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Lights... Camera... ACTION!!: A Hollywood Quest

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    • Magoose said:
    Hi Magoose here one of the guys helping Duke.

    So we have some bad news.

    The quest has been canceled as duke does not want to write it anymore.

    I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
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    TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

    To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

    I'll still hang out here, though, since this still does have a sepcial place in my heart.

    I'd like to thank you all for making this a wonderful experience while it lasted.

    I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

    I'll see you all around.

    With so many regards, Duke William Of.
     
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    • Magoose said:
    Oh and one more thing:

    The Thunderchild:D100 => 100

    Um so Disney decided to make it as epic as possible… and succeeded.

    Someone get that metal song about Thunderchild.

    It is warranted
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    God. Dammit. Disney!!!! Stop being awesome and go back to being the Sick Man of Animation you were in this decade!!

    By the way Magoose, can you threadmark my Pitch for Mr. Peabody and Sherman?
     
    I personally wouldn't find it very fun if the entire game was basically Lucasfilm going from success to success while our competitors were run by brain-dead morons.
     
    Magoose said:
    Are you sure you want to know:

    It's Blue Sky.

    Hey I rolled for what it should be. And that was what it choose
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    I swear, I hear anything about a talking parrot, or a Mammoth helping a baby...
    OldGlory76 said:
    I personally wouldn't find it very fun if the entire game was basically Lucasfilm going from success to success while our competitors were run by brain-dead morons.
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    I can agree with that, and it's not that I'm against having obstacles. It's just that I felt that we would be facing Universal as our only opponent, and now we have Disney suddenly making a comeback, and then the PARASITE THAT JUST WON'T DIE!!! making an appearance. So, I guess I got a bit overhwelmed for a moment.

    Just have to remember, this is Hollywood, and everyone is out to get us.

    Everyone.
     
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    No One Was In The Room (When It Happened): The Idea of an MCAU
  • Apocrypha
    • No One Was In The Room (When It Happened): The Idea of an MCAU:

    Stan Lee and Jack Kirby entered the conference room, the door shutting quietly behind them. They took their seats at opposite ends of the long table, their eyes meeting briefly before turning away. What few onlookers where left in the offices this late in the day watched from their dark corners, trying to glean what little they could of what was being discussed...but their vantage points offered nothing, as their voices were low and subdued, their words carefully chosen. They seemed to be discussing something important, something that would have a significant impact on Marvel Comics. So it went on, for an hour and change, the two men deep in debate, often times jovial, at other subdued, but always with a single determination between them...and then Steve Ditko calmly walked into the offices, making a straightaway for the conference room and suddenly the discourse became, to an outsiders point of view very much heated. Spies reported to their masters, Gossip hounds remained, and Jerry the Night Janitor did his job, briefly popping his head in to collect waste and say his hellos before just as swiftly moving on. In the end, the afternoon bled into late evening, and it was only then that they emerged from the conference room, seeming satisfied, almost relieved. But what had they discussed? What new direction had they decided on?

    When interrogated, all Jerry had to offer was that, when he'd walked in, they'd been talking about blondes and snakes in the grass, but other than that they'd been focused on their pizza from the joint across the street.

    Twice more they'd meet up in similar circumstances, before finally Mike Eisner and Dave Alistair walked into their offices...and, shortly thereafter, an announcement was made.

    "Marvel Comics no longer answers to the Comics Code Authority."

    "Jack, my friend, I've been thinking. We've got something special here with Marvel Comics, and I think it's time we take it to the next level...a Marvel Comics Animated Universe. You know, a series of interconnected shows that tell the stories of our heroes in a way that we haven't seen before," Stan explained, a glimmer burning in his eyes. "And, if it's not too much a bother to you, there's no one else I'd rather have in charge of the project...What say you?"

    Get ready for an exciting new chapter in the world of Spider-Man with our brand new animated series! This time, we pick up a few years into Peter Parker's tenure as Spider-Man. He's been keeping the city safe from crime and supervillains, but he's about to face his greatest challenge yet. As Peter tries to balance his personal life with his superhero duties, he finds himself drawn to Gwen Stacy, a pillar of strength in his chaotic life and completely in the know about his secret identity. But as their relationship blossoms, strengthens and deepens, Peter grows fearful that he can't protect her from the dangers of his world.

