Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Frankly, I don't understand why you care so much about what I'm doing with it. Is it really just because of Watchmen? I know you expressed being a big fan of it. If that's really it then I can just write up a pitch for Watchmen, written by Alan Moore, produced over at Charlton to make sure it'll still exist? Really, it'd be no trouble at all.
Not "just because of Watchmen", it is mainly for the Butterflies...

Watchmen was such a pivotal moment for DC that it shaped its editorial practices for decades, and I don´t want to risk Butteflying away the Vertigo line and all the other awesome graphic novels and storylines that they created in the '80s and '90s by DC...
 
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Not "just because of Watchmen", but for the Butterflies...

Watchmen was such a pivotal moment for DC that it shaped its editorial practices for decades, and I don´t want to risk Butteflying away the Vertigo line and all the awesome graphic novels and storylines that they created in the '80s and '90s.
🤔Hmmm...then how about this. Since Charlton was purchased originally as a gift for Giordano, I can instead do a write-up of DC reaching out to Charlton with the offer of doing a story with the Charlton characters, still intended as a gift for Giordano, but just as a special story dedicated to him. They're also offering to boost Charlton sales through the association with the story and the use of the Charlton characters by DC talent, especially with Doomsday Clock going on, where they can't really do anything else while in the middle of the event. Charlton accepts because they need all the success they can get right now and loans the characters out for the Watchmen to be created over at DC. This essentially makes the situation similar to something like Just Imagine... where Stan Lee was allowed to reimagine and write his own version of some DC characters. Watchmen still gets created, it still gets created over at DC so that the Vertigo line and the new editorial practices don't get butterflied, and Charlton is able to benefit from it as well. You cool with that?
 
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🤔Hmmm...then how about this. Since Charlton was purchased originally as a gift for Giordano, I can instead do a write-up of DC reaching out to Charlton with the offer of doing a story with the Charlton characters, still intended as a gift for Giordano, but also offering to boost Charlton sales through the association with the story and the use of their characters by DC talent. Especially with Doomsday Clock going on. Charlton accepts because they need all the success they can get right now and loans the characters out for the Watchmen to be created over at DC. This essentially makes the situation similar to something like Just Imagine... where Stan Lee was allowed to reimagine and write his own version of some DC characters. Watchmen still gets created, it still gets created over at DC so that the Vertigo line and the new editorial practices don't get butterflied, and Charlton is able to benefit from it as well. You cool with that?
Yeah, that would pretty much cover all fronts, that allows us to have our cake and eat it too.

I suppose that there will be some people annoyed never to see Blue Beetle or The Question in the Justice League, but I would be totally fine with this.
 
Turn 82 Results (December 1980)
Turn 82 Results (December 1980)

-[X]The Recasting of Robert Shaw: Robert is dead, and while production stalled, you, unfortunately, need to replace him. His role is too important to keep vacant. DC: ???
--[X] Bob Hoskins Rolled:D100 => 92

Bob was sitting across from you, drink in hand as you looked at the resume. Well, there really wasn't anything to look at, the man was perfect for the job. Yet he was hesitant to even speak until you did.

"Bob, you know what I'm going to say." You said quietly.

"I know, but I want to hear you say it." He replied.

You sighed. "I need you for this role Bob. The movie won't be any good without it. It needs you."

Bob nodded. "Alright."

Reward: Bob has been hired. He knows what he's getting into.
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-[X]The Towering Mr. Fox: Morgan Freeman is a titan it seems, with quiet grace and truly remarkable timing. Both comedic and dramatic. And he's really happy to work on Batman for some reason. DC: 40 Rolled: D100 => 40

Morgan was smiling as he looked through the script, and he was happy at it. "You know when I took this job, I was expecting to be a bit role, not a full-on supporting one."

"Morgan, you know entirely that Lucius Fox is one of the-"

"Oh, I know Bruce." He smiled. "I'm a Batman fan."

"You are?" that was a surprise.

"I don't read too much, but a few issues wind up on my desk anyway when I need to unwind. It's better than a lot of others do." He said.

You found yourself scoffing. "Yeah. Most people think my love of comics is just holdover from a kid. But I like it for a different reason."

"Why?"

"Because it shows us our best selves. Why wouldn't we strive for our best selves?"

Morgan smiled. "Because people don't believe themselves worthy of it."

You then laughed. "We're all worthy of it I think. We just haven't been shown what we are in the dark."

Reward: Screen Precense and Chemistry for Morgon Freeman increased by +20
------------------------------

-[X]Alec Guinness and the continuing Butler Craziness: So Alex has wanted to work on Alfred's more… parental treatment of Bruce and even wrote a scene where he demands Batman sleeps and eats. DC: 35 Rolled:D100 => 73

"You need to improve this scene," Alec said calmly as he threw down the script, with the changes. "Otherwise it will not carry the same impact."

You frowned at it. "I don't think that will even do, you know how obsessive Batman is-"

"I know, it's why it is needed," Alex replied. "You seem to forget that Alfred is all that Bruce has as a father. He's the only one looking out for his health and well-being, and the life of Bruce Wayne. So make sure he is. He is not just his butler, he is is father."

You looked at it. "Bed Rest? Food?"

"Yes, incredibly important things, don't you know. One that even Batman needs." He smirked as you saw the line.

"I'll put it in." You replied.

Reward: Screen Precense and Chemistry for Alec Guinness increased by +20

Final Quality will be increased by +20
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-[X]Alan's Addentum: So Alan wants you to show up briefly in Flash, and wants to get that scene out of the way. Is that the Watch Tower Set? DC: 50 Rolled:D100 => 71

You looked at the set and were amazed. "Holy… did you go to NASA for this?" you asked. Everything was extremely accurate to a spaceship."

"Not entirely, we had a technical advisor look at designs and give us the nod for what is the most realistic, out of the comic book designs we had." Alan said. "You know why I'm here Bruce."

"Oh I know, put on the cowl and show up for five minutes in the flash." You said. "I still think that isn't-"

"Just humor me." He said. "And look what it does?"

