Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Change… The Bad Kind and some Good. Turn 58 (June-July 1978)
Change… The Bad Kind. Turn 58 (June-July 1978)

[X]The Art of a True Batman: You look at the costume designs and how the City will be transformed into Gotham City. DC: 30 Rolled:D100 => 91 (Autopass)

It was beautiful. You honestly didn't really know how to say it when you saw it, but somehow it did. Since you were shooting the film entirely in LA, there were some slight changes… changes that, for this iteration of Batman, kinda fit, with this location.

The Gothic corpse of an old Eastern City has been replaced by a more macabre, Spanish style of architecture on certain buildings in the old city. The skyscrapers are there, but the Gothic style was still painfully realized on the lot. It was as if the two layers of Gotham were at war with each other, and the darkness and history, and the past were entirely left out in the open for all to see.

It really made it interesting from an artistic Point of view.

Now that is to say that the costumes were perfect. Because they were. They took your recommendations and made the suit fully flexible, and also, look armored. The gauntlets and guards were perfect… and the Cowel… what can you say about the Cowel. It stayed on, you could move your head, and you could be acrobatic, fluid in movement…

And above all else, look dangerous to the common crook.

It was perfect. Really it was.

Reward: Costumes and Set design rolls will have a +50 to their rolls. Injury rolls are negated thanks to the costumes being prepared properly and with safety and comfort in mind.
--------------------------------------------------------

-[X]Choosing a Co-Star: You don't have enough pull to cast everyone, but you have enough pull for one person. Hopefully.
--[X]Write in who you wish to cast and for what part.: John Travolta as Floyd Lawton/Deadshot Rolled:D100 => 97

When you asked Alan and Kathleen to bring in John, it was almost like a light switch went on their heads, and they realized that they would be stupid to say no. Of course, John had a good boy persona, but that was mostly because he was just getting jobs that paid the bills.

Not this one. He took it without even reading the script because his best friend Bruce is in it and directing.

And then he read the script and said he really wanted to do it to just prove himself.

Reward: John is on board. And it seems Colombia is thinking that they made the right choice listening to you.
---------------------------------------

-[X]The Way to Shoot: You want to shoot the film your way, and you will do it:
--[X]Ambitious: You are going to use your skill and that of the cinematographers that you have. Everyone knows you have a mind of action movies, so you will use that to keep things fluid, but clear. Rolled:D100 => 60

You were going to do it like what you want.

Reward: During the Directing, all action scenes, and all character scenes will gain a +20.
------------------------------------------------------------------

-[x]Keeping Kathleen Cool: Kathleen is about to lose her mind, and you need to calm her down before anything happens, like her making a rash decision regarding the script. DC: 20 Rolled:D100 => 49

To think that you were the one who was calm. After Conan, you knew you were the one who was a perfectionist, and a guy who just took things well… and well…

It was not the same to see a young woman in her office, shaking in fear as you walked in looking at the notes that were on her desk.

"Are you okay?" You asked.

"Oh, I'm doing great. Just becoming the laughing stock of the whole damn industry!" She said as she took a breath. "I've received letters from practically every damn producer in the city, people who have more experience, connections, and everything! And they told me to leave and go back to being the coffee girl who doesn't take notes. Cause then I won't be told off."

You just took a breath and said. "I thought you didn't care what other people think right now, you're busy trying to be the best damn producer in Hollywood."

"But what if they are right, what if I'm not-"

"Well, I wouldn't have taken the job if you weren't putting your all in it." You stopped her dead in her tracks as you said that.

"Wait what?" She was gobsmacked. "I'm I'm."

"Kathleen. Take a moment to think about the position you are in, through your merits, and not from others. You went behind your boss's back and just decided to try and get a film that may make a lot of money, to be made, with no help from anyone else. You know your weaknesses, which may have taken a lot to reveal to a guy you've never met before, despite my reputation."

You smiled. "And you got the budget. You got most of the cast, and crew all ready." You leaned in. "And the best part, you got everyone thinking they can do better when they can't."

She then leaned back in her chair, sitting down deeply as she just said. "Really?"

"They think they can do better. But they haven't tried." You said with a smile. "You have. That says more about you than it does about them."

Reward: You have… calmed Kathleen down… and gave her that little boost to believe in herself.

Hopefully, it doesn't go to her head, it's going to be a long production.
--------------------------------------------------------------------------------------------

-[X]To translate Gundam: You need to Translate Gundam. (Begin a Casting Miniturn for Gundam, so that it will be able to be translated and ready for its release)
--[X]Trust in Tomino (You trust Tomino to gather a cast for his show) Rolled:D100 => 12

You look at Tomino and think that something was wrong.

But he said everything was going to be alright.

Now if only you could believe him.

Reward: Tomino is working on gathering his cast… it's not going well as you hope.

(Gundam will be ready to release in September… though the voice acting might not be great. Maybe. we don't know, Trust in Tomino to know what he's doing.)
-------------------------------------------
-[X]Finding Producers: Mike wants to bring more talent into the Company to work on more films of a lower budget variety than the blockbuster films that you all are producing. Mostly young talent, so he's asking you to scour Hollywood for the ideas. DC: ??? Rolled:D100 => 1+20=21

Random UA event Roll:D100 => 2

Sony Bullshit:
D100 => 82

You honestly think that Everyone in Hollywood is working with the other studios because of your reputation.

Every film that is produced is a huge box office success.

And everyone is afraid to be the first flop of Lucasfilms.

Well, that was the rumor anyway.

The truth was far more terrifying.

Everyone else seemed to be looking at the money that Sid was throwing around… The gambles that Alan was doing to turn Colombia around…

And then there was UA… who was just giving Greenhorns a million dollars to do whatever the hell they want. Every crew in the damn city and even the none union crews were being hired out like it was going out of style.

