Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Oh boy, this took a hell of an effort together with @overmind who came up with half of the names on this list so HUGE THANKS to him for being a co-author of this plan. We basically tried to find the best contemporary actors who we felt could vibe with the description and give good fantasy performances.
It is a shame you didn´t get Christopher Lee here, with his presence and voice he would make an awesome Narrator, or even Thulsa Doom... And we know for sure that he has done great things in the Fantasy Genre

[X] Plan Band of Conan
 
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[X] Plan Band of Conan

Thanks for the mention @Kaiser Chris . Though perhaps we could call the Prince Darius instead of Lukas, though I do like the homage.

Actually my first intention was to have it be an omage to Magoose's Renaissance Quest with Luciano but I didn't think it would make sense for an Italian Prince in Northern/Eastern Europe. So I did Lukas which is the German name and thought it'd be a sweet reference to George as well and Luke Skywalker.
 
The Reaction of the Rest of Hollywood, as we spend shitloads of money.
The Reaction of the Rest of Hollywood, as we spend shitloads of money.

Universal: The Emperor

(Sid POV)

You were basking in the sunlight as you read some of the reports from Stanley, and were really happy about that. He had decided to do a few things that would make it far more action-packed, and maybe you would get an extra film out of it. The simple fact that he managed to get the Royal Navy on Board to film Trafalgar is something that you honestly didn't expect to hear from, especially since there was a real danger of damaging the ship. You just needed to Hype up the film as the greatest film of all time, and then it would be great.

The knock on the door was not something that you expected. "Better be important-" You started before you saw the exasperated face of a young assistant of one of the operations people. And as you studied his face, he looked close to pass out. "What happened?"

He handed over a piece of paper, before collapsing on the chair. Sweaty, tired, out of breath… completely unafraid to speak yet not speaking anyway.

Oh, it couldn't be.

You looked at the paper which only had one word that really mattered on it. A single word that would send everyone in the company into a panic.

"Lucasfilms bought something. Emergency Meeting, now!"

Usually, you were the one calling the emergency meetings. But you would accept this because, at this point, the greatest threat to Universal was making moves.

Moves that you haad to be sure were absolutely correct.
-------------------------------------------------------

The massive list on the reports were more than enough to warrant this meeting. The county had allowed them to develop a film lot without you knowing. What the hell was all that money supporting the commissioner's campaign even worth when he didn't do his damn job and give you a heads-up on what's going on!

And THX… A sound something? What the hell was that?

You see new companies springing up under the Lucasfilms banner every day, new sound stages being built, and ILM was now open for business for anyone who could pay…and people were lining up for their services like it was the new Mecca of Movies.

And then there was the piece de resistance. The thing that drove you mad.

It was spent with almost all profits from Star Wars. The Greatest movie of all time… so they kept saying.

And it boiled your blood in a way that was almost impossible to feel. "Gentlemen. The meeting has been called for a very simple reason." You started. "How the fuck are we going to match Lucasfilms?"
--------------------------------------------------------------------------

Meanwhile, With Colombia: The Gambler

(Alan POV)

"There is a truly dangerous opportunity that has now been presented to us by our enemy's reckless financial spending. They need to make money to justify this spending by the end of the fiscal year. And there is a clear idea that they are taking an even greater Gamble than we are."

Alan was trying to give himself the confidence he needed since he had heard the news, to him and his board, and investors. He was thin ice. Soo thin that he did not even understand how the hell he was still on the board.

Everyone thought he was mad. Everyone thought that he had spent millions of dollars that he did not have, on projects and investments that would not possibly believe in.

He was standing alone now because they weren't here yet. But instead, he looked at his phone and made a single call, that might screw him, or save him. "Get me Richard Donner… and find that girl that everyone is talking about. Find me, Kennedy. Tell her that if she wants to prove herself, she'll have to impress me."

He was going to make another gamble. The most important one of his career.

Trusting unknown talent, and a producer that seems most interested in talking, instead of doing.

