Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Does the failure to acquire real estate in the LA area mean that doors are closed to us or can we try again? Because personally part of me wants to be petty and look elsewhere in California. Either in various other cities or finding decent land juuust outside of their jurisdiction to build a housing development for maximum petty points.

There should be places we can test out a walkable city concept.
 
Does the failure to acquire real estate in the LA area mean that doors are closed to us or can we try again? Because personally part of me wants to be petty and look elsewhere in California. Either in various other cities or finding decent land juuust outside of their jurisdiction to build a housing development for maximum petty points.
No its just going to get harder.
 
It's the Comedian Action all over again.
Maybe it's a sign...one that we should switch to TV and Movie roles instead.

Also, heck yeah! We finally begin Dune! I must post my notes on it once more to make sure the cahracterization is perfect. not to mention we need to rethink on which characters will appear in the second part (I'm going to have to rethink on that Pitch), and I'm thinking on how better to use Princess Irulan as well, perhaps having her take a more proactive approach in the first and second parts.

Oh man, it's going to be awesome!
 
Also, NASA are calling her the most brilliant computer in the world…
This just might be 'cause I got Dune on the brain, and that it got brought up again this turn, but I gotta ask: is Mary a Bene Gesserit? At the very least she's a Mentat...or shit, is she an Abomination like Alia?

I must not fear...
 
Well, this was a decent turn for us. What's next though? This turn we release another animated banger (take that, Disney!) and soon our horror films are released.

It's good that we managed to send a team to help James Cameron with The Terminator (because the first film is still a slasher film at heart, with a sci-fi action paint... and I love it with every fiber of my being).
 
Hmm, I'm in a dilemma. Thinking over what we'll be doing for the Dune movie (taking the 2021 adaptation with parts from the 2000 miniseries) I find myself thinking about the character of Paul. I have to admit, the 2021 adaptation made him more faithful to the books, which is always a plus, while also humanizing both him and his family a great deal better than shown in said book. However, the character is a bit too much of a downer, and while that is usually fine, I don't know how the audience will react to it.

On the other hand, the 2000 Dune miniseries has Paul act more rebellious and cocky, which while a departure from his character in the books, makes him a delight to watch, not to mention that seeing the originally arrogant brat grow into the Messiah like figure of the Fremen, Muad'dib, is one of the main reasons why I loved it so much, and why I raged when I first saw the 1984 movie believing it to be the miniseries.

So, I guess I'm putting this forward, when the time comes for the film to be made (closer than we think if the tech advance is as good as expected) do you think we should go with the Paul from the 2021 adaptation, or the Paul from the 2000 miniseries? I'm going with the latter for the reasons stated above, but what are your opinions guys?
Yes, I figure than rather than just having it be a copy of 2021 Dune we could take what works from both. Paul's character is one, the overall tone is another. I mean, that perhaps rather than keeping it all be dark and somber all the time, perhaps we could add a bit of levity and color (not bright and garish, but tasteful) in some, while not taking away the gravitas of the situation or place.

Take the fight between Gurny and Paul for an example. A perfect encapsulation where there is clearly tension and a heavy mood, but add to that Paul's more arrogant character, and it improves it in my opinion.

Baron Harkonnen is another example; the 2000 Miniseries has him as the perfect mix between a scheeming mastermind, and a loquacious exasperated man. I love this rendition of him, but I love the 2021 rendition as well. He's just so sinister, so dark in every deed, action and word that it brings chills to my spine whenever I see him.

On that character we will have to select one or the other, because I don't see a way to reconcile them both.
So... anyways, might as well try and speak a bit more about Dune.

So, one of the things I also liked about the 2000 miniseries was how they handled the entire plot about the traitor and the fall of House Atreides.

From the beginning we know there is a traitor, but the way they put everything it's like a true mystery where you don't know who is going to be from the beginning. Both the book, the 1984 version, and the 2021 version had me thinking that it was Yueh before the act was done, mostly because most of them just outright told it so.

But the Miniseries instead teased you about it; They said there was a traitor, then they discussed everyone before dismissing them or starting to doubt all. Hell, at one point Paul starts recriminating his father that this is how a House Falls, with suspicions and distrust from within. You doubted Gurney and Yueh in the same way, since they gave very good reasons from the start, and even when Gurney showed he was loyal you never thought of Yueh, because aside from a small bit about missing his wife there is hardly anything suspicious about him. He's just in the background, so when the betrayal happens you can only think "Wha...! How?!".

