and chuckles to himself about how he can't wait for the end of the day to get back home for some scrumptious supper. He stops dead in his tracks, though, when he overhears someone angrily yelling from a nearby room. Cautiously approaching the room, he overhears the following: "The Goblin's gonna send his Enforcers after us if you keep risking outing our presence at Oscorp like this! The police won't keep their eyes shut forever if you keep leaving corpses where they can see them, you idiot!" Shocked by this, Ben quickly leaves the area and walks over to Norman's personal receptionist, saying that he needs to see Mr. Osborn.

We then cut to Osborn in his office, a tyrannically neat and pristine room that exudes little joy or warmth. Osborn look through expense reports as his assistant Gustav Fiers, seated opposite him, informs him that Mr. Kilgrave would like to make a deal with Oscorp regarding chemical compounds for his new line of perfumes, specifically ones that allow the perfumes to linger longer. Osborn blankly orders Gustav to send a message to Kilgrave that he would be interested in this deal and would be willing to do it at a discount if Kilgrave offered Oscorp a percentage of the profits these perfumes made. Gustav nods and writes the order down before being interrupted as Ben politely knocks on the office door. Osborn signals for Ben to come in and tells him to have a seat, which he does.

Ben gets comfy before asking Osborn how Harry is doing, to which Osborn simply responds that he's doing as adequately as usual. He then asks Ben how Peter is, to which Ben sighs and says that the kid has been through a bender lately, but he'll probably get through it soon enough. He then says that he isn't here to talk about the youngsters, though, and Osborn indicates for him to continue. Ben nods and relays the conversation he overhead, to which Osborn does not visibly react. However, Gustav tenses as he turns to his boss, standing up and heading to the door when Osborn gives him a nod. Osborn then tells Ben that this seems like a serious matter and that he'll look into the matter at once. As Gustav reaches for the door behind them, though, Osborn's secretary knocks on the door and, after being let in, apologizes for interrupting the meeting before saying that she received a call from the front desk for a Benjamin Parker. After Norman tells her to elaborate, the secretary states that they received a message from Midtown High about Ben Parker's nephew getting into a fight. Ben stands up, immense shock and worry on his face, and tells Osborn that he's sorry for leaving so soon but he needs to find out what on earth happened with his nephew. Osborn simply says that it is excused as Ben hurriedly rushes out of the office, though not before thanking the secretary. As Ben leaves, Osborn tells the secretary that no one is allowed in his office for the next fifteen minutes as he needs to make some sensitive phone calls. The secretary nods and says she'll be sure to do so before leaving as well. Once she's gone, Gustav locks the door before turning to Osborn and asking who he'll need to forward the payment to.

We then cut to Uncle Ben admonishing Peter as he drives them from Midtown High, stating that he is extremely disappointed in Peter's behavior. Peter mutters that Dash and his buddies got what was coming to them, to which Uncle Ben asks if they deserved the many broken bones, bruises, and cuts that Peter gave them. "It'd be one thing if you were simply defending yourself," Uncle Ben firmly states, "Instead, you decided to instigate a fight and brutalize your bullies unnecessarily." Peter argues that he was outnumbered, but Uncle Ben points out that since he came out of the fight without as much as a scratch, he most likely didn't need to beat up his bullies as badly as he did. He then points out that Peter also couldn't throw a punch to save his life just a month ago, which causes Peter to freeze slightly. Sighing, Uncle Ben turns to Peter and says that he and Aunt May know Peter has been sneaking out of the house for the last month to do something, which is probably connected to Peter's sudden ability to brawl. When Uncle Ben presses him on the matter, Peter, after a lot of hesitstion, admits that he's been participating in illegal prize fights.

Uncle Ben exhales slowly as they reach a red light. He turns to Peter and asks if this all is worth it, which confuses Peter. Uncle Ben elaborates and asks if using all these talent and capabilities he has to settle petty grudges and win some short-term fame and fortune is worth a week's worth of detention. Peter slumps in his seat unable to answer, which Uncle Ben takes as a sign to continue. "Sure, you might start off winning or even excelling doing what you're doing now," he begins, "But if you start throwing around whatever amount of power you have to deal with whatever problems you come across, the moment someone stronger and scarier than you, or someone that doesn't fear you, gets in your way, then everything you've built for yourself will crumble under your feet. You'll be left with nothing to call your own. Not even respect."