    Meanwhile, a new wave of supervillains is wreaking havoc on the city. From the high-tech gadgets of the Shocker to the shape-shifting abilities of the Chameleon, Peter must use all his skills and cunning to keep the city safe. But he won't be alone on his mission. He'll have the help of his trusted allies, including Harry Osborn and his girlfriend Mary Jane Watson, and, eventually, Johnny Storm, Bobby Drake. Together, they'll form a team of heroes to take down the villains and save the city.
    In this two-part episode of Spider-Man: The Animated Series, Peter Parker, as Spider-Man, uncovers the truth behind his parents' deaths. While preventing the Chameleon from breaking into what's heavily implied to be the FBI offices, Spider-Man discovers evidence that suggests his parents were killed in a terrorist hijacking involving the Soviets and their Winter Soldier.

    Determined to learn more, Spider-Man's investigation leads him to encounter the X-Men (First Class) and their field leader, Wolverine. Together, they delve deeper into the mystery, uncovering many truths great and terrible. As they get closer to the truth, they find themselves facing off against Mr. Sinister, who has been orchestrating many of the events that led Spider-Man and the X-Men to him. Mr. Sinister is determined to retrieve his Winter Soldier, the man who was once known as Bucky Barnes...Wolverine.

    In the epic conclusion of the two-part episode, Spider-Man and the X-Men confront Mr. Sinister in a final showdown. As they battle, the truth about Spider-Man's parents' death is finally revealed, and Spider-Man is forced to make a choice that will change his life forever.

    The episode combines elements from the Weapons X and Winter Soldier storylines, with a dash of the Clone Saga, with X-23 and Madelyn Pryor being hinted at in the background.
    Get ready for an epic new X-Men animated series that takes us back to where it all began! We start with the X-Men First Class, led by Professor Charles Xavier, as they learn to harness their mutant powers and fight for a world that fears and hates them. But there's a twist - Wolverine, the iconic member of the X-Men, is now an instructor at the school, albeit largely by accident. He's always been a loner, and working with the students is a challenge for him. But as he trains the young mutants and fights alongside them against their enemies, he discovers a newfound sense of purpose and a desire to become a more honorable person.

    As the X-Men face new threats and enemies, including the Brotherhood of Mutants and the Sentinels, Wolverine must come to terms with his past, confront his inner demons, and find a way to reconcile his violent past with his newfound sense of responsibility. Alongside Wolverine and the original X-Men, we'll see appearances from other beloved characters, including Cyclops, Jean Grey, Beast, Angel, and Iceman, as well as new mutants with unique powers and abilities.

    But Wolverine's journey doesn't end there. As he teaches the young mutants, he is also on a personal quest to uncover his forgotten past. Through a series of flashbacks and revelations, we learn that Wolverine was once known as the Winter Soldier, who was once Bucky Barnes, and before that he had lived many lives under different identities, the most notable of which being John Steele, the original source of Project Rebirth. As Wolverine delves deeper into his past, he discovers that his previous identities are tied to some of the most significant events in history, including World War II and the Cold War. Along the way, he must confront his demons and come to terms with the actions he took while under the control of his former masters.

    A/N: Had Hamilton playing in the background when I wrote this, so whatever happened in that office know this: that the boys are back in town.
     
  • Apocrypha
    • overmind said:
    God. Dammit. Disney!!!! Stop being awesome and go back to being the Sick Man of Animation you were in this decade!!

    By the way Magoose, can you threadmark my Pitch for Mr. Peabody and Sherman?
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    overmind said:
    ...Darn it. I can understand Universal getting good rolls as they are supposed to be our Big Bad, but it is still discouraging to know our enemy is also competent.

    By the by, do we know the name Universal has given their animation department?
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    I'm actually really enjoying this state of affairs. Hollywood under a Lucasfilms monopoly would only lead to eventual stagnation overtime as even the best of the artists become content with being kings and just pump out whatever they feel like while barely putting effort, AKA 2020s Disney. Here Lucasfilms is actually causing the rest of Hollywood to wake up and understand they can't just continue to exist without danger and actually have to put in some effort and talent to keep some good movies. We literally caused the animation Dark Ages to end early because Dreamworks is making Disney actually care about animation and Roy is leading an early renaissance and Blue Sky and new production companies are going to come in with new ideas and methods of storytelling, pushing a very high quality of animation and hopefully by modern day it's a respected medium that's equal to live action.
    Plus you have to remember, Lucasfilms hasn't been sabotaged in any way and is increasingly climbing in quality, it's just that our enemies are also getting good. I see this as an absolute win for 80's kids and the general public because now they're going to get high quality visual art.

    Magoose said:
    Are you sure you want to know:

    It's Blue Sky.

    Hey I rolled for what it should be. And that was what it choose
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    Damn shame that it's not Illumination, they're literally Universal's studio OTL and they perfectly represent the mindset of LightsUniversal as greedy and money grubbing bozos who put in the bare effort and make billions by pumping out merch icons. I guess we'll be competing against Ice Age in the 80s and Will Smith makes his film debut as a spy pigeon.