The same could be said about the emperor. From the beginning in movies and books you know he has no love for House Atreides, but the Miniseries downplays this information without contradicting it. There are many mentions about how one should be careful of being too popular like Duke Leto, and how many Houses are displeased with his rise in power, all along with messages of how the emperor has great esteem for Duke Leto (which is true), and even a scene where the emperor himself mentions how they should send a token of love and affection to House Atreides.

But here's the thing, at the same time these are things that can also be interpreted as the emperor being in on it; They are also a House (House Corrino to be exact), they are also jealous of Leto's popularity, Duke Leto himself mentions in passing to Paul that even the emperor could be their enemy. Heck, the Emperor before mentioning sending said token of love and esteem says it's too bad they can't marry Princess Irulan to Paul. You at first dismiss it, thinking it's because they are in Arrakis, but after the betrayal you can only go "Ohhh, that's what he meant!".

And finally, the one part they did amazingly, was add the Princess herself making a visit to the planet just before the coup. It lulled you into a sense of security, thinking "No way are they going to attack now" or even "She's probably going to be kidnapped", but no, she comes, she meets Paul, they have an interesting meeting that hints at a romantic sub-plot between them, then leaves, with her Sardoukar.

Or does she? Are the Sardoukar she came with the same ones that aided Baron Harkonnen? That alone kept me more than invested when the fall of House Atreides (which was all too brief, that was a failure but an understandable one) happened.

The miniseries made this part a mystery, an enjoyable one, even if they did not address the parts in the book where Jessica and Thufid grew to distrust each other, but I think that alone allowed to conduct a much better one, that truly surprised you when the time came.
So... let's continue.

On Princess Irulan and Chani; Well, I can't say much about them when it comes to the 2021 adaptation, as the former made no appearance in Part 1, and Chani made some brief appearances just near the end. Yet I think we can find something very interesting when we see how they were treated in comparison to the books, the 1984 movie, and the 2000 Mini Series.

Starting with Princess Irulan, the original book of Dune seems to use her mostly as narrator, as many of the quotes used in chapters have her as the author of the books, she herself quotes. She hardly makes an appearance in the original Dune as well, with most of her character development and relevance happening in Dune: Messiah. The 1984 movie follows this trend, but places her as narrator only for the beginning of the movie, where she has to give a 2-minute exposition about the entirety of the Dune universe rather than letting it happen organically. So basically, we are brought about, having to understand terms like "Spacing Guild" or "Bene Gesserit" or the entire political landscape in a 2-minute spiel, and then launched to the movie itself. Now, to be fair, this was something that David Lynch himself was against, but was mandated by Studio Executives, so I won't hold it against him.

It's the 2000 Miniseries that does something unique with her; she's actually a character, with her own wants, desires, and motivations. Though at first treated as a pawn by her father, the emperor, she does not meekly accept it, but rather resolves herself to become something more. She investigates the fall of House Atreides, she uncovers the Harkonnen plot against House Corrino (putting herself in great danger by seducing Feyd Rautha Harkonnen and discovering the actions taken against House Atreides) and becomes an actual player and someone that the emperor listens to near the end. That her first appearance also shows her more gentle and fragile side when she goes to Arrakis and speaks to Paul makes her a more complex, and likeable, character, as we can also see her grow, like Paul did, under the pressures of life, if under different circumstances.

Frankly, Princess Irulan in the 2000 miniseries is a more assertive, independent, and growing character that, much like Paul, manages to go through hardship and learns how to take control of her life. We could use this for the movie.

Chani is an interesting example n how different she's put in the different adaptations. In the Dune books she is mentioned on many occasions, and her appearances and interactions with Paul, though mentioned, are not expanded, nor given that much attention. It is clear that they love each other, but Paul's journey takes precedence over everything there. The 1984 adaptation goes a bit deeper into how much they care for each other, but then again it is also a faithful adaptation of the books. Chani, besides being Paul's companion, and a Fremen fighter, does not seem to add anything else. Nevertheless, both the book and the 1984 movie adaptation managed to make Chani a fun and likeable character. This will be important later on.

