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Non-Canon Omake: Bad Timelines
Bad Timelines​

Artist hadn't been entirely truthful with the Beta Timeline Kakara who'd offered her creativity in exchange for knowledge. Certainly, she hadn't outright lied, but she'd neglected to mention a great deal. The fact that Chronoa's forces were pursuing her, for instance. The part about the more unpleasant denizens of the Temporal Sphere was true, but she hadn't mentioned that she'd created them. Her initial attempts to alter the timeline had been poorly thought out, extreme, and badly executed, and several versions of herself had paid the price.

First, there was Glitch, so named because she resembled a static video feed more often than not. A timeline she interfered with over and over, until something broke. As the 'protagonist' that version of Kakara was... inflicted with an 'eye of the storm' effect, and left in the white void alone when her timeline collapsed. Artist was unsure how long Glitch had been there, since time's flow was strange in such broken timelines, but by the time she'd overcome her shame at the results of following her impulses (She preferred even bad emotions to not feeling, and she didn't get to pick whether she felt one specific emotion. It was on, or it was off.) Glitch had already started talking to... nobody.

Almost every version of Kakara was a speaker, rather than a fighter. It was unusual for Saiyans to prioritize diplomacy over combat ability, but there it was. Unfortunately, this also made Kakaras across the timelines more social animals than most Saiyans. They handled losing their acquaintances poorly at the best of times, though they tended to bounce back more quickly. Glitch had started talking to herself to pass the time, since the lack of time passing meant her only way out was to commit suicide, as hunger, thirst, and age would not touch her so long as her timeline was gone. While this was unusual, it was as much a result of the circumstances that had protected her from the in initial collapse.

She's started by talking at least. By the time Artist had arrived, she'd been screaming. Presumably, there'd been a transition phase when she'd been shouting. Artist had been hoping to talk Glitch down, as while her own communication skills were poor by Kakara standards, she was still decent. Unfortunately, Glitch's mind had not been so fractured that she was incapable of making deductions. Artist had let slip a few details only someone present for the timeline collapse could have known, and Glitch wasn't stupid. She'd pieced it together quickly, and the last shreds of sanity had disintegrated. Once she finally stopped laughing with maddened hollowness about 10 minutes later, she said only two sentences. "You destroyed everything I ever cared about. So I'll destroy everything you care about." Then she tore a whole in her broken reality, and stepped out to the Temporal Sphere.

It was a while before she met Glitch in person, though she'd observed the person in question for a while. She'd felt a disturbance of some kind, and when she investigated, discovered that several of her works had been erased, the timelines reduced to nothingness. Not even the void of a destroyed timeline left. Glitch had discovered the mechanism by which a timeline could be pushed that far, and followed through on it, as the Temporal Sphere was the one thing Artist truly valued. She wasn't stronger than baseline Kakara, but due to her stamina glitching out, she could pull off Dazarel's field of maximum power blasts, and similar tricks. There was also nothing stopping her from observing alternate Kakaras and learning the tricks they had. Hellzone Grenade was one of her favorite moves, for example.

On the upside, she gained an ally, a Shade of a Kakara from a destroyed timeline, who'd taken the moniker of Remnant, as with her body destroyed, there wasn't much left of her, but there wasn't an afterlife for her to pass on to. The wounds that had killed her were still visible on her Shade, as a consequence of the unique events of her death. Glitch hadn't perfected the process of destroying timelines at that point, so some instances of her alternate selves slipped through the cracks.

Killer was another such Glitch mishap and, well, she wasn't so nice, though the black ooze pouring from her face kind of made that obvious. The timeline collapsing had backlashed directly onto that version of them, and the result was a broken thing that had only one desire. To hurt others. To say that she was still a Kakara would not be entirely correct, as the emotions of the death rattle of a universe mixed in, and the same madness that had consumed Glitch. Unlike Glitch, Killer would enter timelines and just slaughter people for the fun of it. She seemed to hold a special contempt for alternate versions of herself, which artist suspected was rooted in some sort of personal feeling of responsibility for the loss of her reality.

Then the pair of Hope and Despair came into play. After Glitch, Artist had been more careful, but eventually, a timeline had collapsed on her with backlash similar to what had created Killer. Luckily, Artist was able to intervene and stave off the worst of it, which prevented that version from being consumed by the death rattle of her universe. Instead, she was split into a good half, who was more or less the original Kakara with her ability to feel negative emotions stripped out, save rage at injustice and cruelty, and given powers based on positive emotions in return, and a bad half, who was essentially a less insane Killer. Despair was granted powers relating to negative emotions, at the cost of her ability to feel positive ones, save the cruel joy of seeing someone you hated suffer. The problem was that Despair hated everyone because she couldn't like them.

On the bright side, Hope was excellent at salving people's emotional wounds, because she'd retained her original self's communication skills, and gained the ability to sense positive emotions, which further advantaged her. This made her excellent at calming down the more paranoid incarnations of the inhabitants of the timelines. The downside was that Despair was similarly excellent at demoralizing and turning those around her for similar reasons. Despair's encounter with Future Trunks had strangled Artist's own plans to meet them and recruit their aid in stopping her mistakes from destroying the Temporal Sphere, as she'd poisoned Future Trunks pretty heavily against Artist, and Chronoa was likely similarly influenced.

Ever since then, she'd restricted herself to tiny changes. A single event instead of major changes to every era. It drove her insane, but she couldn't risk more negative instances of herself forming due to her mistakes. It drove her insane to be shackled so, but if she wanted to outstrip Glitch, she'd need to make timelines faster than they could be destroyed, and small changes were conducive to that goal.