HOW? Who was paying for everything…

Then you looked at the headline.

"Sony Buys out UA. for 500 million."

Turns out Sony came back and just decided to open the checkbook, and made a lot of offers to people in the company that they could not refuse.

But here comes the kickers.

They didn't give a fuck about making a profit, they were just making as many movies as possible. They were slated to release 100 films a year by 1980, and they didn't really care about their quality.

As long as films were being made to pack theaters… and keep other competitors off the dockets, they didn't care how much money they would lose. Quantity was its own quality.

Critical Failure: it seems you are not the hottest studio in town anymore. Everyone is going to UA… Sorry Sony UA… and they are pumping out movies like it's the gilded age.

HOW THE FUCK DID SONY BUY OUT UA WITHOUT ANYONE NOTICING!
-----------------------------------------------------------------------------------

-[X]Finding Directors: You should not have opened your mouth, but now you have been asked to look for directors to hire. DC: ??? Rolled:D100 => 28

Most directors wanted to work for you… turns out, most were still under contract.

Failure.
--------------------------------------------------------------------------------

-[X]Family Time: You enjoy every minute of this… Except for this part. "Honey, I am not putting on the fairy wings. It's your turn." DC: 30 Rolled:D100 + 40 => 103

Mary Roll:D100 => 90+50=140

It was a nice time in the O'Brian household. You and Carrie decided to do something fun together so that you could have a nice, relaxing time.

So what better way to treat your princess than to build them a kingdom?

The problem was, you were finding it very hard to convince them that you were king of this castle, not…

"I'm not going to be a fairy." You said.

"BAH!" Mary was trying to babble away, but you were still not convinced.

"Carrie, it's your turn to be the fairy." You said.

"I think our princess would rather see you as the big bad fairy." She giggled as Mary crawled around and tried to take the wings towards you in her tiny, cute little hands.

"But I was the fairy last time, I want to be the king?"

"Fuck!" Mary then put the wings at your feet, and you then paused. "FUCK FUCK FUCK FUCK!"

"Did she just-" Carrie then saw steam come from your ears. Metaphorically of course.

"ROBIN!" You screamed in anger. "You-"

Reward: Mary is a Genius, a prodigy even, beginning to speak single words at only 6 months.

Robin has taught her, accidentally, how to swear.

You have a grand old time learning of this, while also hunting down Robin, who laughing the entire time.
------------------------------------------------------------------

-[X]The Media Finally Getting What it Deserves: You are going to threaten to sue the magazines that are trying to get unauthorized pictures of your family… maybe it will make them stop, and get other actors on your side. DC: 40 Rolled:D100 - 10 => 48

You really made your statement clear. Your family is off-limits.

And they finally got the goddamn message. Mostly because you threatened to sue them all out of existence.

Reward: You are now finally left alone by the media.

Bout fucking time.
---------------------------------------------

-[X]Preparing for Ali: You are going to fight Ali as the best you can be. And it will be because he is clearly deserving it. DC: 0
--[X]Workout Plan
---[X]Cardiovascular Conditioning: Engage in high-intensity interval training to further boost endurance so that he can maintain his energy levels throughout a potentially long fight Rolled:D100 + 30 => 75
---[X]Strength and Power Training: To make the most of his concrete-breaking punches, he should focus on building explosive strength. Plyometric exercises, medicine ball throws, and resistance training with a mix of compound lifts will help him develop power without sacrificing endurance Rolled:D100 + 30 => 116
---[X]Speed and Agility: Since Ali's footwork and movement are his strengths, Bruce needs to work on his agility. Agility ladder drills, cone drills, and lateral movements will improve his ability to close the distance quickly and avoid Ali's jabs Rolled:D100 + 30 => 129

To say you were going all out on training was bit of an understatement. You called up the boys from Team USA and asked for help… and then you called KAthleen to see if you could remodel the bat suit a little bit.

Then it came to really getting the groove.

And you did everything like you did for the Olympics… and then up to 11.

--[X]Diet
---[X]Protein-Rich Foods: Emphasize lean meats like beef and chicken for muscle development
---[X]Starchy Carbohydrates: Opt for potatoes, rice, and oatmeal to fuel his body
---[X]Fruit and Vegetables: Fresh produce like apples, oranges, and leafy greens provide vitamins and minerals essential for recovery
---[X]Hydration: Quench thirst with water and the occasional electrolyte drinks Rolled:D100 + 30 => 108

It was going to take some getting used to for a few weeks, but hey, at least Carrie was getting in on it.

Mostly because she said that. "I'm getting ready for beach season so that I can keep everyone else away from you."

Then she laughed. "Oh no, I'm just here to make Mary sees that the good food for her, she won't be so picky."

--[X]Tactics
---[X]Pressure and Close Range: Bruce needs to use his strength advantage to close the distance quickly and minimize Ali's ability to maintain a comfortable range Rolled:D100 + 30 => 116
---[X]Body Shots: Given Bruce's concrete-breaking punches targeting Ali's body is a very good tactic Rolled:D100 + 30 => 103
---[X]Sustained Pressure: Bruce's endurance allows him to maintain pressure for extended periods so Ali needs to be forced into exchanges to drain his stamina and capitalize on potential late-round weaknesses Rolled:D100 + 30 => 115
---[X]Disruption of Rhythm: Bruce needs to alter his tempo and use unpredictable combinations to disrupt Ali's rhythm and prevent him from setting up his counterattacks effectively Rolled:
---[X]Psychological Warfare: Bruce should engage in verbal sparring with Ali to disrupt his concentration and capitalize on any distraction Rolled:D100 + 30 => 107
---[X]Clinching: When Ali tries to dance around, Bruce uses controlled clinches to tire Ali out and limit his movement Rolled:D100 => 87+30=117

It was risky to try all those tactics, but your mind was open. And it was going to reach it's full potential.

