Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Charlton Comics Presents... Saw
Here's another entry for the Charlton line up! Saw is one of those franchises that really should have never been a franchise in the first place. In fact, it almost wasn't. The second Saw film as actually pitched as an entirely different movie and the studio said that they'd have it made, but only if they turned it into a Saw sequel. Despite the many, many, many... flaws of the Saw franchise, it's a series that I honestly enjoy a lot, if only for how much it all feels like a soap opera and regardless of it's flaws, it's still a highly influential franchise. I felt like Saw would make an excellent horror comic(although admittedly, I feel like it'd work better for the 90s, but whatever) and potentially be able to spawn off into some other comics or films(that aren't particularly threatening) for Fox once Charlton is acquired and so I decided to whip this up real quick. I think it could end up turning into an interesting comic series, especially if I adjusting some of the worse aspects of Saw, like the ENDLESS FUCKING FLASHBACKS!! For the writer, I once again chose the OC Noelle Meinhardt, but for the artist, I decided to go with Tom Sutton. At this time, he had already been doing work for Charlton on horror comics, and he also lived in Connecticut. I also saw that he didn't seem to have done work during and past the 80s for any other company that couldn't be replaced by someone else, so I thought he'd make another good talent acquisition for Charlton. I hope ya'll enjoy!


Charlton Comics Presents...
Saw

SET UP: Photographer Adam Faulkner and oncologist Lawrence Gordon regain consciousness while chained to pipes at either end of a filthy bathroom. As the two men realize they've been trapped by a sadistic serial killer nicknamed "Jigsaw" and must complete his perverse puzzle to live. Meanwhile, Dr. Gordon's wife and young daughter are forced to watch his torture.
Writer: Noelle Meinhardt
Artist: Tom Sutton
Photographer Adam Faulkner wakes up in a bathtub filled with water. In his instinctive flailing, his foot catches and removes its plug; as the water drains a glowing blue object can be briefly seen to be washed away with it. After a few cries for help, a voice answers him, revealing that he is not alone. Surgeon Dr. Lawrence Gordon is on the other side of the same room, and soon finds the switch to turn on the lights.

Both men are inside a grimy, dilapidated industrial bathroom, chained to pipes at opposite corners of the room. Between them, out of their reach, is a body lying in a pool of blood, holding a revolver and a microcassette recorder. Both men discover envelopes in their pockets which contain microtapes; Gordon also holds a bullet and a key that does not unlock their shackles. Adam, with Lawrence's help, manages to snag the player from the body with which they play their tapes. Both tapes have the same voice, distorted by a pitch modulator. Adam's tape refers to him as a voyeur and asks, "Are you going to watch yourself die, or do something about it?" Gordon's tape reveals he must kill Adam before six o'clock, which is within seven hours as evident by a clock on the wall, or his wife and daughter will die and he will be left in the bathroom, presumably forever to starve to death. "Let the game begin..." the voice concludes. Hacksaws are soon discovered in the toilet tank; neither is sufficiently sharp to cut the chains, and Adam accidentally snaps his in frustration. Dr. Gordon realizes that the saws are meant instead for their own ankles, which, if sawed through, would free them from their shackles.

The perspective is then switched to Detectives Tapp, Sing and Kerry, who are shown to be investigating the murders of two of Jigsaw's previous victims. Both men failed to escape, and so had pieces of skin cut from them in the shape of a jigsaw puzzle piece, leading him to be referred to as the "Jigsaw Killer." The police then begin interrogating Jigsaw's only known survivor, a highly traumatized heroin addict named Amanda Young, who believes that her experience in the test has made her a better person in the end.

Tapp and Sing are later shown to illegally break into what turns out to be one of Jigsaw's lairs. The two discover a man tied to a chair with two drills mounted on each side. Before the detectives can secure Jigsaw's arrest, the drills are activated. While Tapp subdues Jigsaw, Sing attempts to save Jeff. Though Jigsaw points out a box that contains the key to release Jeff, the box in question is seemingly endlessly filled with keys. Sing shoots the drills instead, but the gunshots distract Tapp long enough for Jigsaw to escape, who slashes and permanently scars Tapp's throat in the process. While Tapp recovers from his deep knife wound, Sing pursues Jigsaw and is killed by multiple shotguns set on a tripwire.

His partner's death has a permanent effect on Tapp, and what was already an unhealthy fascination with the case deepens into an obsession that leads to him being discharged from the police force. Convinced by a piece of evidence shown earlier that Dr. Gordon is the Jigsaw killer, Tapp moves into a house across the street from Gordon's and monitors it with video surveillance.