But you didn't have much choice now. Not anymore. You had dug your own grave, and now it was time to get out of it, before it buried you.

An assistant ran in. "We got John Williams to do the score."

Finally, a bit of good news.
------------------------------------------------------

The Last Disney

Roy just looked at the papers and then the notes. "How many?"

"Well, only twenty left, and that was after we threatened to take off their severance. Only Bluth and his company left." Eric Larson said as he sighed in defeat. "So at least we have that going."

"Shit." He swore, before minding his own business towards Disney land in the distance. "At least we stopped more than half quitting thanks to quick thinking."

"The board doesn't like you working behind their back." He chuckled, "Even with Jones in the seat now, they still think Animation is a dead end. Your name doesn't protect you from all of them."

"We need to push animation forward Eric. staying in the past isn't what will help us. You know it as much as I do."

Eric coughed.

You sighed. "Am I doing something wrong?"

"No, you just remind me of Walt. Having a vision and sticking to it like a fool, even when it was a terrible idea."

"You stuck by him, even when he had nothing."

Eric laughed. "Your right."

"Just don't think of fighting a war by yourself. Get yourself friends?"

"Like Lucasfilms. They started Dreamworks, going to be taking animators away." You stated. "Running the company."

"Only if you let it," Eric replied. "So what are you going to do?"

You needed to think.
-------------------------------------------------------------------------

Paramount:

(No POV)

Paramount would have a new channel on TV.

And Star Trek would be its flagship series.

And when asked for comment on Lucasfilm's purchases, they merely said. "So they burned all their money… let them spend it like reckless kids."
-----------------------------------------------------------

20th Century Fox.

(No POV)

There was no way they cared about certain things.

They only needed to survive the decade.
----------------------------------------------------------------

United Artists

No information available.

Please Try again Later.
 
It's funny as when our next movie comes out it will make us upgrade even more on the studio and there's nothing they can do as we become the Number one studio in the world who is the KING OF HOLLYWOOD
 
Movie Pitch: Atlantis: The Lost Empire
When I first saw Atlantis, I have to admit that it didn't strike me as much as it did now. I think it was mainly because it was a Disney movie, and by that time Disney movies followed a similar, and comfortable, pattern; they were based on some kind of fairy tale story and there were songs. Atlantis however broke the pattern; this was based on a collection of beliefs rather than a book and there were no songs whatsoever. The movie was so different from what Disney offered that it made this feeling of discomfort grow in me as I expected something but it was not delivering.

It was only later, when I rewatched it without any of the expectations that I recognized what a masterpiece this was; Disney was going out of its comfort zone and created something great...yet it was unfortunate that they tried this just when 3D animation was overcoming 2D animation, and they were going against Shrek of all movies. I think critics also did not understand what Disney was trying to do here (Though Ebert at least seemed to) and as such reacted the same way I did at first; with rejection and discomfort.

This time, however, Lucasfilms does not have Disney's reputation (for good or ill) and while I do think we will be doing some Princess stuff (I refuse to let The Little Mermaid or Aladdin die or go to Disney) I believe that our movies will be varied enough so that people can enjoy them without being shoehorned.

As such, I give you:

Movie Pitch:
Atlantis: The Lost Empire



GENRE: Adventure/Fantasy

SUBGENRE: Action/Science Fiction

FORMAT: Movie (Animation)

Set Up: Based on the myth of the lost city of Atlantis as described by Plato in his many books, Twenty Thousand Leagues Under the Sea by Jules Verne, the various myths and tales of Atlantis over history, and the clairvoyant readings of Edgar Cayce. The story is set in 1914, the film tells the story of a young man (Milo Thatch) who gains possession of a sacred book, which he believes will guide him and a crew of adventurers to the lost city of Atlantis.

Director: Robert Zemeckis
Composer: James Howard Newton
Milo Thatch: He's a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. He was raised by his grandfather, Thaddeus Thatch, after the death of his parents. In general. Milo is a clumsy, shy and very curious person who nonetheless has a well of inner strength and justice deep inside him, willing to stand for his beliefs against others.

