Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Turn 80 Results (October 1980)
Turn 80 Results

-[X]Look at the Script: You want to look at the Script, and make changes, or rather, prevent Colombia from changing it. DC: 50
--[X] Dick Grayson is introduced in the beginning as part of the Flying Graysons with his parents being murdered by Tony Zucco, a mobster working for the Falcons due to his parents not paying them money. Dick is 17 and near the age of emancipation, Gordon is friends with the Graysons so he becomes Dick's ward and Dick and Barbara begin to bond as friends with Dick helping Barbara in the hunt for Batman's identity, but also facing conflict and inner turmoil over a desire to see vengeance. Add a small story about how Batman saved Dick before, and now he's looking for him to get him to accept him and train him, while Barbara wants the same and both help in deactivating the bombs along with Batman and Gordon (in secret of course). Rolled:D100 => 89

To put it mildly, the script was good. Real good. In fact you would like to argue you made it better.

Sure it was not the most comic accurate, and honestly, Dick going straight to Robin without batman was a rather bold choice creatively, but hey, it made sense narratively, and so you allowed it to flow.

Because sometimes, sacrifices had to be made for the sake of a good adaptation.

Reward: The script is rewritten, and you get your boy wonder. Kinda.

But hey at least it makes sense.
------------------------------------------------------

-[X]The Art of a True Batman: You look at the costume designs and how the City will be transformed into Gotham City. DC: 30 Rolled:D100 => 43

You almost fumbled it all away. Really you were so focused on several awesome things, that you didn't pay attention to the art director. Who was a completely different person this time, because someone got fired because Kathleen was not going to stand for people being bad and poor person.

But when it was over, you realized a lot of the ideas were left over from the first film, with some minor… well actually major alterations.

Your mansion for one thing, well, Alan wanted to incorporate it into the background shots, to show just how detached Bruce has become.

Well, Alan was lucky that you were not angry enough to refuse him.

Reward: The Art looks great.
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-[X]Choosing a Co-Star: Most of everyone is back, but frankly, you are damn sure that Alan isn't going to give you much of anything and give you want to do
--[X] Clint Eastwood as Jim Gordon
--[X] Faye Dunaway as Sarah Essen
--[X] David Patrick Kelley as Edward Nygma/The Riddler
--[X] Robert Shaw as Oswald Cobblepot/The Penguin
--[X] Jodie Foster as Barbara Gordon
--[X] Alec Guinness as Alfred Pennyworth
--[X] Tom Cruise as Dick Grayson Rolled:D100 => 86
--[X] Morgan Freeman as Lucius Fox Rolled: D100 => 81
--[X] Cindy Morgan as Sophia Falcone
--[X] Dennis Hopper as Salvatore Moroni
--[X] Robert Redford as Harvey Dent
--[X] Billy Crystal as Gino Santana
--[X] Dick Van Patten as Robert Rains
--[X] Richard Mulligan as Gil Colson


Well, there was a small problem with Tom Cruise and Morgan Freeman. But that was because they weren't told who they were being and didn't want to be minor thugs.

After Alan told them who they were… they jumped on faster than even you did.

Tom himself seemed to go head first into the training, because he wanted to impress you, saying you were his favorite actor.

That run of his impressed you.

Morgan just said that as long as the script was just like it was in the comics, with Fox being treated as an equal, he would not mind at all.

Though he joked that he wondered how many comics you, yourself read, considering the first film.

Reward: You got everyone.
-----------------------------------------------

-[X]The Way to Shoot: You want to shoot the film your way, and you will do it:
--[X]Ambitious: You are going to use your skill and that of the cinematographers that you have. Everyone knows you have a mind of action movies, so you will use that to keep things fluid, but clear.

Oh man, this was going to be awesome. You looked at Kurasawa's rough cut for his new film and felt inspired.

Reward: if the Rolls are above 100, you will gain a bonus. Every time it occurs, another bonus will be added. If it happens for every turn, know that it will be a multiplication bonus, not a flat bonus.

But if you are not above 100 for the director rolls, know that it may have issues.

And it will be very noticeable.
--------------------------------------------------------------------------

-[X]Kathleens' Caper: She had a smile. And for once, you didn't feel like she was having a small breakdown. DC: 40 Rolled:D100 => 58

"Well Bruce, look at this!" She threw down a list and script.

"Okay, what is this?" You asked.

"Oh, just Alan's plan."

"Why are you showing me this?" You asked. "Because I need to focus on-"

"I'm producing The Flash all on my own, no restrictions… all the responsibility." She smiled. "Finally someone trusts me!"

"But you are running this ship?" You asked.

"Yeah… but-" She paused. "No offense, you are… you?"

