Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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[x] No

can not think of one reason to do so.
sure some might not hit the over 100 mark but seeing how low we rolled on some of the early rolls i think we did fine
 
Pffff.

[X]No

Also, wasn't Nic Cage one of Talia Shire's babies in The Godfather? Or was it Sofia Coppala? I don't remember.

In addition, 88 for a child actor on his first acting job is fantastic.
 
Spider-Man Noir Season I Issue #5: Curtly Yours
Spider-Man Noir Season I
Issue #5: Curtly Yours




GENRE: Superhero/Noir

SUBGENRE: Drama/Gangster

FORMAT: TV Show/Comic Run (Animation/Possible Franchise)

  • Peter Parker / Spider-Man​
  • May Parker​
  • Harold "Harry" Osborn​
  • Eugene "Flash" Thompson​
Introduced This Episode:
  • Bennett "Ben" Urich​
  • Dr. Curtis "Curt" Connors​
  • Dr. Martha Connors​
  • Dr. Vincente Stegron​
  • James Bourne / Ómar Jubsen / Solo​
  • Donald Menken​
We open to Dr. Curtis "Curt" Connors talking with his wife Dr. Martha Connors in his office in Horizon Labs, an independent laboratory that Curtis runs with the help of Martha and his close friend and business partner Dr. Vincente Stegron. The two talk about the many attempts by Oscorp to buy out Horizon Labs over the past few months, with Curt confiding in Martha that he's been thinking of accepting Oscorp's offer. Martha vigorously protests and says that the entire reason they started Horizon Labs was so that they could get away from the companies that pursued science only to benefit their wallets. "We can't just give up on our dream, Curt," Martha pleads, "Not after all we've overcome together."

Curt turns to Martha with a sad smile, saying that he feels the same and truly wants to keep the dream of making a better world alive. "That's the problem with dreams," Curt remarks as he runs his hand through his hair, "We all have to wake up at some point." He then lets out a dreary sigh and slowly runs his hand across his face as he slowly looks around his office, an old place that has gone through a lot of wear and tear. Patches of missing wallpaper reveal the bricks underneath, dust creeps along almost every surface in the room, and most of the furniture has at least one piece of tape covering up a crack or two. Curt's sight then drifts toward a picture of him, his wife, and their son Billy at the beach. He carefully takes the picture into his hand and wordlessly stares at it, anxious conflict and turmoil roiling in his eyes as he begins to tear up a little. Martha, sensing Curt's emotional turmoil, slowly takes his arm into a gentle hug and gives him her best reassuring smile.

They're interrupted, however, when Vincente rapidly knocks on the office door and exclaims that they have a big problem on their hands. Curt quickly rushes to and opens the door to reveal the very worried Vincente, who explains that some of the blood samples they collected have gone missing. Curt and Martha go pale at the news, and they quickly run after Vincente, with Curt exclaiming that they just put those away that morning.

We then cut to the opening credits and theme song playing, before the Title Card drops.

Curtly Yours

We cut to Peter in costume as he furiously pounds away at an old punching bag in a small gym, letting out short barks of anger as he does so. When Peter finishes, Flash, who had been quietly observing Peter up to this point, compliments Peter on his speed but criticizes his wild and uncoordinated punches. "It's like shooting with your eyes closed and praying that you manage to hit the enemy," Flash explains as he steps in front of another punching bag, "You'll hit something at some point, but you've wasted a lot of bullets by not aiming." Flash then demonstrates his point by launching his own, much more coordinated flurry of punches against the punching bag. As the punching bag swings around wildly, Flash grins at his handiwork and proudly states that the punching bag will be feeling that in the morning.

Peter chuckles at the joke before thanking Flash for training him again, to which Flash simply smiles and says that it's the least he can do since Spidey asked, especially since he lost his fight with Black Cat—Peter's stance tenses at the mention of the cat burglar, which Flash notices and comments on. Peter, after taking in a deep breath, replies that Black Cat is a touchy subject for him and that he'd rather not talk about her. Flash nods in understanding and immediately switches the topic of the conversation to the story of how he managed to get a lowered rent on this gym.

We then cut to Peter, now out of costume, as he returns home. Opening the front door, he begins to tell Aunt May that he's back home before pausing when he notices the stranger who is sitting in their living room with Aunt May and quickly finishing a cup of steaming coffee. His shirt and pants have old coffee stains and mismatched patches sewn on to them, a nasty burn scar covers the entirety of his left cheek and neck, and one of his eyes has gone glassy due to blindness. Aunt May smiles at Peter and welcomes him back home before introducing the stranger as freelance journalist Bennett "Ben" Urich, after which Urich extends his hand and gruffly greets Peter.

After Peter awkwardly shakes Urich's hand, Aunt May explains that the journalist is investigating Uncle Ben's death for an expose, which causes Peter to stiffen slightly, and that he had come by to do a short interview with her. Once Aunt May finishes speaking, Urich picks up a notebook and pen from the nearby table, clicking on the pen a few times to get it to work, before asking Peter if he would be comfortable answering a few questions as well. Peter is initially hesitant about answering, but after receiving a reassuring smile from Aunt May, he agrees to answer just a few questions.

Urich quickly questions Peter on, among other things, what he and Uncle Ben had been doing on the day of Uncle Ben's death and if he had ever noticed Uncle Ben act tense or worried. Peter slowly recalls everything that he remembers while being careful to not reveal anything that would give away his vigilante identity. Once Urich has finished asking his questions, he grunts in satisfaction and pockets the notebook and pen. Quickly standing up, he thanks the Parkers for their time and coffee and says that he really needs to get back home soon. Urich then grabs a calling card out of his trenchcoat and hands it over to Aunt May, telling them to call him if they remember anything else or find any leads. He then puts his trenchcoat on, bids the Parkers a good day, and quickly leaves, though not before frantically looking left and right.

We smash cut to Horizon Labs the next day as Harry, tagging along as a sort-of-intern, Oscorp representative Donald Menken, and government auditor Ómar Jubsen meet with the Connors in Curt's office. Harry enthusiastically shakes hands with the Connors and says that he's eager to work with them while Menken is more reserved and curt in his behavior. In the background, Jubsen can be seen taking notes of what he sees in the office and tutting in disappointment as he does so.

As Harry and Menken take their seats, with Rouman leaving to go check the other parts of the laboratory, Vincente comes into the office with a lot of paperwork and begins to ask Curt if he can help only to pause when he notices that Curt has company. "I'll... go do it myself, then," Vincente mutters as he awkwardly exits the office, after which the meeting begins in earnest.

