"Oriko's sleeping," Kirika whispers.
"But we're on telepathy, and she's not on the line..." you say, scratching your head.
"Yeah but keep it down! Don't wanna wake her up," Kirika says.
Literally the most adorable, Kirika. There are too many instances of the adorableness to quote, for both her, and Oriko.
The rosebush is still there, withering slowly. Some of its roots seem to have found the ground again, though.
Is this a metaphor? It definitely feels like it could be a metaphor. Alternatively, an unintentional metaphor that we must clearly appropriate for our own purposes.
Kirika takes the lead without a word, bounding up the stairs three at a time with silent, catlike grace. You follow, pads of Grief flash-formed beneath your feet helping you move noiselessly.
So I was gonna make a joke about how Sabrina has joined Kirika's and Homura's organization of catlike meguca who guard their most precious peoples, but like actually, thought- if we're using Grief for this, and remembering our
MECHA GURREN ZILLA LAGANN, not to mention our wings, we should possibly keep in mind we can do a pretty good impression of a shapeshifter if we want to. Or, like, a larger Familiar, but probably don't want to go that way. But like, utility claws, or prehensile tail or whatever.
... good thing Kyubey can keep us from starting rumors of being the local werewolf/Tzimisce-abomination?
"... right, gotcha," you say, and eye Kirika. You're pretty sure the maid outfit is still going to be a surprise, though.
A maid outfit with the mandatory ruffles, somehow managing to remain a pristine white and black even through Kirika's haphazard cooking style. You watch as she delicately dices fruit with her claws, tossing them over her shoulder to land neatly in a bowl.
Like that. Utility claws are best claws. Also that is best cooking method.
This seems highly unnecessary. We all know that pigeons are simple animals, who obviously can't pull off any of what you're suggesting.
I find this message thoroughly convincing, the vast quantity and quality of evidence presented truly staggering, I don't know what was I thinking.
Welp, there's the brainwashing, it's here! I said the Pigeon Revolution Against The Bourgeoisie was a thing, Sayaka, no! You should have listened! Soon, like Redshirt, Onmur's avatar will be pigeons, and both will have been absorbed into the conglomerate! We're next! Run for your souls!
That being said, re, the diary:
About the diary, I'd just burn it unless there's a good reason of it having useful information.
This is complicated further because:
• Even if we don't read it we'll know what's in it soon because it's gonna be revealed in the next volume of the manga.
• The diary's contents are currently in a quantum superposition of canon/noncanon adherence - if we read it now, Firn has to commit to his interpretation of the contents, if we don't, it'll probably end up having the canonical contents instead.
I think that even if we don't read it this moment, we might oughta keep it around. We brought it up as part of our argument re: O&K, and disposing of it feels sketchy as hell, even if we don't plan to actually show Homura and Sayaka its contents (unless something explodes
spectacularly and it becomes necessary for health and safety, which is hopefully unlikely). Also, I'm not confident that there's not something that may come back to bite everyone later. We could shove it in our cloud storage until it becomes needed intel, it's not like it's
more sensitive than the Witch Book we already have in there, but I don't like the idea of just disposing of intel that could become needed later- there's also no guarantee that whatever is revealed in the manga will be the totality of the diary, and if we only know what we're shown on our end, but there's details we just don't have because of the limits of narrative framing, then Sabrina having the physical object means that if we need it, we
can gain more intel from Sabrina than we have from canon.
Also, I just have a personal issue with ever disposing of written record, ever, because from experience, you
will want it later, even if it's literally a decade later. So, bias, I guess, but, that's where I'm coming from.
... the quantum superposition of the diary's contents reminds me a tiny bit of the debate over how to deal with the explosive note Oriko left at Sayaka's house, actually. Same sort of dealing with information that depends on information we don't have, but can get, but if we do get it, it changes or may change the information, and on and on. Although a bit less fraught, hopefully, I think.