"You have the power and talent to accomplish so much more, Peter. So remember this: With great power comes great responsibility," Uncle Ben solemnly ends his monologue as the light turns green and he begins to drive again. Peter sighs as he rubs his neck, a conflicted expression on his face as he processes those words. After a few seconds of silence, he asks Uncle Ben what his punishment will be. "We'll talk more about that when we get back home," Uncle Ben replies, "Right now, we need to pick up some groceries for your Aunt May."

We then cut to the two as they walk out of a grocery store with groceries in hand. As they walk to the car, which is on the other side of the road, Uncle Ben realizes they forgot to buy cheese. Turning to Peter, he hands him some change and tells him to go buy some cheese quickly, otherwise Aunt May will have both of their hides. Peter chuckles and nods before running back to the store, during which we vaguely see a masked man slowly approaching Uncle Ben from the distance.

Peter searches for and grabs the cheese before rushing to the cashier to pay for it. Despite how quickly the whole thing goes, Peter taps his leg impatiently. Once he pays for the cheese, he quickly rushes back out and toward Uncle Ben, who's finished storing the groceries in the car trunk. Uncle Ben waves Peter over, but pauses when the masked man calls out to him with a gruff, "Hey!" As Uncle Ben turns to look at the masked man, Peter watches in horror as the man pulls out a gun from his trenchcoat and points it toward Uncle Ben. The scene slows as Peter lets out a yell of warning and rushes toward Uncle Ben.

He's too slow.

The man shoots Uncle Ben in the upper body three times, each shot reverberating painfully, before fleeing the scene. As Uncle Ben staggers to the ground, Peter catches him and gently lowers him to the ground. Peter cries desperately for someone to get help as he tries his best to stem Uncle Ben's bleeding.

"Keep... May... safe... Peter..."

Uncle Ben, with what little remaining strength he has, gives as reassuring a smile as he can to Peter before taking one last breath and succumbing to his wounds in Peter's arms. Peter lets out a silent scream before curling up against Uncle Ben's body, clutching to it as if it were a lifeline for a drowning sailor as a small crowd begins to gather. All is silent but Peter's ugly sobs and pleas that Uncle Ben come back.

We cut to closing credits.

Author's Notes:

Hope you all enjoyed this pilot pitch. :D I'm going to try to incorporate as much Spider-Man stuff into this show as possible the same way Spectacular Spider-Man did.

Many thanks to @King crimson, who served as the beta reader and main advisor for this. I also want to thank @McLuvin for giving me some advice and suggestions as well. :)

Pleaee share your thoughts and criticisms of this pitch, what you liked and didn't like. As long as its constructive.

Sincerely, Duke William of.
 
Last edited:
it was 20, and that +30 was from the Eisner Group that won't start till next year.
The Mike Eisner Division: The Brain Child of, of course, Mike Eisner, he wants it to become a monolith of producing hype, getting attention, and in the end, getting butts into seats at the movie theaters. Now, of course, it would require a huge amount of money, time, and effort to bring it to full operation, however, there is always something that people would need. Mike said he needs quite a bit, a new building in town that we need to Lease or buy out, hiring new people, intelligent people, who understand not marketing, but storytelling. And of course, he said that he needs your support to get it done because George is still a little hesitant to work on this when there were so many things he wanted to do to push the movie industry forward. (All Audience and Critical Rolls will now have a +50 to their rolls, in addition, there is one reroll allowed for the Audience roll. You no longer need to dedicate actions to excite movies or make a trailer, as it is done automatically in-house. Will take effect in 1978.)
Reward: All of Hollywood is on Strike, and the studios have all but shut down for… the foreseeable future.

Except it seems Lucasfilms. Because you're only working on two films.

MASH's Production will wrap with only a half season (two turns).

Lucille is trying to figure out what the hell is going on, and who was the idiot at the other companies who kicked the hornet's nest.

Edit:

+30 to Audience and Critic rolls for all movies released until December of 1977.

Increase profits by a factor of 2.

The current bonus to audience and critical is +30 and the upoming Eisner Group bonus is +50 for next year.

No you did not.

do not think that.

Thanks. I just got really concerned because literally almost all of Roger Ebert's criticisms corresponded to the certain creative liberties that I made with the synopsis and I kind of took that as sabotaging the end result somehow through poor story, which I have to admit didn't see the best choices on my part but I was limited by the pitch and cast.

Oh well, at least our first in-house "Failure" is just a critical one and it was still loved by the public, a massive financial success and an objectively good film. Hopefully this is a case of Super Mario syndrome where the critics are massively out of touch and objectively wrong with the public being right, or over time it'll receive a critical re-evaluation and high praise like The Graduate or Godfather Part II.