Reward: Gain a +100 to your boxing rolls against Ali.

And from the news that was coming from his camp, he was trying doubly hard to try to counter… well you.

(Also, just so you all know, you have a better chance against Old Man Ali… if he were younger, you would not have a chance.)
---------------------------------------------------------------

-[X]Robin's Need for Help: You look at Robin and realize he was doing better. "Hey bud, feeling better?" DC: 40 Rolled:D100 => 91

Robin was still happy. In his hiding spot. Laughing at it all.

"Feeling better?" You asked as you found him.

"I didn't know she would take after my routine that much." He smiled.

You finally calmed down after so long chasing him and just took a breath. "What happened?"

Robin just smiled. "She was playing with my hands and she… just… well she just listened to me." He paused. "Listened to me laugh at her… cry… swear at me when it feels so hard… finding all sorts of things."

He paused again. "Every time I look at her, all I see is your trust in me. And how could I possibly repay you for all you've done for me."

You looked at him and just laughed. "Well first, you can promise to not teach my daughter anymore swears. Otherwise, Carrie might actually throw you out."

Maybe it was just the wind… or just Robin… but you knew deep down… he was better.

And that made all the difference.

Reward: Robin kicked his addiction… and also in that, became Uncle Robin to Mary, in… some ways.

You have done a beautiful thing for your friend. And he will never forget.

AN: I'm going to be honest, some good, some bad...

And there was a section that just would not give... so I shortened it.
 
At least we can try to hire Andy like we could've before, right? Not to mention that some Directors who worked with them might be more amenable to working under Lucasfilms now that we have become the True Bastion of Artistic Freedom.

And don't you dare hire Kathleen Kennedy! We're not tempting fate!
 
Sonny does realize that will only work for a while before people catch on and never buy tickets to their movie If they put out shit they risk going bankrupt and sony name will be tarnished and never trusted by the consumer
 
Sonny does realize that will only work for a while before people catch on and never buy tickets to their movie If they put out shit they risk going bankrupt and sony name will be tarnished and never trusted by the consumer

..Need an Example? Look at Disney's works OTL.

Should've kept building new Ideas for Movies after the Disney Renaissance
 
Change… The Bad Kind. Turn 58 (June-July 1978)

[X]The Art of a True Batman: You look at the costume designs and how the City will be transformed into Gotham City. DC: 30 Rolled:D100 => 91 (Autopass)

It was beautiful. You honestly didn't really know how to say it when you saw it, but somehow it did. Since you were shooting the film entirely in LA, there were some slight changes… changes that, for this iteration of Batman, kinda fit, with this location.

The Gothic corpse of an old Eastern City has been replaced by a more macabre, Spanish style of architecture on certain buildings in the old city. The skyscrapers are there, but the Gothic style was still painfully realized on the lot. It was as if the two layers of Gotham were at war with each other, and the darkness and history, and the past were entirely left out in the open for all to see.

It really made it interesting from an artistic Point of view.

Now that is to say that the costumes were perfect. Because they were. They took your recommendations and made the suit fully flexible, and also, look armored. The gauntlets and guards were perfect… and the Cowel… what can you say about the Cowel. It stayed on, you could move your head, and you could be acrobatic, fluid in movement…

And above all else, look dangerous to the common crook.

It was perfect. Really it was.

Reward: Costumes and Set design rolls will have a +50 to their rolls. Injury rolls are negated thanks to the costumes being prepared properly and with safety and comfort in mind.
--------------------------------------------------------

-[X]Choosing a Co-Star: You don't have enough pull to cast everyone, but you have enough pull for one person. Hopefully.
--[X]Write in who you wish to cast and for what part.: John Travolta as Floyd Lawton/Deadshot Rolled:D100 => 97

When you asked Alan and Kathleen to bring in John, it was almost like a light switch went on their heads, and they realized that they would be stupid to say no. Of course, John had a good boy persona, but that was mostly because he was just getting jobs that paid the bills.

Not this one. He took it without even reading the script because his best friend Bruce is in it and directing.

And then he read the script and said he really wanted to do it to just prove himself.

Reward: John is on board. And it seems Colombia is thinking that they made the right choice listening to you.
---------------------------------------

-[X]The Way to Shoot: You want to shoot the film your way, and you will do it:
--[X]Ambitious: You are going to use your skill and that of the cinematographers that you have. Everyone knows you have a mind of action movies, so you will use that to keep things fluid, but clear. Rolled:D100 => 60

You were going to do it like what you want.

Reward: During the Directing, all action scenes, and all character scenes will gain a +20.
------------------------------------------------------------------

-[x]Keeping Kathleen Cool: Kathleen is about to lose her mind, and you need to calm her down before anything happens, like her making a rash decision regarding the script. DC: 20 Rolled:D100 => 49

To think that you were the one who was calm. After Conan, you knew you were the one who was a perfectionist, and a guy who just took things well… and well…

It was not the same to see a young woman in her office, shaking in fear as you walked in looking at the notes that were on her desk.

"Are you okay?" You asked.

"Oh, I'm doing great. Just becoming the laughing stock of the whole damn industry!" She said as she took a breath. "I've received letters from practically every damn producer in the city, people who have more experience, connections, and everything! And they told me to leave and go back to being the coffee girl who doesn't take notes. Cause then I won't be told off."

You just took a breath and said. "I thought you didn't care what other people think right now, you're busy trying to be the best damn producer in Hollywood."

"But what if they are right, what if I'm not-"

"Well, I wouldn't have taken the job if you weren't putting your all in it." You stopped her dead in her tracks as you said that.

"Wait what?" She was gobsmacked. "I'm I'm."

