deathofrats0808
Don’t think of it as dying; just as leaving early
- Location
- Earth
Ulthuan has a citizen militia for that. Not to mention, while picking up magic might very well be common, my argument was that I don't see the reason poets would be particularly linked with Ulgu.Elves try to avoid getting Arcane Marks because those lock the one marked into the wind. They do however get into mindset appropriate to the wind they need to use, as that is a neccesary part of using that wind for casting. As for the time... Well, the elves tend to live pretty long. Als, in canon Ulthuan actually has an "every citizen has to be able to fight" mentality, so a poet also being a spellcaster even if inferior to actual dedicated Mage is rather appropriate.
See below for my argument about mindsets affecting Elves.
As to the mindset Boney has all-but-confirmed this already but I don't see the Asur picking up only one sort of magic. Yes a given Elf might prefer one Wind. I'd expect that sort of preference even out of a fully-trained Hoethian graduate. But I don't see them ever picking up and only using one Wind. Even the Shadow Warriors Mathilde is going to stay with probably know like, Asqhy cantrips to light small fires, and Ghyran ones to find water. Little quality of life things like that. And IMO, that means that either the Elves don't get those mindsets or that they can put themselves in and out of them at will, or that regularly using more than two of them prevents either really affecting a person.There are elven mages that specialise. In fact, most of them do. They don't in the way of humans, who can't do something else, but being more comfortable or in-tune with a wind does not require changes to the soul, that is a matter of personality and simple experience. Also, the thinking patterns best suited to and encouraged by a wind would still affect them over extended periods. Just like Mathilde would be affected by using dhar even with the belt, because it requires thinking like a megalomaniac.
And I think elves would consider learning magic as part of practicing your craft. A woodworker would know some Gyran to shape and strengthen wood, maybe some Aqshy to cure it, maybe Chamon to analyse it. A metalworker would probably know some Chamon and Aqshy. And spells like the toolless enchanting set are probably very common and widespread.
As for why poetry and Ulgu? On the one hand, if your a professional poet, you probably have to do some recitation if you want to get your name out there, so you have to be something of a performer. Thinking about clever hidden meanings is also an Ulgu thing (though depending on your approach, it could also be quite Hysh if your seeking to convey/discover a deeper, simpler truth). So the poets will be more Ulgu inclined than the "average". And on the flip side, Ulgu is just plain useful. Illusions just for the showmanship, and mental magics to enhance a performance (where you'd also have aqshy for passion).
It's obviously speculation. It's not baseless, but it's also not well-founded. It's plausible enough that thinking about it is a decent enough way to spend some time. I don't think it'll come up in quest, because Mathilde got invited by the elf ninjas, to elf ninja land and nowhere else, and she is secret police so ninja magic is a lot more useful to her than poetry magic.
I'd actually expect reciting poetry to be a noble thing, not something you do as a poet. Indeed I suspect poetry is not really a career. I could see bards (in the real world sense) using it, but even then it'd be interspersed with other stuff, simply because you need a wide range of skills for that job (seriously, bards had like, five jobs in one. It's insane). More than a little Hysh (I think that'd be the correct Wind) for memorization for instance. Actually I'd expect there to be more Ulgu in the theater business, as it's used by stagehands and the like for effects. I see the link between poetry and hidden meanings, but I think saying poetry is all, or even mostly that is a little reductive. Like any art form poetry depends on what its author wants to do with it, whether that's write a clever double meaning, or express an emotion.