"Me?" You asked. "What does that mean by that Kathleen?"

Kathleen sat down and looked at the plan. "I just… don't want anyone to think I'm being lucky working with talented directors my entire career."

"Every producer works with the talent they have. You should count yourself lucky." You replied.

"But-"

"But nothing." You said. "You are successful because you work well with people, and you know your limitations. And you've always been able to find people who have worked with you to get past them. Like myself."

Kathleen seemed to understand. "Okay."

"So don't go out of the way to think you have a problem that you need to overcome. That comes at the edit."

"Oh."

Reward: Nice Guy Bruce O'Brian strikes again… Kathleen stops her kneejerk plan for the Flash, takes a deep breath, and really thinks about what the hell is going on, and what she wants to do.
---------------------------------------------

-[X]Meanwhile in Sunrise: So… Tomino went to Japan and he has an idea. And George is there. You thought he was in San Francisco? DC: 20 Rolled:D100 => 98

George was with Tomino, and… Jack Kirby and Stan Lee? Wait what the hell is going on here!

"Uh, ehem… George, what are you doing here, I thought you said you were staying in San Francisco?"

"I thought so too… then Stan and Jack wanted to visit Sunrise, and Tomino all but stole them away about Ideas and TV shows and comics."

"BRUCE WOULD BE PERFECT AS NICK FURY!" Jack proclaimed, loudly to the entire campus.

Tomino and Stan were trying their best to control the King… to varying degrees of success as he began talking to anyone who would listen to him about working on a Marvel TV show.

"Um. okay, why is Jack being so animated? He's so…"

Stan then laughed as Jack went to the Ballpin. "Get me with Tenezuka, I want to challenge that man to a one-shot!"

Stan laughed. "I haven't seen him like this since before the war." He then looked to you. "Sorry kid, but uh, we wanted to work with Dreamworks proper for this, but everyone said to go to Sunrise, they have more experience with TV."

You turned to Tomino. "Tomino… what fresh hell of an idea did you give those two?"

"Just the same kind that made Gundam" He smiled. "See… Makoto-san… wanted to try and do something that will appeal far more to the Americans, than our usual products."

"Yeah, but you've got a very big audience now due to Gundam and Miraculous."

"But it could be bigger." He replied. "So…they are here. And they have excited the whole building with… a Marvel Animation universe of some sort. Not only that, but I have nearly five teams breaking ranks and are just working on storyboards for Spiderman. Without pay."

"They can wait!" You asked.

"Well, they don't want to. Pacific Rim and Pluto are in the final stages, and a lot of our TV shows are still in the planning phases, to say nothing of Zeta Gundam."

"You know I wondered why you are ripping off Star Wars for that?" You asked.

"George Sensei didn't see it that way." Tomino replied. "But…"

"You're afraid Mike will shoot it down."

"Worse, we're afraid he's going to make us do nothing but Marvel stuff. And… well I don't want to do that."

"I'll talk to him." You replied.

"Good, because I think we should control Jack… he met Go Nagai at a convention and both men I think want to do a drawing contest to see who better."

You facepalmed. "I feel like we're going to be watching two gods trying to kill each other if that happens."

Reward: the Marvel crew went to Japan, and pitched their MACU… and Sunrise liked it so much, that they were about to revolt and stop working on everything to do it.

You're afraid.
----------------------------------------------------------------------

-[X]The Break-in: So someone tried to break into the Warehouses in San Francisco? What did they try to steal? DC:??? Rolled:D100 => 69

"AHAHAHAH!" you laughed at the truly hilarious sight of the thieves being tied up in memorabilia from Star Wars.

"Who found them?" You asked.

"Dennis did when he opened up. A crate seemed to have collapsed on them, and uh… Well, Here they are?" one of the other workers said as the police were moving the material off those thieves.

"What were they trying to steal?" You asked.

"Models and Blue screens." The technician said. "That's about it."

"Really? Not any of our files?"

"I think they didn't care about our files or computers. They just saw Star Wars stuff and tried to steal as much as they could steal."

"Huh. Please tell me they aren't triads?" YOu asked.

"They were just some drunk kids."

Reward: The Breakin was by some drunk kids who wanted to steal Star Wars stuff. Nothing really out of the ordinary.

Though security tightened up.
---------------------------------------

-[X]Reports: It seems that people want to see you… and worse, kill you, didn't stop. You have just been able to sleep soundly in the night now. DC: 30 Rolled:D100 => 98

Your head of security, Charlie, was smirking, despite you being at the table. "Okay. Talk to me."

"You know I shouldn't need to tell you all this. It will only make you more worried."

"I can hardly sleep at night right now Charlie, so, make me sleep more soundly." You replied.