    By the way Magoose, how's Hanna-Barbera reacting to this new animation landscape? They gonna finally stop making Scooby Doo clones and actually innovate?
     
    Kaiser Chris said:
    I'm actually really enjoying this state of affairs. Hollywood under a Lucasfilms monopoly would only lead to eventual stagnation overtime as even the best of the artists become content with being kings and just pump out whatever they feel like while barely putting effort, AKA 2020s Disney. Here Lucasfilms is actually causing the rest of Hollywood to wake up and understand they can't just continue to exist without danger and actually have to put in some effort and talent to keep some good movies. We literally caused the animation Dark Ages to end early because Dreamworks is making Disney actually care about animation and Roy is leading an early renaissance and Blue Sky and new production companies are going to come in with new ideas and methods of storytelling, pushing a very high quality of animation and hopefully by modern day it's a respected medium that's equal to live action.
    Plus you have to remember, Lucasfilms hasn't been sabotaged in any way and is increasingly climbing in quality, it's just that our enemies are also getting good. I see this as an absolute win for 80's kids and the general public because now they're going to get high quality visual art.
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    Yeah, as I've mentioned I got a bit overwhelmed, but you're right; this is a good thing. It is no fun crushing a weak opponent. I f we are to prove Lucasfilms supremacy (as well as Bruce O'Brian's status as The top Actor, then we need to face opponents worthy of legend themselves.

    So go ahead Universal and Disney, reach for the stars...it will make it all the more satisfying when we put you into the dirt.
    Kaiser Chris said:
    By the way Magoose, how's Hanna-Barbera reacting to this new animation landscape? They gonna finally stop making Scooby Doo clones and actually innovate?
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    Frankly I see them going one of three paths.

    Path one; they go the Columbia route and put themselves in debt in order to create something truly new and original to remain relevant.

    Path two; they find a company or Patron that is willing to buy them and finance them as they try to increase their output or put something new.

    Path three; they stick the course, flounder and collapse, leading to a new round of partition of properties (in which case, I call we buy Jabberjaw along with Scooby Doo).
     
    A idea just struck me since we've already got Atlanis and Basil of baking stret as ours and i'm certainly looking forward to how they turn out~

    What will it take to add and claim Lilo and Stitch under Dreamworks in this universe? I mean really when you think about it those movie/series are practical perfect for us!

    I mean Elvis loves us, we've made Star Wars bigger than ever, and bringing/creating Lilo and Stitch under our banner not only fits so well.

    But also has potential for larger universe considering Star Wars and this is sci fi family story centered around Aliens.
     
    overmind said:
    Movie Pitch:
    Mr. Peabody and Sherman
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    Alright, no longer trolling, lets get some Rewards:

    []Rocket J Squirill is quite strange to modern audiences (The Rocky and Bullwinkle see a resurgence on VHS)
    []There is no such thing as a good Movie like this (Unknown Effect)
    []I am a Good thing dammit (Unknown Effect)
     
    Movie Pitch: The Prince of Egypt
  • Apocrypha
    • You know, Prince of Egypt would be right down our alley now that I think about it. The story of Moses is one that has been said so many times, but I don't think anyone has tried making him so, well, human as the movie did back in his day. Ramses as well, instead of being portrayed as an out and out villain is mostly a tragic one, and it's realistic as well; growing up together, unless one's a complete sociopath, would have left at least some feelings of fraternity inside someone. Which is why I really like the idea of it being an important aspect of this movie.

    Frankly, I think Don Bluth should be the one to do this. One thing I've noticed from his animation style is that, unlike most of Disney's own Filmography, he's not afraid to show the hurt or sad aspects of a film, those elements that one would say would mess someone up. He's the one that would say that sometimes it's necessary to show that to children as one cannot completely protect them from what is going on. I think that can be seen in his films; from Land Before Time, to Anastasia, to All Dogs go to Heaven and even Rock-a-Doodle (which to this day I maintain is an underrated gem brought down by many who did not like the combination of Live Action and animation!...which I have to admit was a bit jarring, but still.) all films that don't shy from showing the ugliness and sadness of the human condition, yet that doesn't take away from the joy and happiness that also makes up humanity.