Menken argues that while Horizon Labs has a lot of potential as an institution, the poor state of affairs that it is in, compounded by the many accidents and mishaps that have befallen it, does not bode well for the future of Horizon Labs. If the Connors keep running it as they are now, they will most likely have to file for bankruptcy in the near future. Harry interjects that under Oscorp, Horizon Labs would have access to more funding, better equipment, and extra manpower, which would allow it to grow to even greater heights than one could possibly imagine as of now. Menken shoots Harry a subtle look of annoyance at the interruption as Curt softly smiles but shakes his head. Curt then states that, as they have already told Oscorp, they will only accept if they are given a greater degree of autonomy than they are being offered currently. Harry begins to say that that could be potentially negotiated, but Menken interrupts and says that the Connors need to be realistic here just as Jubsen returns to the room. Oscorp is already offering Horizon Labs a miracle here that will keep them from going into bankruptcy and asking for more is asking for the rains to pour instead of shower.

The negotiations break down, and the meeting comes to a terse end. Jubsen stays behind to give the Connors a full breakdown of his findings while Menken and Harry leave, with Harry subtly sending a conflicted glance toward the Connors. As they leave, Harry turns to Menken with a nervous smile and asks about how he did back there. Not bothering to look back at Harry, Menken surface-level-politely replies that although Harry made some errors, he did adequately for his first time. He does not notice Harry's smile straining.

We then quickly cut to Peter in costume that night as he looks at the address on the calling card Benny left before looking up at a dingy and run-down apartment complex with the same address. Checking one more time, he then slickly pockets the card and begins to walk up the stairs. The air is unnerving and tense as Peter quietly and nervously makes his way up to the third floor, shuddering slightly when he notices a dead rat in the corner. Finally finding Urich's apartment door, he makes sure that this is indeed Urich's apartment before wall-crawling toward the apartment window. Peering through the window to find no one inside it, Peter then slowly forces open the window with great care before slipping inside.

Once he's inside, we cut to a first-person PoV of Peter as he pulls out a small flashlight and flicks it on before searching the apartment. Peter at first rifles through some cardboard boxes and finds some interesting newspapers that Urich has collected before noticing a large corkboard nailed to the wall. Slowly approaching it, Peter finds that it's covered with clippings of newspaper articles, pictures of suspicious persons, and hastily-written notes all connected together with strings of red yarn. Peter mutters quietly to himself about the meticulousness of it all as he stares at a clipping of Jonah's tribute to Uncle Ben before looking around again. As he does so, though, he suddenly feels his-

"Step away from the board, boy."

Peter whirls around in shock, and the flashlight beam lands on Ben Urich, still dressed in his nightwear, pointing a pistol at him, his glassy eye coldly staring at him. As Peter begins to slowly walk away from Urich and toward the window, Urich remarks that he suspected Spidey was a stooge from the start as he cautiously flicks the lights on. As Peter turns away at the sudden light, Urich asks which of the big boys he's working for: Purple Man, Vulture, Hammerhead, Gobli-

"Never."

Peter vitriolically bites out, which causes Urich to jerk in surprise. Seeing an opportunity, Peter then quickly explains that he's been hunting for the Goblin ever since Benjamin Parker's unfortunate death. Urich contemplates on the statement and mutters that it would explain the timeline. Urich, lowering the pistol slightly, tells Spider-Man to explain what he's been doing, then, which Spider-Man promptly does. Satisfied, Urich lowers the pistol completely, which causes Peter to sigh in relief, and says that if that's the case, perhaps Spider-Man could help him with an investigation he's been working on. Ripping off a piece of paper and quickly scribbling an address on it, Urich hands the paper to Spider-Man and says that he'll explain more at the place tomorrow at ten o'clock sharp.

"Now if you will excuse me," Urich bluntly remarks as he flicks off the lights, "I have a comfortable mattress to pass out on."

We then cut to a first-person PoV of Urich and Spider-Man in an abandoned building as they quietly observe an attractive young man confidently flirting with a waitress in a nearby cafe. Peter, looking through binoculars, asks Urich to explain who the guy they're observing is and why he's important again. Urich groans and says that he just explained all this an hour ago, to which Peter deadpans that he zoned out halfway through when Urich started ranting about how the Goblin and other mob bosses were Communist plants whose exorbitant wealth and unchecked power were intended to turn people against capitalism and the free market. Urich says that the information was very important to the point he was making, to which Spider-Man dryly replies that of course it was before telling Urich to just get on with the explanation already. Urich grumbles under his breath about youth having no patience these days but obliges Spider-Man nonetheless. He explains that the man they're watching is James Bourne, a former captain in the British army who became the mercenary Solo after receiving a dishonourable discharge from the army, and that they're watching him because Urich found out that the Goblin recently hired him for an unknown job. "What that unknown job is," Urich finishes, "is what we are here to find out."

Peter nods at the explanation as he watches Bourne exchange phone numbers with the waitress before beginning to eat his breakfast. As a few seconds pass, Peter comments in disappointment that this is all rather mundane compared to how he expected this to go. Urich wistfully responds that this is nothing compared to that one time he had to-

"Duck!"

Spider-Man exclaims as he suddenly pushes himself and Urich down to the floor as Bourne turns to look in their general direction, causing Urich to squawk in surprise. Rubbing his nose, Urich incredulously whispers to Spider-Man what the hell was that for, to which Spider-Man hisses back that they would have been spotted. Urich says that he knows that, what he is asking is why Spider-Man had to slam him against the floor that hard. Peter blushes in embarrassment under his mask and awkwardly apologizes, to which Urich simply huffs. Peter then slowly peers over the wall to see that Bourne has vanished into thin air. Spider-Man groans in frustration as Urich also peers over the wall and sarcastically mutters, "Wonderful. Just wonderful."

We then cut to Horizon Labs early the next morning as a tired Curt and Vincente groggily stumble into some seats, with Curt mumbling about having finally fixed the refrigerator and incubator. An equally tired, but smiling, Martha then appears with three cups of steaming coffee and takes a seat of her own. "Depressing black coffee with no fun or sugar," she cheekily remarks, "exactly how you two like your coffees." Vincente scoffs good-naturedly, retorting that Martha has a narrowminded view on where one can find joy, while Curt simply chuckles as he appreciatively takes his cup of coffee. He flashes a loving smile at his wife, which causes her to blush a little.