All of this went through her head as she barely ducked under a sword slash from Future Trunks. She'd been about to visit the Beta Kakara for more ideas, and triggered some kind of alarm. Well, maybe she should give diplomacy a shot. She teleported a few feet back. Enough that Trunks couldn't instantly close the distance without taking a moment to go SSJ. Artist couldn't go SSJ herself, her lack of real emotions making the required need to unlock the transformation difficult to come by, but she'd seen it enough times to know it always took at least a moment. She threw down her Notepad and tossed her bandoleer of pencils onto it. "I surrender." she stated calmly. She could feel her emotions ebbing simply from taking the bandoleer off, but hopefully this would be worth it.


"After all the trouble you gave us, you're just giving up that easily?" Trunks asked, obviously not buying it.

"I'm out of better options. After and Hope can't counter Killer and Nightmare every time, and haven't, and I'm barely stalemating Glitch on the good days." Artists explained, the color draining from her voice as her emotions did.

Truth be told, she'd have asked for help ages ago, but she was pretty sure she'd be locked out of making new universes, or at least her current set of restrictions would become permanent, and she couldn't stand the very thought of being restricted from CREATION to such a degree. Still, at this point, she was running out of options. Glitch was going to find the Alpha Timeline sooner or later. Artist couldn't hide it forever. Chronoa's protections were solid, and Artist had layered some designed specifically for the terrible threesome on top, but they couldn't risk it.

An assessing gaze affixed her. "...I think she's telling the truth." Chronoa said to Trunks. Artist had picked up telepathic interception ages ago, so direct lines between Kais and individuals were little obstacle.

Trunks seemed briefly conflicted, but ultimately sighed and let the argument clearly just under the surface drop. "I'll be taking you to the Time Zone. Don't try anything." he warned.

"Shall I call Hope and After over as well? They're allies of mine." Artist asked, having an increasingly difficult time caring about anything. Normally she felt happy to have comrades-in-arms, but she was having to shake herself out of seeing them as disposable pawns as of now.

"Later, once you've explained what's going on with the timelines." Trunks answered, as he escorted her through a portal. He flew back and retrieved her things before entering the portal again, which promptly closed.

AN: Felt kind of weak to be honest, but I needed to get the idea out of my system.
 
Bad Timelines​

Artist hadn't been entirely truthful with the Beta Timeline Kakara who'd offered her creativity in exchange for knowledge. Certainly, she hadn't outright lied, but she'd neglected to mention a great deal. The fact that Chronoa's forces were pursuing her, for instance. The part about the more unpleasant denizens of the Temporal Sphere was true, but she hadn't mentioned that she'd created them. Her initial attempts to alter the timeline had been poorly thought out, extreme, and badly executed, and several versions of herself had paid the price.

First, there was Glitch, so named because she resembled a static video feed more often than not. A timeline she interfered with over and over, until something broke. As the 'protagonist' that version of Kakara was... inflicted with an 'eye of the storm' effect, and left in the white void alone when her timeline collapsed. Artist was unsure how long Glitch had been there, since time's flow was strange in such broken timelines, but by the time she'd overcome her shame at the results of following her impulses (She preferred even bad emotions to not feeling, and she didn't get to pick whether she felt one specific emotion. It was on, or it was off.) Glitch had already started talking to... nobody.

Almost every version of Kakara was a speaker, rather than a fighter. It was unusual for Saiyans to prioritize diplomacy over combat ability, but there it was. Unfortunately, this also made Kakaras across the timelines more social animals than most Saiyans. They handled losing their acquaintances poorly at the best of times, though they tended to bounce back more quickly. Glitch had started talking to herself to pass the time, since the lack of time passing meant her only way out was to commit suicide, as hunger, thirst, and age would not touch her so long as her timeline was gone. While this was unusual, it was as much a result of the circumstances that had protected her from the in initial collapse.

She's started by talking at least. By the time Artist had arrived, she'd been screaming. Presumably, there'd been a transition phase when she'd been shouting. Artist had been hoping to talk Glitch down, as while her own communication skills were poor by Kakara standards, she was still decent. Unfortunately, Glitch's mind had not been so fractured that she was incapable of making deductions. Artist had let slip a few details only someone present for the timeline collapse could have known, and Glitch wasn't stupid. She'd pieced it together quickly, and the last shreds of sanity had disintegrated. Once she finally stopped laughing with maddened hollowness about 10 minutes later, she said only two sentences. "You destroyed everything I ever cared about. So I'll destroy everything you care about." Then she tore a whole in her broken reality, and stepped out to the Temporal Sphere.

It was a while before she met Glitch in person, though she'd observed the person in question for a while. She'd felt a disturbance of some kind, and when she investigated, discovered that several of her works had been erased, the timelines reduced to nothingness. Not even the void of a destroyed timeline left. Glitch had discovered the mechanism by which a timeline could be pushed that far, and followed through on it, as the Temporal Sphere was the one thing Artist truly valued. She wasn't stronger than baseline Kakara, but due to her stamina glitching out, she could pull off Dazarel's field of maximum power blasts, and similar tricks. There was also nothing stopping her from observing alternate Kakaras and learning the tricks they had. Hellzone Grenade was one of her favorite moves, for example.

On the upside, she gained an ally, a Shade of a Kakara from a destroyed timeline, who'd taken the moniker of Remnant, as with her body destroyed, there wasn't much left of her, but there wasn't an afterlife for her to pass on to. The wounds that had killed her were still visible on her Shade, as a consequence of the unique events of her death. Glitch hadn't perfected the process of destroying timelines at that point, so some instances of her alternate selves slipped through the cracks.

Killer was another such Glitch mishap and, well, she wasn't so nice, though the black ooze pouring from her face kind of made that obvious. The timeline collapsing had backlashed directly onto that version of them, and the result was a broken thing that had only one desire. To hurt others. To say that she was still a Kakara would not be entirely correct, as the emotions of the death rattle of a universe mixed in, and the same madness that had consumed Glitch. Unlike Glitch, Killer would enter timelines and just slaughter people for the fun of it. She seemed to hold a special contempt for alternate versions of herself, which artist suspected was rooted in some sort of personal feeling of responsibility for the loss of her reality.