By the way, considering we didn't make Star Wars, Rocky or Graffiti type money, I think we should take this as a sign to not budget splurge on all of our movies in the future and diversify the Lucasfilms catalog with a steady stream of mid and low budget films.
 
Probably, yeah. It's nice to see and omakes are always a nice surprise, but I think it's a bit unrealistic given their current conditions. But that's just the opinion of some rando on the internet, so do as you will.
Nah I just checked, 20k in 1977 was like 100k in today's money. So 60k would just be insane. I've changed it around so hopefully that's more believable.
 
considering we didn't make Star Wars, Rocky or Graffiti type money, I think we should take this as a sign to not budget splurge on all of our movies in the future and diversify the Lucasfilms catalog with a steady stream of mid and low budget films.
Huh, a good B-movie concept... Tremors was a great classic movie I watched when I was a kid. Would that be low-budget enough?
 
Last edited:
I have written more than six-thousand words dedicated to the pilot of a possibly five season long tv show pitch about Spider-Man Noir... as well as a possible TV movie...

Is this why don't have that many friends? :V

Spider-Man Noir: The Pilot Episode

Damn man! This is awesome! and the entire gut punch at the end nearly had me in tears.

You know, I think this would work better as a comic for now rather than a TV Animated show, as I don't think any network is going to allow this kind of show at the moment.

All the more motivation to get our own channel and start airing it.
 
Damn man! This is awesome! and the entire gut punch at the end nearly had me in tears.
All goes according of the master plan, then... 😈

Jokes aside, I'm glad to know that it hit hard for you. I wanted to puncuate the ending by setting up a Hitchcockian bomb with the meeting with Norman, so to say.

You know, I think this would work better as a comic for now rather than a TV Animated show, as I don't think any network is going to allow this kind of show at the moment.

All the more motivation to get our own channel and start airing it.
That'd work, yeah. :) Though, if you think this wouldn't pass by the censors... you ain't seen nothing yet. :p
 
Movie Pitch: Lamhfada
You know, I was thinking that we could try and make a movie about Irish Mythology. The Legend of Cu Chulain is something of a favorite (thanks to Fate/Stay: Night) but at the same time I could not stop thinking how long it is, and that if we are to shorten it to a single movie, we would have to remove so much interesting content. At the same time, if we make it a series of movies then I felt that it would take away some of the series of adventures, which I now feel could work better as a TV series than as a movie.

Then I remembered another Irish legend, one in the perfect size for a movie, one that has adventure, enemies, and a climactic fight near the end that has the good guys winning and the bad guys losing, a story of good and evil in the island of Eire between the monstruous Fomorians and the heroic Tuatha De Dannan.

I mean of course of the story of Lugh, and his fight against Balor.

Now, there are some elements which I've had to change here (mostly about Lugh's parentage) but I figure it's something that can still work out with the information the legends give us, plus it will make for a fun movie overall.

Thus, I give you:

Movie Pitch:
Lamhfada


GENRE: Adventure/Drama

SUBGENRE: Romance/Comedy/Action

FORMAT: Movie (Animation)

Set Up: An adaptation of the life of Lugh based on Irish Mythology and stories. This is the story of Lugh Lamhfada, son of Cian, and the one that would become the King of the Tuatha De Dannan. Lugh, who has lived his entire life under the eye of his "Step-Father" Bres, King of the Fomorians, escapes from their clutches and travels the lands. There, aided by the mysterious Druidess Biroge, he will have to find his people and discover the secret from his past, all the while dealing with those who would persecute him and the perils of monsters, spirits, and the most dreaded of them all, the High King Balor.

Director: Don Bluth
Composer: Bill Whelan
Lugh: He is the son of Cian, of the Tuatha De Dannan. A young man who's spent his entire life living under the rule, and as a servant, of his Step-Father, King Bres the Half-Blood. Lugh's suffered discrimination due to his distinct non-Fomorian looks, which caused him to be shy and timid when facing them. Though Lugh's skills in fighting are great, his timidity has him prefer to use his mind and playing tricks on his opponents. Through his travels he grows as a man, seeing the injustice brought by the rule of the Fomorians he gathers his courage to defy them.