Played By: Michael J. Fox
Alternate: Eric Stoltz

Kidagakash "Kida" Nedakh: She is the only daughter of Kashekim Nedakh, King of Atlantis. As a warrior princess she's strong and very skilled at combat. Although she can seem quite forceful, violent, and aggressive at times, she has a kind heart and general respect for all creatures. She's very curious about Atlantis past, to the point she allows outsiders to enter the city in order to find out more.

Played By: Michelle Pfeiffer
Alternate: Sheryl Lee Ralph

Gaetan "Mole" Molière: He's a French geologist who acts like a mole, speaking in a fast and excitable way, he's also a specialist in identifying various types of soil and rocks by taste. He showed an early interest in subterranean pursuits at the age of seven when he began exploring the vast sewer networks that lie underneath old Paris, and has developed a specialized type of goggles and headgear to wear while exploring caves.

Played By: Rene Auberjonois
Alternate: Gerard Depardieu

Dr. Joshua Strongbear Sweet: He is a doctor (Half-African, Half-Native-American) who serves as the medical officer for the expedition to find the lost continent of Atlantis. He is tall and muscular, and when he talks his voice is loud and boisterous, showing good self-confidence. He has a habit of getting his priorities mixed up though.

Played by: Carl Weathers
Alternate: Jim Brown

Vincenzo "Vinny" Santorini: He's an Italian demolitions expert. Vinny has a strong passion for his job as a demolitionist and generally keeps himself in a deadpan snarking mood, offering numerous one-liners throughout the expedition in addition to playing a prank on Milo. He has an odd habit of adding spices into his explosives.

Played by: John Turturro
Alternate: Franco Nero

Audrey Rocio Ramirez: She's a teenage Puerto Rican mechanic and the youngest member of the expedition. A resourceful engineer, she is generally aggressive and sarcastic and very proud of her family and job. Though her sister, now a boxer, is just as aggressive as she is, she was drawn to the calm of her father's workshop and went into engineering. And despite her tough exterior, she cares a lot for her friends and family.

Played by: Rita Moreno
Alternate: Deborah Van Valkenburgh

Commander Lyle Tiberius Rourke: As the Commander of the expedition to Atlantis, he initially appears as very reliable and praiseworthy, able to lead his men through perils. As the story continues, he turns out to be a highly manipulative, ruthless and sadistic mercenary who is out to capture the Heart of Atlantis and make money off of it. He assisted Milo's Grandfather in a previous expedition to Iceland to find the journal.

Played By: James Garner
Alternate: Jim Cummings

Lieutenant Helga Katrina Sinclair: She is the second-in-command of the expedition to find the lost continent of Atlantis and additionally serves as the personal assistant to Preston Whitmore. She is graceful yet also tough as nails. As a member of a military family she's trained in both hand to hand and marksmanship. She serves as Commander Lyle's spy and trusted ally, knowing of his true plans for the expedition.

Played by: Pat Carroll
Alternate: Victoria Tennant
Kashekim Nedakh: He's the King and ruler of the lost continent of Atlantis, and the father of Kida. He caused the fall and destruction of Atlantis by trying to conquer all lands and causing a weapons discharge that also caused the death of his wife due to being bonded to the Heart of Atlantis for too long. Kashekim made the choice to hide the crystal beneath Atlantis to prevent Kida from suffering her mother's fate.

Played By: Leonard Nimoy
Alternate: Christopher Lee

Wilhelmina Bertha Packard: She is an elderly, sarcastic, chain-smoking radio operator. Wilhelmina is very "cynical" and "secure"; She does her job and when she is not busy, she does anything she wants. She's been married no less than six times and has worked in everything from exotic dancer, waitress, and seamstress until her interests took her into the field of electronic communication devices.

Played by: Mary Wickes
Alternate: Katherine Hepburn

Preston B. Whitmore: He is an eccentric millionaire, industrialist, and philanthropist. He befriended Thaddeus Thatch, maintaining a lasting friendship until the latter's passing. He finances the expedition to find Atlantis, and even finds Milo to convince him to join said expedition, aiding him in everything he needs to make it happen.