Then the pair of Hope and Despair came into play. After Glitch, Artist had been more careful, but eventually, a timeline had collapsed on her with backlash similar to what had created Killer. Luckily, Artist was able to intervene and stave off the worst of it, which prevented that version from being consumed by the death rattle of her universe. Instead, she was split into a good half, who was more or less the original Kakara with her ability to feel negative emotions stripped out, save rage at injustice and cruelty, and given powers based on positive emotions in return, and a bad half, who was essentially a less insane Killer. Despair was granted powers relating to negative emotions, at the cost of her ability to feel positive ones, save the cruel joy of seeing someone you hated suffer. The problem was that Despair hated everyone because she couldn't like them.

On the bright side, Hope was excellent at salving people's emotional wounds, because she'd retained her original self's communication skills, and gained the ability to sense positive emotions, which further advantaged her. This made her excellent at calming down the more paranoid incarnations of the inhabitants of the timelines. The downside was that Despair was similarly excellent at demoralizing and turning those around her for similar reasons. Despair's encounter with Future Trunks had strangled Artist's own plans to meet them and recruit their aid in stopping her mistakes from destroying the Temporal Sphere, as she'd poisoned Future Trunks pretty heavily against Artist, and Chronoa was likely similarly influenced.

Ever since then, she'd restricted herself to tiny changes. A single event instead of major changes to every era. It drove her insane, but she couldn't risk more negative instances of herself forming due to her mistakes. It drove her insane to be shackled so, but if she wanted to outstrip Glitch, she'd need to make timelines faster than they could be destroyed, and small changes were conducive to that goal.

All of this went through her head as she barely ducked under a sword slash from Future Trunks. She'd been about to visit the Beta Kakara for more ideas, and triggered some kind of alarm. Well, maybe she should give diplomacy a shot. She teleported a few feet back. Enough that Trunks couldn't instantly close the distance without taking a moment to go SSJ. Artist couldn't go SSJ herself, her lack of real emotions making the required need to unlock the transformation difficult to come by, but she'd seen it enough times to know it always took at least a moment. She threw down her Notepad and tossed her bandoleer of pencils onto it. "I surrender." she stated calmly. She could feel her emotions ebbing simply from taking the bandoleer off, but hopefully this would be worth it.


"After all the trouble you gave us, you're just giving up that easily?" Trunks asked, obviously not buying it.

"I'm out of better options. After and Hope can't counter Killer and Nightmare every time, and haven't, and I'm barely stalemating Glitch on the good days." Artists explained, the color draining from her voice as her emotions did.

Truth be told, she'd have asked for help ages ago, but she was pretty sure she'd be locked out of making new universes, or at least her current set of restrictions would become permanent, and she couldn't stand the very thought of being restricted from CREATION to such a degree. Still, at this point, she was running out of options. Glitch was going to find the Alpha Timeline sooner or later. Artist couldn't hide it forever. Chronoa's protections were solid, and Artist had layered some designed specifically for the terrible threesome on top, but they couldn't risk it.

An assessing gaze affixed her. "...I think she's telling the truth." Chronoa said to Trunks. Artist had picked up telepathic interception ages ago, so direct lines between Kais and individuals were little obstacle.

Trunks seemed briefly conflicted, but ultimately sighed and let the argument clearly just under the surface drop. "I'll be taking you to the Time Zone. Don't try anything." he warned.

"Shall I call Hope and After over as well? They're allies of mine." Artist asked, having an increasingly difficult time caring about anything. Normally she felt happy to have comrades-in-arms, but she was having to shake herself out of seeing them as disposable pawns as of now.

"Later, once you've explained what's going on with the timelines." Trunks answered, as he escorted her through a portal. He flew back and retrieved her things before entering the portal again, which promptly closed.

AN: Felt kind of weak to be honest, but I needed to get the idea out of my system.
Interesting continuation. Non-canon, of course, the bonus going to multiverse interactions.

...y'all have given me four omakes today. You want something. ;)
 
Then where is my drill mech!?!
Thaaat would be deconstructed-reconstructed super robot stories.

Say, does anyone else want to train Tinker with Bulma the next time we visit our ancestors?
Sounds interesting if we're not on a time constraint. Otherwise it'd be a good thing to learn LATER when we're, say, on an exploratory space voyage and have to spend weeks of downtime in transit from one place to another. Or during a timeskip at some future point.

Also, is anyone else wondering if her subtraction thing is just a function of Garenhulder magic, a Minus thing where her abilities are a product of a distorted mindset, or if they ended up causing her distorted mindset in the first place? It would be interesting to me if Dandeer is actually just somewhat unstable and stuck in a 'When all you have is a hammer.' mindset. I mean, Kakara just called her out for answering all her problems by throwing more magic at them last update. The question is if she was always like that, if she slowly slipped into it, or if there was some traumatic experience that made her start using magic to solve everything. I don't think she around for the Talt massacre, but...
She would have been right around the right age to START learning magic at roughly that time, I think.

Anyway, sealing IS the conceptual basis of Garenhuld Exile magic, everyone's; that's why all the other magicians we've seen in action are casting seals. Dandelor works with seals- we saw him up close. When we wanted to seal Dazarel, literally every mage on the planet except Jaffur, Dandelor and possibly Dandeer showed up to help. All with seals.

Now, could this have influenced Dandeer? Almost certainly. But it doesn't seem to be inherently a 'corrupting' magic; it's just that it was her chief source of power for solving her problems, that's all.

Interesting continuation. Non-canon, of course, the bonus going to multiverse interactions.

...y'all have given me four omakes today. You want something. ;)
Well.