After a brief sequence where Adam and Dr. Gordon discover a hidden camera, a flashback sequence shows Gordon's last moments with his family, and their subsequent abduction. Back in the bathroom, Gordon, with assistance from Adam, discovers a box holding cigarettes, a lighter and a note suggesting he dip a cigarette in poisoned blood from the body and uses it to kill Adam. Gordon and Adam attempt to fool the camera by faking Adam's death with the un-poisoned cigarette, but a strong electric shock is sent through Adam's chain, proving Adam to still be alive. The box also contains a cell phone which cannot make calls, but receives one from his wife Alison, who tells Gordon that Adam knows more than he is revealing. Adam explains that he had been paid by Detective Tapp to spy on Gordon, and has witnessed him going to a hotel with the intention of cheating on his wife. In fact, Gordon left the hotel before doing anything, but this is between Gordon and the other woman, Carla, who is one of the med students to which Gordon had been explaining the condition of a cancer patient of his, John Kramer. In the pile of Adam's photographs which he hid from view of Gordon when found with the hacksaws, the two find a photograph of an orderly at Gordon's hospital named Zep, seen through Gordon's window after he left the house. Just as this realization is made, however, the hour of six PM strikes.

Alison manages to free herself and take control of Zep's handgun, however she is soon overpowered. Shots are fired, which attract the attention of Tapp, who wounds Zep. He is unable to keep him from leaving the house, however, intent on killing Gordon, who is only aware of the sounds of screaming and gunshots. Flung into a state of desperate temporary insanity, he follows his instructions by sawing off his foot and shooting Adam with the revolver held by the body in the middle of the room and the bullet found in his envelope.

Zep arrives, pursued by Tapp, however Zep manages to shoot Tapp fatally. He then enters the bathroom but tells Gordon he's "too late," because "it's the rules." Adam recovers from his gunshot wound, which was in fact non-fatal, and kills Zep with the toilet tank lid. Gordon crawls away to seek medical attention, promising to return with help.

Adam searches Zep for a key to his chain and instead finds another micro-cassette player. The tape informs Adam that Zep was also following instructions under pain of death, and as soon as Jigsaw's familiar voice ceases, the body lying in the center of the bathroom lets out a long breath. As Adam watches, his face frozen in horror, the dead man peels off the latex that gave the appearance of his head wound and then slowly rises to his feet. He is revealed to be John Kramer, a terminal brain cancer patient of Dr Gordon's, seen briefly, in the same scene where Zep is introduced. Jigsaw/John Kramer, whose voice is in fact quite weak, informs Adam that the key to his chain was in the bathtub all along.

Adam reaches for a gun to shoot John, but is stunned with electricity. Just before he flicks off the lights in the bathroom for the last time, John repeats a line he said to Amanda immediately after she escaped: "Most people are so ungrateful to be alive. But not you. Not anymore." John then shouts: "Game Over!" before slamming the door shut, sealing Adam in the bathroom forever, screaming in despair, alone in the dark.
 
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Remember when this thread was highly suspicious and skeptical of Eisner and only begrudgingly hired him as CEO because they hated Bob Iger and Albeck even more? Pepperidge Farm Remembers
He's not ceo he's the president.

But he's basically the ceo in all but name on the buissness end.

Also George let's see what you have:
D1000 => 961

Mother-

George you revolutionized film with your stuff what are you doing this-

What he does:D20 => 15

Pixar is changing the whole game you say?

New action avalible and treasure planet can be made without maluses now.
 
He's not ceo he's the president.

But he's basically the ceo in all but name on the buissness end.
My bad. I just had a funny thought, he puts 'President of LucasFilm but basically the CEO in all but name on the buissness end' on his buissness cards.
Also George let's see what you have:
D1000 => 961

Mother-

George you revolutionized film with your stuff what are you doing this-

What he does:D20 => 15

Pixar is changing the whole game you say?
Release the first fully 3D movie any% glitchless. Currunt WR: November 19th 1995.
 
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Wait a minute...how is this going to affect Don Bluth? The man is a stickler and full believer in hand drawn animation. The fact that we use computers at the moment to aid us when we make movies is one thing, what is he going to think now that he sees how far the process of animation by computers is advancing?

John Lassetter is going to be over the moon over this though. I'm not sure if we should let him deal with Treasure Planet, or if he can do Atlantis: The Lost Empire instead.
 
Wait a minute...how is this going to affect Don Bluth? The man is a stickler and full believer in hand drawn animation. The fact that we use computers at the moment to aid us when we make movies is one thing, what is he going to think now that he sees how far the process of animation by computers is advancing?

John Lassetter is going to be over the moon over this though. I'm not sure if we should let him deal with Treasure Planet, or if he can do Atlantis: The Lost Empire instead.
we are using CGI as a help to our animators so they can have a life outside the office, I am sure that Don Bluth will grumble but appreciate CGI when it was not made by Satan Dinsey.
 