"Ten more intrusions happened this month." You narrowed your eyes. "8 were just journalists that wanted to get pictures of the grounds, and they were escorted off the premises."

"The other two?" You asked.

Charlie smirked. "Well they didn't run into you, so they didn't get beaten within an inch of their life and will have to breathe through a tube for the rest of their days."

You found yourself feeling satisfied with that and just sighed. "And?"

"Local authorities took them quietly once we apprehended them."

"Were they trying to kill me?" You asked.

"One was yes. The second one was an out-and-out defector to the United States from the CCP. High-ranking party official too, some second in command to the film head honcho that wants to build that new Hollywood on the Pearl." He smiled. "Apparently he thought you were an agent or asset that would help him defect."

"My life is a goddamn movie. That doesn't have an end to the madness." You found yourself swearing. "And?"

"Well, he brought enough skeletons in that briefcase of his to… well I don't know, but-" He smiled. "I won a couple thousand dollars from the local CIA agent that came to the door on a bet."

You smiled. "Will people want to kill me more than they already are?"

"I'd like to hope they aren't."

Reward: Your like continued to be a Bond movie. Chinese defectors, assassins, and journalists want to break into your home.

But it's about to come to a screeching halt soon, at least according to Agent Jackson.

President Carter is about to get a very big win.
---------------------------------------------------------------

-[X]Prisoners of the Mind, and Spirit: You think you hadn't seen Carrie pray outside of Mass before. But she was praying for you. DC: 0 Rolled:D100 => 13+30=43

You stopped to see her at your bed and she was praying in a way you had not seen her do before. Maybe it was the terror.

Or maybe it was the lack of warmth you both did not have because of everything that had happened.

You know you had a bad dream about going to Asia to beat the hell out of someone, anyone you considered responsible for everything that happened.

"Please Lord, let this humble sinner ask you for help… please give me the man I love back, and I will do all you desire of me."

You almost fell to your knees and wept when you heard those words in prayer.

But you managed to get to the living room before collapsing onto the couch and screaming in anguish at the horrible pain.

But when you looked up, Carrie was waiting. And you both embraced.

"I love you." You whispered it was almost a plea that you both wanted.

"I know."

Reward: You both are trying to be strong. For everyone, and each other.
------------------------------------------------------------

-[X]Train Brandon: Brandon looked at you with a mischievous glance, before he offered. "Come on Bruce, don't tell me that you're scared of a little spar with me?" He was trying to cheer you up. Maybe it was working. DC: 60 Rolled:D100 + 30 => 57

Brandon was about to continue, to ask, but instead he stopped, when he saw your kids at the couch, watching TV. "No..."

"Come on, I'll go easy."

"It's not that. I think there are people who need me better."

Failure.
----------------------------

-[X]Networking: Well time to start finding out who might actually be interested in meeting you. (Write-in what you want to try and network with)
--[X] Ron Howard. Your old American Graffiti co-star has just ended his time on Happy Days, wanting to break out into filmmaking as a Director. Ron did a decent job with his debut film Grand Theft Auto and you can see the potential in him to become a great director. Reach out to Ron and try to get him to join the Lucasfilms team. Rolled:D100 => 87

Ron was on the phone as you waited for him, with someone. "Well, you can go fuck yourself! Everything about that show was because of me, so cutting me out of it without paying me will only be the biggest fucking mistake you will ever fucking make!"

When the phone hung up, you finally said. "So Ron-"

"I'll fucking do it, Bruce?"

"You don't even know what I'm asking!?" You exclaimed.

"Well Bruce, I'm out of work, got kicked out of two shows I was going to do because they won't pay me, and one of my friends walks in not saying anything means one thing!" He then kissed you on the cheek. "You need someone to make movies!"

"More TV shows actually, but, I can do that too." You stuttered.

"Hallelujah, I thought I was going to have to be an asshole to you to make you accept." He smiled.

"I can still say no." You said.

"But you won't."

Reward: Ron Howard has joined Lucasfilms.
-----------------------------------------------------

-[X] Spend some time with your kids. You love Mary, Sarah and Joseph and it hurts your heart to cause them confusion and discomfort over your paranoia. Even if you're a A-list filmmaker, you always want to make sure they're loved and you're present in their lives. Rolled:D100 => 40(Autopass)

Mary and the twins were on the couch, watching tv as you sat down next to them. "What are you watching?" You asked.

"Kermit box!" Sarah shouted in joy as Joseph crawled on you. They were all close, but you looked at them… and smiled.

"Can I join you?" You asked.

"YAY!" Joseph babbled.

You just sat there, and they were happy to crawl around you.
----------------------------------------

All of them fell asleep… but you sat there with them, and tucked them in with some blankets. All of them cuddled together trying to get more of the blanket than the other.