I can't speak for the others, but my own omake was written in a single burst of inspiration after @Pittauro 's post; there were no ulterior motives, just getting tackled by a muse. While I can sometimes force an omake out, it normally doesn't go well.

There may be some sort of collective-unconscious effect whereby, knowing that we've expended a lot of our omake bonuses and emptied our reserves to a large extent, so replenishing them seems like a good idea on some level.

On the other hand, it may just be that On Her Own Terms sparked a bunch of creative energy. Two of the four omakes were 'negaverse' mirrors of that very update, and popped into existence almost immediately after the update as negaverse omakes nearly always do. Mine was brought about only because of Pittauro remarking on how Papata Fren, free, might try to broadcast to the Garenhulders- again, a predictable direct result of the recent update. Kakara having succeeded in something more than just "follow future Kakara's directions," and as a direct result of our own plan actually working instead of fizzling in a frustrating manner, has been good for morale, and people usually write more and better work when in a good mood.
 
Well.

I can't speak for the others, but my own omake was written in a single burst of inspiration after @Pittauro 's post; there were no ulterior motives, just getting tackled by a muse. While I can sometimes force an omake out, it normally doesn't go well.

There may be some sort of collective-unconscious effect whereby, knowing that we've expended a lot of our omake bonuses and emptied our reserves to a large extent, so replenishing them seems like a good idea on some level.

On the other hand, it may just be that On Her Own Terms sparked a bunch of creative energy. Two of the four omakes were 'negaverse' mirrors of that very update, and popped into existence almost immediately after the update as negaverse omakes nearly always do. Mine was brought about only because of Pittauro remarking on how Papata Fren, free, might try to broadcast to the Garenhulders- again, a predictable direct result of the recent update. Kakara having succeeded in something more than just "follow future Kakara's directions," and as a direct result of our own plan actually working instead of fizzling in a frustrating manner, has been good for morale, and people usually write more and better work when in a good mood.
I know. I was joking.
 
Canon Omake: Iron Soul
Well, I wasn't going to do anything with this plot bunny, but I'm a sucker for alternate perspectives and it'd be a shame to stop the train now...



There was iron in Kakara's soul.

The first time Yammar had ever directly spoken with her, she had stared him down and forced him to bow to her will. Oh, it had certainly been sloppy, and he had stepped aside mostly because Dandeer was doing most of his job for him. But she had only known him by power and reputation, and she hadn't flinched. Yammar respected that.

He'd seen that same iron time and again as she stood against still greater threats, and even her own beloved father. While Yammar hadn't been totally wrong in criticizing her when he was under that damn spell, he fully understood that Kakara was not weak.

But while she wasn't weak, she was soft. Alien invasion? Talk to them. Terrorist threat? Disarm them. Genocidal dragon? Turn it into a pet. While hilarious, it was completely irresponsible. Things came to threaten everything that she loved, and Kakara was eternally reluctant to put the threat down. Even today, Kakara had passed on a dozen opportunities to kill Dandeer. Maybe it had been the right call. With his senses twisted into a pretzel by the witch, Yammar knew he would have retaliated, and it would have been bloody. But it was one more proof of a trend that was going to cost her some day. Maybe today. Probably today.

"Nice chains," she said after venting some bitterness. "I can't move."

...Clever girl. When had she figured that out? How long had she been awake now? Three seconds, and she's already laying the groundwork for some scheme? Yammar had expected it and he was still impressed. She saw some way to get something out of this mess, as he knew she would. The girl was brilliant and dedicated and he was glad she was on his side.

She traded barbs with Dandeer - no, that was a complete mischaracterization of the events. Kakara destroyed Dandeer. She went straight for the throat without hesitation or mercy, every word a carefully honed weapon to peirce Dandeer's armor and tear her apart. He wasn't sure what Kakara was angling for, but if nothing else it was immensely satisfying. He wondered if, yet again, he had underestimated the Gokun Scion. Yammar wasn't seeing the soft, compassionate diplomat he had thought was under that iron.

Then Kakara dropped the bombshell - the first bombshell. Dandeer was behind the prison attack. By Dandeer's reaction, she as good as admitted it. When had Kakara figured that out? A scowl at this further treason warred with a smirk on Yammar's face, but he was able to settle into a pure scowl before anyone noticed. This, and the Genki Dama, and her truly exemplary performance against Yammar today - Apparently knocking Kakara out gives her ammunition. Ha! How monstrously unfair!

Taking advantage of that, Kakara doubled and redoubled her attack, shredding Dandeer's soul with such impressive savagery that Yammar almost thought he was seeing some obscure offshoot of Trunks style, channeling ki into words instead of swords. Every time he thought she might have spent herself, she pulled out another devestating argument to wreck Dandeer's focus and composure. Could she even cast under that sort of assault? Was that the plan? Or was Kakara aiming for an outright victory by surrender? Or even driving Dandeer to suicide? It was more plausible than Yammar would have thought a minute ago. Honestly, he was getting a bit embarrassed. Kakara was making him look like an amateur.

"I've seen Heaven, Dandeer," she said, pivoting to yet another new angle, eyes filmed over white. "I've met our ancestors. None of them spoke for you. Gohan told me to take you down."

Yammar's breath caught and he completely lost track of the conversation. Was that a bluff? ...No. Kakara didn't bluff. She could barely hold a straight face for it. The conspiracy only got as far as it did because she could avoid the subject. Every word she'd said to Dandeer so far had been exactly true. This was true also.

Did Kakara herself know the message she had just delivered? Or had that second meaning been only for him? Yammar felt... not quite vindication. He'd known from the beginning that stopping his daughter-in-law was right. But he'd doubted his own thoughts for so long, and now... a high demigoddess prophet spoke the words of Saint Gohan, of all the gods, in answer to Yammar's prayer.