The man is a stickler and full believer in hand drawn animation. The fact that we use computers at the moment to aid us when we make movies is one thing, what is he going to think now that he sees how far the process of animation by computers is advancing?
At first worried that his craft will be replaced but after we guarantee him that 'no we're not canning the whole 2D animation dept. because we can do 3D now' and that 3D still has limitations that 2D can easily overcome AND that 3D might even lessen some of the tedious aspects of animation, he will grumble but eventually be fine.
 
Wait a minute...how is this going to affect Don Bluth? The man is a stickler and full believer in hand drawn animation. The fact that we use computers at the moment to aid us when we make movies is one thing, what is he going to think now that he sees how far the process of animation by computers is advancing?
I assume that so long as we don't go down the route of the look of "cheap CGAnime" and kept a high quality of animation, especially with the characters, I think he'll forgive the worst of our transgressions to the artform.

That, and we kill AIArt in the crib, that should keep him open-minded enough.
 
At first worried that his craft will be replaced but after we guarantee him that 'no we're not canning the whole 2D animation dept. because we can do 3D now' and that 3D still has limitations that 2D can easily overcome AND that 3D might even lessen some of the tedious aspects of animation, he will grumble but eventually be fine.
Good point. We're certainly not going to pull a Disney and can the entire 2D department to focus only in 3D. Frankly, I've always felt that was a mistake since so manyn more movies or series could have been done. Blinded by stupidity the whole ot of them.

Hmm, how will this affect how other studios see us? In a way, we are the ones who have the technology and skill to make a perfect "Who framed Roger Rabbit?" film now.
 
AIArt is unavoidable like it will be made and there's no way stoping it our only hope is to make sure it doesn't escalate like it did in ours TL
Main problem, I think, is that the quality standards for animators have dropped, while their salaries have either remained high or have increased. At this point, AI art is seen as a viable alternative because it can be done cheap and is in a way higher quality (or has the potential to be of higher quality) than the current bunch of animators.

If we keep our animators' standard of quality all the way, and resist the stupidity of lowering them, then we can make a very good case for going against AI Art when it arrives.
 
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Say guys if we get involved in politics we can replace Kissinger as advisor that most presidents went to for foreign advise and also if 911 happens We can advise them to not act so terrible during it and also uplift and actually understand the people there so they don't join the terrorist
 
I swear to god by George will invent internet with how fast he is going.
Impossible. He's more interested in filmmaking rather then that.

But at least thee is that
Wait a minute...how is this going to affect Don Bluth? The man is a stickler and full believer in hand drawn animation. The fact that we use computers at the moment to aid us when we make movies is one thing, what is he going to think now that he sees how far the process of animation by computers is advancing?
That new action avalible has some consequences.
John Lassetter is going to be over the moon over this though. I'm not sure if we should let him deal with Treasure Planet, or if he can do Atlantis: The Lost Empire instead.
Yep.
 
Mister O’Brian goes to Washington
Mister O'Brian goes to Washington:

The Capital building was not as grand as you wish, but that was mostly because you were trying to get through the building and get ready as fast as possible, not even trying to stop and see the sights.

You were not able to, you were too busy trying to gather your thoughts. And beside you, walking with you, was Fred Rogers, who was calmly talking to you about everything. "I hope you won't be doing the sort of bluster you are known for." He said. "They like that kind of thing, it makes them feel smart and important when they see that you are going down to their level."

Bless this man for keeping you calm in his tone and happiness as he talked to you. "My father always told me that when someone is bullying you, you stand up to them with force, and not back down." You replied.

"That has a time and place, but I think that there are other less confrontational ways to do that, to get your message across."

"Fred." You said his name softly. "You know that if this fails, this might threaten all of Television animation, and not just the educational ones, but everything. And I know you don't like animation, but I think that animation as a medium must be allowed to do something like this for storytelling."

Fred didn't speak, he only nodded. "That is something you feel strongly about. I will not deny that I found the way you told those stories interesting and exciting, but some of the violence is… off-putting. Could it have been told in another way?"

"Fred, you already know the answer, for those kinds of stories. The stories of the past, even of the future… all need to be told in some way." You said. "You know the stories we all grow up on, are told, or read or be amazed by, affect us in ways that are beyond our knowledge. How will we affect our children, and their children with the stories we tell? With the stories we are allowed to tell?"

There was a happy nod. "You are prepared, aren't you?"

"Somewhat. I'm not going to be doubling PBS' budget with my actions… at least I hope not." You replied.

There was a nod. "Think of the things you can affect and other things will follow." He said.
--------------------------------

The Committee was there, and they were filled with faces that you were not accustomed to, or knew all that much.

But you had to speak. "Mister O'brian, do you have anything to say to this committee?"

What do you say?:
[]Write in

AN: Enjoy.
 
Oh right. I forgot that Congress got a tad bit upset with us for our Norse Mythology series. Apparently you shouldn't show blood and violence on PBS of all places.
 
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