You looked at the script, and saw a few old friends… and what it was. "Hm, really? Indulgent of you."

"Sometimes you need a little indulgence."

Reward: You do your scene, and it was the most fun you had in a long time.
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-[X]Kagemusha: Kurasawa wants to release his next greatest epic. DC: 0 Rolled:D100 => 13+20=33

Oh my… That was not good. You expected something more…

Well, not this.

(Continued in: Kagemusha)
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-[X]Dream Works... Holy fuck Tomino?: So Tomino has let dreamworks get a little chaotic. Sunrise is dealing with budget issues. Bandi Namco are unhappy. And Hanna Barbara want to talk about the future. DC: 30 Rolled:D100 => 47

Damn, Tomino made friends with everyone it seems.

And due to Mike not having an action plan, they decided to camp out at your doorstep.

(Continued in: Animation Domination)
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-[X]Debbie's Simplicity: Debbie has begun a routine, and you find yourself enjoying it. DC:??? Rolled:D100 => 46

Debbie was doing something you found very therapeutic after everything that happened. She went to the poolside and read.

That was to say nothing wrong with it, but it was almost calming that, when she wasn't caring for her grandchildren, she was all but enjoying her early retirement.

And it was just… nice to see that despite all the insanity of your life, she just took it in stride, doing far better than anything you ever did in your paranoia.

Like that letter. You still think it was a prank, but you just didn't know if that death match to stop the Chinese assassins in the South Pacific was real or not.

But she always offered you a place next to her, and to talk, one that you didn't take most of the time. For the Twin's sake or for Carrie's. Yet today, you finally did.

"You think you're a failure, being at odds with yourself." She finally said as you sat down.

"You were primed and waiting for that, weren't you?" YOu asked.

"Not about to let my son-in-law overthink the problems in his life when he should be underthinking them." She replied. "And I was primed and ready because Carrie is too stubborn to say it."

"Say what?"

"You need to stop blaming yourself for all the problems that are happening around you, and letting your mind make stories where none exist." She said. "You have to focus on whats in front of you, not what's beyond you."

"Easy for you to say." You found yourself saying.

"I have experience with looking beyond instead of what was in front of me. And I lost so many good years with my family because of it." She said. "I just don't want you to make a mistake that will be the same as mine."

"I won't." You said.

"Really, it's quite easy to say that, only to realize the years pass by and you lost out on what could have made everything special. I was lucky Bruce," She said the word lucky with an almost distasteful venom. "I was able to keep it with my Carrie and Todd, despite all my mistakes. I don't want you to lose that with Joseph, Mary, and Sarah."

She then leaned over and kissed your forehead. "You're one of the greatest things that has ever happened to my Carrie. One of the best men I have ever had the pleasure to meet in my life. I just don't want you to have any regrets."

You leaned back in your chair. "I'll try."

"That's all I'm asking. That's all you should want." She said.

Reward: You and Debbie have a heart-to-heart.

It was good.
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-[X]When Mary Wrote to the smart people: Your daughter, bless her soul, is the light of your life. So when you and Carrie saw numerous professors and special interests men… well want to bring her into a think tank, you suddenly realized how Special Mary herself wants to be. Since she went behind your back… and Carries. You looked to Mike Eisner and Brandon. "What the fuck, did you do!" DC: ??? Rolled:D100 => 18

Who wrote:D6 => 3 (Mike?!)

You were at your dinner table now, with the culprits of this insanity, as well as several people that were… well you wanted them to get the hell out, but that would have been impolite.

"You went behind my back, Mike." You growled in anger. "You… she isn't your daughter!"

"I know," Mike said calmly, knowing how dangerous a situation he was in with you seeing red. "But I already showed you the paperwork, the files, and the mathematics that she did a few months ago. She's doing calculus. She's almost 4 for God sake!"

"And what gives you the right to go behind my back, behind my wife's back, and speak to people who only see her as a genius mathematician? And not a little girl!"

"She's utterly brilliant." one of the professors said.

"You be quiet!" You shouted, pointing a finger. "I'll talk to you people in a few minutes, this is between me and him!"

You turned back to Mike. "What on God's green earth made you think that this was a good idea?"

"Because I wanted to see what she wanted. She was doing everything with Brandon to give her a sort of prompting. Everything she had done was entirely on her own. So I asked for several aptitude tests, for reading, comprehension, mathematics, problem-solving, you name it."

He showed other papers, including Marys's very scrawled-on, test, done entirely in crayon, with multiple colors which had several drawings all over them. But comprehensible enough to be graded. "She's above the 99th percentile. She can speak three languages fluently as a child… She's probably one of the smartest children on the entire planet."

"She learned another language?" You turned to Brandon. You knew she loved singing Gaelic enough to learn it all from you just singing, and English was of course the language you and Carrie spent the most time teaching her… but what was the third?

"Taught her Cantonese, she asked." Brandon said, and while the boy wasn't entirely innocent, you knew he wasn't the one going behind your back.

The professors, or one of them, looked at you and spoke. "Mister O'Brian, I know this news must be hard for you to take in, but it would be best for Mary to be allowed to be with other-"

"I know what's best for my child!" You proclaimed. "And anything that isn't playing around with her siblings, watching movies, or wanting to be with her family, is not something I will ever approve of."

"And you would stifle her true potential, to play a role that could fundamentally reshape society for the better?!"

You almost punched the man for his arrogance. "Get out of my house!" You said, as calmly as you could. "Because I know what's best for my child, and I do not want her to ever… be pressured into something like this."

The professors left, and Mike sat, uncomfortable and unsure what to say. "Bruce-"

"Mike I consider you a friend and a confidant, not to mention a helluva business partner." You said calmly. "But if you ever do something like this again, especially without my knowledge… I will fucking make sure you will never work in any business ever again. And I will make sure I will every fucking dime you have, and you will live in squalor."

Mike nodded, understanding the threat. "I'm sorry."

Reward: You put a stop to several things set in motion, but your relationship with Mike Eisner has been strained.