    Alright then, I give you:

    Movie Pitch:
    The Prince of Egypt


    GENRE: Adventure/Drama

    SUBGENRE: Comedy/Fantasy

    FORMAT: Movie (Animation)​

    Set Up: This is an adaptation of the first fourteen chapters of the Book of Exodus and follows the life of Moses from being a prince of Egypt to a prophet of the Lord, chosen by God to carry out his ultimate destiny of leading the Hebrews out of Egypt. Not only does it show Moses as an infallible prophet or tortured soul like many other adaptations, but also as a young teen and brother to Ramses, their relationship and brotherhood, and how it is affected when the truth about his parentage is revealed along with Moses' new mission from God.

    Director: Don Bluth
    Composer: Hans Zimmer
    Moses: The son of Yocheved and Amram, and younger brother of Miriam and Aaron and grandson of Benjamin. As an infant, he was put into a basket by his mother and was adopted by Queen Tuya and Seti I. He became Ramses' adoptive younger brother. As a young man Moses lived the carefree life of a prince. He was lively, rakish, and fun-loving. Later in life, Moses learned of his true identity, growing more compassionate as a result. He eventually left Egypt and grew more responsible and serious by the time God commanded him to free the Hebrews from slavery.

    Played By: Jeff Bridges
    Alternate: Tom Hulce

    Pharaoh Rameses II: The son of Seti I and Tuya, He and Moses were raised as brothers and the conflict between them is seen as a deeply personal one on both sides. Though quite stubborn he is not evil. His cruelty and stubbornness stem from his past, where his father taught him to hold fast to a strong will, and an unwavering mindset. He wants his father's approval and tries to prove himself worthy. He was deeply hurt when Moses left Egypt, overjoyed when he came back, and bitter when told he came back not for him but for the Hebrews.

    Played By: Dan Aykroyd
    Alternate: Ralph Fiennes

    Tzipporah: Moses eventual wife, and the daughter of Jethro. She was captured and given as a slave to Moses before he helps her escape. Tzipporah is independent, kind, determined, and brave. She loves her family fiercely but can come off teasing at times. Regardless, she will go to great lengths to protect them (and herself) when threatened. Though initially hostile to Moses, as time passes and he proves himself, her attitude changes into more sarcastic and playfulness. She supports him in his mission to free the Hebrews from Egypt.

    Played By: Michelle Pfeiffer
    Alternate: Pat Carroll

    Miriam: The firstborn child and eldest daughter of Yocheved and the older sister of Moses and Aaron. Miriam is a compassionate, beautiful, and brave young woman who has never lost faith that Moses would come back to liberate the Jews with the help of God, though the rest of her people seem to accept their fate as slaves. Through her wisdom and her gentleness, she is often able to lift Moses out of his frequent moments of despair and inspire him to keep his mission going.

    Played By: Jodi Benson
    Alternate: Sigourney Weaver

    Aaron: He is the eldest son and middle child of Yocheved, the younger brother of Miriam and the older brother of Moses. Aaron did not have the luxuries that Moses had in his adolescence. As a result, he became hardened and pessimistic. Aaron is self-reliant and hardworking, but sometimes his caution can be perceived as cowardice. Above all, Aaron loves his sister, Miriam, and will do whatever it takes to protect her. He eventually grows to have more faith in Moses and in God, believing more in himself as well.

    Played By: Jeff Goldblum
    Alternate: Steve Martin

    Jethro: The father of Tzipporah, he is a naturally kind, jovial, good-natured man, who is faithful and optimistic. By following God, his simple life has been joyful and fulfilling. He is a man with a firm belief in a master plan and God, as he believes that God knows far more than he, and trusts that a person's worth can only be determined by God. He trusts Moses more than he does himself, as he sees he's a good and honorable man after saving his daughter from both Slavery and brigands.

    Played By: Earl Hammond
    Alternate: Earle Hyman
    Pharaoh Seti I: He is the father of Rameses, the adoptive father of Moses, husband to his queen Tuya, and the ruling pharaoh of all of Egypt. He may appear to be a wise and kind old man, but his cruelty brews just beneath the surface. He is vicious and cold, having every Hebrew boy thrown into the river. However, he had done it out of fear that the Hebrews might one day rise in number and power to start a rebellion that will threaten his legacy.

    Queen Tuya: The foster mother of Moses and the birth mother of Rameses II. She is a very kind and loving woman. She cares a lot for both Rameses and Moses and, unlike her husband, seems to be more merciful because when she found Moses as a baby she knew he was a Hebrew, but instead of killing him like all of the other unfortunate baby boys, she took him in as her own son. She can be quite serious, especially if one of her sons gets in trouble, but she loves both of them dearly through it all.