"PaparaAAAAAGH!" Dandeer's scream brought him back to the here and now. The heretic dared to turn a spell against Kakara, and reality itself slapped her down. "What are you? What the fuck are you?!"

What was Kakara? The girl who communed with gods, who weilded their power - a fraction of their true power, not the mere reflection of them that was the transformation. The demigod who continued to break every limit before her and reached ever higher. The child who spoke with the voice of the Saint.

"What am I? Done talking." Magic shattered. Gohan's will be done.

What was Kakara? Yammar had his own answer.
 
Well, I wasn't going to do anything with this plot bunny, but I'm a sucker for alternate perspectives and it'd be a shame to stop the train now...



There was iron in Kakara's soul.

The first time Yammar had ever directly spoken with her, she had stared him down and forced him to bow to her will. Oh, it had certainly been sloppy, and he had stepped aside mostly because Dandeer was doing most of his job for him. But she had only known him by power and reputation, and she hadn't flinched. Yammar respected that.

He'd seen that same iron time and again as she stood against still greater threats, and even her own beloved father. While Yammar hadn't been totally wrong in criticizing her when he was under that damn spell, he fully understood that Kakara was not weak.

But while she wasn't weak, she was soft. Alien invasion? Talk to them. Terrorist threat? Disarm them. Genocidal dragon? Turn it into a pet. While hilarious, it was completely irresponsible. Things came to threaten everything that she loved, and Kakara was eternally reluctant to put the threat down. Even today, Kakara had passed on a dozen opportunities to kill Dandeer. Maybe it had been the right call. With his senses twisted into a pretzel by the witch, Yammar knew he would have retaliated, and it would have been bloody. But it was one more proof of a trend that was going to cost her some day. Maybe today. Probably today.

"Nice chains," she said after venting some bitterness. "I can't move."

...Clever girl. When had she figured that out? How long had she been awake now? Three seconds, and she's already laying the groundwork for some scheme? Yammar had expected it and he was still impressed. She saw some way to get something out of this mess, as he knew she would. The girl was brilliant and dedicated and he was glad she was on his side.

She traded barbs with Dandeer - no, that was a complete mischaracterization of the events. Kakara destroyed Dandeer. She went straight for the throat without hesitation or mercy, every word a carefully honed weapon to peirce Dandeer's armor and tear her apart. He wasn't sure what Kakara was angling for, but if nothing else it was immensely satisfying. He wondered if, yet again, he had underestimated the Gokun Scion. Yammar wasn't seeing the soft, compassionate diplomat he had thought was under that iron.

Then Kakara dropped the bombshell - the first bombshell. Dandeer was behind the prison attack. By Dandeer's reaction, she as good as admitted it. When had Kakara figured that out? A scowl at this further treason warred with a smirk on Yammar's face, but he was able to settle into a pure scowl before anyone noticed. This, and the Genki Dama, and her truly exemplary performance against Yammar today - Apparently knocking Kakara out gives her ammunition. Ha! How monstrously unfair!

Taking advantage of that, Kakara doubled and redoubled her attack, shredding Dandeer's soul with such impressive savagery that Yammar almost thought he was seeing some obscure offshoot of Trunks style, channeling ki into words instead of swords. Every time he thought she might have spent herself, she pulled out another devestating argument to wreck Dandeer's focus and composure. Could she even cast under that sort of assault? Was that the plan? Or was Kakara aiming for an outright victory by surrender? Or even driving Dandeer to suicide? It was more plausible than Yammar would have thought a minute ago. Honestly, he was getting a bit embarrassed. Kakara was making him look like an amateur.

"I've seen Heaven, Dandeer," she said, pivoting to yet another new angle, eyes filmed over white. "I've met our ancestors. None of them spoke for you. Gohan told me to take you down."

Yammar's breath caught and he completely lost track of the conversation. Was that a bluff? ...No. Kakara didn't bluff. She could barely hold a straight face for it. The conspiracy only got as far as it did because she could avoid the subject. Every word she'd said to Dandeer so far had been exactly true. This was true also.

Did Kakara herself know the message she had just delivered? Or had that second meaning been only for him? Yammar felt... not quite vindication. He'd known from the beginning that stopping his daughter-in-law was right. But he'd doubted his own thoughts for so long, and now... a high demigoddess prophet spoke the words of Saint Gohan, of all the gods, in answer to Yammar's prayer.

"PaparaAAAAAGH!" Dandeer's scream brought him back to the here and now. The heretic dared to turn a spell against Kakara, and reality itself slapped her down. "What are you? What the fuck are you?!"

What was Kakara? The girl who communed with gods, who weilded their power - a fraction of their true power, not the mere reflection of them that was the transformation. The demigod who continued to break every limit before her and reached ever higher. The child who spoke with the voice of the Saint.

"What am I? Done talking." Magic shattered. Gohan's will be done.

What was Kakara? Yammar had his own answer.
...canon.

:D

The bonus goes to Willpower checks.

EDIT: Also a fine send-off for the night. Goodnight, everybody!
 
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"PaparaAAAAAGH!" Dandeer's scream brought him back to the here and now. The heretic dared to turn a spell against Kakara, and reality itself slapped her down. "What are you? What the fuck are you?!"
That reminds me: this was kind of weird. Our slapdash mental defence thrown together in seconds for the Dazarel fight beat Dandeer's spell hard. Ki trumps unprepared magic, but she seemed really thrown off by this.
 
That reminds me: this was kind of weird. Our slapdash mental defence thrown together in seconds for the Dazarel fight beat Dandeer's spell hard. Ki trumps unprepared magic, but she seemed really thrown off by this.
I mean, we did it wrong. It's entirely possible the more refined, less harmful mental defenses Berra and so on have would be vulnerable to her magic precisely because they are more refined.