A sudden forced cough from Vincente startles the couple, however, and they turn to irritatedly stare at a smirking Vincente, who asks if he should give the two some space. Martha smirks back and asks if she and Curt should say the same thing about Vincente and Loretta. Vincente's smirk fades at the mention of Loretta, and he finds a sudden interest in stirring his coffee. Curt and Martha's expressions quickly soften with sympathy, and Curt simply asks, "Went badly, huh?" Vincente slowly shakes his head that it was amicable enough, to which Martha says that they're here if he needs people to talk to. Vincente briefly smiles a little before asking if they can move on to something else. Martha nods and, changing the subject, mentions that they have another meeting with Mr. Menken and Mr. Jubsen scheduled for later that day. Hearing this news, Vincente groans into the palm of his hand while Curt promptly faceplants onto the table and mumbles about being too tired to deal with all this.

We smash cut to Peter in costume about a week later as he finishes raining hell on a punching bag, his punches now more coordinated and effective. Huffing and puffing, he pulls his mask up to his nose and quickly downs a bottle of water that Flash hands him. As Peter drinks, Flash compliments him on his progress and states that he's a quick learner. Peter nods as he hands the bottle back to Flash before walking over to a nearby chair and flopping onto it, saying that the training has helped clear his mind of all the frustration he's been having lately. Flash, taking a seat beside him, says that he noticed Spider-Man did seem more stressed than usual and asks if he'd be willing to share.

Peter thinks about it for a few seconds before nodding his head and revealing his and Urich's investigation into James Bourne. It hasn't gone all that well for them. "We've been tracking the guy for over a week now, and we still haven't found out where he's staying," Peter bemoans as he runs his hand over his face, pulling down his mask as he does so, "It's downright infuriating." Peter then turns to Flash and asks if he had ever met the guy during World War II, to which Flash shakes his head and says that even if he did run into this Bourne fellow at some point, he's forgotten all about it by now. "That's what a guy gets for being sent to Italy, I guess," Flash remarks as he grabs a nearby beer bottle, "You miss all the famous or important people."

After chugging most of the bottle, Flash wipes his mouth and turns to Spider-Man before asking if this Solo guy is particularly skilled in anything. "Uri-My journalist friend informed me that Solo was a combat engineer and the best marksman in his company," Peter replies, to which Flash rubs his chin in contemplation. After a few seconds, Flash claps his hands and, standing up, says that he'll be back in a second as he quickly runs over to a nearby closet. He comes out holding a pistol and rifle, which startles Peter and causes him to ask what in the world Flash got all that for. Carefully placing the guns down on a nearby table, Flash replies that since Spider-Man is gonna face a very skilled mercenary soon, and a lot of other enemies like him in the future, he should learn basic gun information, how to use guns, and how to defend himself from people using said guns sooner than later. Peter, quickly thinking over it, agrees and walks over to Flash, who begins to introduce him to the beauty of a 1911 pistol.

We transition to Peter and Urich silently and stealthily tailing Bourne as he leaves the house of the waitress he flirted with, a self-satisfied smirk plastered on his face as the waitress dreamily tells him to come again soon. The two follow closely behind, with Peter traversing across rooftops since he's in costume and Urich walking through musty alleyways. Eventually, Bourne walks into a small notel and unlocks one of the rooms, confirming that this is where he is staying. Seeing this, Peter quickly crawls down the building he's on and sneaks over to Urich, who is hiding behind some bushes. Peter asks what they do now, to which Urich simply pulls a screwdriver out of his pocket and shoves it into Peter's chest. As a very confused Peter takes the screwdriver into his hand, Urich says that once Bourne leaves his apartment, he will sneak in through the window and figure out what Bourne is up to while Urich watches for anyone who might accidentally walk in on him. Peter nods in rapid understanding as he leans against a nearby wall, with Urich remarking, "All we do now is wait."

We smash cut to a few hours later Peter impatiently fidgets around with the screwdriver while Urich calmly watches the apartment complex. Suddenly, Urich, seeing Bourne leave his apartment, turns to Spider-Man and tells him to "go, go, go!" Peter quickly hurries while Ulrich gets back to watching. As Bourne, wearing a thick trenchcoat and big fedora, leaves the premises, Peter quietly sneaks up to the window to Bourne's motel room and, using the screwdriver, slowly forces the window open. He then slowly squeezes himself through the window, stumbling into the room before catching himself on the bed. Taking a moment to collect himself, he closes the curtains, turns on the light, and begins to investigate the room by overturning everything he can see. He finds the following things: some rifles and ammunition, a disguise kit with several wigs, a bomb-making kit, vials of blood in the refrigerator, several faked documents, and a small collection of love letters from various women. Placing all of these things in one area on the floor, Peter sifts through them quickly before finding a nondescript and unmarked letter from Bourne's employer.

It reads: "The Connors have vexed my plans for long enough. Deal with them immediately."

As he reads the letter out loud, the gears begin to turn in Peter's head. He looks at the vials of blood, who have the Horizon Labs logo on their labels, before turning back to the letter. "Connors... Horizon Labs..." Peter mutters, his tongue rolling over the words, as his eyes slowly widen and his breath tightens with realization.

"...Oh no."

We then cut to Harry, Menken, and Jubsen as they approach Horizon Labs, with Menken explaining to Harry how the negotiations are going to go. They will let Mr. Jubsen give his final assessment of Horizons Labs first, so that the Connors know just what dire straits they are in, and then they will make the same offer they did last meeting. They will emphasize that while they are being fair, they will not budge from the current terms they have given, and nothing the Connors will argue or throw at the wall will change that. "I know that it is difficult for you to see the life's work of the Connors come to nothing, and I myself take no pleasure in destroying it," Menken states with some small empathy leaking into his tone, "But we are here to secure a new asset for Oscorp, not take on charity cases or turn water into wine."

Harry quietly nods and says that he understands, but he turns his face to hide his conflicted feelings on the matter, which Menken doesn't notice. Harry then notices Jubsen's nervous posture and fidgeting, as well as the way his eyes flicker back and forth, and hesitantly asks him if he's alright. Jubsen is surprised by the question but quickly recovers, saying that he hasn't had this job for all that long and that he's just a little anxious about doing his job right. He tells Harry that he shouldn't worry about him as he reaches for the front door.

Suddenly, Spider-Man and Urich stumble out of a nearby alleyway panting heavily, startling Harry and Menken and causing Jubsen to tense up at the possible threat. Quickly looking around, Urich's eyes widen when he spots Jubsen, and he loudly cries, "There's the bastard!"