Chani's 2000 Miniseries adaptation, and the 2021 adaptation, seem almost complete opposites in a way yet both managed to expand on the character through minimal actions that made us think and made us imply more about her through them.

Starting with the 2000 miniseries, Chani's first appearance is when she surprises Paul and manages to hold him prisoner, if only temporarily as Stilgar allows him and his mother to join them. From this encounter, we know she's a skilled warrior, as Paul had defeated other Fremen before her. Through the rest of the series we don't see her fight more, even though she clearly accompanies Paul and the rest on some more missions, as the series makes a point in focusing on her more as a woman, an advisor, and Paul's companion than a fighter. That does not mean she does not fight though, as we are shown the end result of someone trying to face Paul, and she quickly dispatched him. Overall, this Chani is likeable, she shows herself as strong, resourceful, a caring mother, a counsellor, and not afraid of letting herself speak. It does play a bit too hard on the maiden in love angle, but not to the detriment of the character or the story.

The 2021 adaptation...well, we only got a few minutes of Chani, and her actions and words. Yet through them we can see that Chani is a more jaded and cynical individual than her previous adaptations. Clearly a strong fighter, and from what the trailers indicate she will continue in this trend through the second part of the movie. One of the elements shown is that she clearly shows no sign, nor desire, to see Paul join with the Fremen. Perhaps it's my imagination, but the scene where she gives Paul her knife to fight, then tells him it's so that he doesn't die unarmed (which is already quite morbid) is made all the worse as she has this tone not of disinterest, but more like vindictive glee, like he's going to die and she will enjoy it. That's the kind of thing that sticks with you, and makes me wonder how the hell are they planning to pair the two of them in the next section.

Frankly, I much prefer the Chani of the 200 miniseries, but I can see some flaws in said adaptation as well. Chani would have been better served as showing more of her skills as a fighter as well as a mother, she could also have been the one to train Paul, thereby allowing them more time together to connect and bond. Overall, if we could make it so that the 2021 Chani's skills are added to the 2000 Chani personality with the changes I already suggested, then the character would work much better.

Okay then, these are my notes on Dune and what i hope for some of the characters. However, I should also add some thoughts about other things I want for our adaptation of Dune:

First, while I think Villeneuve did a good job when it came to the atmosphere, he still did a lousy job when he decided to streamline the entire story so that it would happen in ess than a year, instead of the 4 it took in the book. I can understand he thougthhe might need more time, but many of the changes were only detrimental to the overall tale: Alia's birth, the birth and death of Leto II, Paul teaching the Freemen the "Wierding Way" that allowed them to finally have a chance agains the Harkonnen (Seriously Chani! I don't care how many times you say it, you had as much a chance of liberating Arrakis with only the Fremen as Emperor Corrino had facing Muad'dib in single combat!), the entire intrigue of the Fremen paying the Space Guilds in exchange for the use of their satellites, and so on and so on...

Seriously, it's actually sad that the so called best adaptation cut off so many importatn aspects of the film because he needed more time.

Okay, so, I think we can make an adaptation that manages to include what Dune needs, cut off the fat but not the essentials. not to mention that Francis is an amazing Director who understands when it's better to let the ambience and tone speak for itself, as well as knowing how this is more of a tragedy following the Hero's journey set up rather than a conventional adventure.

I do like the introduction of Feyd Rautha though, and I think with an extended movie that can give us the four years rather than the one the movie showed us, we can show the bizantine intrigue in the Harkonnen's, with the many plots going on against each other, as well as give Thufir Hawat something to do, like in the books when he was conspiring on the inside to turn the Harkonnens against each other to avenge his lord Atreides, but also giving up his life for Paul.

Seriously, why just abandon the character in the second part? Oh right, because Villeneuve wants a strealined movie. Dude, we gave you two movies, you have as much time as you may want, heck you could have made them 3 to 3 and a half hours each if that's what you wanted!

Frankly, the intrigue of the book is one of the more interesting aspects that I would hope to see included.

I have to admit, the introduction of Feyd Rautha in order to fight Paul rather than wait until Raban crushes all opposition does work much better, esècially since this would make it more personal, as well as the confrontation between both sides would make it more epic.