Played By: Michael J. Fox
Alternate: John Travolta

Nuada: The once King of the Tuatha. Nuada lost his kingship during the battle with the Fomorians which took away his arm. A near broken man, he still takes Lugh under his guidance, teaching him what he needs to know in order to fight, survive, and prepare him for the road ahead, all the while giving him warning of the dangers of Kingship. Nuada dies to King Bres' hand when he finds Lugh once more. The death of his mentor hits Lugh hard, yet even then he does not forget his teachings and warnings to flee for now. Nuada is remembered by Lugh till the end.

Played By: Glen Campbell
Alternate: Nigel Hawthorne

Ogma: A young man, member of the Tuatha de Dannan, and friend of Lugh. A man of great strength and determination, he's also very stubborn and hardheaded, sometimes causing many problems due to said stubbornness. Ogma hates the Fomorians due to being a slave under them, and becomes Lugh's champion due to his help in escaping them. In his travels with Lugh and Nuada he becomes the roc which supports Lugh, never wavering in his confidence that Lugh has what it takes to free them all.

Played By: Christopher Daniel Barnes
Alternate: Grant Bardsley

Tuineann: The current King of the Tuatha, he is King in name only as he's sworn allegiance to the Fomorians and refuses to fight them, preferring to submit to their rule in order to protect his own power. When Lugh arrives carrying the Crown of the Tuatha (given to him by Nuada) Tuineann does everything in his power to kill him before he can convince everyone to follow him. Tuineann is a coward at heart, hoarding countless weapons and treasures to assure himself of his power, yet never using them.

Played By: Jim Cummings
Alternate: Vincent Price
Ethniu: A daughter of Balor who works his will upon his subjects. Ethniu is scheming, clever and cruel. For a long time now she has been the power in the shadows, manipulating events so that the Fomorians could remain as the true rulers of Eire, all the while she prepares for a final blow against the Tuatha. For many years she has pretended to be Lugh's mother in order to better manipulate him, yet the truth finally comes out when Lugh's true mother comes out to protect him during their confrontation before the Second Battle of Mag Tuireadh.

Played By: Pat Carroll
Alternate: Edda Reiss Merin

King Bres: Ruler over the Fomorian and overlord over the Tuatha de Dannan. Called the Half-Blood as he has both Fomorian and Tuatha ancestry, Bres is cruel, deceptive, cowardly and vicious. Favoring his Fomorian side of the family, he's made sure to crush the Tuatha wherever he's able, aiding the Fomorians under his reign, and following the whims of Ethniu and the High King of the Fomorians; Balor. Bres fears Lugh, as in him he can sense the strength from Cian, he who once fought alongside Nuada and nearly slayed him in combat before Bres ran away. Ever since, he takes his frustrations out on Lugh, in the end mistaking him for Cian.

Played By: Christopher Plummer
Alternate: Robin Williams

Balor: High King of the Fomorians, a truly gigantic monster with a single eye which wreaks destruction when opened, and crushes the spirits of all who watch it. Balor claims rulership over all, Fomorians, Tuatha, and humans, in Eire. His cruelty and hunger is unmatched, as is his power. His very presence was what allowed Bres to become the ruler and defeat Nuada long ago in the first Battle of Mag Tuireadh, where he broke the Tuatha and made the Fomorians their Suzerains. He's summoned once more for the Second Battle of Mag Tuireadh after the death of King Bres, and faces the united Lugh, Ogma and Deichtine, falling to them in the end.

Played By: John Hurt
Alternate: Frank Welker
Biroge: A leanan sídhe companion of Cian, and Lugh's mother who's been taking care of him from afar when in the land of the Fomorians, and as the Hidden Druidess in his travels. Biroge grants words of comfort and wisdom whenever Lugh feels too overwhelmed or exasperated in his quest, as well as protection when he gets too over his head when facing the many perils in Eire. She faces Ethniu in a magical duel before and during the Second Battle of Mag Tuireadh, sacrificing herself to take Ethniu down with her.

Played By: Edie McClurg
Alternate: Nancy Cartwright

Deichtine: A regular young warrior woman from Ulster. Deichtine shows little to no reverence, or fear, on both the Fomorians and the Tuatha, as she sees them both in the same light. During her travels with Lugh (which she must as the Fomorians see her as an accomplice) she starts seeing him in a new light, and believes that things could be different if it's Lugh who becomes the new ruler over Eire. She fights at this side in the Second Battle of Mag Tuireadh, guiding a chariot as Lugh and Ogma prepare their spear and slings to face Balor.