"Kathleen. Take a moment to think about the position you are in, through your merits, and not from others. You went behind your boss's back and just decided to try and get a film that may make a lot of money, to be made, with no help from anyone else. You know your weaknesses, which may have taken a lot to reveal to a guy you've never met before, despite my reputation."

You smiled. "And you got the budget. You got most of the cast, and crew all ready." You leaned in. "And the best part, you got everyone thinking they can do better when they can't."

She then leaned back in her chair, sitting down deeply as she just said. "Really?"

"They think they can do better. But they haven't tried." You said with a smile. "You have. That says more about you than it does about them."

Reward: You have… calmed Kathleen down… and gave her that little boost to believe in herself.

Hopefully, it doesn't go to her head, it's going to be a long production.

Man, can't believe I didn't have to do anything when it came to Batman, lol. At least Bruce has a damn good costume and everything is going swimmingly with him even giving Kathleen a nice pep talk and letting her know that he has faith in her, probably the first time in her career. Things are going well, hyped for Batman.

-[X]To translate Gundam: You need to Translate Gundam. (Begin a Casting Miniturn for Gundam, so that it will be able to be translated and ready for its release)
--[X]Trust in Tomino (You trust Tomino to gather a cast for his show) Rolled:D100 => 12

You look at Tomino and think that something was wrong.

But he said everything was going to be alright.

Now if only you could believe him.

Reward: Tomino is working on gathering his cast… it's not going well as you hope.

(Gundam will be ready to release in September… though the voice acting might not be great. Maybe. we don't know, Trust in Tomino to know what he's doing.)

OOF. I hope this doesn't greatly sabotage Gundam's Dub and things can still be fixed. Gundam deserves to have a glorious debut to the West and I will not let it become another Speed Racer. Hold on everyone, Omake support will be incoming in the next couple of days.

-[X]Finding Producers: Mike wants to bring more talent into the Company to work on more films of a lower budget variety than the blockbuster films that you all are producing. Mostly young talent, so he's asking you to scour Hollywood for the ideas. DC: ??? Rolled:D100 => 1+20=21

Random UA event Roll:D100 => 2

Sony Bullshit:
D100 => 82

You honestly think that Everyone in Hollywood is working with the other studios because of your reputation.

Every film that is produced is a huge box office success.

And everyone is afraid to be the first flop of Lucasfilms.

Well, that was the rumor anyway.

The truth was far more terrifying.

Everyone else seemed to be looking at the money that Sid was throwing around… The gambles that Alan was doing to turn Colombia around…

And then there was UA… who was just giving Greenhorns a million dollars to do whatever the hell they want. Every crew in the damn city and even the none union crews were being hired out like it was going out of style.

HOW? Who was paying for everything…

Then you looked at the headline.

"Sony Buys out UA. for 500 million."

Turns out Sony came back and just decided to open the checkbook, and made a lot of offers to people in the company that they could not refuse.

But here comes the kickers.

They didn't give a fuck about making a profit, they were just making as many movies as possible. They were slated to release 100 films a year by 1980, and they didn't really care about their quality.

As long as films were being made to pack theaters… and keep other competitors off the dockets, they didn't care how much money they would lose. Quantity was its own quality.

Critical Failure: it seems you are not the hottest studio in town anymore. Everyone is going to UA… Sorry Sony UA… and they are pumping out movies like it's the gilded age.

HOW THE FUCK DID SONY BUY OUT UA WITHOUT ANYONE NOTICING!


View: https://youtu.be/9HVejEB5uVk?t=7

Well, it seems Sony is just going the Netflix method of throwing shit to the wall and then milking whatever the hell turns out to be an uber success. I can't see this going well for Sony without Magoose Dice rigging it in their favor. Sure they might be able to get some sleeper hits and wonder films that perform on the same level as American Graffiti, but placing that much quantity over quality is going to lead to a dramatic downgrade in quality where if you just give any doofus with a camera a million dollars and no oversight, they'll just end up fucking around and making weird ass choices for shits and giggles. As Disney has shown recently, oversaturation just leads to the death of the brand, and while Sony-UA might have some genuinely good films, the majority of theirs are going to be crap and audiences will stay the hell away from a Sony-UA film on instinct and no movie theater is going to want to hog their spaces when they can get some premium Lucasfilms, Universal or Disney films to get mega profits.

You have to wonder how the Hollywood establishment is reacting to this. Say what you will about Lucasfilms, but at least they weren't trying to rig the box office so it's impossible to show other studios films by sheer quantity, and not even Universal was this insane. This calls for a Hollywood Avengers moment, and just as usual for superhero stories, we have to team up with our nemesis to handle the greater Big Bad.

Also Mike Pondsmith is orgasming over the free inspiration to Cyberpunk.

-[X]Family Time: You enjoy every minute of this… Except for this part. "Honey, I am not putting on the fairy wings. It's your turn." DC: 30 Rolled:D100 + 40 => 103

Mary Roll:D100 => 90+50=140

It was a nice time in the O'Brian household. You and Carrie decided to do something fun together so that you could have a nice, relaxing time.

So what better way to treat your princess than to build them a kingdom?

The problem was, you were finding it very hard to convince them that you were king of this castle, not…

"I'm not going to be a fairy." You said.

"BAH!" Mary was trying to babble away, but you were still not convinced.

"Carrie, it's your turn to be the fairy." You said.

"I think our princess would rather see you as the big bad fairy." She giggled as Mary crawled around and tried to take the wings towards you in her tiny, cute little hands.

"But I was the fairy last time, I want to be the king?"

"Fuck!" Mary then put the wings at your feet, and you then paused. "FUCK FUCK FUCK FUCK!"

"Did she just-" Carrie then saw steam come from your ears. Metaphorically of course.