Personally, I wanted to see a bit more interaction between Paul and Irulan, like in the 2000's miniseries. Have her make an appearance during one of the banquets as an unknowing pawn of the Emperor and to lower the Atreides' guard, both Irulan and Paul show clear signs of a beginning of affection like in many an adventure and Hero's journey's, but then we rip the carpets from under them; Paul's family is destroyed and he has to live with the Fremen, conspire against the Harkonnen and the Emperor, suffer loss an find love again. Irulan vows to not be controled by the Emperor again, begins her own plts against the Harkonnen and the Emperor, gaining the Bene Gesserit support and making the Emperor into a puppet, only for Muad'dib's rebellion granting the Emperor the chance to once more retake power and move the court to Arrakis, where he now plans to remove much of the Harkonnens power, as well as to tie the remnants to the imperial family through his daughter, eliminating all at once.

And this can be done without changing much of the book as well, it's just a superficial addition over the mountains of lore and intrigue that would still be a part of the movie.

I have already given my thoughts on Chani and how she should be portrayed, but I will add something here: Do. Not. Make. Her. A. Political. Atheist!!! It. Does. Not. WORK!!!! A better fighter, fine. A commander in battle, I have no problem with it. But dear God, she should not be in complete opposition to Paul to the point she abandons him in the end!

I think there's much that can be added to both the first and the second parts to make sure it's a better adaptation than the current Dune films. And even then both were quite good, I won't deny it. I just think they can be done better, and I hope my notes and suggestions can be of some aid, and added at some points in the movie. That some of the ambience should also be a bit more colorful is another thing, not so garish, but somewhat tasteful, like in the 2000's miniseries.

I invite everyone to also discuss and give suggestion for the film, as I think this is going to be nearly as big as Star Wars. Furthermore we still need to discuss on the characterization of Duke Leto and Lady Jessica, as I feel that she was much to harsh and political in this version, forgetting the motherly role of the booke, wher her actions were motivated to keep Paul safe as well as her new family together.

Oh, and Gurney Halleck! We can't forget him and his personal vendetta against the Harkonnens, which lead to him nearly killing Lady Jessica as he believed her to be the reason for the fall of the Atreides! Man, I loved that scene in the 2000's miniseries, where he tries to fulfill his vengeance and believes that Paul was being tricked, you could feel the tension all the way from the TV!
 
I have a kernel of an idea: rather than buying property in LA, why don't we buy in Buena Park and Stanton? The areas are not well developed at this time…and they surround Knotts. We can buy large swathes of land for development while we can have Lucasfilm try and buy Knotts.

Walter Knott is getting old (he dies OTL at the end of 1981) and he is looking for someone eho loves America as much as he does to pass on the legacy. Bruce is all American, and with Star Wars, Sunrise, and Marvel, more than enough IP in addition to keeping the old west.
 
I have already given my thoughts on Chani and how she should be portrayed, but I will add something here: Do. Not. Make. Her. A. Political. Atheist!!! It. Does. Not. WORK!!!! A better fighter, fine. A commander in battle, I have no problem with it. But dear God, she should not be in complete opposition to Paul to the point she abandons him in the end!
Wait, did they actually do that? I'm not even a fan of Dune and even I know that that sounds wrong. The Fremen literally start a jihad with Paul at the center of it, and one of the most important Fremen is an atheist? Heh?
 
You received a letter from one… James Cameron, an Indie Director who worked in UA, who is now part of Fox, working on something that is heavy and big on the effect.

Also, it had some no-names in it, so that was fun. But he said he was a massive fan, and really wanted to have a great time. See he was told that ILM wasn't able to work on his film, and of course, he begged in the letter, so you sent a team to help him.

Some fucking horror film.
Oh, well I guess Terminator 1 could be called a horror film. It does have a seemingly invincible robot man trying to kill you.
*looks up filmography*
Oh. It's actually Piranha 2: The Spawning. Well I guess a person's filmography doesn't have to be filmed with all winners.
Apparently it was a huge flop. Actually in the running for one of the worst horror films every made. I liked the complaint that the piranhas looked like something from a joke shop. "Like a Haddock with dentures".
 