"I am so sorry to all of you that everything is out of our control. But I promise you… that I will love you always."

Reward: They may not have heard you… but they did hear you.
 
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Oh shit we have another Chinese assassin try to kill us and this one is a higher up oh boy will that hurt China more because this one knows things
Edit nevermind it was a higher up that wanted to come to us to get him to defect to the USA ha we're so despised china thinks we're an actual agent of the USA
 
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Cupid - Season 1

Cupid - Season 1
Created By: Donald P. Bellisario
Composer: Mike Post
Starring: John De Lancie (Trevor Hale), Candice Bergen (Dr. Claire Allen) and Howard Rollins (Champ Terrace)
Studio: LucasTV
Distribution: Paramount Television Service
Original Release: September 1980-February 1981


Quality: D100 + 200 => 275
Audience: D100 + 200 => 291
Critics: D100 + 200 => 287

Ad revenue: $125,223,187


You could hardly believe how fast the year had gone. It had seemed like it was only yesterday when you gave your newest hire, Brandon Tartikoff, the budget to try and bring LucasTV first TV shows on screen. Now, Brandon is a very driven man, and you still remember his many arguments with Mike when it came to the "future of television" as he called it. Now, you've always been more of a movie man than one focused on how to truly change how television does things. But you can't deny that the idea of bringing the changes made to the big screen to the little screen does appeal to you.

A pity that Mike doesn't, but in true Solomonic wisdom, you just decide to give both of them what they want; Mike can have his episodic show while Brandon tries for a more serialized type of show. You wished him good luck finding it, as most creators usually don't go for it. Many of the previous attempts like Battlestar Galactica having failed despite a great story and amazing effects in your opinion. Pity you were not able to get in touch with them in time for your station to try their best with said show.

Then again, Brandon was able to snatch a most promising writer if the show he's pitched is anything to go by.

Donald P. Bellisario, writer by trade but one that has his mind set firmly in the future. He's worked with producers like Glen A Larson and Stephen J. Cannell, both established and promising producers respectively, from whom Donald has managed to learn much and is now willing to bring in his own style and adventure to TV. From what you've heard he had two ideas to pitch; one about a private investigator in Hawaii that did not drew much of the attention...as for his second pitch about a man claiming to be Cupid and trying to match 100 couples together in Chicago, well, it managed to seize the imagination and wonder of the entire staff, not to mention the possibilities for such a show and the many opportunities for storytelling they could grab with the "Is he Cupid?" angle that it seemed to be going with.

The series was greenlit almost immediately.

Production began the week after, with Donald set as the showrunner...and the results were beyond what you had hoped for when you thought to meet the actors. Donald has thought to use a small core of known actors who could work in future projects if necessary, while also making use of guest actors and extras for the rest of the roles, managing to make it cheap enough while at the same time making the best use of their skills. The saved money could then be used in setting and on location filming in Chicago, which really shows an amazing new panorama for many of the scenes which only helped to enhance much of the environment and atmosphere while the characters interacted among themselves.

All you'd managed to mostly heard, as the brunt of your focus was mostly in keeping you family safe after the break in.

But even then you still managed to get involved in to what was going on with the reports from the TV Studios still arriving thanks to Mike and George's help. Most of the news was about it being on schedule, and the overall drama of the plotline. You admit at laughing how "Trevor Hale" managed to trick Dr. Alen into setting him free just by inventing a new name out of a simple quote in the courtroom. It was a simple scene that nonetheless encapsulated the main character's personality, highlighting his characteristics; resourcefulness, quick thinking, and a certain disregard for the rules.

Huh, why do you feel that description should be in a book?

Regardless, it was mostly through said messages, and watching the show itself, that you managed to see what was clearly the newest sensation to come from LucasTV (and distributed by Paramount). Both critics and TV Guide agreed with you when they made sure to print an entire interview and article about the series, the audience followed suit as the Nielsen Ratings soon made it...well, not the top show of the year as that honor still belonged to Dallas, but it was still high enough to count amongst those shows not good enough to be at the top ten, yet only barely.

Not bad for a recent TV Show just made this year, huh?

Buy you can see how the show managed to grab the audience's attention; the characters themselves are just that entertaining that beyond anything else, they are the ones carrying the show by themselves: John De Lancie has this incredible charisma in him that allows him to appear earnest, energetic, goofy, yet also at times serious, authoritative, and downright bizarre when he wants to. Whether he is Cupid or not is the main question of the audience, and De Lancie delights in leaving small crumbs that may, or may not, lead to the correct answer. Candice Bergen is everything Dr. Allen is meant to be; a consummate professional, a true believer in her own philosophy, and a woman who suffers no fools gladly, yet still is swept along with many of Trevor's own schemes. Their byplay is always a delight to watch, especially as the season moves along. And of course you can't forget Howard Rollins, the man who "Plays mostly himself" in his own words. As the unemployed, yet still struggling actor Champ Terrace, his previous experiences have managed to bring that touch of realism when he's seen interacting with the rest of the cast. One would think that he'd be a third wheel, yet he soon proves himself to be not only an important aspect of the show, but also manages to form his own niche and his own fanbase.