    Yocheved: The birth mother of Moses, Miriam, & Aaron. Yocheved is a beautiful, kind and motherly woman. She loves all of her children dearly and proves this when she risks her life to save her youngest child, Moses, from Pharaoh Seti I's soldiers. She is seen crying once she let the basket that held Moses into the river.

    Hotep and Huy: They are cunning sorcerers. Deceitful as they are pretentious, the pair always uses magic to ensure subordination to their Pharaoh. They are also a source of amusement for young Moses because they are so easily irritated by his "blasphemy". They serve as comic relief mainly, trying to prove Moses' favor from God are just tricks that anyone could replicate, up till they are dismissed by Pharaoh Rameses II.

    A.N.: I hope we can do this around the 80s as that's where I found the actors, but if not then I'm fine with it being done at any other time. I do hope this is as well accepted as the Hiawatha film.
     
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  • Apocrypha
    • Magoose said:
    Alright, no longer trolling, lets get some Rewards:

    []Rocket J Squirill is quite strange to modern audiences (The Rocky and Bullwinkle see a resurgence on VHS)
    []There is no such thing as a good Movie like this (Unknown Effect)
    []I am a Good thing dammit (Unknown Effect)
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    Alright, consider me curious enough to go for an unknown. I'll pick this one:

    [X]There is no such thing as a good Movie like this (Unknown Effect)
     
    In the latest episode of reality plagiarizes Magoose:

    www.bbc.com

    SAG strike: Avatar and Gladiator sequels look set to be hit as actors walk out

    Films and TV shows in production are affected as some 160,000 performers stop work in LA.
    www.bbc.com www.bbc.com

    Fascinating that the Strike became one of the biggest narrative arcs within this Quest and then just months later we got the Writer's Guild and Screen Actor's Guild on strike. Apparently the breaking point for SAG is when the AMPTP tone deafly proposed a rule where they can just pay background actors for a day of footage and then scan them and insert CGI replicas with full voice imitation through AI, and the studios own the extras' likeness for eternity with no expiration or control from the actors. Yeah...all that shit we went through in the Quest's strike, Warner Bros scuminess and our rival Corpos being heartless bastards is nothing mean spirited or exaggeration, it's perhaps the most realistic part of this Quest.

    Magoose, is Lucasfilms part of the Alliance of Motion Picture and Television Producers? Considering it's now an equal to Universal and Disney it's certainly eligible but considering it's a private company and George doesn't give a shit about union membership I guess we can exist outside of them. Would be hillarious if there's a future strike where the studios are once again in heavy violation of Guild rules and Lucasfilms is not only in compliance but they've got working conditions leagues above what the Guilds are asking so we get another free pass.
     
    Kaiser Chris said:
    In the latest episode of reality plagiarizes Magoose:

    www.bbc.com

    SAG strike: Avatar and Gladiator sequels look set to be hit as actors walk out

    Films and TV shows in production are affected as some 160,000 performers stop work in LA.
    www.bbc.com www.bbc.com

    Fascinating that the Strike became one of the biggest narrative arcs within this Quest and then just months later we got the Writer's Guild and Screen Actor's Guild on strike. Apparently the breaking point for SAG is when the AMPTP tone deafly proposed a rule where they can just pay background actors for a day of footage and then scan them and insert CGI replicas with full voice imitation through AI, and the studios own the extras' likeness for eternity with no expiration or control from the actors. Yeah...all that shit we went through in the Quest's strike, Warner Bros scuminess and our rival Corpos being heartless bastards is nothing mean spirited or exaggeration, it's perhaps the most realistic part of this Quest.
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    Huh, I'm ambivalent about this. On the one hand, what the AMPTP proposed is clearly scummy enough for the entirety of the actors to consider moving to a new space to work (personally, I'd suggest Atlanta, I've heard wonderful things about the movie scene there). On the other hand, Holywood actors have not shown a good, or respectful, side to fans nor have they shown themselves to be someone that we an relate to with their tone deaf actions and performances.

    *Sigh* I guess, In the end, I have to side with the actors here. This oculd have huge consequences with the future of their profession, despite how disliked some of them may be at the moment. Hopefully they can come to an arrangement because, in the end, CGI has not evolved in any way to make characters realistic enough without diping into the uncanny valley.
     
    overmind said:
    Movie Pitch:
    The Prince of Egypt
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    Now... I am actually going to give just a reward for this. It shall be produced and made in due time.

    But for right now, I will give you this.

    Believe in Miracles: When you grow up, there will be a gift from the Lord above, and you will do His work... and show true beauty in his Word. (Unknown Effect when Production finally begins on this film)

    This reward will effect everyone at Lucasfilms. And while many within the company are not as faithful as others... They will know what wonders they must do.
     
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