"ROBIN!" You screamed in anger. "You-"

Reward: Mary is a Genius, a prodigy even, beginning to speak single words at only 6 months.

Robin has taught her, accidentally, how to swear.

You have a grand old time learning of this, while also hunting down Robin, who laughing the entire time.

Robin better count his blessings that Debbie is the next door Grandma because if Sarah was living next door and heard her beloved Mary use a swear word as her first word she'd send Robin's ass straight to the shadow realm. Although I imagine Joseph is crying happy tears due to his beloved granddaughter proving her Irish heritage, lol.

Damn, Mary got some good genes from her Dad for being such a genius so early. Really makes me wish I chose the Strong trait so she could combo and be a strong and smart little baby, but hopefully I can earn that reward later on. If Mary is so smart right now, I can't wait to see what the other little Goslings are capable of.

Still, I do wish that we got to see some more of the family fluff of Bruce and Carrie playing with Mary. Let this be a lesson to you Bruce. When Mary wants you to wear fairy wings, she wants you to Fucking wear the fairy wings! This is gonna make for some hilarious talk show material.

-[X]The Media Finally Getting What it Deserves: You are going to threaten to sue the magazines that are trying to get unauthorized pictures of your family… maybe it will make them stop, and get other actors on your side. DC: 40 Rolled:D100 - 10 => 48

You really made your statement clear. Your family is off-limits.

And they finally got the goddamn message. Mostly because you threatened to sue them all out of existence.

Reward: You are now finally left alone by the media.

Bout fucking time.

Ding dong the vultures are gone. Sad I didn't chose the other options to start an industry-wide riot, but at least our family and home will always be safe.

-[X]Robin's Need for Help: You look at Robin and realize he was doing better. "Hey bud, feeling better?" DC: 40 Rolled:D100 => 91

Robin was still happy. In his hiding spot. Laughing at it all.

"Feeling better?" You asked as you found him.

"I didn't know she would take after my routine that much." He smiled.

You finally calmed down after so long chasing him and just took a breath. "What happened?"

Robin just smiled. "She was playing with my hands and she… just… well she just listened to me." He paused. "Listened to me laugh at her… cry… swear at me when it feels so hard… finding all sorts of things."

He paused again. "Every time I look at her, all I see is your trust in me. And how could I possibly repay you for all you've done for me."

You looked at him and just laughed. "Well first, you can promise to not teach my daughter anymore swears. Otherwise, Carrie might actually throw you out."

Maybe it was just the wind… or just Robin… but you knew deep down… he was better.

And that made all the difference.

Reward: Robin kicked his addiction… and also in that, became Uncle Robin to Mary, in… some ways.

You have done a beautiful thing for your friend. And he will never forget.

AN: I'm going to be honest, some good, some bad...

And there was a section that just would not give... so I shortened it.

Really happy that this passed so high and we gave Robin the help he needed. Look forward to seeing him soar even higher.
 
..get Kotomine's Voice Actor here.
Unfortunately Jouji Nakata isn't in the voice acting game yet. Right now he's doing theater, period dramas, and Sentai series. He doesn't really start voice acting until the late 80's.

He does star in a Gundam show later though. He plays a few roles and is also the narrator for Mobile Suit Victory Gundam.

Hope the dub turns out at least okay. Animation more than anything relies on voice work. Hopefully this isn't going to spawn any bad voice acting memes 30 years from now.
 
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Movie Pitch: Hercules
Hercules was one of my favorite movies. Not only because of the catchy songs but also because of the overall message about never giving up, improving oneself, and how fame and fortune does not make a true hero. It was also among the first animated movies I saw when I first travelled to the U.S., and the first I bought as well. It was really fun, and I just loved Hades; he just gave this vibe of "Used Car Salesman" and smooth talker whenever he appeared. He was the kind of villain that just stole every scene he appeared in.

You know, despite all the fights, the songs, the amazing choreography and moments of the film...the one that always stuck to me was the moment when Hercules is down and defeated by the Cyclops, when Phil and Megara arrives and Hercules just starts beating himself up, believing that Phil was right about dreams being for rookies. Only for Phil to refute him, and saying how he'd been the one who was wrong, that giving up was for rookies. That scene above others remained stuck in my mind, and I believe that its message is beautiful; there will always be obstacles, there will always be setbacks, and there will always be moments when you think that all you've done amounts to nothing.

But you must never give up. You dust yourself up, learn from the experience, and try again or move on.

So, I give you:

Movie Pitch:
Hercules


GENRE: Fantasy/Adventure

SUBGENRE: Comedy/Action

FORMAT: Movie (Animation)

Set Up: An adaptation based on the old Greek myths and legends of the same name. Hercules is the son of Zeus and Hera, who was abducted from Mount Olympus and turned mortal by his evil uncle Hades, though he maintained his mighty strength. With the help of Pegasus and Philoctetes, the satyr trainer of heroes, Hercules sets out on a journey of self-discovery and acceptance, from klutzy "zero" to prove himself a true hero and reclaim his place among the gods.

Director: John Musker and Ron Clements
Composer: Alan Menken

Hercules: He is the vibrant, tenacious and optimistic son of Zeus. Throughout his life, Hercules is portrayed as gawky and awkward, but mostly clumsy because of not having control of his godly strength which tends to accidentally cause destruction. Hercules has an energy and a sort of naïveté quality, having been raised as a polite, hardworking farmer in the country. His insecurity stemmed from how hard it was for him to find his place in the world because of how alone and out of place he was. He aims to become a True Hero to once more become a God.