Played by: Kenneth Mars
Alternate: Jack Albertson

Fenton Q. Harcourt: A board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. He is an obese, skeptical and serious individual, never wanting to fund any research on myth and legends such as Atlantis as he believes Milo's grandfather wasted his potential on his search for the lost city and believes Milo is doing the same. He does not do it out of malice however.

Played by: David Ogden Stiers
Alternate: Tommy Lee Jones

Jebidiah Allardyce "Cookie" Farnsworth: He's the expedition Quartermaster and an expert cook. Said to have cooked for General Custer himself, despite his advancing years, "Cookie" Farnsworth remains at the forefront in the area of field culinary preparation, and has earned a reputation while enlisted in the U.S. Army as a man who could literally feed legions with almost no supplies at all. Renowned for his ability to find food or supplies where there are seemingly none, regardless of season, climate, or geography.

Played by: Burgess Meredith
Alternate: Harry Morgan

A.N: You know, I do think this movie could help us in letting animation grow as a genre not only for kids but adults as well. It does have a more mature story and an interesting cast of characters that are fun to watch.
 
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He was standing alone now because they weren't here yet. But instead, he looked at his phone and made a single call, that might screw him, or save him. "Get me Richard Donner… and find that girl that everyone is talking about. Find me, Kennedy. Tell her that if she wants to prove herself, she'll have to impress me."
THE FOOLS!!! They've digged their own graves and are facing backwards to their executioner!

For a moment I was worried, but I guess we can all relax and watch the fire burn.
"Well, only twenty left, and that was after we threatened to take off their severance. Only Bluth and his company left." Eric Larson said as he sighed in defeat. "So at least we have that going."
Oh boy, we have a need for animators, and Bluth with the rest of the gang need a new home. I smell a match made in heaven!

We need to take every single one they have. Did Brad Bird leave with the rest?
 
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I mean...

Tell that her rolls.

the only reason she hasn't been fired is because she is somehow preformed logistical bullshit miricles that superman needed.
Wait, that doesn't sound ri-
At the cost of the budget balloing by an extra million. :V
There it is! Just a matter of time now!
Darn. Guess we keep waiting then.
Bluth and the crew still left huh?

We should talk to him about that little mouse picture he's been pitching.
Yes, and then let's talk to him about our dog picture that needs doing.
 
I don't think Columbia's in danger of falling unless they get shit rolls. They have all the recipies for success without all the targets on our back.

Them being pressured into adapting all their new IP I feel is just gonna push them to innovate. Any of the business folks will probably be too scared to meddle with the new stuff in fear of being painted with the same risky brush, but that also means freedom to make good stuff.
 
They need to make money to justify this spending by the end of the fiscal year.
As a privately owned company not on the open stock market... why? that makes no sense everyone else is beholden to the public stock market Lucasfilm isn't

Find me, Kennedy. Tell her that if she wants to prove herself, she'll have to impress me."
obligatory


View: https://www.youtube.com/shorts/5azoEzwTi60

View: https://www.youtube.com/shorts/QGA50tbj0a0
 
The Reaction of the Rest of Hollywood, as we spend shitloads of money.

Universal: The Emperor

(Sid POV)

You were basking in the sunlight as you read some of the reports from Stanley, and were really happy about that. He had decided to do a few things that would make it far more action-packed, and maybe you would get an extra film out of it. The simple fact that he managed to get the Royal Navy on Board to film Trafalgar is something that you honestly didn't expect to hear from, especially since there was a real danger of damaging the ship. You just needed to Hype up the film as the greatest film of all time, and then it would be great.

The knock on the door was not something that you expected. "Better be important-" You started before you saw the exasperated face of a young assistant of one of the operations people. And as you studied his face, he looked close to pass out. "What happened?"

He handed over a piece of paper, before collapsing on the chair. Sweaty, tired, out of breath… completely unafraid to speak yet not speaking anyway.