Like, I'm having trouble articulating this, but if she knows an answer to the shape of normal Mind Delve defenses, and ours is misshaped, so to speak, then that might hurt her default answer, yeah?
 
I mean, we did it wrong. It's entirely possible the more refined, less harmful mental defenses Berra and so on have would be vulnerable to her magic precisely because they are more refined.

Like, I'm having trouble articulating this, but if she knows an answer to the shape of normal Mind Delve defenses, and ours is misshaped, so to speak, then that might hurt her default answer, yeah?
If a normal mind delve defence is a wall, ours is an electrified fence, Jurassic Park style :p
 
Compliant Omake: Tales of A Support Fighter
So I was rereading my old Dragon Ball manga when I was hit with a really persistent thought and just had to work it out. Honestly, with all these other, much better, omakes and such being posted right now, I'm both intimidated and hesitant to actually post this, but I've been working on this for far too long and it is pretty much finished, so what the heck...

--------------------

In our combat obsessed saiyan society, there are many different disciplines or "styles" that a prospective student of the martial arts might learn. We have styles named after our revered ancestors, styles named after their friends and allies, and even styles named after our race's greatest enemies. By and large, the choice of styles is much like a person's dress sense, a personal choice of equally valid options for each person to decide on their own which to pursue.

But some styles are more equal than others, and use of some styles brings derision and shame from your fellow saiyans.

The first is Freeza Style. An inexorably lethal style, it's only use is that of assassination, murder or wanton destruction. From the get-go, this style teaches its students how to kill and destroy, and as they learn more they only become more lethal. As such it clashes heavily with our current saiyan sensibilities, our views of honorable combat and fair play. No one expects to enter a tournament to fight to the death, (the Cell Games of history not withstanding) but a Freeza stylist can not attempt to fight with anything less than lethal force, as the whole style teaches them to go for the kill as soon as possible.

Unfortunately, due to both its extreme efficiency and the edgy nature it projects, enough misguided saiyan youths learn it each generation to be able to pass it on to the next generation, ensuring that it won't die out. But not for no reason does our society as a whole shun those who do decide to learn it, much like Tenshinhan shunned the assassin's teaching of Master Shen to create his own Crane Style of honorable combat.

The second shunned style is Satan Style... if you can even call it a style. What Satan "Style" is, in fact, is nothing more than a saiyan giving grave insult to their opponent by declaring that they are not worth expending the effort to attempt to fight correctly. This "style," as the story goes, was created by two drunk saiyans in a back room bar who were jokingly saying that it was a "real shame that Hercule Satan didn't get his own style while they were passing out styles to the ancestors." As far as a fighting style goes, it is much like the man it was named after: unwieldy, useless, and build around a massive amount of buffoonery. It eschews ki use entirely, wastes way too much time showboating, and focuses entirely on single hit punches and kicks.

Once again, to the misfortune of our entire race, this style too refuses to die out. After its tragic creation, the word about the style spread to the rest of our race. At first, our people were intrigued. This seemed like it might have some merit, if as a handicap in fighting a weaker opponent if nothing else. But as we soon learned, its multitude of disadvantages make it entirely useless as a fighting style. And that might have been the end of it, had we not realized that as a style it did literally everything wrong, and thus could be used to teach children what not to do in a fight. Thus the style lived on in our education system, and some fool in every generation thinks that he's going to be the one to "make it work." Thus the discipline still exists as a "style", and anyone who follows it is (quite rightfully) derided as a buffoon.

The third style, unlike the other two, is looked down upon solely because of our cultural baggage as saiyans. As a style it contains no contingencies for close-range combat and places major focus on supporting others rather than your own combat skills. I am, of course, talking about the oft-overlooked Chiaotzu Style... the style I practice.

Now, as many of you know, Chiaotzu was quickly outclassed by many of his fellow Z Fighters. He never really developed a close-range fighting style that allowed him to hold his own or disengage from close quarters combat, preferring to use his natural psychic talents to support others from the rear. While he did close in on occasion, the most notable being his sacrifice against the brute Nappa, he for the most part preferred to keep at range in all situations. So when the decision was made to create a style to honor the oft-overlooked Z Fighter, the creators of the style created one that played to his strengths. And while it has changed some from its origins, the style still holds to the strategy of fighting at range exclusively... something our society has a hard time accepting.

As a Chiaotzu stylist, I was often looked down upon for eschewing close quarter combat. I mean, after all, as a saiyan shouldn't I have been all about punching people in the face? And the fact that Chiaotzu style was developed for the user to primarily help and support others during combat instead of entering it themselves often made others look at me like I was insane.

Yet even now, after everything, I still believe that I made the right choice. While I may love to fight as much as any other saiyan, I know that teamwork is the great equalizer in a world where our power levels are restrained by cultural expectation. And hey, I'm not one of those crazies who wants to do away with the law... I fully agree with keeping our people from all going super saiyan.

Chiaotzu style, for all it's apparent disadvantages, does have advantages of its own. Its focus on cooperation and assisting others makes its users indispensable in any sort of team fight. A telekinetic hold can mean the difference between being punched in the face and punching your enemy in the face, after all. Furthermore, as the style developed the increased focus on ki transfer allowed its users teammates to fight longer and harder, eventually cementing itself as an indispensable part of the style. And finally, its constant training of ki telekinesis to mimic the power of Chiaotzu's psychic telekinetic power makes its users some of the finest telekinesis users on the planet.

No matter its advantages though, in one on one combat, which is what our society thrived upon during my time, it falls short of practically any other serious style, as once the opponent closes in to hand-to-hand range, the fight is all but over. Thus, it draws scorn.

And I was resigned to the scorn of others, secretly taking pride in knowing that one day my skills in support would one day come in handy. I just never expected it to come as it did, with the bitch wife of Lord Vegeta attempting to take over our entire society. Planetary-scale magical disaster indeed. Her face was a planetary-scale magical disaster.