Realizing that his cover is blown, Solo quickly pulls a gun out of his trenchcoat and shoots Menken in the leg, causing the man to cry out in pain. A startled Harry tries to keep Menken from falling while Urich quickly draws his pistol and opens fire, managing to blow Solo's fedora off of his head, with Solo returning fire as he rushes for the front doors. Spider-Man and Urich quickly rush toward Menken, who is now bleeding profusely. Urich quickly hands his gun over to Spider-Man and tells him to go after Solo already before kneeling to perform first aid on Menken with the help of Harry.

A brief chase scene ensues as Peter runs after Solo, dodging the shots that Solo fires at him while also returning fire himself. When Solo's gun runs out of ammunition, he tosses it at Spider-Man and starts toppling over anything he can find to obstruct Spider-Man's path. During this, Peter's foot catches on a chair leg, sending him sprawling to the floor and allowing Solo to get some distance.

Solo barges into the main laboratory and slams the door wide open, startling Curt, Martha, and Vincente, who had been preparing the lab for that day's visit. Solo pulls another gun out of his trenchcoat and points it at the Connors, causing Martha to shriek in terror as Curt goes to shield her. Solo fires twice, the shots landing squarely on Curt's right arm and causing him to cry out in sharp pain. Before Solo can fire a third time, however, Vincente grabs him by the arm and reaches for the gun. A struggle then ensues as Solo and Vincente grapple for control of the gun, three wild shots fired harmlessly, with Solo pushing Vincente onto a table and pummeling him mercilessly. As Vincente desperately tries to maintain a hold on Solo's arm and the gun, Peter bursts onto the scene and, seeing what's happening, shoots Solo in the shoulder. As Vincente takes the opportunity sock the stunned Solo in the jaw, Peter tries to shoot again, but the gun clicks to signal that it has run out of ammo at the worst possible moment.

Peter mutters under his breath over his rotten Parker Luck, but he quickly gets over it and rushes Solo, who fires off one last shot before having to brawl with Spider-Man. As the two scuffle, with Peter putting his training to excellent use, Vincente staggers over to the Connors and tries to help aid Curt, whose arm is bleeding profusely and has been rendered useless.

Back with Solo and Spider-Man, Solo is not having a great time as Peter has knocked the gun out of his hand and is raining hell on him. "Why won't you just bugger off, ya' little pest?!" Solo angrily says as he throws a wild, unstable punch. "Can't, I'm an arachnid," Peter quips back as he dodges said punch before countering with his own punch to Solo, which sends the mercenary flying back into a far away table. As Solo clutches his stomach and groans in pain, Peter coldly tells him that it's over and that he should surrender while he can still walk. Solo, however, gives a small smirk.

"I'm afraid I've already made other plans," Solo self-depreciatively chuckles as he pulls a detonator out of his trenchcoat, causing Peter's eyes to widen, "Bon voyage, Spider-Freak."

Peter lunges.

Solo flips the switch.

An explosion rattles the room, sending Peter flying into a wall. He lands with a strong thud and topples to the ground, causing him to groan in pain. His vision is hazy as smoke and flame begin to fill the room, and Peter begins to have trouble breathing. Yanking off his mask and gasping for air, Peter stumbles forward and takes a moment to take in his surroundings. Half of the laboratory is engulfed in flames and smoke, with the silhouette of Solo's corpse a smoky suddenly pierce the air. Turning, he sees a distraught Martha and Curt desperately trying to push a table off of an unconscious Vincente, the latter contributing little due to his injury. Peter's hand gently touches his exposed face as his emotions briefly war with each other. The conflict quickly ends, however, and stalwart determination fills Peter as he rushes forward.

Hoisting the table off of Vincente, Peter authoratatively tells Curt to get himself and Martha out of the laboratory now while he takes care of their colleague. Curt and Martha stare at Peter in worried surprise, but Martha quickly regains her composure and, pulling Curt's good arm, flees the laboratory. Peter quickly checks Vincente for a pulse before carefully scooping him up in a bridal carry and running out of the laboratory. As Peter runs, the fire behind him explodes with an awful roar, and the inferno grows. Peter quickly makes his way out of Horizon Labs through a back door are and, once he sees Martha and Curt on a nearby bench, gently places Vincente next to them. As Martha attends to Curt's arm, Peter, short on breath, slowly sits on the ground and takes the time to rest.

Once he's done, he looks up to see the both very worried and very grateful looks on the Connors' faces and remembers his lack of a mask as sirens begin to flare in the distance. He frantically looks through his pockets and on the floor before realizing that he must have dropped it in the laboratory. Before Peter can begin to fully panic, however, Curt, using his good arm, pulls a handkerchief out of his pocket and hands it to Peter. "Don't worry, it's clean," Curt jokes reassuringly as a wide-eyed Peter, quickly understanding what Curt's gesture means, takes the handkerchief and turns it into a makeshift mask that covers his mouth. Seeing Solo's fedora in some nearby bushes, he quickly grabs that as well and puts it on his head, taking some time to make it fit. Once he's finished with that, he then turns to the Connors with a grateful look and quietly asks if they're alright.

"Besides the arm and some minor cuts and burns, I think we're fine," Martha says, her eyes filled with gratitude. Peter nods and says that that's good before going to leave. However, he quickly whips around when Curt calls out to him, saying that they are indebted to Spider-Man and that they'll always be happy to help should he ask. Peter, a tear threatening to well up in his eye, says he'll think about it, to which Martha and Curt simply smile back. As the sirens grow louder and closer, Curt quickly tells Peter to go, and Peter doesn't hesitate as he runs through a nearby alleyway.

We then cut to a hospital room as Urich finishes informing Harry and Menken of what he and Spider-Man found. Menken, who's sat on a hospital bed, gravely states that Oscorp can't-no, shouldn't buy Horizon Labs now. "If that madman was willing to commit such an atrocity over a grudge of any kind," Menken says with a pale face, "who knows what he would do if Oscorp drew his ire." He then asks Harry if he would be willing to tell his father about his opinion on the matter, to which Harry quickly nods and says that he will support Menken on the issue. Turning to Urich, Harry gratefully thanks Urich for the help and says that he'd be willing to pay him for all the trouble. Urich chuckles a little as he finishes writing something in his notepad and says that while he appreciates the gesture, the story he's gonna get from this is more than enough payment. Standing up, he thanks the two for their time and gives Menken his best regards on the leg before politely excusing himself and leaving the room.