You learn that Mary is so smart, that professors wanted to give her the education to change the world, and that she can learn almost anything if she sets her mind to it.

You are going to need to talk to Mary about everything… and maybe find out what she wants to do.
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-[X]What to do with the Mansion: This mansion will remain, but you have no idea what to do with it, since it has basically served its purpose as your fortress in the Hills.
--[X] Keep the mansion around as a second home, a place to host very large gatherings for family, friends and company and if another crisis hits, a place to fall back and be protected. When not using it, rent it out for Lucasfilms or other studios to use in movies. Not only did it make for an Excellent Wayne Manor, but apparently it would be perfect for a bond villain and numerous other settings. Rolled:D100 => 70

Once Hollywood learned your fortress was now a good filming location, they lined up in droves. You even learned that Eon productions were hoping to use it for their next bond film.

Reward: The Mansion is being a film set, and more of a gathering place for parties.
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-[X]Train Brandon: Brandon came to you with a piece of paper. "Got my first role. Wanna see it?" Rolled:D100 => 78
-[X]Ron Howards Bizzare Script: So Ron wants to make a movie. So what is it? DC: 0 Rolled:D100 => 78

You looked at Brandon, and saw it was Ron's script. "You got a role with Ron?"

"Yeah, turns out, I fit the bill for whatever the antagonist is." He smiled. "Come on take a look."

TITLE: The Last Summer Run
GENRE: Adventure, Action
SUBGENRE: Coming of Age
FORMAT: Film
BASIC PROMPT: Following a group of teenagers on the last day of summer, they come to terms with what will happen to them in their final year of high school. They discuss what it means to finally grow up, and what life will be like in the final year they will be spending together. It looks like it will be a normal final summer evening.

Before it all goes pear up when the town bully takes one of them, and they have to run the gauntlet of their fears, and their friendship to get their friend back.

"That is silly." You finished reading the script. "He wanted to make this?"

"He said that he always wanted to have you in a role where you could be uh… I don't know, a badass sheriff, giving wise advice. But the idea is really cool isn't it?"

"Reads like something that is made for TV." you replied.

"Well, he did say that it was an idea he gained from you."

"When?"

"I think in Graffiti he got the idea after you had your fight scene." He said. "Said it could have been cool for running the gauntlet like that to rescue a friend."

"Dosen't seem like it can last 90 minutes." You protested.

"Well, I think it's going to be a good show starter for me." He said. "And didn't Ron come to you?"

He got you there. "Alright, but if he asks me to stunt coordinate-"

"You know he will, probably in June." He smiled.

Dammit. Brandon than ran towards your home to see what Mary was up to.

Reward: Brandon is working on that movie with Ron Howard, his first real role.

And Ron apparently came up with this film all the way back during Graffiti but never developed it before he joined up.

You know Ron's going to ask you to stunt coordinate.
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-[X]Investments: You want to invest your hard-earned cash into something that you feel will be a good return on investment. And as well as diversify your assets DC: 0 (Linetail what you wish to invest in below this action, and the amount of money you want to invest in)
--[X] Purchase Apple Stocks. $60 Million. Your older brother has been doing wonders at Apple and from the looks of it, it seems like they are the company outside of ILM doing the most to innovate technology and computers. Purchase enough stocks to get your foot in the door, not only for future cooperation with Lucasfilms, but also to help Gavin with his career. Rolled:D100 => 78

Gavin was not happy. "Bruce don't tell me you're serious."

"I am." You replied. "I see this as an investment for the future of computers, seeing as I have Pixar to work with. I want to know just how powerful he an make it."

"Steve… both of them are really trying their best to make things interesting, but they are also afraid given your.."

"I'm me."

"You revolutionize the fuck out of things yes."

"That's George!" You said.

"Same difference. The two of you are synonymous with crazy bullshit." He then took a breath. "But thanks. Really."

"I know." You then took another breath. "You hear about Cat?"

"Yeah, Disney swallowed her up and everyone is making money." He said. "Glad to see some of us can make it big in Hollywood."

"Hey." You offered. "Don't be like that."

"No it's true, I'm just lucky that things are fine and dandy on my end at least." He smiled. "Good luck bro."

Reward: You own Apple stock. Gavin is happy.

Possibility of helping them revolutionize the computer industry.
------------------------------------

-[X]Networking: Well time to start finding out who might actually be interested in meeting you. (Write-in what you want to try and network with)
--[X] John G. Avildsen. There are two directors who you trust with Kung Fu Kid. George doesn't know much about sports and martial arts, and the other is John G. Avildsen. John created art with Rocky, brilliantly directing Sylvester's script with love and care, making it deserving of an Oscar, just the kind of guy you need to direct Kung Fu Kid. Reach out to John and try to recruit him as the film's director so that when production starts next year, it can be in good hands. Rolled:D100 => 14

John sat down and looked at the script. "Pretty good."

"I know it is." You replied with a smile. "The only things is, it's needs a good director."

"And you can't do it why?" He asked.

"You've read the news John." You replied.

"I know, but it still begs the question. You still think people want to kill you."

"I'm not taking any chances." You replied. "Can you do this for me?"

John sighed. "I can. I keep on thinking about that night when I won and Oscar… beating George. Made me think the damn academy couldn't have it sweep, even though it was the best damn film ever made."

You laughed. "You sure about that, even with Empire?"

"Ha! I'm always going to say the original is the best." He laughed. "But… I can work with this."

"Can you get it done next year?"

"Kid, as long as you don't fuck around and mess with my work, I can get it done in three months."

Reward: John is making Kung Fu Kid. Though you have allowed him to have some creative control.


George and ILM's Crazy Invention Roll:D1000 => 845

George smiled and showed you the handheld digital camera. "Holy moly, you actually did it."

George was sheepish, and he waved his hand. "The technology is there. And Polaroid had too many people doing nothing so I uh… confiscated them and worked with them to build it."

"How many pictures" You asked.

"1000." He said. "On a single memory card that is. I was working with John and the company to try and increase the amount of pictures taken, but… we're not having that kind of luck."