Played By: Tate Donovan
Alternate: Christopher Reeves

Megara: She's a snarky "femme fatale" who serves as a reluctant minion of Hades, to whom she is indebted. Having endured a troubled past, Meg has developed a cynical disposition, with her only goal being to rescind her bind and live a life of solitude. Meg is a free-spirited, independent, and quick-witted woman, but also cynical, snarky, and world-weary. Her outlook slowly starts to change upon meeting Hercules, whose genuine innocence would prove there was still good in the world.

Played By: Karen Allen
Alternate: Susan Egan

Philoctetes/Phil: He is a crotchety, old Satyr (half-man, half-goat) who served as a trainer of heroes in Ancient Greece—most notably Achilles and recently Hercules. Although he has a big heart, Phil is easily annoyed. He dislikes and becomes angry at others who ignore him or refuse to grant him respect. Until he was convinced by Hercules to help him become a true hero, Phil was disappointed so much the last thing he needed was to be let down by some starry-eyed yahoo with more muscles than brains.

Played By: Danny DeVito
Alternate: Bob Hoskins

Pegasus: He's Hercules' best friend. Described by Zeus as "a magnificent horse with the brain of a bird", Pegasus' behavior mixes elements of both a noble steed and a bird. Quirky behaviors of his include clicking his tongue, whistling, and at times, perching on one of Hercules' shoulders. Pegasus also seems to possess a very high level of power to be able to free himself from chaining by gods, stamina, speed, insight, and responses keen enough to avoid sudden attacks or stray shots by gods or monsters.

Played By: Don Messick
Alternate: Frank Welker

Zeus: He's the mighty ruler of the gods. Zeus controls the universe and presides over Mount Olympus, with the power to control thunder and lightning. He is also father to Hercules, who aims to become the greatest hero in all of Greece. Zeus is jovial and carefree, which makes him a beloved figure amongst his godly colleagues, with the exception of his evil younger brother, Hades. He also has a tendency to be quite stubborn, and at times even childish when faced with a task he would rather not perform.

Played By: Rip Torn
Alternate: Dan O'Herlihy

Hades: He is the fast-talking god of the Underworld, known for having a fiery temper and a vendetta against his eldest brother, Zeus. Over the span of eighteen years, Hades developed a scheme to take over Mount Olympus and the cosmos, but a prophecy by the Fates foretold that a hero would rise against him and end his reign. Hades is generally calm, cool, and collected. Though his machinations are cruel, Hades' informal approach to villainy makes him a widely comedic character with a self-aware and irreverent style of humor.

Played By: James Woods
Alternate: Jack Nicholson
Pain: He is a fat purple-red imp with little horns and a bitten bat wing on the left side who works for Hades. Cowardly and not particularly loyal, he is repeatedly injured through the film and animated series. When he shape-shifts, it is usually into something short or fat (or both), and generally colored in red tones. He is the more assertive of the duo, and while more cunning, less likely to think things through properly, which is what gets him into painful situations.

Played By: Bobcat Goldthwait
Alternate: Sam Kinison

Panic: He is the thin green-blue imp with long horns. He also works for Hades, and is not particularly loyal to him, willing to leave him to the side if the opportunity arises. While he is slightly less cunning than Pain, his paranoia means he is very much more cautious and rather cynical at times, so he might actually be the smarter one of the two. However, he is easily spooked, which causes accidents and messes up plans. When he shapeshifts, it is usually into something tall or thin (or both) and colored in blue tones.

Played By: Matt Frewer
Alternate: Eddie Murphy

Clotho: She is the middle-sized one with green skin, yellow worm-like hair, and a long-pointed chin. Her role is to spin the Thread of Life, so she knows all of the present. She is the friendliest of the three with Hades, and her readiness to provide him with information is frowned upon by Lachesis and Atropos. Like her sisters, she appears to relish ending mortal's lives, as well as bickering among each other.

Played By: Eda Reiss Merin
Alternate: Amanda Plummer

Lachesis: She is the tallest of the three, with blue skin and a long-pointed nose. Her role is to measure out a person's Thread of Life, so she knows all of the past. She seems to be the grumpiest and disapproving of the three. Like her sisters, she appears to relish ending mortal's lives, as well as bickering among each other.

Played By: Adele Malis-Morey
Alternate: Carole Shelley

Atropos: She is short and plump with mauve skin, green serpent-like hair, and a single eye socket. Her role is to cut the Thread of Life, so she can see the future. Her role possibly makes her the most deadly and powerful of the three. She's also the most intelligent of the three. Like her sisters, she appears to relish ending mortal's lives, as well as bickering among each other.

Played By: Billie Hayes
Alternate: Paddi Edwards
Hermes: He is an Olympian God, serving as a royal messenger of the Gods. He's first seen at Hercules' baby shower, where he brings Hera flowers and compliments Zeus on the festivities. Fast talking and relaxed, Hermes also serves as the one who warns of attacks on Olympus.

Played By: Paul Shaffer

Hera: She is the Queen of the Gods, the wife of Zeus and the biological mother of Hercules. While she loves her husband, Hera often serves as both Zeus' conscience and his voice of reason, persuading him in matters that he approaches with less than appropriate actions.

Played By: Kate O'Mara

Amphytrion: He is Hercules' adoptive father who raised him after he was taken from his home on Mount Olympus. Thin and kindly, he gives Hercules wise advice as well as consoling him when he's feeling down.

Played By: Hal Holbrook

Alcmene: She is Hercules' adoptive mother who raised him after he was taken from his home on Mount Olympus. Short and stout, she took care of Hercules during his childhood and loves him dearly.

Played By: Gene Tierney

Nessus: He is a large centaur with the head and upper body of a man and the body of a horse. He is Hercules' first opponent after he finishes his hero training under Phil.

Played By: Jim Cummings
The Muses: They function as a literal Greek Chorus telling the story and singing a majority of the songs in the film.