Most of the show is about Trevor/Cupid finding a new couple that he can bring together, often grabbing Dr. Allen in to help him as she tries to dissuade him before being swept along. It's an interesting and fun formula, yet Donald managed to swept it away when through the season the characters grow, Trevor/Cupid realizing that his attempts at putting people together may not work in the long run and needing Dr. Allen's help more than what he'd thought possible, while at the same time Dr. Allen starts seeing the benefits in Trevor's approach when it comes to love as well, putting forth the idea that love is complicated, there is no fixed path for it, leaving them to learn from each other, their respect growing as well.

The audience went wild for the show; lving both the more lighthearted episodes, as well as the more heavy philosophical one sthat managed to deal with the theme of feelings and relationships. John de Lancie sometimes showing himself as a whimsical being, while at others a severe judge. Yet the one that brough the most attention would have to be the season finale two-parter "Divinity", where after a slew of disastrous attempts at matchmaking, Trevor enters a state of depressions where he begins to doubt whether he's Cupid. The entire episode was a masterpice, showing hints to both sides, having Dr. Allen there, doubting whether this was a breakthrough for his sanity, or a true collapse on his personality.

You're glad it didn't end in a cliffhanger, you're sure you and everyone who worked on it would have been lynched by the audience.

Paramount once more loved what you managed to make, though the appreciation dried up when news of your plans to make your own TV Chanel and become a competitor spread out. Nevertheless, you managed to keep a good working relationship thanks to Mike, and they were not going to put a show that brought so many viewers to pasture, instead milking it for all its worth before looking for new studios and ideas.

Now, if only all others could be as gracious as them.

Though most of the critics have praised the series and its bold, dynamic approach, others have claimed that it's taken the idea of love and cheapened it, with the character of Trevor/Cupid promoting promiscuity. You're not the first one to see that, but at the same time you can appreciate the lengths Donald went to not say it, paint it in a positive way, and in the end also disproving how it could lead to love, though it is a good part for any relationship. Thankfully, the majority of critics think as you do, and gave it some of the highest ratings available. Enough for many ad companies to take a chance and bring in a good amount of revenue.

You're conflicted on that...you understand the need for the money, but having good series be beholden to ads sticks you just as badly as how true artists are beholden to the Studio's whims. Perhaps there's a way you could help with this...a new channel with no ads but only series to watch could be a step in the right direction...

You're sure Donald could try his other series there, you think it was called...Magnum P.I.

Huh, nice name.​
 
Can I comment that were slowly rising to become like Castro on assassination attempts because it's getting ridiculous an I bet we will become even loonier then Castro ones
 
Reading through this, it just occurred to me that the Dr Allen character is supposed to be Psyche. I like that a lot, actually. It's a really nice touch.
 
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Looks like Batman is shaping up to be just as good as the previous one. Yeah the Dick portrayal may rub some comic purists the wrong way, but it's really hard to justify having a pre-teen sidekick in live action and you gotta add some nuance and originality or else you end up with the mess of Batman Forever. Great to see that Tom is one of our biggest fans. We can push him away from Scientology and get him for Top Gun.

-[X]The Way to Shoot: You want to shoot the film your way, and you will do it:
--[X]Ambitious: You are going to use your skill and that of the cinematographers that you have. Everyone knows you have a mind of action movies, so you will use that to keep things fluid, but clear.

Oh man, this was going to be awesome. You looked at Kurasawa's rough cut for his new film and felt inspired.

Reward: if the Rolls are above 100, you will gain a bonus. Every time it occurs, another bonus will be added. If it happens for every turn, know that it will be a multiplication bonus, not a flat bonus.

But if you are not above 100 for the director rolls, know that it may have issues.

And it will be very noticeable.

Great opportunity for us to really improve on everything from Empire. Unless I'm mistaken, I believe we should have a +40 in directing bonus so we should get at least one 100+.

"BRUCE WOULD BE PERFECT AS NICK FURY!" Jack proclaimed, loudly to the entire campus.

You know Magoose, it's funny that you mention this because for the past couple of days Overmind and I have been brainstorming how GI Joe would be made as part of Dreamworks/Lucasfilms, and one of our main ideas was having a protagonist based off of Bruce with the callsign of Goose. Considering that GI Joe: A Real American Hero started off as Fury Force, then I goose a Joe based off of Bruce is very likely.

