I've been thinking about Walpurgisnacht's motives lately.
It's about the people after all, and the first part of treating people like people is asking
why they do what they do.
So one thing that strikes me whenever I watch PMMM, is that the framing of the beginning and end of the anime all make it look like a deliberate story or play while the ED puts Madoka straight in the eyes of a doll very in a pose reminiscent of an unborn (perhaps quite literally making her a gleam in WPN's eye) and is especially noteworthy in the context of
magia being sung (I'll get to that later.)
All put together it always makes me think we're seeing things from Walpurgisnacht's perspective. That, or perhaps her
plan.
I can't help but wonder if, in the entire anime, Walpurgis is never once beaten in a way that goes against her wishes. Not even in the final timeline.
It's right there in the final shot after all: Madoka at the center of the Mitakihara five, then of countless girls, then only her soul gem is left all as an old film movie player in the background comes to a stop. Everyone has gone on to heaven. Walpurgisnacht included.
We know from one of the games, and Homulilly, that a witch can just crush herself inside the seed if she so chooses. In no timeline, even the ones where she's beaten, to all our knowledge, does Walpurgis' seed drop for Homura. Which implies that every time Walpurgis is defeated she just decides to die for the sake of her plan rather than be used as a seed.
I'll get to the plan in a moment.
WPN is also a witch with no barrier. Barriers, notably, contain the desires that hold the witch in place, even as they contain their despair. Which implies to me that she's after something that no possible delusion can offer her. After all, if it was just a matter of power, then that wouldn't stop her from making figments to her desires.
As to what that could be? Well, if everything is going according to her plan the entire time then I think WPN is trying to dewitch herself by using Madoka and Homura to do so.
It fits with the idea of her being us: Something so utterly controlling as dictating the course of someone's life without regard for the input or desires of others, leaving them helpless, is in character with Sabrina at her worst, or someone who could become her.
It also fits with the lyrics of
Magia, if you hold them as being sung by Walpurgisnacht.
Someday, the light of love lit within your eyes
Will transcend time
And surely destroy one of the dreams
Of the world that hurries off to destruction
Swallow down the hesitation
What do you wish for?
On the whereabouts of this greedy admiration,
will there be a fleeting tomorrow?
As though it were an ancient magic
That I saw in my dreams when I was young
With the power that crushes the darkness
I want you to put a smile on your face
In my trembling hand
Is courage of a plucked flower
The only thing to count on is my feelings
My wish
Will awaken the lights
----------------- ED version Ends here ---------------------------
Someday, you will desire for
A strong power for other's sake
On a night when love catches my heart
As-yet-unknown words will be born
If I can make it there without being lost
I don't care if my heart gets broken
I've always wished for a spell
To face up to the sadness
Before my eyes
You are a dreaming memory
I am a sleepless tomorrow
I will make my move to obtain
A miracle of our meeting
In my trembling hand
Is a blade of a plucked flower
The only thing to live on is my feelings
My wish
Brandished within my heart
Back when I loved a book about the wonderland
Where the captive sun ever shone
A fairy tale used to tell me
Wishes would come true
That's what I believed in
(In the light and the shadow)
A calmly blooming
ancient magic gently whispers to me
The power to change the world
Lies within that hand of mine
I'll keep on dreaming with no end
In time we both go through
The only thing to live on is my feelings
My wish
Will create a new life
IIRC It's been proposed that that's Homura singing and that works, but it also reads to me that it works for Walpurgisnacht too: The song isn't just about love for Madoka, should you take her as the "you" there, it's accepting and even
encouraging her to make a wish ("Swallow down the hesitation: what do you wish for?") It seems to be that it could be read as Homura's love, but even more so that of someone who sees herself as a mother.
The end of the full version sums it up nicely after all: "My wish, will create new life."
So too, in this scenario, less than even Homura, the only thing of Walpurgis to live on, be it as a witch or between timelines, is her feelings. In each timeline she has the intentions she had when she set out and can only trust that it is all true between timelines. But it was enough.
In Madoka, she found someone with the will to save
everyone if only she had the power to do so. She gained that power.
In Homura, she found someone who would fight endlessly for the sake of another, if only she had the reason. She gained that reason.
It fits with Madoka's words to her in the end there too "It's over: You don't have to hate anyone anymore. You don't have to curse anyone anymore." A balm to the witch, because what witch wouldn't want to hear that?
And Walpugis is laughing there because, in that moment, she had
won.
First PMMM is her plan to save herself. And, since we do see Walpurgis imagery in Rebellion and the Concept movie, perhaps than is her plan to first save Madoka can be saved from godhood, then later still Homura from devilhood, and perhaps even live again herself if the summoning of Madoka's "faeries" is any indication.
It fits with our metaknowledge and its inaccuracies too: Under such, our knowledge would be all the scenarios and plans that WPN thought up, and continues to think up.
Nevertheless, I say
plan because, like all the best laid plans of witches and magical girls, it failed to survive contact with the enemy.
How often does an author think they've got everything thought out only for a character to do other than they thought they would? What if the difference is that Madoka just grew too powerful to be a little puppet and didn't make the wish that she was meant to? Because WPN was no longer strong enough to force Madoka's fate to follow her will anymore.
So Madoka made a wish that WPN did not intend. Not to become a god able to protect herself from grief, but to ensure everything could be fixed right then and there.
Perhaps there were other changes but it starts when the script can no longer be followed.
And if all that is true?
If the aim of Walpurgisnacht is indeed the end of her own grief, then it would be right for her to bear the name of "Dedolere," wouldn't it?
Especially after she won and secured her own happiness, if not quite how she had planned it.
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Of course, I'm assuming here the one blocking Oriko's visions in
Our Benefactor is Walpurgis, and that what we see there is typical of how her power works when she applies herself, but I think that too fits with her motives speculated here: Sayaka contracted to be useful to us: It's not impossible to believe that WPN has found another form of dewitching to aim for, and in Sayaka she gave us the tools to do so.
But I wonder if this means that Walpugis
has to be fought.
If her plan was dewitching all along, she might just be persuaded, if only we could find a means to talk.
If Kyuubey can talk to witches, WPN included, it might explain how it knows why he knew what we planning in Asunaro. He knows that she's after dewitching, and if he knows about us being made from her, then that we would do the same is obvious.
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This also has some potentialbomb implications. Because if that's the case then it's not just Homura who made that happen. Walpurgisnacht is
also holding up Madoka as the center of everything, as the best hope for overwriting everything and breaking Kyuubey's system.
And it would also have implications for how Homura was able to make
her wish too: Potential is born of how much your actions matter to everyone, and in that moment she made her wish she would have been
everything to Walpugisnacht, who was no slouch in power herself. And so Homura attains the power to reach beyond the universe.
Both Homura and Madoka are depicted as caught in the strings and gears of fate, after all: an object seen incarnate in the form of Walpugis.
I don't know if it's a track for beating that bomb, but it's definitely something that Kyuubey would have left out in dropping it.
I thought that if Sayaka's power gems were a "press button to use power" kind of deal rather than a "only the creator can channel the stored power" kind of deal then other's could use it, but as you mentioned it's the second, not the first.
I mean, I don't think we've ever actually
tested whether potentials and non-meguca can use Sayaka's gems. Though I think we brought it up at one point.