But I digress...


Excerpt from Tales of a Support Fighter – My Life as a Chiaotzu Stylist By: Leeka Stauber

--------------------

Chiaotzu Style

Oft looked down upon by saiyans in favor of its more flashy and close-range counterparts, Chiaotzu style is a highly technical long-ranged style with incredible potential when paired with teamwork. Like Tenshinhan Style, it has its base in the assassination style taught by Master Shen, the Crane Hermit. Also much like Tenshinhan Style, Chiaotzu Style has much evolved from its assassin-based beginnings.

Focused around the use of flight, ki blasts and telekinesis to lock down an opponent's movements and keep a fight at long range. Furthermore, practitioners will use telekinesis to alter terrain and keep opponents off balance. Even physical attacks will be used in hit and run attacks that are immediately followed through by retreating to range again. Rather than devise ways to fight at close range, practitioners will use telekinesis and the solar flare technique to keep any fight at range if at all possible.

While this style is barely serviceable as a solo style, its reliance on keeping an enemy at range making it less useful than other styles that have options for hand to hand combat, it shines incredibly well in team fights. Its superior use of telekinesis to create many openings for teammates to exploit enables it to work as a force multiplier for allies, and its use of ki transfer allows teammates to return to the fight when others might have to give up. Likewise, in team fights a practitioner can use their teammates as protection to keep from being forced into close quarters combat, shoring up a critical flaw in the style. When not supporting allies the stylist will attempt to strike when the opponents aren't paying attention, with fast accurate ki techniques, usually the Dodonpa skill.

Involved Techniques: Flight, Telekinesis (Signature), Solar Flare, Dodonpa, Ki Transfer, Team Fighting
Penalized Techniques: Hand-to-Hand [All] (Crippling)
 
I just never expected it to come as it did, with the bitch wife of Lord Vegeta attempting to take over our entire society. Planetary-scale magical disaster indeed. Her face was a planetary-scale magical disaster.
Ouch.

Chiaotzu Style as you've described it is an interesting concept, but I think Hand-to-Hand [All] (Crippling) makes it unworkable even in team fights, unless your team significantly outmatch your opponents enough that they outright can't get close to you. Maybe something like this:

Involved Techniques: Flight, Telekinesis (Signature), Solar Flare, Dodonpa, Ki Transfer, Team Fighting [Extreme]
Penalized Techniques: Hand-to-Hand [All Except Team Fighting Defensively] (Crippling)

If that were a style I'd probably advocate to learn it somewhere down the line. If we ever get around to making our own style based on Team Fighting (with or without PM) using TK to interfere in other fights would be a really neat trick. Mechanically, I could see it as applying a small bonus to your allies fighting, with higher skills meaning more allies helped at once.
 
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Ouch.

Chiaotzu Style as you've described it is an interesting concept, but I think Hand-to-Hand [All] (Crippling) makes it unworkable even in team fights, unless your team significantly outmatch your opponents enough that they outright can't get close to you. Maybe something like this:

Involved Techniques: Flight, Telekinesis (Signature), Solar Flare, Dodonpa, Ki Transfer, Team Fighting [Extreme]
Penalized Techniques: Hand-to-Hand [All Except Team Fighting Defensively] (Crippling)

If that were a style I'd probably advocate to learn it somewhere down the line. If we ever get around to making our own style based on Team Fighting (with or without PM) using TK to interfere in other fights would be a really neat trick. Mechanically, I could see it as applying a small bonus to your allies fighting, with higher skills meaning more allies helped at once.
I mean, Instant Transmission can be enough in an open environment to basically null out being hand-to-handable at all, and styles aren't permanent as such. You could add IT to involved techniques or simply assume more mundane distance gaining and that in a group each would have a more close range style to fall back on.
 
I mean, Instant Transmission can be enough in an open environment to basically null out being hand-to-handable at all, and styles aren't permanent as such. You could add IT to involved techniques or simply assume more mundane distance gaining and that in a group each would have a more close range style to fall back on.
A Crippling Hand-To-Hand [All} skill essentially means that if an opponent ever gets close enough to punch them, they're out of the fight. We have seen in our fight with Yammar that IT can be prevented fairly easily if your opponent can focus on you, and closing the gap is basically a single contested Flight roll. I like the style's concept, but it needs to have some response to being forced into a Hand-To-Hand clash, even if that response is just "not get beaten immediately and keep making Flight checks to get away". Having no offensive capability in Hand-To-Hand is a large enough drawback already, I feel.

Now, it could be workable if paired up in large groups with a complementary style designed to take the heat off of allies, but Saiyans just don't have enough experience fighting on large scales like that to come up with it. Something based off of Demon Style (for its focus on controlling where your enemy is) like:

Involved Techniques: Flight, Team Fighting, Hand-To-Hand [Team Fighting], Instant Transmission, Explosive Wave, Evil Explosion, Light Grenade, Hellzone Grenade.
Penalized Techniques: Dueling [All]
 
Involved Techniques: Flight, Telekinesis (Signature), Solar Flare, Dodonpa, Ki Transfer, Team Fighting
Penalized Techniques: Hand-to-Hand [All] (Crippling)

Involved Techniques: Flight, Team Fighting, Hand-To-Hand [Team Fighting], Instant Transmission, Explosive Wave, Evil Explosion, Light Grenade, Hellzone Grenade.
Penalized Techniques: Dueling [All]

Uh...Team Fighting exists exclusively as a skill under Hand-to-Hand, as does Dueling. So these styles should probably be formatted as

"Involved Techniques: Flight, Telekinesis (Signature), Solar Flare, Dodonpa, Ki Transfer, Hand-to-Hand [Team Fighting]
Penalized Techniques: Hand-to-Hand [All except Team Fighting] (Crippling)"

and

"Involved Techniques: Flight, Hand-to-Hand [Team Fighting], Instant Transmission, Explosive Wave, Evil Explosion, Light Grenade, Hellzone Grenade.
Penalized Techniques: Hand-to-Hand [Dueling]"

respectively.
 