"You brought John into this, I thought he was working on that CGI crap?" You asked.

"He is, I just wanted to see if their expertise could be used to… maybe see if it could increase the data… I don't know the terminology."

"But how do they get the pictures off the card?" You asked.

George was sheepish. "Still working on that problem."

Reward: George and the company invented a handheld digital camera. The problem, they can't get the photos off the memory card, it would be expensive to produce commercially.
 
-[X]Investments: You want to invest your hard-earned cash into something that you feel will be a good return on investment. And as well as diversify your assets DC: 0 (Linetail what you wish to invest in below this action, and the amount of money you want to invest in)
--[X] Purchase Apple Stocks. $60 Million. Your older brother has been doing wonders at Apple and from the looks of it, it seems like they are the company outside of ILM doing the most to innovate technology and computers. Purchase enough stocks to get your foot in the door, not only for future cooperation with Lucasfilms, but also to help Gavin with his career. Rolled:D100 => 78
@Kaiser Chris I thought you were going to buy 75 Millions of Apple Stock though...
 
Well this is one heck of a turn. Shame for what happened with Kagemusha.

P.S. I want to claim dibs on doing an omake for An American Werewolf in London when it comes out on August 1981. It's my favorite horror comedy and it's my favorite werewolf movie. The special effects are also incredible.
 
I don't really know how high IQ kids behave tbf, but... well they're still a kid, and I'd never trust a kid who isn't even in their teens to decide their future. These scientists strike me as predators circling a vulnerable child because of her super brain, and that is upsetting.
 
I don't really know how high IQ kids behave tbf, but... well they're still a kid, and I'd never trust a kid who isn't even in their teens to decide their future. These scientists strike me as predators circling a vulnerable child because of her super brain, and that is upsetting.
I mean, I tried to write them as such.

so...
 
-[X]The Recasting of Robert Shaw: Robert is dead, and while production stalled, you, unfortunately, need to replace him. His role is too important to keep vacant. DC: ???
--[X] Bob Hoskins Rolled:D100 => 92

Bob was sitting across from you, drink in hand as you looked at the resume. Well, there really wasn't anything to look at, the man was perfect for the job. Yet he was hesitant to even speak until you did.

"Bob, you know what I'm going to say." You said quietly.

"I know, but I want to hear you say it." He replied.

You sighed. "I need you for this role Bob. The movie won't be any good without it. It needs you."

Bob nodded. "Alright."

Reward: Bob has been hired. He knows what he's getting into.
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-[X]The Towering Mr. Fox: Morgan Freeman is a titan it seems, with quiet grace and truly remarkable timing. Both comedic and dramatic. And he's really happy to work on Batman for some reason. DC: 40 Rolled: D100 => 40

Morgan was smiling as he looked through the script, and he was happy at it. "You know when I took this job, I was expecting to be a bit role, not a full-on supporting one."

"Morgan, you know entirely that Lucius Fox is one of the-"

"Oh, I know Bruce." He smiled. "I'm a Batman fan."

"You are?" that was a surprise.

"I don't read too much, but a few issues wind up on my desk anyway when I need to unwind. It's better than a lot of others do." He said.

You found yourself scoffing. "Yeah. Most people think my love of comics is just holdover from a kid. But I like it for a different reason."

"Why?"

"Because it shows us our best selves. Why wouldn't we strive for our best selves?"

Morgan smiled. "Because people don't believe themselves worthy of it."

You then laughed. "We're all worthy of it I think. We just haven't been shown what we are in the dark."

Reward: Screen Precense and Chemistry for Morgon Freeman increased by +20
------------------------------

-[X]Alec Guinness and the continuing Butler Craziness: So Alex has wanted to work on Alfred's more… parental treatment of Bruce and even wrote a scene where he demands Batman sleeps and eats. DC: 35 Rolled:D100 => 73

"You need to improve this scene," Alec said calmly as he threw down the script, with the changes. "Otherwise it will not carry the same impact."

You frowned at it. "I don't think that will even do, you know how obsessive Batman is-"

"I know, it's why it is needed," Alex replied. "You seem to forget that Alfred is all that Bruce has as a father. He's the only one looking out for his health and well-being, and the life of Bruce Wayne. So make sure he is. He is not just his butler, he is is father."

You looked at it. "Bed Rest? Food?"

"Yes, incredibly important things, don't you know. One that even Batman needs." He smirked as you saw the line.

"I'll put it in." You replied.

Reward: Screen Precense and Chemistry for Alec Guinness increased by +20

Final Quality will be increased by +20
------------------------------------------------

-[X]Alan's Addentum: So Alan wants you to show up briefly in Flash, and wants to get that scene out of the way. Is that the Watch Tower Set? DC: 50 Rolled:D100 => 71

You looked at the set and were amazed. "Holy… did you go to NASA for this?" you asked. Everything was extremely accurate to a spaceship."

"Not entirely, we had a technical advisor look at designs and give us the nod for what is the most realistic, out of the comic book designs we had." Alan said. "You know why I'm here Bruce."

"Oh I know, put on the cowl and show up for five minutes in the flash." You said. "I still think that isn't-"

"Just humor me." He said. "And look what it does?"

You looked at the script, and saw a few old friends… and what it was. "Hm, really? Indulgent of you."

"Sometimes you need a little indulgence."

Reward: You do your scene, and it was the most fun you had in a long time.
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Phew. At least we managed to succeed all the Batman rolls to save from the disaster of Robert Shaw dying. Bob may not be the greatest actor, but he's a good one who knows the weight of the role and will do it to the best of his abilities, hope he rolls well. Glad that we got some good starting work for Morgan and Alec is vibing well with us. Kind of funny how we got him after hiring Toshiro. Now all that's left is a great role starring Christopher Lee for Lucasfilms.

-[X]Kagemusha: Kurasawa wants to release his next greatest epic. DC: 0 Rolled:D100 => 13+20=33

Oh my… That was not good. You expected something more…

Well, not this.