As Urich closes the door behind him, he notices a small folded piece of paper on a nearby window sill. Gingerly taking the paper and unfolding it, he quietly reads, "The Connors are safe and Solo took care of himself. Thanks for the help, Urich. Would be happy to work with you again."

Urich's eyes widen with subtle surprise as he turns to look out the window. After searching for a few seconds, Urich sees a lone figure on a nearby rooftop wearing a trenchcoat and fedora watching him.

Spider-Man tips his hat to Urich.

Urich, a small smile on his face, tips an imaginary hat back.

As Spider-Man leaves, Urich takes one last look at the paper before pocketing it and walking away.

We cut to closing credits.



Author's Notes:

At this point, I'm not even writing all this to get rewards, I just genuinely enjoy writing all this on top of it being a great exercise for me. :D

...Okay, maybe I'm writing this so that the bonus for completing the first season of Spider-Man Noir can be taken, but that's just a nice side-bonus. :p

Once again, a big thanks to @King crimson for being my beta reader and great advisor for these pitches. I wouldn't be able to do this without them. :D

Also, I'd love to hear everyone's thoughts on this, what you all loved or didn't love. :D

Sincerely, Duke William of.
 
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So I have been told by a random person that I haven't done anything random in the last 12 hours.

I say:

D100 => 38

Have your random dice roll you coward!
 
You know when I think about it, Bruce's Conan probably looks like Henry Cavill's Geralt just with shorter and black hair:


He was hired because Robert Englund, Robert Redford, Sylvester Stallone, Arnold, Christopher Reeves, Ian McKellen, Michael Bein, and Mark Hamil himself couldn't find time in their schedules to shoot or even audition.

What were Sly, Arnold and Mark doing that kept them busy? Also has John Travolta starred in Saturday Night Fever or is he doing something else?
 
Spider-Man Noir Season I
Issue #5: Curtly Yours
Spiderman... Oh boy.

[]The Great Game of Comics (Comics are seeing an uptick in sales. meaning that new ideas are starting to come far more... acceptable.)
[]Stan Lee Goes to Mobius (Stan Lee teams up with French Artistic Demi-God Mobius for a six-issue mini-series)
[]And THen Something Happened (Unknown Effect)
 
What were Sly, Arnold and Mark doing that kept them busy? Also has John Travolta starred in Saturday Night Fever or is he doing something else?
Several films that will make them famous.

Sly wants to do a personal project, now that he has money to actually do it.

Arnold is off doing other films after Pumping Iron blew people away.

Mark just wants a break from the whole thing after a whole damn... Backbreaking carrying of the First Star Wars.

John also took Saturday night fever... mostly because they paid him.
 
[X] The Great Game of Comics (Comics are seeing an uptick in sales. meaning that new ideas are starting to come far more... acceptable.)

I'll don't want to go for the dangerous route, so I'll go for the just plainly positive route.
 
Homecoming of a Hero Turn 55 (November 1977)
Homecoming Turn 55 (November 1977)


At the moment you touched down, there were butterflies in your stomach, as most of everything you were feeling was focused on all the things… well rather one of the only things that mattered.


Getting home was as simple as being picked up and driven by a driver you hired the night before by phone. There was nothing else you were really going to do now. Just simply waiting now. It was something that you were just not… prepared for.


What might have changed being gone so long?


But every fear and anxiety went away as Carrie sat and waited… and well, she was very heavily pregnant.


Honestly, that was just… so much to take in.


You set your suitcase down on the lawn and looked down and as she smiled. "Hey, Carrie."


Carrie just leaned in and planted a kiss on your cheek… and then she whispered. "You know, it's going to be okay. We're fine."


And everything else just went away as you both embraced. There was nothing else to say.
--------------------------------------
Lucasfilms Unlimited Actions:

[]The Breakdown of Several Things (Conan): You and Steve want to learn from the production of Conan. There is things you want to do to make things better. DC: ???

[]Preparing for the Media Blitz: Mike wants you to be front and center with the media blitz for Conan next year. That means you have to suck it up, and start smiling for the cameras that you hate. DC: 30

[]The Editing Masqarade: How many films are edited at the same time and who gets the first pick to finish, Jesus Christ! DC: ???

[]The Director Spoils: You want to know what the quality of the other films is right now. DC: 20

[]And George Wants to Begin… Something Else… Wait What?: George just decided to make something amazing in his spare time. What the hell is that! DC: ???/???/??? (Note, this will roll a d1000, rather than a d100. And no bonuses will be applied)

[]Begin an Animated Production (Hiawatha): It was not the script anyone wanted to do. But you wanted to begin with a Bang. (Begin Production of Hiawatha. Please linetail the budget for this film, and who should be directing the picture)
[]Begin an Animated Production (The Great Mouse Detective: Basil of Baker Street): It was not the script anyone wanted to do. But you wanted to begin with a Bang. (Begin Production of The Great Mouse Detective: Basil of Baker Street. Please linetail the budget for this film, and who should be directing the picture)


[]Begin an Animated Production (Atlantis): It was not the script anyone wanted to do. But you wanted to begin with a Bang. (Begin Production of Atlantis. Please linetail the budget for this film, and who should be directing the picture)

[]Investing in the Future: You want to Spend some of that money you made into the company and make the whole thing better DC: ??? (Linetail what you want to invest in, and how much money you want to invest in it)

[]Look for Investors: Not that you need the money now, but maybe you can get people on board with this idea you have. DC: ???

[]Distributing Deals: Since you have a Distribution Company, or rather, are one… You can meet the major movie theater companies and strike a Deal with them. Even when you had really nothing to offer them. DC: ???

[]Importing Foreign Films: So… you may have a way to get some films showing in American Theaters. Maybe you can go to other foreign film industries and… well, ask to distribute their films. Sure many of those foreign film companies never expected an American company to distribute their films in the US… but maybe you can get money without producing them. (Linetail where you try to get films from, and if there are any specific films, line tail them below) DC: ???

[]The Ideas of Industry: This action is meant for a write-in to act as a sort of Idea machine for the company. You must detail what you want to do below this action. This action can be taken multiple times.