First, while I think Villeneuve did a good job when it came to the atmosphere, he still did a lousy job when he decided to streamline the entire story so that it would happen in ess than a year, instead of the 4 it took in the book. I can understand he thougthhe might need more time, but many of the changes were only detrimental to the overall tale: Alia's birth, the birth and death of Leto II, Paul teaching the Freemen the "Wierding Way" that allowed them to finally have a chance agains the Harkonnen (Seriously Chani! I don't care how many times you say it, you had as much a chance of liberating Arrakis with only the Fremen as Emperor Corrino had facing Muad'dib in single combat!), the entire intrigue of the Fremen paying the Space Guilds in exchange for the use of their satellites, and so on and so on...
You are forgetting the fact that both of those movies have a run time of nearly three hours each [Dune Part 1 at 155 minutes, Dune Part 2 at 165 minutes] and that it's a miracle that it only starts to feel like it's dragging by the time the apex of the third act kicks off [to distract the audience from that], which means that the only way he could have included more would have been if Villeneuve had made the films a three parter, which he had no concept of knowing he would have the budget for two films when he finished production in early 2020 on the first one.

[There's also the realities of both COVID and the Writer's Strike pushing everything out of whack.]
Frankly, the intrigue of the book is one of the more interesting aspects that I would hope to see included.
Would have loved to seen it too, but the only way I can see the bulk of that fitting within the runtime would likely be pulling from Guy Ritchie's book and nailing a Sherlock Game of Shadows number*, where (kinda like a heist movie) you juxtapose the intrigue and the fallout of said intrigue in the same scene.

*Specifically Sherlock and Moriarty's duel at the end.

Lady Jessica, as I feel that she was much to harsh and political in this version, forgetting the motherly role of the booke, wher her actions were motivated to keep Paul safe as well as her new family together.
First, the bulk of the film focuses heavily on them trying to survive Arrakis, starting with the assault and ending with them in the dessert, leaving her with little room to dote [and what room there was, admittedly, witteled out in favor of getting them to Arrakis], and Second, did she, or did she not, abandon her Grandchildren when she chose to return to the Bene Gesserit in the sequel, leaving them to be raised by Irulan?
Wait, did they actually do that? I'm not even a fan of Dune and even I know that that sounds wrong. The Fremen literally start a jihad with Paul at the center of it, and one of the most important Fremen is an atheist? Heh?
I mean, there's a reason that happened, what with what's going on in the world today, seeing as the Middle East was and is a hot bed of activity during the activity, they needed somebody there to remind the audience that a Jihad is a terrible idea, which is weird because there was definitely some interference in the idea that Paul ends up with a body count that would make Hitler, Stalin, Genghis Khan and Ender Wiggin look like misbehaving children with a body count pushing 61 billion people, forty different religions and the sterilization of ninety plus planets.

There's a goddam reason somebody was made to be apolitical, even though I fully believe and agree they chose the wrong character for it; in an older film, that role would have likely fallen to the mentor figure, which leaves Gurney Halleck as the more suitable, if imperfect, choice.
 
You are forgetting the fact that both of those movies have a run time of nearly three hours each [Dune Part 1 at 155 minutes, Dune Part 2 at 165 minutes] and that it's a miracle that it only starts to feel like it's dragging by the time the apex of the third act kicks off [to distract the audience from that], which means that the only way he could have included more would have been if Villeneuve had made the films a three parter, which he had no concept of knowing he would have the budget for two films when he finished production in early 2020 on the first one.

[There's also the realities of both COVID and the Writer's Strike pushing everything out of whack.]
No my friend, I'm not fogetting that at all. In fact, I would welcome it. As the "Lord of the Ring" trilogy shows, that kind of movie can be done well enough and work. You say dragging, but many probably thought the same about said trilogy, and it was shown that there was more than enough material to justify the time, and still tiltillate the audience. I firmly believe that Dune is the kind of Epic movie that could have been done with just said amount of time and only improve with it.

I can agree with the argument that Villeneuve most have fought with Warner to get even a two parter, but my argument remains that in this quest we can do better. (especially since we have no Writer's Strike nor Covid to worry for now...I hope).
Would have loved to seen it too, but the only way I can see the bulk of that fitting within the runtime would likely be pulling from Guy Ritchie's book and nailing a Sherlock Game of Shadows number*, where (kinda like a heist movie) you juxtapose the intrigue and the fallout of said intrigue in the same scene.