Overall, glad to see that Marvel is working together with Sunrise. Japanese Marvel productions tend to be absolute bangers as the Japanese know how to be really faithful in spirit and heart to the Marvel properties and we can have some epic anime action sequences for the heroes.

"One was yes. The second one was an out-and-out defector to the United States from the CCP. High-ranking party official too, some second in command to the film head honcho that wants to build that new Hollywood on the Pearl." He smiled. "Apparently he thought you were an agent or asset that would help him defect."

Bruh. At this point Forrest Gump went from fantastical to heavily grounded. Looking forward to whatever nonsense it is that's revealed to the world. Guess that might keep Carter from a 538 loss.

-[X]Networking: Well time to start finding out who might actually be interested in meeting you. (Write-in what you want to try and network with)
--[X] Ron Howard. Your old American Graffiti co-star has just ended his time on Happy Days, wanting to break out into filmmaking as a Director. Ron did a decent job with his debut film Grand Theft Auto and you can see the potential in him to become a great director. Reach out to Ron and try to get him to join the Lucasfilms team. Rolled:D100 => 87

Ron was on the phone as you waited for him, with someone. "Well, you can go fuck yourself! Everything about that show was because of me, so cutting me out of it without paying me will only be the biggest fucking mistake you will ever fucking make!"

When the phone hung up, you finally said. "So Ron-"

"I'll fucking do it, Bruce?"

"You don't even know what I'm asking!?" You exclaimed.

"Well Bruce, I'm out of work, got kicked out of two shows I was going to do because they won't pay me, and one of my friends walks in not saying anything means one thing!" He then kissed you on the cheek. "You need someone to make movies!"

"More TV shows actually, but, I can do that too." You stuttered.

"Hallelujah, I thought I was going to have to be an asshole to you to make you accept." He smiled.

"I can still say no." You said.

"But you won't."

Reward: Ron Howard has joined Lucasfilms.

Sounds like we reached out to Ron at just the right time to get him to join, really nice timing with Graffiti. I can only imagine here with the Hollywood strike that things became messier for Happy Days as to recoup losses and galvanize interest, it became the Fonzie Show in a stronger way like how Urkel took over Family Matters. At least Henry was innocent of the Corpo nonsense and he's good friends with Ron. Look forward to giving some of our scripts to Ron. Maybe we can have him do some episodes for Andor.

-[X] Spend some time with your kids. You love Mary, Sarah and Joseph and it hurts your heart to cause them confusion and discomfort over your paranoia. Even if you're a A-list filmmaker, you always want to make sure they're loved and you're present in their lives. Rolled:D100 => 40(Autopass)

Mary and the twins were on the couch, watching tv as you sat down next to them. "What are you watching?" You asked.

"Kermit box!" Sarah shouted in joy as Joseph crawled on you. They were all close, but you looked at them… and smiled.

"Can I join you?" You asked.

"YAY!" Joseph babbled.

You just sat there, and they were happy to crawl around you.
----------------------------------------

All of them fell asleep… but you sat there with them, and tucked them in with some blankets. All of them cuddled together trying to get more of the blanket than the other.

"I am so sorry to all of you that everything is out of our control. But I promise you… that I will love you always."

Reward: They may not have heard you… but they did hear you.

AWWW. Really happy I added that in. Wouldn't be good for Bruce to impart some trauma on his kids so it's nice to see them bonding and form some good core memories amid the mess while Bruce and Carrie have the burden of remembering. Also very cute that Mary had imparted on them the ways of the Kermit Box.

Do Sarah and Joseph have personalities starting to form?
 
Do Sarah and Joseph have personalities starting to form?
Slowly but surly, Joseph is watching mary do martial arts, and Sarah is reading a lot more books.

Also Joseph really likes holding onto his dad, while Sarah likes mom and Mary.

And the best part... Just think about the funny things!
Great opportunity for us to really improve on everything from Empire. Unless I'm mistaken, I believe we should have a +40 in directing bonus so we should get at least one 100+.
Yep.
Overall, glad to see that Marvel is working together with Sunrise. Japanese Marvel productions tend to be absolute bangers as the Japanese know how to be really faithful in spirit and heart to the Marvel properties and we can have some epic anime action sequences for the heroes.
Sunrise sees an oppertunity to do something fun and interesting.

"We're going to revolt if you don't let us do this. and we don't care if we're fired, were doing it anyway."

We spoil sunrise too much I think.
Bruh. At this point Forrest Gump went from fantastical to heavily grounded. Looking forward to whatever nonsense it is that's revealed to the world. Guess that might keep Carter from a 538 loss.
Just remember, its nat 100.