Personal Actions:

[]Just taking a Deep Breath: You and Carrie finally sit down and talk about the future.DC: 0

[]Exploring your new home: You looked at the baby room, and just looked at it. There was nothing more then what you imagined. DC: 0

[]A Fear Realized: You took a deep breath and fear nothing. But you were smiling at the possible future. DC: 20

[]Being Called Out: You looked at the TV screen and looked at the Heavyweight Champion look at you. Ali wanted your Head and said you were nothing but a nobody. DC: 0 (You must line tail a response below this vote)

[]Your Rival: Arnold Schwarzenegger. You have no idea who this guy is… also, why does he want to rival you. Also, what the fuck is he doing, going around saying you are the only reason that things got so weird? Whatever that means. DC: 30

[]Having Fun: You and Carrie haven't had a night on the town in some time. Perhaps that's what you both need. Just a good ole time where it's just the two of you. DC: ???

[]Game Shows: You want to go on a Game show, you are sure that Lucille might get you in on one of them. DC: 40

[]A Well-Known Fan: So some really famous person is a fan of yours. Maybe you'll learn who they actually are. DC???

[] Learn to play an instrument: You want to learn how to play something DC: 80 (You have no idea what the hell you are doing.)

[]Investments: You want to invest your hard-earned cash into something that you feel will be a good return on investment. And as well as diversify your assets DC: 0 (Linetail what you wish to invest in below this action, and the amount of money you want to invest in)

[]The O'Riely Foundation Lobbying: You want California to help the men who have given nearly everything and more to this country. DC: ??? (Linetail how much money you want to throw at it, and what you want from the State)

[]A Charitable Heart: You want to invest your newfound wealth. Maybe even save some lives while you are at it. (Linetail what you wish to invest in below this action, and the amount of money you want to donate in)

[]Pray: It had been a long time since you went to Mass. You wish for the Lord to give you strength. DC: ???

[]Action Directing: It seems the town has been talking about how much of a beast you are at just being a stunt person. In fact, they knew you were a student of Bruce Lee. And they think you know how to stage and block a fight? Maybe you can DC? ???

[] Do auditions(Movies and TV Shows): You are going to go to some of the casting calls that are in the place where you can find work in. DC: 20(Possibility of only getting a commercial or TV show job, or extra work in a low-budget film)

[]Modeling (High Fashion): So you got a call from a photographer in LA, some no name. But that no name works for Gucci. And he wants you on their next lineup of products. And he needs you to model for him. Which is great… one problem, you have no idea what the hell you are doing. DC: 60

[]Modeling (Advertisements): Thankfully another Call Came in, one from an ad firm. They need you to have some pictures taken so that they are used for saner things. Like selling cars, or ice cream. DC: 40

[]Workout: A Healthy Mind and a Healthy Body are Key to having a good life, and you have been slacking as of late. Time to hit the workout and discipline, and perhaps, see things differently. DC: 30 Reward: You work out and feel better.

[] Ask Clint if you can act in a movie of his: You know you want to see if you can act opposite him, for a good time. DC: 40 (Clint wants to work with you.)

[] Gophering, and other signs of stuff: You want to try and learn how work behind the camera works, and what better way than being a gopher. DC: 50 (You have no idea what the hell they were doing, and you have no idea either)

[] Take a walk: Dad always said that the best ways to get inspiration are by walking, talking, and being open-minded. So you'll try that. DC: 10 (You are just going for a walk, what could be really said?)

[]Pitching for Money: So Miss Ball has decided to offer anyone who comes up with a good pitch for a show tens of thousands of dollars. Time to see if you can cash in DC: ??? (Write in Pitch for the CBS Suits to see)

[] Register in a theater: There are quite a few theater troops that are looking for some seasonal help for some play's that the regulars could not get to. Perhaps you can work there for a while. DC: 40 (Everyone wants to be famous here in Hollywood.)

[] Go to a bar or something to make jokes: You wanted to try some comedy, perhaps you can try. even with your shit timing. DC: 40 (Your Lack of comedy chops is going to be something that will bite you.)

[] Practice writing: You want to write something, maybe even a script. At least to learn the craft. DC: 20 (You try your hand at screenwriting, and maybe get something that is worth a damn.)

[]Calling You're Parents: You are going to call your parents and see what they want. DC: 10

[] Research stuff, see if anything piques your interest: You may have graduated High School as a kid, but you never stopped trying to learn. DC: 15 (Write-in what you want to learn about below)


AN: enjoy and vote in plan format, please.

Sorry bout that, forgot to finish editing.
 
Last edited:
Title: Red Riding Hood

Title: Red Riding Hood
Genre: Family/Suspense
Sub-genre: Fairy-tale/Horror
Characters
Red: Daughter of a powerful druid line, finds comfort in the forest and is sent to deliver some herbs and ingredients to her grandmother on the other side of the forest before she catches the eye of the Wolf.
Red's Mother: Mother of Red and the current head druid of the village. Plays little importance in the film other than sending Red on her journey.
Grandmother: Red's grandmother and former head druid of the village. Lives on the outskirts of the town near the middle of the forest in order to be near the ley line that the druids use as a source of power, she acts as a sort of caretaker for the lay line. Has history with the Wolf.
Cub, Kit, and Porcupine: Three animal companions that Red meets at the beginning of her journey and helps he throughout the film and eventually against the Wolf. Cub is a baby Bear, Kit is a baby Fox, and Porcupine is an adult...Porcupine. Cub and Kit are rambunctious and playful and Porcupine acts as a sort of babysitter for the pair.
Woodsman: Red's father and guardian of the forest. The Woodsman keeps a balance in the woods so that no one man or creature may rise above another. Is drawn away from keeping an eye on Red by the Wolf tricking him into believing a group of Hunters are poaching on the other side of the forest.
The Wolf: The Antagonist of the film. Is dead set on devouring Red and her Grandmother, seeking to gain their power and use it to control the forest once and for all. Stalks Red for a good portion of the film before swallowing Grandmother and taking her place in order to fool Red. The climax of the film ends with him getting his comeuppance.​

Plot
Act 1​
We are introduced to the village from an overhead shot that is supposed to mimic that of a view from a bird. Swooping over the village and it's inhabitants going about their busy lives while following a figure in a red hood as she runs through the village with the inhabitants greeting her as Red and wishing her a good morning. The birds-eye view swoops down past Red and lands at a windowsill where a pie is sitting.

We then cut to Red's Mother shooing away a crow as it eyes the pie. Red's Mother tiredly offering a prayer to Lady Morrigan to take her familiars someplace else. Red bursts into the house, out of breath and excitedly showing off the new red hood that she had received from the tailor. Her mother proclaims it to be as beautiful as her daughter, before asking Red to turn around a moment. Red's Mother tsks and says the Tailor forgot to put the rune she'd described upon the back. Red isn't bothered, she's gone through the forest plenty of times with father after all. Red's Mother tells her that traveling the woods alone is an entirely different thing, as all manner of beasts love prowling upon little girls. Red's Mother puts a quick rune upon the back of Red's hood, telling her that she will at least be able to communicate with the creatures of the woods now.