Uh...Team Fighting exists exclusively as a skill under Hand-to-Hand, as does Dueling. So these styles should probably be formatted as

"Involved Techniques: Flight, Telekinesis (Signature), Solar Flare, Dodonpa, Ki Transfer, Hand-to-Hand [Team Fighting]
Penalized Techniques: Hand-to-Hand [All except Team Fighting] (Crippling)"

and

"Involved Techniques: Flight, Hand-to-Hand [Team Fighting], Instant Transmission, Explosive Wave, Evil Explosion, Light Grenade, Hellzone Grenade.
Penalized Techniques: Hand-to-Hand [Dueling]"

respectively.
I figured it would be a special clause, like how Freeza stylists struggle with non-lethal attacks.
 
Did she use the mirror and board method?

Er, what? Is that a reference to something, or just a poke at the spelling error (stupid autocorrupt) I made?

She basically did the same thing OTL Kakara did with the shackles, only instead of metal keeping her from moving, it was broken space keeping her from leaving. Sort of like how Buu smashed his way out of the Hyperbolic Time Chamber.
 
I figured it would be a special clause, like how Freeza stylists struggle with non-lethal attacks.

...I don't follow? Like, you have "Team Fighting" and "Hand-to-Hand [Team Fighting]" listed as two separate Involved Techniques even though they're literally the same skill, and "Dueling [All]" just means Dueling because there's no sub-skills under Dueling. What's the special clause supposed to be?
 
Er, what? Is that a reference to something, or just a poke at the spelling error (stupid autocorrupt) I made

There's an old 'joke' or 'puzzle' that involves someone being stuck in a room with a saw and a board and needing to escape.

The walls are mirrored and the saw can't cut them.

The solution is to cut the board in half, the combine the two halves to make a whole, then climb out via the (w)hole.

It was a bad pun, and @VicSage should feel bad.

...I laughed.
 
There's an old 'joke' or 'puzzle' that involves someone being stuck in a room with a saw and a board and needing to escape.

The walls are mirrored and the saw can't cut them.

The solution is to cut the board in half, the combine the two halves to make a whole, then climb out via the (w)hole.

It was a bad pun, and @VicSage should feel bad.

...I laughed.
At risk of going off topic, the way I heard it there was no saw, but you "look in the mirror, see what you saw, take the saw and cut the board in half;" given that there was no mention of a saw in initial conditions, I think they might have also seen the intent.



Hype for the update. I'm having difficulties coming up with an option I wouldn't enjoy, as even meeting the Kaioshin instead of the ancestors would be hella cool. I mean, maybe it could be like Beerus, or Yemma? But those wouldn't be bad either.
 
Hmm, you could have Penalized Techniques: Hand-to-Hand [All] without 'crippling,' Or you could have a situation where Hand-to-Hand [All] is penalized, but disengaging from melee receives bonuses in and of itself. As in, the style teaches so many disengagement maneuvers that all attempts to disengage get a bonus.

Thus, when a Chaiotzu stylist under this model rolls a check to disengage from combat, which they would typically do with Flight, Telekinesis, or Solar Flare rolled against the foe's appropriate hand-to-hand combat skill, they get a bonus. Assuming equal skill levels on both sides, this means that as an attacking melee specialist, you have relatively more trouble actually forcing the Chaiotzu stylist into hand-to-hand, and even when you do, you won't win the skill checks by a large margin, which makes it hard to inflict decisive injury on your opponent.

...

Also, the main reason Instant Transmission isn't an involved technique is that it involves advanced calculus to learn and for some reason the other, hidden crippling penalty in Chaiotzu Style is to Math Skills. :p

----------------------------------------------------------------

Hm. I actually had my own entirely different headcanon for why there is no named Chaiotzu Style among the Exiles, noting that our current list of styles is every style Kakara could find out about in a year of trying, which would be all but the most obscure and idiosyncratic ones. Namely that it isn't a 'real' style at all, but is a grab-bag term for a whole bunch of different idiosyncratic styles developed by individual masters for fighting with extreme efficiency, economy of force, and ability to anticipate and neutralize likely angles of attack. All of which were traits Chaiotzu exhibited in his earliest appearances in battle, e.g. in tournament combat against Krillin.



Hm. Random thought. It occurs to me that from the point of view of the Exiles, Dragonball and Dragonball Z form a single integrated historical epic, and that certain events from Dragonball that are relatively obscure to us might be extremely well known to the Exiles.

For instance, I suspect Annin, an obscure character from a filler story from our point of view, is almost universally recognized among the Exiles! Because she figures prominently in a story that is unimportant from our point of view, but from their point of view is the story of how one of the two great mothers of the race, and one of the two founding ancestral heroes of the race, came to be married. That's probably a story Goku told to his grandkids a lot, certainly a story Chi-Chi told to them a lot.

Given that this is the case, an Exile might well regard not having heard of Annin as being like not having heard of, say, the Ginyu Force (who we normally think of as much more plot-relevant). Maybe even up there with not having heard of Cell or something.
 
I'm now picturing Saiyan-created Sentai series, only where the heroes are the people building the massive fortresses and sending out potent creations and the villains are the 'rebellious' or 'attitude-possessing' teenagers accessing an Unknown power.

It would be glorious.
 
I'm now picturing Saiyan-created Sentai series, only where the heroes are the people building the massive fortresses and sending out potent creations and the villains are the 'rebellious' or 'attitude-possessing' teenagers accessing an Unknown power.

It would be glorious.
I was confused for a moment, before I realised you meant as something to market to Garenhulders. I could totally see that being a thing.
 
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