(Continued in: Kagemusha)
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-[X]Dream Works... Holy fuck Tomino?: So Tomino has let dreamworks get a little chaotic. Sunrise is dealing with budget issues. Bandi Namco are unhappy. And Hanna Barbara want to talk about the future. DC: 30 Rolled:D100 => 47

Damn, Tomino made friends with everyone it seems.

And due to Mike not having an action plan, they decided to camp out at your doorstep.

(Continued in: Animation Domination)
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OOF. Hope Kagemusha works out so it's not a total diaster, at least Tomino seems to be keeping everything in ship shape.

-[X]Debbie's Simplicity: Debbie has begun a routine, and you find yourself enjoying it. DC:??? Rolled:D100 => 46

Debbie was doing something you found very therapeutic after everything that happened. She went to the poolside and read.

That was to say nothing wrong with it, but it was almost calming that, when she wasn't caring for her grandchildren, she was all but enjoying her early retirement.

And it was just… nice to see that despite all the insanity of your life, she just took it in stride, doing far better than anything you ever did in your paranoia.

Like that letter. You still think it was a prank, but you just didn't know if that death match to stop the Chinese assassins in the South Pacific was real or not.

But she always offered you a place next to her, and to talk, one that you didn't take most of the time. For the Twin's sake or for Carrie's. Yet today, you finally did.

"You think you're a failure, being at odds with yourself." She finally said as you sat down.

"You were primed and waiting for that, weren't you?" YOu asked.

"Not about to let my son-in-law overthink the problems in his life when he should be underthinking them." She replied. "And I was primed and ready because Carrie is too stubborn to say it."

"Say what?"

"You need to stop blaming yourself for all the problems that are happening around you, and letting your mind make stories where none exist." She said. "You have to focus on whats in front of you, not what's beyond you."

"Easy for you to say." You found yourself saying.

"I have experience with looking beyond instead of what was in front of me. And I lost so many good years with my family because of it." She said. "I just don't want you to make a mistake that will be the same as mine."

"I won't." You said.

"Really, it's quite easy to say that, only to realize the years pass by and you lost out on what could have made everything special. I was lucky Bruce," She said the word lucky with an almost distasteful venom. "I was able to keep it with my Carrie and Todd, despite all my mistakes. I don't want you to lose that with Joseph, Mary, and Sarah."

She then leaned over and kissed your forehead. "You're one of the greatest things that has ever happened to my Carrie. One of the best men I have ever had the pleasure to meet in my life. I just don't want you to have any regrets."

You leaned back in your chair. "I'll try."

"That's all I'm asking. That's all you should want." She said.

Reward: You and Debbie have a heart-to-heart.

It was good.

Aw. Hopefully Bruce takes this advice to heart, the scars and fears will remain but it's important for him to conquer them than to let him consume his life.

Once we finish Batman, would probably be best for Bruce to take a break or take things easy for a turn. Heal his mind and be with family.

-[X]When Mary Wrote to the smart people: Your daughter, bless her soul, is the light of your life. So when you and Carrie saw numerous professors and special interests men… well want to bring her into a think tank, you suddenly realized how Special Mary herself wants to be. Since she went behind your back… and Carries. You looked to Mike Eisner and Brandon. "What the fuck, did you do!" DC: ??? Rolled:D100 => 18

Who wrote:D6 => 3 (Mike?!)

You were at your dinner table now, with the culprits of this insanity, as well as several people that were… well you wanted them to get the hell out, but that would have been impolite.

"You went behind my back, Mike." You growled in anger. "You… she isn't your daughter!"

"I know," Mike said calmly, knowing how dangerous a situation he was in with you seeing red. "But I already showed you the paperwork, the files, and the mathematics that she did a few months ago. She's doing calculus. She's almost 4 for God sake!"

"And what gives you the right to go behind my back, behind my wife's back, and speak to people who only see her as a genius mathematician? And not a little girl!"

"She's utterly brilliant." one of the professors said.

"You be quiet!" You shouted, pointing a finger. "I'll talk to you people in a few minutes, this is between me and him!"

You turned back to Mike. "What on God's green earth made you think that this was a good idea?"

"Because I wanted to see what she wanted. She was doing everything with Brandon to give her a sort of prompting. Everything she had done was entirely on her own. So I asked for several aptitude tests, for reading, comprehension, mathematics, problem-solving, you name it."

He showed other papers, including Marys's very scrawled-on, test, done entirely in crayon, with multiple colors which had several drawings all over them. But comprehensible enough to be graded. "She's above the 99th percentile. She can speak three languages fluently as a child… She's probably one of the smartest children on the entire planet."

"She learned another language?" You turned to Brandon. You knew she loved singing Gaelic enough to learn it all from you just singing, and English was of course the language you and Carrie spent the most time teaching her… but what was the third?

"Taught her Cantonese, she asked." Brandon said, and while the boy wasn't entirely innocent, you knew he wasn't the one going behind your back.

The professors, or one of them, looked at you and spoke. "Mister O'Brian, I know this news must be hard for you to take in, but it would be best for Mary to be allowed to be with other-"

"I know what's best for my child!" You proclaimed. "And anything that isn't playing around with her siblings, watching movies, or wanting to be with her family, is not something I will ever approve of."

"And you would stifle her true potential, to play a role that could fundamentally reshape society for the better?!"

You almost punched the man for his arrogance. "Get out of my house!" You said, as calmly as you could. "Because I know what's best for my child, and I do not want her to ever… be pressured into something like this."

The professors left, and Mike sat, uncomfortable and unsure what to say. "Bruce-"

"Mike I consider you a friend and a confidant, not to mention a helluva business partner." You said calmly. "But if you ever do something like this again, especially without my knowledge… I will fucking make sure you will never work in any business ever again. And I will make sure I will every fucking dime you have, and you will live in squalor."

Mike nodded, understanding the threat. "I'm sorry."

Reward: You put a stop to several things set in motion, but your relationship with Mike Eisner has been strained.

You learn that Mary is so smart, that professors wanted to give her the education to change the world, and that she can learn almost anything if she sets her mind to it.