Red excitedly heads to the windowsill where the crow from before is back, almost sticking his beak in the pie. Red's sudden questions and quizzing of him leaves the crow stumped as the girl fires off several rapid fire questions about his home, feather care routine, and what it's like to fly. Eventually the crow just huffs and tells Red to buzz off before flapping away. Red frowns, telling her mother that Crows aren't very chatty creatures. Red's Mother prepares her a basket full of herbs and ingredients that Grandmother will need, and tells Red to be extra sure to stay upon the paths already treaded whilst in the woods. Red waves off her mothers worries at first, but her mother makes her promise. The Wolf is a deadly creature, and he is always out looking for foolish maidens that think they know the ways of the world.

Red asks her mother if the stories she's heard about Grandmother and the Wolf having history are true, and Red's Mother simply sideskirts the question by saying that all stories have a bit of truth to them. Red is annoyed but doesn't push the subject as she kisses her mother goodbye and heads to the outskirts of the woods to meet up with her father the Woodsman. The Woodsman is a jovially if stern when need be man who happily greets his daughter. Upon on shoulder he leans his druidic axe that he uses to protect and keep balance in the forest. He asks his daughter if she is prepared for her journey, as he will only be walking her part way through the woods. Red is prepared, showing off her new hood and rune to her father as they head into the woods.

We cut to the first-person-view of a beast prowling in the woods, watching Red and the Woodsman as they chat along the path. Heavy breathing can be heard as its gaze focuses on Red, before ducking behind some thorn bushes when the Woodsman stares off near its location. After a moment Red and the Woodsman continue on their journey, before the beast lumbers out onto the path in front of them.

We cut back to a normal shot and see just how big the Wolf truly is. Easily he would be considered a Direwolf given his hulking demeanor, though the way he moves is almost catlike in a way. He greets the Woodsman, almost playfully asking how his day is, before greeting the young Red. The Woodsman keeps his daughter behind him as he asks the Wolf what he wants. The Wolf and Woodsman have some back and forth where it's clear the Wolf is mocking the Woodsman while the Woodsman keeps a stern and terse dialogue with the beast. Eventually the Wolf reveals that a group of hunters are poaching on the other side of the forest, and he simply came to warn the Woodsman as it's his duty to protect the forest. The Woodsman curses, but before he leaves he makes the Wolf swear that he shall harm not one hair on Red's head. "Neither Fang nor Claw shall leave a mark upon your daughter's skin, this I swear upon the Forest." The Wolf says, giving a long and fangful grin. The Woodsman heads off, leaving Red and the Wolf alone.

Red, not showing an ounce of fear, asks the Wolf how he managed to get so big. The Wolf for his part is amused by the girl. He states that he got this large by devouring other larger beasts in the forest, those that thought them his betters. Red asks if the stories about him and her Grandmother having a history are true, and the Wolf gleefully reveals that they are. Long ago...the Wolf cackles, telling Red that if she wants to hear the actual story she should go ask her Grandmother, and warns Red not to wander too far, as the woods are full of all sorts of dangerous creatures before he jaunts off.​


Act 2​
Red traverses through the forest, singing Tir na Nog for a bit before she hears cries of help coming from deeper into the woods. Red pointedly says out loud that if she were a wiry beast out to capture a fair maiden, this would definitely be one of the things she'd try to trick her. More cries, and Red shrugs before heading off the path in search of the source of the noise. She calls out for who's crying, getting no response except for more cries of help, before something shoots past her and she stops, more sounds of things running around her in the bushes and between the trees, before the shadowy form of something rushes at her and she screams.

We cut to Grandmother outside of her cottage, built into the side of a large tree and fenced off with stone that have several glowing runes etched into them. Grandmother is stitching together a pair of leather gloves when she hears Red call out for help. She stands up, grabbing hold of a stone knife at her side. She moves forward but then stops, calling out for Red as she scans the horizon. Red calls out for help again, screaming so loudly that Grandmother forgoes caution and rushes past her stone fence. She runs into the woods, getting closer and closer to Red's voice before suddenly the Wolf leaps from behind a tree and laughs cruelly at Grandmother, mocking her in Red's voice for falling for such an obvious trick. Grandmother snarls at the Wolf, brandishing her stone blade and warning him to keep his distance, lest she be forced to skin his hide and hang him by his toes. The Wolf laughs again, a deep bellow before sucking up a large breath and blowing so hard that the trees start to bend. Grandmother is sent flying backwards, hitting a tree and dropping her knife in the progress. The Wolf is upon her instantly, pinning her down and snarling at her. He states that he has been biding his time for his revenge, for the wrongs that have been done to him. Grandmother claims that any mistreatment he has faced is his own doing.

We have a flashback to Grandmother when she was younger. From her narration(which is set up as her accusing the Wolf of forgetting the past), we learn that when she was younger she was courted by a black haired protector of the Forest, but she had already fallen in love with another. In a fit of rage the protector had tried to take Grandmother has his own, but the magic of the forest stopped him, and as punishment for his transgressions Grandmother cursed him to become the beast he had been so quick to act like, transforming the former protector into the Wolf.

The Wolf snarls, claiming that Grandmother was rightfully his before she let something like love get in the way of his destiny. But he doesn't need Grandmother anymore, soon he'll have her power and her little granddaughters, and become the true King of the Forest. Grandmother mocks the Wolf, stating that unless he can access the lay line he won't be able to achieve his dream, and she had already set up multiple protections against someone like him attempting such a thing. The Wolf laugh cruelly. "Ah, but your wards don't work on you, do they?" Then he swallows her whole, stuffing her down his gullet as she screams. After licking his lips the Wolf approaches the fence and eyes the runes. He steps forward, the runes lighting up and causing him to flinch for a moment, before they die down as he steps past them, cackling and laughing as he stands upon his two hind legs and slowly transforms into a distorted and wicked version of Grandmother.

We cut back to Red screaming, and in front of her a bear cub and a fox kit are screaming right back at her. The three screaming buffoons scramble and quickly hide behind some trees, before poking their heads out and looking at each other. The Cub and Kit are shocked to see someone besides the Woodsman this far in the forest, and Red is surprised to see a talking Cub and Kit. The two take offense to that, stating that Cubs and Kits have loads to talk about. The cries for hep form earlier go out again, and Red exasperatedly asks who that is asking for help. As if remembering the whole reason they were running around in the first place, Cub and Kit gasp and stat that Porcupine is stuck in a hollow log and his prickly quills are making it too hard to get him out. "We don't got thumbs." Cub says sadly.