Oh, it couldn't be.

You looked at the paper which only had one word that really mattered on it. A single word that would send everyone in the company into a panic.

"Lucasfilms bought something. Emergency Meeting, now!"

Usually, you were the one calling the emergency meetings. But you would accept this because, at this point, the greatest threat to Universal was making moves.

Moves that you haad to be sure were absolutely correct.
-------------------------------------------------------

The massive list on the reports were more than enough to warrant this meeting. The county had allowed them to develop a film lot without you knowing. What the hell was all that money supporting the commissioner's campaign even worth when he didn't do his damn job and give you a heads-up on what's going on!

And THX… A sound something? What the hell was that?

You see new companies springing up under the Lucasfilms banner every day, new sound stages being built, and ILM was now open for business for anyone who could pay…and people were lining up for their services like it was the new Mecca of Movies.

And then there was the piece de resistance. The thing that drove you mad.

It was spent with almost all profits from Star Wars. The Greatest movie of all time… so they kept saying.

And it boiled your blood in a way that was almost impossible to feel. "Gentlemen. The meeting has been called for a very simple reason." You started. "How the fuck are we going to match Lucasfilms?"

LMAO, I love how our mere existence has added years of stress to every Universal employee to the point that us buying something is enough to call an Among Us style Emergency meeting and meanwhile in the halls of Lucasflims it's just chill vibes and fun times. I guess one way to handwave the Commissioner sliding this through is that CARE gained us some major allies within the LA and state Democratic Party and the Commissioner can't fuck us over without getting fucked in return by their superiors who just so happen to be Star Wars fans.

I gotta say I love the contrast between Universal and Lucasfilms' philosophies. Universal is quantity over quality with them spending their cash on the biggest pool of A-listers in acting and directing, buy up all the franchise rights as possible, and pump out as many movies. They are the most profitable and most famous but they never innovate. Lucasfilms on the other hand is quality over quantity, always striving to get new talent and work with the best of the best because of skill over fame, concentrating their production into a handful of masterpieces, and spending all of their profits on making the best films possible and making new technology to do so. Really nice polar opposites, love the Cold War we have with them.

Meanwhile, With Colombia: The Gambler

(Alan POV)

"There is a truly dangerous opportunity that has now been presented to us by our enemy's reckless financial spending. They need to make money to justify this spending by the end of the fiscal year. And there is a clear idea that they are taking an even greater Gamble than we are."

Alan was trying to give himself the confidence he needed since he had heard the news, to him and his board, and investors. He was thin ice. Soo thin that he did not even understand how the hell he was still on the board.

Everyone thought he was mad. Everyone thought that he had spent millions of dollars that he did not have, on projects and investments that would not possibly believe in.

He was standing alone now because they weren't here yet. But instead, he looked at his phone and made a single call, that might screw him, or save him. "Get me Richard Donner… and find that girl that everyone is talking about. Find me, Kennedy. Tell her that if she wants to prove herself, she'll have to impress me."

He was going to make another gamble. The most important one of his career.

Trusting unknown talent, and a producer that seems most interested in talking, instead of doing.

But you didn't have much choice now. Not anymore. You had dug your own grave, and now it was time to get out of it, before it buried you.

An assistant ran in. "We got John Williams to do the score."

Finally, a bit of good news.

That moment when your biggest gamble is not spending over half a billion in borrowed money but letting some 23 year old secretary in on the creative process and production staff, lol. Although in saying that, getting Kennedy isn't bad at this point as her track record points that she can work good when in a subordinate position and having firm boundaries to where her innovations can be accepted but she doesn't go overboard without anyone telling her no. I think Superman will be a success, it just depends if it's quiet, decent, great or Star Wars level. Honestly kind of rooting for Columbia, they seem to be just as much the underdogs as us and at the end of the day we need some competition to prevent Anti-trust laws from breaking us up, lol.

The Last Disney

Roy just looked at the papers and then the notes. "How many?"