A nat 100 would be totally... bonkers and silly even by this quests standards.
Sounds like we reached out to Ron at just the right time to get him to join, really nice timing with Graffiti. I can only imagine here with the Hollywood strike that things became messier for Happy Days as to recoup losses and galvanize interest, it became the Fonzie Show in a stronger way like how Urkel took over Family Matters. At least Henry was innocent of the Corpo nonsense and he's good friends with Ron. Look forward to giving some of our scripts to Ron. Maybe we can have him do some episodes for Andor.
Ron Howard: I wanna make a fucking movie... Then I will work on tv.
 
Hey @Magoose, maybe I should have said it earlier, but Dick Grayson debuts as Nightwing in the comics only a few years from now.

Therefore it doesn't make sense that he'll take up that mantle before it debuts in the comics.

Great update and turn though, and Cupid was a massive success! Another win for everyone.
 
So, when are we doing a bio-pic about our life?

Because fucking hell, The Goose would be such a good goddamn movie, with action, romance, and even some intrigue.
 
We can star Dick as Nightwing and the comics can follow the movie later down the line
The thing is that Nightwing appeared in Superman #158 as an identity that Superman took on while shrunk inside Kandor. In this universe, Superman fans who read that comic will be confused on why this is Dick's superhero persona. We'll just have to explain it, I guess.

Now on another note, I guess we're getting the MCAU in the 80s then. Spider-Man's theme better be that 90s theme. I REFUSE TO GIVE UP ON EPIC GITAR RIFFS!!
 
Flash Gordon

Flash Gordon
Directed By: Mike Hodges
Produced By: Dino De Laurentiis
Writen By: Lorenzo Semple Jr.
Distributed By: Lucasfilms Unlimited
Starring: Sam J. Jones, Melody Anderson, Max Von Sydow, Topol, Ornella Muti, Timothy Dalton, Brian Blessed, Peter Wyngarde and Mariangela Melato.


Quality: 221
Audience: D100 + 250 => 343
Critic: D100 + 100 => 101

Budget: $27,000,000
Profits: $323,887,771

Flash Gordon is a bit of a sore wound...an old opportunity that could've been for both you and George, and perhaps a different path that could've led to a different outcome for both of your lives. You still remember that time long ago when you'd written him, back when you were still just a newcomer to Hollywood, asking him for perhaps a chance to work with him in a Flash Gordon adaptation. George confided in you how he'd tried once only to be refused due to lack of trust in both the franchise and in him. For them, Flash Gordon was just an old tired out and used up story that no longer had any appeal, save for perhaps small children, and for that they could just make use of the re-runs for both the old series in TV, as well as the old serials from the movies.

Something they would come to regret soon enough.

In the end however, George went on to make Star Wars along with you, the movie that redefined cinema, and the movie that sent a thousand scripts in trying to recreate that lightning in a bottle...something that to this day no one has managed to do; Disney's Black Hole only gained its money back thanks to ILM's help with the special effects. Buck Rogers tried to make a TV series that just barely managed to stay afloat, and it just kept on losing viewers with each episode. Battlestar Galactica was, in your opinion, perhaps the closest they could have come to making a true contender to Star Wars; an original and interesting story, good special effects, and characters that were fleshed out and with true depth to them.

And then it all had to come down due to a lack of budget, not to mention the heads of the studio not seeing the potential in the show.

Truly, with the deluge of tv shows and movies trying to ape Star Wars, you'd expected to see Flash Gordon make its appearance at some point; the interest was there now after all, but from what you kept on hearing was problems with directors, problems with the different ideas that they wanted to try with Flash Gordon, conflict with scripts that had to be rewritten again and again. Frankly, at some point you were thinking on just speaking to De Laurentiis and making an offer for the Franchise like you did with Dune and Jodorowsky. Seriously, they couldn't just keep on like this, right?

Well, apparently Dino De Laurentiis had a vision and the will to fulfill it when it came to the franchise, something that just powered through the initial problems, and when you went and offered him the opportunity to have Lucasfilms distribute it and market it (along with some offers from ILM to make something more with the special effects), well...it was like you'd just granted Don Quixote his spurs it seems, as the entire project went into overdrive.

What's the best way to describe it... Flash Gordon has all the sci-fi and action that Star Wars has, but blended with an unapologetic campiness like the iconic 60s Batman series. Throw in a magnificent soundtrack made by Queen, and you've got yourself an experience that will never happen again.