*Specifically Sherlock and Moriarty's duel at the end.
Which is why I think our version should have a greater length of time, plus the intrigue would only enhance the movie by showcaing the depravity of the Harkonnens, while also elevating them and making them both vile and dangerous to the audience. One of the aspects of the recent version is that the Baron looks somewhat carried on by events, whereas in the book the Baron was making his own plans with the small information he had, and they collided with the other plans of the players. The intrigue will also allow us to see Thufir once more and appreciate the plots within plots that he's playing with the Harkonnens,as well as put in display the abilities of a Mentat.
First, the bulk of the film focuses heavily on them trying to survive Arrakis, starting with the assault and ending with them in the dessert, leaving her with little room to dote [and what room there was, admittedly, witteled out in favor of getting them to Arrakis], and Second, did she, or did she not, abandon her Grandchildren when she chose to return to the Bene Gesserit in the sequel, leaving them to be raised by Irulan?
Yeah, she did, after Shani died, Paul abandoned the throne and left into exile and most probably died. By that point I think she just funally checked out. But we are talking about her in the Dune movie, not in the "Children of Dune" sequels that we'll be making afterwards. I'm not sayinig she can't be political and calculating, I'm saying that perhaps she should not have been presented as if that was the only aspect of her personality.
I mean, there's a reason that happened, what with what's going on in the world today, seeing as the Middle East was and is a hot bed of activity during the activity, they needed somebody there to remind the audience that a Jihad is a terrible idea, which is weird because there was definitely some interference in the idea that Paul ends up with a body count that would make Hitler, Stalin, Genghis Khan and Ender Wiggin look like misbehaving children with a body count pushing 61 billion people, forty different religions and the sterilization of ninety plus planets.

There's a goddam reason somebody was made to be apolitical, even though I fully believe and agree they chose the wrong character for it; in an older film, that role would have likely fallen to the mentor figure, which leaves Gurney Halleck as the more suitable, if imperfect, choice.
Made apolitical, fine. It doesn't change the fact that it does not fit and it does not work with Chani. Furthermore, I think the audience is smart enough to understand that Jihad is a horrible idea, especially since at so many points in the movie we have Paul facing visions of what a bad idea is, but nonetheless is forced to follow through. Furthermore, the next movie would still show the destruction and desolation of said Jihad, so if anything, having someone sya it over and over again is superfluous. That said person is Chani just made it worse in my opinion.

I did love the movie, but there are parts that could be made better, mostly because of studio interference or lack of budget.
 
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No my friend, I'm not fogetting that at all. In fact, I would welcome it. As the "Lord of the Ring" trilogy shows, that kind of movie can be done well enough and work. You say dragging, but many probably thought the same about said trilogy, and it was shown that there was more than enough material to justify the time, and still tiltillate the audience. I firmly believe that Dune is the kind of Epic movie that could have been done with just said amount of time and only improve with it.
Here's the issue then, should the first film become a three parter...that will only ever cover the events of the first book. Unlike LOTR, which was already a book trilogy and trimmed and streamlined much of those books besides, Dune already has to worry about four books [six books in the future, and maybe seven if Frank lives], and as such has to make the choice "Should every book get multiple adaptions, or only just the one?".

We already know that franchise fatigue exists, based on the current goings on with both the OTL Pirates, MCU, Star Wars, Transformers and Fast series, as most audiences will not want to endure 30+ hours of content just to understand a single storyline, which just brings us back to the question: "Multiple adaptions for one book, or one adaption for multiple books?"

If we were going for quality, then by its sheer volume and depth of quality, then Dune should not and never be a film series but a television series.
I can agree with the argument that Villeneuve most have fought with Warner to get even a two parter, but my argument remains that in this quest we can do better. (especially since we have no Writer's Strike nor Covid to worry for now...I hope).
...I feel like you've just jinxed us.
 
Here's the issue then, should the first film become a three parter...that will only ever cover the events of the first book. Unlike LOTR, which was already a book trilogy and trimmed and streamlined much of those books besides, Dune already has to worry about four books [six books in the future, and maybe seven if Frank lives], and as such has to make the choice "Should every book get multiple adaptions, or only just the one?".