-Caliope: She is the muse of epic poetry. She leads the muses and is the tallest of the five with high hair.

Played By: Lillias White

-Melpomene: She is the muse of tragedy. She has long, curly hair to her waist and carries a mask with a frowning face

Played By: Cheryl Freeman

-Terpsichore: She is the muse of dance. She is the second-shortest of the five, with Bantu knots in the front and loose curls in the back.

Played By: Donna Summer

-Thalia: She is the muse of comedy. She is the shortest of the five, heavyset, plays the trumpet, and is often causing mischief.

Played By: Martha Wash

-Clio: She is the muse of history. She has a small ponytail and carries a scroll.

Played By: Diana Ross

A.N.: So, I've put actors that could be found around the 80's or mid 80's. They can always be replaced if we try and get it done earlier though. You know we could try and make this a series of movies, perhaps next trying one about Perseus, or even one about Jason and the Argonauts at some point (though I don't know what we'd do about Medea...man she did not deserve her fate). Perhaps one about the Minotaur and Daedalus at one point in the future.
 
Grease

Grease
Directed by: Randal Kleiser
Produced by: Bronte Woodward
Distribution: Paramount Pictures
Starring: John Travolta, Olivia Newton-John, Stockard Channing, Jeff Conaway


Film Quality:
D100 + 100 => 185
Audience: D100 + 100 => 200
Critics:
D100 + 100 => 185

Profits:
Domestic: 161,730,543
International: 96,969,405

Total Gross: $258,699,948
You know when you thought about it, it was pretty weird that Muscials never really dominated after Some Nights, the film that critics and audiences alike had hailed as the movie that resurrected the genre. Oh it's not like they were dead completely, every month there was at least one musical at the box office with Michael Jackson himself starring in a Black musical version of Wizard of Oz. Aside from a couple of notable examples that served as crimes against art, musicals were decently reliable performers and a few had tremendous box office and critical success. However, none of them really dominated in a similar level to Some Nights, just being popcorn flicks for the ears and always playing second fiddle to the Blockbuster of the season.

It was hard to describe exactly why, but you think it was a combination of trying too hard to copy Some Nights and trying to be too much like Broadway. For the former, it was like Disney with Star Wars, coloring the numbers and trying so hard to repeat a lightning strike instead of understand why it resonated so strongly, and for Some Nights it's because it was Carrie's manifesto against Hollywood and a deeply personal story of tragedy and perseverance. For the latter, they just looked at the current trends on Broadway and slapped something to basically do a stage play on film, but never taking the time to actually think about what was needed for a movie.

Grease was none of that. It proudly stood on its own in spite of being an adaptation of a Broadway play, making sure to do everything necessary to make a good movie first and then focus on the musical. Perhaps most importantly about Grease that captured the love of critics and audiences alike was that it was just relatable and fun!

A slice of life romance about a bad boy greaser and a good girl transfer student who fell in love over the summer and try to maintain their relationship amidst the messiness of high school, Grease used a lot of cliches and played with the tropes straight that should have made it a bad movie, but instead it was part of the charm and what made it so memorable. If you wanted to know how the film is, you need look no further than the opening, "~Grease is the time, it's the place, it's the motion! Grease is the way we are feeling!~" Instead of trying to tell a grandiose love story to equal Some Nights, Grease just focused on the characters and all their fun and engaging stories, just getting invested in their lives and showing all the highs and lows of high school that anyone can relate to along with some great 50's love. Director Randal Kleiser admitted in interviews that he looked to American Graffiti for inspiration in creating the film's tone and atmosphere, and it showed as Grease was kind of like Graffiti without the angst and with the diegetic rock music replaced with pop musical sequences, which all in all made it a good film.

This made critics fall in love with the film, but what truly cemented it as a box office success was just how fun and cool it was! Grease knew it wasn't telling a story like Star Wars, so instead of trying to be deep and super impactful, they had you fall in love with really fun and relatable characters who you can see as your best friends and just go along for the ride as they go on adventures and try to figure out life. Every actor was at the top of their game with John blowing it out of the water as Danny Zuko, essentially kind of being like you as John Milner if he sang his heart out in the day. You felt John definitely was going to get an Oscar nod for this, but what you did not expect was the breakout bombshell debut of the lovely Olivia Newton-John. Watching her was like watching a blonde Australian Carrie with her and John having the same chemistry and synergy that Carrie and John had in Some Nights while Olivia had strong screen presence on her own. You could definitely see her going lots of places after this.

But by far the main star of the show had to be the music. Every single song was an absolute banger. Just as Graffiti's soundtrack was a devotional to classic rock, Grease's score was a heartfelt tribute to early pop and doo-wop. Everything from the titular Grease to You're the one that I Want had heads banging and foots tappin throughout the movie, and you were unashamed to say that in the coming weeks you would frequently duet Summer Nights and You're the One that I want with Carrie to Mary's delight. Also surprising was a cool cameo from Elvis as the Teen Angel, looking close to his prime and giving a beautiful performance with Beauty School Dropout that was equal to some of his best. For the rest of the year Grease's songs would dominate the radio stations across America and apparently went multi-platinum.

With how awesome Grease was, you were surprised that it didn't cross half a billion dollars, just barely becoming the 10th highest grossing film at a quarter of a billion. To be sure, it was a stunning accomplishment on its own with over 40 times the budget and Paramount having a fat pay day to fund their Star Trek productions. However, you had a feeling it should have been more and its full potential was cut. In this you were partially responsible with Solomon Kane bullying Grease to a constant second place in the South. War of the Worlds also provided fierce competition even in its closing window, and Mark Hamill didn't make things easier with his Indie hit Corvette Summer having provided tough competition across the globe as a close second thanks to it starring Luke Skywalker as well as being one of old UA's last great films. Still, what Grease lacked in financial domination it more than made up for in cultural impact. You could tell even this early on that it was starting to make waves in American culture in a similar vein to Star Wars. Everyone wanted to be cool like the kids from Grease and when people weren't dancing to the movie's hits they searched for a return to 50's life in any way they could.