It's an absolutely insane film. The set design is remarkable, as is the costume design. Performance-wise, everyone seems to be camping it up like an end-of-term pantomime (though Von Sydow somehow seems to give his villain a deliciously sinister edge). Some of the dialogue is so awful that it becomes eminently quotable by virtue of its badness. Dear God, the overall movie should be a total disaster - an awful shambles of a film with no redeeming qualities.

But it isn't.

Sam J. Jones plays the title character, based on the famous comic strip and early Saturday morning serials with Buster Crabbe. Max Von Sydow is the evil Ming the Merciless, ruler of Mongo, who is trying to destroy Earth because he is bored. Melody Anderson is Dale Arden, in love with Flash and coveted by Ming. Topol is Dr. Hans Zarkov, whose rocket ship took the three of them to Mongo in the first place. Brian Blessed is extremely enthusiastic as Prince Vultan, Timothy Dalton is quite serious as Prince Barin, rival of Vultan, and in love with Ming's ultra sensuous daughter Princess Aura (Ornella Muti).

And all of it converges in the exciting finale where Flash must save the day. Mixed altogether in a very tongue-in-cheek, over-the-top, theatrical and colorful spectacle that is not to be taken as a straightforward drama.

And frankly, you have to mention it again...Queen truly went out of its way for this! You've known again and again how they never seem to stick to a mold, how they happily and willingly just push for things to be done their way, and so it is with this soundtrack as well. They went out of the box...no, they threw the fucking box, never to be seen again. The fact that they did it in secret, with no news or mention (even to you or Carrie) and still coming out with this masterpiece is something to be praised.

"Flash's theme" and "Ming's Theme (In the Court of Ming the Merciless)" perfectly encapsulate both of the main characters and their own personalities and place in the movie; Flash's is suitably heroic, tense, and suspenseful, a perfect theme for a hero in its quest, wondering whether he will succeed, yet also refusing to acknowledge defeat. Ming's however has some of the most menacing and evil sounds you've ever heard, with dialogue that is more suitable for film than song...and these are just two of the songs involved in the film! You've yet to speak about "Vultan's Theme (Attack of the Hawkmen)" or "Football Fight", or even "The Hero".

No wonder there was no news about this soundtrack, it would have overshadowed the movie if there was!

Audiences seemed to take it as such, thanks in part to an aggressive promotional campaign by Mike who saw a perfect way to get people's seats into the cinemas; emphasize how much Flash Gordon influenced the creation of Star Wars, just like you did with The Hidden Fortress. Sure, not everyone will try to watch it, but there's enough fans that will certainly will try and see the other side that influenced the greatest films of all time. Add in some of the best scenes that have been touched up with the special effects team, some shots of Brian Blessed attacking using his winged warriors, and you got it made.

And boy was hype created.

The release of Flash Gordon seemed to mirror Star Wars for at least the first week; the rest saw a sharp drop, yet still enough of a draw that had liked what they'd seen. They came for a Star Wars clone, but stayed for all the campiness, the wooden dialogue, some of the cheesiest lines to have ever been uttered...and Brian Blessed. That man was not just chewing the scenery, he was tasting it, criticizing it, and having the time of his life doing so. The soundtrack was another point in the movies favor, everyone just loves Queen, and what other place can they find such an amazing smorgasbord of music that just satisfies their palate. In a time of concern, fear and darkness, this colorful movie managed to actually lift your spirits and got you deep laugh in all the right parts.

If only the critics could appreciate it too.

Once more, critics missed the entire point of the film. he writer, Lorenzo Semple Jr., had spoken with you before, telling you how he knew that what he was writing was bad dialogue, yet that was the entire point of the film, making the actors play such dialogue seriously, while the entire context and world around them seems so silly. They wanted something similar, or nearly identical, to the serials, and they kind of managed it, even if at the same time they created some of the best comedy around. But the critics nonetheless want to compare it to more serious takes like the different attempts you've mentioned so far.

The worst part is, the one critic who managed to get what the movie is about, just happens to be the one who is your harshest critic.

Roger Ebert praised Flash Gordon, his actual quote being "Flash Gordon is played for laughs, and wisely so... This is space opera, a genre invented by Edgar Rice Burroughs and Hugo Gernsback and other men of unlimited imagination harnessed to definitely limited skills. It's fun to see it done with energy and love and without the pseudo-meaningful apparatus of the Force and Trekkie Power... Is it fun? Yeah, sort of, it is".

De Laurentiis is a bit discouraged due to all the criticism, even if most of the audience loved the film. It even made so many times its budget and nearly all different studios are trying to convince him to make a sequel. He compromised enough to make a final scene hinting at Ming still being alive, but God alone knows if he'll try for it in the future. He's been talking to Mike about whether you're still planning on making a sequel to Conan though.

Yeah, fat chance you'll ever let someone else take ahold of your baby.
 
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