You are going to need to talk to Mary about everything… and maybe find out what she wants to do.

Bruh. Is Mike stupid? He knows that Bruce is a very dangerous Papa Bear who will cripple anyone who dares to mess with his family, and he went behind Bruce's back and invited all these creepy scientists? Would have been better to just have a talk with Bruce and Carrie and just raise the possibility, not like Mary even if she was educated by the best and brightest, it's not like she's gonna save the world or come up with the cancer cure within the next year. Just really stupid of Mike overall and I'm glad that this was an autopass so we could help Mary.

Also Mike doesn't realise this, but he just put himself on thin ice with George and Marcia considering they're Mary's godparents and seeing such a move might make them scared that Mike might try to do the same with Wally. I guess our next son is gonna be named George O'Brian then.

With Mary, I think Bruce should set a firm ground rule with her and the rest of his kids that they can't do anything adult or start having a career until they turn 15. That's the age that Bruce set out to start work in Hollywood and when Carrie was looking to start work, so it's a fair starting point for the kids and allows them plenty of time to be normal and change their minds. Makes them into overall healthy individuals instead of just another Sheldon Cooper.

With Mary's future, I hope the journey to her endpoint is natural as it does feel a bit too strong to decide the rest of her life and contributions from a single short omake.

Next turn, I think to help Mary and make her happy, we should have Bruce and Carrie guest star on the Muppet Show. It's entering its last season, and I think it would make Mary's world to see her parents acting with Kermit and also help her to realize that she can stay a kid and doesn't have to be an adult right now.

-[X]Train Brandon: Brandon came to you with a piece of paper. "Got my first role. Wanna see it?" Rolled:D100 => 78
-[X]Ron Howards Bizzare Script: So Ron wants to make a movie. So what is it? DC: 0 Rolled:D100 => 78

You looked at Brandon, and saw it was Ron's script. "You got a role with Ron?"

"Yeah, turns out, I fit the bill for whatever the antagonist is." He smiled. "Come on take a look."

TITLE: The Last Summer Run
GENRE: Adventure, Action
SUBGENRE: Coming of Age
FORMAT: Film
BASIC PROMPT: Following a group of teenagers on the last day of summer, they come to terms with what will happen to them in their final year of high school. They discuss what it means to finally grow up, and what life will be like in the final year they will be spending together. It looks like it will be a normal final summer evening.

Before it all goes pear up when the town bully takes one of them, and they have to run the gauntlet of their fears, and their friendship to get their friend back.

"That is silly." You finished reading the script. "He wanted to make this?"

"He said that he always wanted to have you in a role where you could be uh… I don't know, a badass sheriff, giving wise advice. But the idea is really cool isn't it?"

"Reads like something that is made for TV." you replied.

"Well, he did say that it was an idea he gained from you."

"When?"

"I think in Graffiti he got the idea after you had your fight scene." He said. "Said it could have been cool for running the gauntlet like that to rescue a friend."

"Dosen't seem like it can last 90 minutes." You protested.

"Well, I think it's going to be a good show starter for me." He said. "And didn't Ron come to you?"

He got you there. "Alright, but if he asks me to stunt coordinate-"

"You know he will, probably in June." He smiled.

Dammit. Brandon than ran towards your home to see what Mary was up to.

Reward: Brandon is working on that movie with Ron Howard, his first real role.

And Ron apparently came up with this film all the way back during Graffiti but never developed it before he joined up.

You know Ron's going to ask you to stunt coordinate.
--------------------------------------------
-[X]Networking: Well time to start finding out who might actually be interested in meeting you. (Write-in what you want to try and network with)
--[X] John G. Avildsen. There are two directors who you trust with Kung Fu Kid. George doesn't know much about sports and martial arts, and the other is John G. Avildsen. John created art with Rocky, brilliantly directing Sylvester's script with love and care, making it deserving of an Oscar, just the kind of guy you need to direct Kung Fu Kid. Reach out to John and try to recruit him as the film's director so that when production starts next year, it can be in good hands. Rolled:D100 => 14

John sat down and looked at the script. "Pretty good."

"I know it is." You replied with a smile. "The only things is, it's needs a good director."

"And you can't do it why?" He asked.

"You've read the news John." You replied.

"I know, but it still begs the question. You still think people want to kill you."

"I'm not taking any chances." You replied. "Can you do this for me?"

John sighed. "I can. I keep on thinking about that night when I won and Oscar… beating George. Made me think the damn academy couldn't have it sweep, even though it was the best damn film ever made."

You laughed. "You sure about that, even with Empire?"

"Ha! I'm always going to say the original is the best." He laughed. "But… I can work with this."

"Can you get it done next year?"

"Kid, as long as you don't fuck around and mess with my work, I can get it done in three months."

Reward: John is making Kung Fu Kid. Though you have allowed him to have some creative control.

Huh, seems like Ron is making his first film based off of American Graffiti, guess it makes sense. Is it starting production now and is Bruce expected to do much besides stunt coordination?

Was hoping for Brandon's thing to be short so he can then switch focus to Kung Fu Kid. John is okay with starting later in the year right? Even Brandon being with Ron shouldn't be a big issue when John needs time to do pre-production, scouting locations in Hong Kong and familiarize himself with Kung Fu. So Kung Fu Kid would probably start in summer. What's the overall time tables?

@Kaiser Chris I thought you were going to buy 75 Millions of Apple Stock though...

Must have typed it in wrong. Although, 60 out of 171 is 36% which is still a pretty hefty sum that makes us the leading shareholder and makes us head of the board along with the power to decide who Apple's CEO is.
 
Bruh. Is Mike stupid?
All I'm going to say is that Mike isn't stupid. Far From it. It's just two things that happened that made him think that way.

1. Mary has the capability to change the world for the better.
2. Mary has already done a lot of adult things by doing incredible forensic accounting in crayon for him. That thing can color a man's perspective.

So Mike, foolishly, thought that Mary was far more mentally and emotionally intelligent then he thought.