The two animals lead Red to Porcupine, where she laughs at the sight of the stuck creatures hind end and legs wiggling about as he's stuck. Porcupine, hearing the laughter, declares that he'll stick whoever's laughing good once he gets out. Red states that doesn't give her much incentive to get him out then, and after a moments pause Porcupine bashfully promises not to stick her with his quills if she helps him. Cub and Kit declare that getting Porcupine out will be impossible, and they'll have to eat his old yucky legs. Red says that it won't need to go that far, as she grabs Porcupine by his feet, twists him and then gives a tug and pulls him out of the hole. Porcupine and Red go tumbling backwards, hitting Cub and Kit, before they all go tumbling down a hill. They eventually come to a stop, Porcupine dizzily stumbling around but hooting and hollering. "I'm free, I'm free!" Before tripping and falling head first into another stump. "DAG NABBIT!". Red sighs, gets Porcupine out of another stump and begins asking the critters what they're all doing out here together. Porcupine reveals that he has been given the important duty of babysitter by Kit and Cub's parents while they go prepare for 'hibernation' he says with a wink. Porcupine asks Red what she's doing out here by herself, and she reveals that she's on her way to her Grandmother's house to deliver herbs and ingredients. Porcupine declares that, as head babysitter of the forest, he'll extend his level of protection to Red and escort her to Grandmother's house.​


Act 3​
Red and the critters arrive at Grandmother's house, Red calling out for her Grandmother. Her Grandmother responds and begs her to come into the house, as she's too tired to get up and meet her at the door. Red happily enters the home, the critters following right behind her, and notes that there's a large pot getting ready to boil on the coals. Red sees her Grandmother in bed, although only her eyes are visible as the rest of her is mostly covered up.

"Grandmother? Why are you so covered up?"
"Oh, the chills from the wind bother me so little Red. Come closer dear, my eyes aren't what they used to be."

"Why does your voice sound so strange Grandmother?"

"Ah, I ate something that didn't agree with me earlier, but come now come now, closer my dear."

"Grandmother, your eyes look so...big!"

"The better to see you with my dear."

"And you-you look so flushed Grandmother."

"I'm just so excited to finally have you hear...IN MY CLUTCHES!"

The Wolf leaps forward, halfway changing from his distorted Grandmother form to that of a bipedal large wolf as he holds Red in his clutches as she screams and beats at him in vain. The Wolf laughs, cackling as he declares his machinations are finally coming to fruition. Porcupine shouts at the Wolf to let Red go, rushing forward and sticking the Wolf with his quills and causing the beast to howl in pain and drop the girl. Red runs around the house, avoiding the Wolf through a manner of her being smaller and more nimble than the Wolf've large size can abode for this small home, and through the critters helping in various ways such as throwing fruits and vegetables, hitting him with pots and pans, and Porcupine jumping from the ceiling and sticking himself on the Wolf's butt. Eventually the Wolf snatches the critters and throws them in a bird cage, locking the door before grabbing hold of Red once more.

He of course monologues, telling Red that after decades of waiting he finally has his chance to steal her families power and take control of the lay lines, making him the King of the forest. He reveals he swallowed Red's Grandmother earlier, opening his maw and letting Red look inside to see Grandmother crying out for Red before the Wolf snaps his jaws shut. The Wolf laughs cruelly once more and proclaims that there's nothing Red can do to stop him now.

Red, thinking quickly, states that she agrees, the Wolf has bested her and he was just too smart for her. The Wolf pauses, staring at Red in confusion for a moment before she continues on praising the Wolf for his genius and creativity. The Wolf, smug and appreciating the praise, states that it's the only way things could've gone down, Red and her family were simply too stupid to match wits with the Wolf. Red agrees, and praises the Wolf once again for his cleverness. Red begs for one last thing before the Wolf devours her, and that is to have a cup of Grandmother's delicious hot cocoa. The Wolf, too smug after being praised, supposes he can agree to Red's final request.

He places Red down, and she fetches two cups and the cocoa powder, placing the larger cup in front of the Wolf while she takes the smaller one. She piles the cocoa powder into the Wolf's cup before filling it with the hot water from the pot and does the same to her own. "To your good health, mister Wolf." She says, clinking cups with the beast as the both down their drinks. Red smacks her lips, looking smug at the Wolf who snarls at her, demanding to know what she's so happy about. "Oh, didn't you know good Wolf? Chocolate's poisonous to wolves."

The Wolf widens his eyes, snarling and getting ready to pounce on Red before he keels over, clutching at his stomach and hacking and coughing loudly before Grandmother is coughed up out of his stomach. Red helps her Grandmother up, the two of them frowning down at the retching Wolf who stares up at them in shock and dismay. "No. NO I WAS SO CLOSE!"

"If you want the power so badly Wolf," Grandmother declares, her eyes sparking as the room whips up a whirlwind. "Then you shall have it!" She points at the Wolf, energy shooting into him as the whole tree shakes like an earthquake. The Wolf is struck, shooting out of the house and into the woods where he slams into the ground, his body changing and becoming misshapen as his fur becomes bark and his limbs become branches. His body stretches as he howls and finally his form finishes to that of a large, gnarled tree that looks like a wolf howling up at the sky.

Red helps Grandmother to a chair, letting the critters out of their cage as well, and asks if she's alright. Grandmother replies that she's fine, and praises Red for her quick thinking. Red agrees, but says that she's sad. When Grandmother asks why, Red replies that she used up all of the cocoa so now there's none left. Red, Grandmother, and the critters share a laugh as the camera pans out, and Happily Ever After shows across the scren.​

 
Well at least there's some good news that Carrie is doing great and there's no drama over the lengthy absence. Really hate that we have to do all that Lucasfilms stuff when I wanted this turn to be some nice social fluff but I guess duty calls and we should just knock this all out of the way to focus on fatherhood for the next couple of turns.

Really hate that the Ali stuff is coming right before we have our child. Would love to have a good old boxing match with the guy and get a shot, but that should not be Bruce's priority when he's gonna become a Dad and we should not do it for several months at least because family comes first. Don't really care if we don't have a fight but I don't know how to write a response. Anyone got any ideas?

Also @Magoose where's the Nat 20 outcome and what sort of surprise does Bruce's mom have in store for him?
 
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