Played By: Jodi Benson
Alternate: Susan Sheridan

A.N.: I think we should give Don Bluth this movie as it is going to delve in some parts that are darker than one would expect. I selected Bill Whelan as composer due to his excellent work and contribution to Irish music. I figure we can show a truly mythical and magical world that exists in the rich folklore from the Emerald Isle. I think we can make this movie in the 80s with no problems, and it should be interesting if anything because of the novelty.
 
Magoose what are Bruce and Carrie's bonuses from Five Dates? Bruce should get a directing and acting bonus, and Carrie needs a bonus from Five Dates and Star Wars as her skills sheet hasn't been updated since Some Nights.
 
Alright goslings(yes I know I'm sorry) which would you rather see;
1.A comedy movie pitch about three adopted brothers who break into a mansion and accidentally steal a baby
2.A Kung Fu tournament movie featuring a time traveling Amelia Airhart(sp?) and Joan of Arc.
 
Damn, now we have some fun times ahead.

[]The Creators Understand a Few Things (A Few things happen, and they fall in love with Christopher Reeves Superman)
[]Perhaps things can be Made Right some More (Another Comic Legend is getting what he deserves.)
[]THe DC Universe Just a Little more interesting (Unknown Effect)
Spider-Man Noir: The Pilot Episode
Oh boy. OH BOY OH BOY OH BOY!

This is awesome.

[]Stan Lee, Master of Merchendising, and Ideas (Stan Lee has an idea to get Marvel out of Debt. And it requires a lot of work)
[]Jack Kirby, The King (Jack Kirby has instituted the Kirby challenge. Storys and artists have a challenge, for a huge bonus of 50,000 dollars... if they could get an entire comic ready to publish in three days.)
[]Bruce Timm, Emmy Creator (Bruce Timm looks at this and says "So you made Batman... but Spiderman?" He realized it was so much more)
Movie Pitch:
Lamhfada
The Irish Gods are with us!

[]Irish Mythology sees a huge Boost (Why Yes, Cat's next book became a huge international bestseller. Yes Irish Mythology is key)
[]Sometimes the Destruction leads to rebirth (Meanwhile with John Milnus, he starts reading the book of invasions.)
[]Carinval Mythology (Unknown Effect)
Magoose what are Bruce and Carrie's bonuses from Five Dates? Bruce should get a directing and acting bonus, and Carrie needs a bonus from Five Dates and Star Wars as her skills sheet hasn't been updated since Some Nights.

Done.
 
[X]Stan Lee, Master of Merchendising, and Ideas (Stan Lee has an idea to get Marvel out of Debt. And it requires a lot of work)

I'm gonna have to go with this, chief. :) Whether or not we purchase Marvel or not, I want Marvel to stay afloat and in business.
 
[X]Stan Lee, Master of Merchendising, and Ideas (Stan Lee has an idea to get Marvel out of Debt. And it requires a lot of work)

I'm gonna have to go with this, chief. :) Whether or not we purchase Marvel or not, I want Marvel to stay afloat and in business.
Noooo!

Quick, we need to make an offer and get them now while they're vulnerable!
The Irish Gods are with us!

[]Irish Mythology sees a huge Boost (Why Yes, Cat's next book became a huge international bestseller. Yes Irish Mythology is key)
[]Sometimes the Destruction leads to rebirth (Meanwhile with John Milnus, he starts reading the book of invasions.)
[]Carinval Mythology (Unknown Effect)
I'll go with this:

[X]Sometimes the Destruction leads to rebirth (Meanwhile with John Milnus, he starts reading the book of invasions.)

Guys, we should start trying to get some composers for the Conan movie. Basil Poledouris was the OTL composer for OTL Conan, and I don't think he did that bad of a job. I think we should go for him.

Aside from that, I think we can try and perhaps ptich our TV show idea about Star Wars to Lucille. I would prefere that we do it ourselves, but we have to face facts; we would need to create and entire TV Studio Division, and after that begin the process of creating the show, which while I would be completely on board with, would take a lot of time, perhaps enough that the sequel is already out and running before we finish.
 
[X]Stan Lee, Master of Merchendising, and Ideas (Stan Lee has an idea to get Marvel out of Debt. And it requires a lot of work)

I'm gonna have to go with this, chief. :) Whether or not we purchase Marvel or not, I want Marvel to stay afloat and in business.
Why would you make it more exspensive/ harder for Bruce to buy Marvel? I thought you were part of the overwhelming majority that wants to incorperate Marvel into LucasFilm?
 
Back
Top