Which would make what he did very very reckless.

especially since he did not have Carrie or Bruce's consent.

While he technically didn't break any laws (at least at this time by giving her aptitude tests and mailing them), he did do some questionable ethics.
Huh, seems like Ron is making his first film based off of American Graffiti, guess it makes sense. Is it starting production now and is Bruce expected to do much besides stunt coordination?
Yep, mostly because he has good memories of his time on set there.
Was hoping for Brandon's thing to be short so he can then switch focus to Kung Fu Kid. John is okay with starting later in the year right? Even Brandon being with Ron shouldn't be a big issue when John needs time to do pre-production, scouting locations in Hong Kong and familiarize himself with Kung Fu. So Kung Fu Kid would probably start in summer. What's the overall time tables?
John wants to have a summer shoot.

And Ron is going for a spring shoot.
 
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Kagemusha

Kagemusha
Directed by: Akira Kurosawa
Written by: Akira Kurosawa and Masato Ide
Produced by: Akira Kurosawa and Tomoyuki Tanaka
Distributed by: Lucasfilms Unlimited
Starring: Tatsuya Nakadai, Tsutomu Yamazaki, Kenichi Hagiwara, Jinpachi Nezu, Hideji Ōtaki, Daisuke Ryu, Masayuki Yui and Eiichi Kanakubo.


Quality: D100 + 200 => 290
Audience: D100 + 200 => 204
Critic: D100 + 200 => 291

Profit: $26,212,345

Akira Kurosawa is one of the most interesting directors working for you. While you would gladly agree that nearly everyone working for Lucasfilms had their own ingrained talent, their own talents that had them excel in different areas, and perhaps you would even accept your own bias for Scorsese's own work...you had to say, Kurosawa was perhaps the one man that could come close to match him in talent. You'd seen what he was capable of when he had a talented team at his side, when he was given the chance and time to create masterpieces and move beyond what many considered "established" or "regular" cinema. He was a man that was willing to push boundaries, and, much like Martin, was not afraid to try different genres, or elements for his films.

Yet...it does not always work as intended as well.

Take Dodes'ka-den for instance; one of the movies that was lauded in America by the critics as an example of what true Japanese cinema could bring to the table, and yet it was something you could not fully understand, nor did much of the audience either from what they were able to see. Kurosawa is a master at his craft, yet many times you have to remind yourself that it does not mean that every single one of his works is going to be as good or as understood.

What is the reason for your mind to wander so? Perhaps because at this time you are more confused than any other when you see Kurosawa's new work, one that certainly evokes the looks from his more established period works like "The Hidden Fortress" or "Seven Samurai"...yet its spirit, the connection and interrelationships between the characters just seem...lacking something want of a better word. Perhaps it's just you, but Kagemusha, the latest movie by Kurosawa, the movie he took so much effort in regaining from Toho, the movie that even involved you and Lucasfilms, just looks more like spectacle than anything else.

And yet...it's still not bad. You can still see the elements in it that make it clearly a Kurosawa film; it carries its own distinctive essence which in a way makes it a work in the same category as its predecessors. The story deals around one of the greatest feudal lords and generals in Japan's history, Takeda Shingen, showing his unexpected and untimely demise. Then the discovery of a petty thief who bears an uncanny resemblance to the late lord, from which his retainers decide to use him as a double or "Kagemusha" just until they can hold a proper succession ceremony for the heir without causing any panic nor chaos in the Takeda clan. Although Shingen is the most powerful figure here, he is used as a monument around which everything revolves and not as the principal hero.

This is a great epic of war and a film of great emotion. At the center is a man who has nothing. He is thrust into a world he didn't create. He is a petty thief and really would like to just get on with his life. But he also has a great loyalty to his now deceased lord, and despite his great concern for his ability to carry it off, he agrees to the position. He knows that at some point this will all come crashing down, and yet the Samurai Code makes it so that he has few options. He runs the war the best he can but occasionally falls victim to who he is, and even with advisers watching his every move, he becomes so much a part of the entire picture that he is left to destroy himself and, in the process, the clan that he represents.

This film is full of sad and tragic moments, starting with Shingen's untimely death and culminating with the rebuking of his impersonator. Tatsuya Nakadai plays the dual roles wonderfully; He is so emotionally involved in his part as the Kagemusha that it seems almost uncanny. you can almost understand why Kurosawa chose not to have Mifune as the role in question in this film, unlike his many other partnerships. The other actors are also magnificent, of particular note a young actor, Daisuke Ryu, who gave an amazing performance as Shingen's arch rival; Oda Nobunaga.

The ending is very hard to watch though, both the scene where Kagemusha is thrown out in the rain and the last scene which illustrates the death of the Takeda clan. But what makes this film a pleasure to watch is the incredible cinematography and photography, especially in the incredible dream sequence where the ghost of Shingen chases Kagemusha through red clouds, as well as the hauntingly beautiful music and marvelous performances

And yet, for all its strengths, this is the kind of film that the American audience just seemed to, while not outright reject, just not seemed to completely understand. Sure, it had its adherents who went to see it again and again, but not enough to matter in the long run to make it a true "blockbuster" in this new era. It certainly made a profit with its budget, but there did not seem to be any buzz or interest generated from the film to become one that is spoken of once its run is over. Then again, in Japan they went nuts over it! Over $8,000,000 once you converted the yen into dollars, and the number one movie so far in the decade. For all that you and Mike's relationship have reached a straining point, even you can appreciate how happy he is at getting one over Toho as he keeps on redirecting their calls to just wait.

Damn, you just can't keep the smile off your face when you hear about it yourself.

Kurosawa seemed to be angry about it; not at the reception, but mostly at how clearly Japan was asking for more revolutionary cinema, yet no one was rising up to the challenge to create it. As for America, he clearly understood that the culture shock between what he was creating and what the American audience wanted at this point was to blame. After all, the critics were raving and praising the film as another proof of his mastery of cinema. They're just short of calling it his new Magnum Opus, and frankly, considering that it's already being considered for the Palm d'Or at the next Cannes Film Festival...they might not be wrong.