We already know that franchise fatigue exists, based on the current goings on with both the OTL Pirates, MCU, Star Wars, Transformers and Fast series, as most audiences will not want to endure 30+ hours of content just to understand a single storyline, which just brings us back to the question: "Multiple adaptions for one book, or one adaption for multiple books?"

If we were going for quality, then by its sheer volume and depth of quality, then Dune should not and never be a film series but a television series.
I would be all for Dune being a TV Series. If anything, as I've mentioned so many times, I think the 2000's adaptation stands above as one of the best and most faithful of the book. If only the special effects and choreography were up to par then it would be truly perfect.

Making it a trilogy is already in the books in OTL, as Dune: Messiah is already set to be come the third film, and it's something we can do as well. But what I meant is that we can have the two Dune movies be around 3 hour length, which would allow for the story to be faithfully told. That's a bit longer than the Miniseries had in OTL after all.

As for Franchise fatigue, I don't believe in it. I believe that there is bad movie fatigue, or unoriginality fatigue. The adaptation will work because it's showing different aspects of the universe with intriguing plotlines and originality, not just the same thing over and over again, like said franchises seem to want to do.
...I feel like you've just jinxed us.
I trust in Magoose and the Magoose Dice.
 
When is the opening day of the Romanian Memorial again?

(BTW who can do a Pixie and Brutus pitch? The world needs more wholesomeness considering how Chaotic it is)
 
First, while I think Villeneuve did a good job when it came to the atmosphere, he still did a lousy job when he decided to streamline the entire story so that it would happen in ess than a year, instead of the 4 it took in the book. I can understand he thougthhe might need more time, but many of the changes were only detrimental to the overall tale: Alia's birth, the birth and death of Leto II, Paul teaching the Freemen the "Wierding Way" that allowed them to finally have a chance agains the Harkonnen (Seriously Chani! I don't care how many times you say it, you had as much a chance of liberating Arrakis with only the Fremen as Emperor Corrino had facing Muad'dib in single combat!), the entire intrigue of the Fremen paying the Space Guilds in exchange for the use of their satellites, and so on and so on...
Villeneuve wanted to have a 4-year time skip like in the books at first, but after trying in they decided that it didn´t work up well, which is mainly why he had Jessica and Alia doing its thing...

And about the Weirding Way... Seeing how it was described in the novels, it would be impossible to film with practical effects without looking frankly ridiculous, the Fremen have been established in the first movie as superior to the Sardaukar when they have home-field advantage, and this works pretty well here.
I do like the introduction of Feyd Rautha though, and I think with an extended movie that can give us the four years rather than the one the movie showed us, we can show the bizantine intrigue in the Harkonnen's, with the many plots going on against each other, as well as give Thufir Hawat something to do, like in the books when he was conspiring on the inside to turn the Harkonnens against each other to avenge his lord Atreides, but also giving up his life for Paul.

Seriously, why just abandon the character in the second part? Oh right, because Villeneuve wants a strealined movie. Dude, we gave you two movies, you have as much time as you may want, heck you could have made them 3 to 3 and a half hours each if that's what you wanted!
I also hated that they didn´t include Thufir, apparently all the scenes with the Harkonnen were filmed but ended up in the cutting room (and he wished that he could have kept them)... They had to focus on a single conspiracy for the film focused on the Bene Gesserit conspiracy because it worked better.
I have already given my thoughts on Chani and how she should be portrayed, but I will add something here: Do. Not. Make. Her. A. Political. Atheist!!! It. Does. Not. WORK!!!! A better fighter, fine. A commander in battle, I have no problem with it. But dear God, she should not be in complete opposition to Paul to the point she abandons him in the end!
TBH, I prefer this Chani, I think that having the great love of Paul´s life being the one that sees through the obvious manipulations of the Bene Gesserit offers a great contrast and a lot more dramatic power than it it was a nameless character...
Made apolitical, fine. It doesn't change the fact that it does not fit and it does not work with Chani. Furthermore, I think the audience is smart enough to understand that Jihad is a horrible idea, especially since at so many points in the movie we have Paul facing visions of what a bad idea is, but nonetheless is forced to follow through. Furthermore, the next movie would still show the destruction and desolation of said Jihad, so if anything, having someone sya it over and over again is superfluous. That said person is Chani just made it worse in my opinion.