"Well, only twenty left, and that was after we threatened to take off their severance. Only Bluth and his company left." Eric Larson said as he sighed in defeat. "So at least we have that going."

"Shit." He swore, before minding his own business towards Disney land in the distance. "At least we stopped more than half quitting thanks to quick thinking."

"The board doesn't like you working behind their back." He chuckled, "Even with Jones in the seat now, they still think Animation is a dead end. Your name doesn't protect you from all of them."

"We need to push animation forward Eric. staying in the past isn't what will help us. You know it as much as I do."

Eric coughed.

You sighed. "Am I doing something wrong?"

"No, you just remind me of Walt. Having a vision and sticking to it like a fool, even when it was a terrible idea."

"You stuck by him, even when he had nothing."

Eric laughed. "Your right."

"Just don't think of fighting a war by yourself. Get yourself friends?"

"Like Lucasfilms. They started Dreamworks, going to be taking animators away." You stated. "Running the company."

"Only if you let it," Eric replied. "So what are you going to do?"

You needed to think.

Poor Roy. My man just wants to make cartoons and honor his dad and uncle but everyone wants Disney to be a horror company. Would be absolutely hillarious if Black Hole bombs as OTL but War of the Worlds manages to be a smash success. So far it seems even with Chuck and the Looney Tunes things will go slightly as OTL for Disney. Just have to wait for Carpenter stuff and War of the Worlds to see the company's definitive future. Roy still has potential to take control, but he's got no Mike to sit on the throne this time.

Last couple of lines are inteeresting. Seems there's some sentiments within Disney of allying with Lucasfilms but our recent creation of Dreamworks has kind of tanked this idea by making Lucasfilms into a threat like how Universal sees us. Hope this isn't the case. Disney at this point even under Tatum and Walker is far away from their irredeemable megacorp monster that they are today and we can do some pretty cool stuff with collaborations, hell I'd love to see a couple Dreamworks characters be in Roger Rabbit. I guess it all depends if the board sees Lucasfilms or Universal as a threat and if they care about animation or live action more. Wonder if ILM is gonna be doing Black Hole.

Paramount:

(No POV)

Paramount would have a new channel on TV.

And Star Trek would be its flagship series.

And when asked for comment on Lucasfilm's purchases, they merely said. "So they burned all their money… let them spend it like reckless kids."

Huh, neat. Did Paramount have a high roll or is the board more willing to take a gamble in this new Wild West era of Hollywood and knows that they can't compete with Universal or Lucasfilms in movies so they gotta dominate TV before the others make their own network? Hopefully we can still get TNG as a natural transition once Phase II ends and ILM can do the SFX. Also some good news is that Gene Roddenberry is canonically a fan of Star Wars so no need to do blood feuds.

Gotta say I love the irony of Paramount calling us reckless kids when they are literally spending hundreds of millions on a new fourth network.

20th Century Fox.

(No POV)

There was no way they cared about certain things.

They only needed to survive the decade.
----------------------------------------------------------------

United Artists

No information available.

Please Try again Later.

To be 20th Century Fox is to suffer. Are they making Alien or is that up in the air?

Also the UA section is very ominous. The fact that we don't even get any information like Fox presents an utter shitshow and is confirming my suspicion that UA is the sight of an open war between leadership and Transamerica. Maybe we'll get that walkout a year early and the beginning of UA's end will commence. Hopefully we can find Andy a spot in Lucasfilms, either that or he should make his christmas tree farm early.

Bluth and the crew still left huh?

We should talk to him about that little mouse picture he's been pitching.

Do people think we should let Don Bluth become head of Dreamworks? I like the guy but he's always given off the vibe of the best of the old rather than a master of the new.

As a privately owned company not on the open stock market... why? that makes no sense everyone else is beholden to the public stock market Lucasfilm isn't

I think Alan is just blowing smoke out of his ass to try and downplay Lucasfilms' moves and prevent the board from taking action against him when he's made such a huge gamble and doesn't have immediate returns.
 
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