If anything, this has once more re-established his reputation as the Giant of Asian Cinema.

As for America...it seems that despite the overwhelming success of the "Japanese Invasion" (as the current demand for Asian entertainment is being called) they're still have a long way to go before they can fully accept Japanese cinema that does not fit their palates for Kaiju battles and Science Fiction. It's slowly going there, but perhaps Kurosawa's next movie will be the one. Some sort of adaptation from Shakespeare's work called Ran from what he's been talking about.

You can't wait to see what he can do with it.
 
One thing I want to do when it comes around, is make sure the Guin Saga is translated into English ahead of time.
 
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TV Mini-Series Pitch: Around the World in 80 Days
There was a post that mentioned how now that we'd made a movie with Alec Guiness, now we should try to make one with Christopher Lee. Hearing that just made my brain have a blast as I could only think on the Jules Verne novel "Around the world in 80 days" and how the role of Phileas Fogg was just perfect for him! I started researching the book, the adaptations, what were their strengths and weaknesses and I came up with an impressive conclusion:

The best adaptation so far have been cartoons.

I don't know what the heck is happening when nowadays cartoons can be better than live adaptations, though I have to admit, trying to recreate 1872 would be daunting in and of itself, especially when you're trying to make a profit out of it as well. Then again, we are not just trying to make a profit, right? We have enough to try and make real sets, hire good actors, and at the same time get the best result for a Mini-Series.

Why a Mini-Series instead of a movie? The book, short as it is, still has a bit too much to try and faithfully adapt in a single movie, and trying for two would be overkill with the small content that would remain. A Mini-Series would work just perfectly for what we're trying to accomplish it, and with the production values we're going for, it will still be among some of the best television (and movie) that we've made.

...Plus, I want to make something that will stand the test of time and overshadow anything that might be made nowadays in trying to adapt Verne's novels (Fuck you Tennant, you and the BBC and that travesty you call "adaptation for a modern audience"! Verne would be spinning in his grave if he was ever allowed by the heavenly host to watch what you've done. Thankfully, they have too much mercy to ever allow him to).

*Ahem* Thus, I give you:

TV Mini-Series Pitch:
Around the World in 80 Days


GENRE: Adventure/Action/Comedy

SUBGENRE: Mystery/Romance

FORMAT: TV Mini-Series

Set Up: Based on the 1873 Jules Verne novel of the same title. The plot centers around Phileas Fogg making a £20,000 wager with three members of the Reform Club that he can circumnavigate the world in 80 days. He takes with him his newly employed French valet Passepartout, and is pursued by Detective Wilbur Fix who mistakenly thinks Fogg robbed the Bank of England and is using the wager as a cover to escape capture.

Showrunner: Buzz Kulik
Composer: Billy Goldenberg

Phileas Fogg: He is a wealthy English gentleman living a solitary life in London. Despite his wealth, Fogg lives modestly and carries out his habits with mathematical precision. He is a member of the Reform Club, where he spends the best part of his days. Decisive, courageous, and with a strong will, he embarks on a journey around the world after making a wager for 20,000 pounds at the reform club that such a thing is possible.

Played By: Christopher Lee
Alternate: Pierce Brosnan

Jean Passepartout: A recently hired French valet for Phileas Fogg. Passepartout has lived an irregular and well-travelled life, and is looking forward to a restful employment, as Fogg is known for his regular habits which never take him further afield than the Reform Club, unaware of the wager Fogg took that very same day. Loyal, if with a tendency to be abducted, Passepartout helps Fogg through the entire journey.

Played By: Eric Idle
Alternate: John Cleese

Detective Fix: He is an inspector for Scotland Yard who chases after Fogg in order to arrest him, thinking him the suspect behind the robbery at the bank of England. Fix is diligent and determined as he spends all of his time and energy following Fogg, determined to arrest him, but is also very cunning and manipulative when the time comes. He does however follow the law, and is willing to aid Fogg when both sides are in danger.

Played By: Christopher Walken
Alternate: Peter Ultinov

Princess Aouda: She is an Indian princess who was married against her will, and at the death of her husband, she is about to be sacrificed as a sati at her husband's funeral pyre. Upon learning the circumstances of the sati and how this is all against Aouda's will, Fogg and company intervene and rescue her. She joins Fogg in his travels, eventually the both falling in love.

Played By: Bhanurekha Ganesan
Alternate: Julia Nickson

A.N.: Not going to lie, part of what also pushed me for this Pitch was also seeing the adaptation with Tennant and seeing what the shit they had done to Verne's classic. I may be fonder of "20,000 Leagues Under the Sea", but I consider each and every one of Verne's books works of a visionary, works made by a man who saw what mankind could be, the greatness we could achieve, as well as the strength and success of the human spirit...only to be butchered and turned into a show that makes a mockery of the main character, and turns what should be a grand triumph into just another parody of the original.

Anyways...I tried finding actors besides those who already worked in OTL in the TV Adaptation of the 80s, hopefully they can work just as well, and if any don't then we can fall back with the OTL ones. I think we can do this for LucasTV at any time, and since we have our channel ready then this can be one of the things that can draw viewers for it. I'm thinking this can also open the doors for more adaptation in the future; 20,000 Leagues is going to be the next one to be tackled as that is my favorite Verne book out of them all, and I'll be damned if Disney has the only good adaptation so far.
 
TV Mini-Series Pitch:
Around the World in 80 Days
When I was a small child, Around the World in 80 days is incredible and Fogg is the best damn MC that Verne ever wrote.

what they did was a travesty.

[]Around the World in 80... Wait What? (Christopher Lee has heard about a project for Verne from one of the TV writers, and he's in whenever it starts production with one exception. He wants to star with Bruce)
[]Meanwhile with Lucas TV (Who the bloody hell Buzz Kulik and why is his name on the project! Because I think that man is a genius)
[]The Headliner (Seems that the TV world is utterly captivated by Lucasfilms TV's risk-taking.)
 
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