I did love the movie, but there are parts that could be made better, mostly because of studio interference or lack of budget.
Dude, you are overestimating the media literacy of the audience, the backlash that had Dune Messiah when it turned the apparent happy ending of the first book by showing the monstrosity that Paul's Jihad became was absolutely massive, almost no one could see that using a horde of religious fanatics to secure power was going to have consequences...
As for Franchise fatigue, I don't believe in it. I believe that there is bad movie fatigue, or unoriginality fatigue. The adaptation will work because it's showing different aspects of the universe with intriguing plotlines and originality, not just the same thing over and over again, like said franchises seem to want to do.
Well, Franchise/Genre Fratgue is definitively a thing (and even a mechanic of this quest), but I agree that when you offer the audience an exceptional product in a consistent way you can prolong the audience's interest for a really long time.

The problem would be the guys trying to take advantage of our success by making mediocre sci-fi on a desert, that would eventually erode the interest of the audience
 
Villeneuve wanted to have a 4-year time skip like in the books at first, but after trying in they decided that it didn´t work up well, which is mainly why he had Jessica and Alia doing its thing...

And about the Weirding Way... Seeing how it was described in the novels, it would be impossible to film with practical effects without looking frankly ridiculous, the Fremen have been established in the first movie as superior to the Sardaukar when they have home-field advantage, and this works pretty well here.
Whoever "they" are, they are wrong. I believe it can be done in our version if we give the director the support, resources, and necessary time for the adaptation this time around.

The sam for the wierding way, even Lynch managed to adapt it in a different (if odd) way, and I think we can do it too in the movie. Because, the firdt movie says that the Fremen have suffered under Harkonnen occupation for over 80 years, so how the heck do they go from "we've suffered under the Harkonnens" to "We can kick their ass from here to beyond without any help" in under a year? Paul becoming their leader, fighting with hthem, ,and teaching them the Wierding Way was what played a part in their victories and in seeing him as the "Lisan Al Gaib". It is essential to the movie.
I also hated that they didn´t include Thufir, apparently all the scenes with the Harkonnen were filmed but ended up in the cutting room (and he wished that he could have kept them)... They had to focus on a single conspiracy for the film focused on the Bene Gesserit conspiracy because it worked better.
Well, good thing we can focus on more than one conspiracy, so introducing Thufir's conspiracy, the Harkonnen's conpiracy, and hopefully the Emperor's as well will make the movie better in my opinion.
TBH, I prefer this Chani, I think that having the great love of Paul´s life being the one that sees through the obvious manipulations of the Bene Gesserit offers a great contrast and a lot more dramatic power than it it was a nameless character...
We'll have to agree to disagree here then. I believe that Chani being ore of a fighter was an amazing addition in this version, but herAtheistic views, and her "Fremen must liberate Arrakis on their own" seem unfitting for the setting, and outright naive considering that tehy have gotten their ass kicked from here to beyond under the Harkonnens for nearly a century.

Furthermore, I think we can have the differing voice be one of the leaders of the Fremen who does not believe Paul to be the Lisan Al Gaib, after all, the book showed that there were many of them, and one even fought (and was killed by) Chani when trying to challenge Muad'Dib. A schism in the ranks would be dramatic and amazing while keeping Chani as the support Paul needs, and perhaps the one to solve it by herself.
Dude, you are overestimating the media literacy of the audience, the backlash that had Dune Messiah when it turned the apparent happy ending of the first book by showing the monstrosity that Paul's Jihad became was absolutely massive, almost no one could see that using a horde of religious fanatics to secure power was going to have consequences...
I agree that my optimism when it comes to movies and the interpretation that the audience may have on them is one of my blind spots. However, this version can help in putting forth the idea that Paul is not completely a hero, and when the Messiah adaptation comes along truly show that this is not a hero's story, but the journey of a hero turned villain, with some spots of hope neaar the end.
Well, Franchise/Genre Fratgue is definitively a thing (and even a mechanic of this quest), but I agree that when you offer the audience an exceptional product in a consistent way you can prolong the audience's interest for a really long time.

The problem would be the guys trying to take advantage of our success by making mediocre sci-fi on a desert, that would eventually erode the interest of the audience
There's been people trying to do the same about Star Wars since it began, and interest remained high (until the "Great Betrayal" by Disney and Kennedy, and the advent of the Dark Times).
 
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