For a rarity when it came to Grease's release, instead of watching it in general theaters you and Carrie attended the opening premiere despite it being a Paramount film. You both made an agreement after Rocky that you would attend all non-Universal premieres that starred friends and family, even if the O'Brians arrival at the red carpet and public enjoyment would give a slight boost in ticket sales to the rivals. It was a good move fortunately as it gave you a nice chance to treat Carrie to a lovely date night with a nice fancy dinner before. Since Mary's birth, date night usually meant a quiet evening on the couch or a nice home cooked dinner, so with Mary now having grown up enough to be fine without seeing you two for a half a day, it meant you could have more nice nights like this while Mary had some special grandma-granddaughter bonding time.

Plus it was just nice to lend some support to John. For the past year you hardly saw the guy save for the Christmas season and while you both had been busy career and personal wise, it felt wrong to neglect the bond with your friendship. Fortunately he didn't seem to mind, just being happy as could be that you both attended.

The after party was also pretty nice. Turns out that when you're no longer the boogeyman of Hollywood (At least to most people), major events with fellow celebrities and industry people could be fun. It was nice talking to fellow stars as an equal, although admittedly you felt like half the time you were approached for networking with everyone who had a job in town trying to get an in for a Lucasfilms gig.

"Olivia you were absolutely wonderful! I honestly feel like you did a much better job with John than anything I did in Some Nights." Carrie complimented Olivia Newton-John, the Australian's face turning a bashful scarlet at the words.

You really enjoyed meeting Olivia for the first time. She was a pure soul not yet tainted by the town, so optimistic and cheerful, you were glad that John had a good partner to help carry the film.

"Oh you don't need to fib for me." Olivia said.

"Olivia, if there's one thing about my wife you should know, is that she never gives bullshit compliments with shallow smiles. If she says you're good then you're good, and perhaps we'll see a trend of John Travolta's female co-stars winning Best Actress." You praised sincerely as well.

Olivia couldn't stop smiling as she looked at the ground, "Well to be honest, I purchased a VHS of Some Nights and spent days watching it over and over again to figure out how to perform alongside John. So if anyone's responsible for my performance it's you Carrie." She said earnestly.

"Well if I ever direct a musical, you're gonna be at the top of my list with Carrie." You said.

You then noticed a weird absence, and looked around but couldn't find the other star of Grease. "Has anyone seen John?" You and Carrie talked with him at the start of the party, but you lost him since then.

"I think I saw him out by the balcony. Seemed to just be by his lonesome." Olivia informed.

You thanked her and then sought to find your best friend, smiling as you overheard Olivia beginning an inquiry about the O'Brian married life as so many tended to do.

Collecting two beers, you made your way out to the balcony, and sure enough John was hanging around as a party of one, simply staring out into the LA night in deep thought.

"HEY ZUKO!" You yelled out, John jumped a bit in fright but calmed down and laughed at the sight of you.

"Jesus Bruce, you could have scared me so hard to jump off the balcony." John said.

"Hey come on, you're way too ugly to be the second coming of James Dean." You joked, getting a laugh out of John, who brought you in for a hug.

You opened up the two beer bottles and the two of you clinked beers, thankfully getting a small undisturbed rest from the claustrophobic and loud party inside.

"So how's Dad life treating you?" John asked.

"Very tiring and everyday Mary seems determined to find some way to have me start growing white hairs." You started in playful exaggeration, "But these have been some of the most happiest days of my life. I don't think I'm the best Dad, but I'm doing my best and there's just something so amazing about raising a little angel and watching her grow day by day to become someone wonderful, and you got a part in that. I'm really happy and thankful to be doing this with Carrie. She's the best Mom you could ever ask, taking to everything naturally and she makes Mary smile and laugh so much." You say in joy.

John nodded solemnly, "Hopefully I find something like that one day." He says with a sad tone. You frowned at the words. John was by no means undesirable as half of America wanted to be with him and it was easy for the star to find dates. The hard part however came with making it last and meaningful with John unable to find his Carrie.

You patted his back, "Hey, there's no need to rush things out. You're in the prime of your life, a sexy Hollywood superstar with one of the best voices in music. Carrie and I just got lucky finding each other so young and we just blitzed to Mary, we're not the norm." You tried to encourage, bringing a smile out of John.

"What about Olivia? You guys had pretty good chemistry, any chance that continued off-screen?" You prodded, with John shaking his head.

"Nah, she's seeing someone and while she's a fine woman, she's more of a friend like Carrie if you know what I mean." John answered.

You take a swig of beer, unsure how to respond, though it seemed like John had things handled for the most part, "Don't worry about me too much Bruce. There's probably a Mrs. Travolta somewhere in town if not later. If I don't have anything serious by 30 then you and Robin can start hooking me up with all of your lady friends."

You chuckled and then decided to switch topics, "So....Grease looks like it's going to dominate the summer. What's next?"

Unfortunately it seemed like the question only seemed to make things worse as John's mood grew far more sour than his love life, "Crap, I'm sorry John if-"

"Oh no, it's nothing like the hell I was going through for Some Nights. Though I guess it's the reason why I'm not partying with the cast and guests, even if everyone loved us." John said in slight frustration.

You waited in silence as John collected his emotions and gathering his thoughts, simply letting it be known in body language that you were here for him now as you always would be.

John seemed to appreciate it, giving a nod of thanks before continuing, "I've been really blessed after Some Nights. Got a lot of great starring or standout roles on film and television. Most of the stuff I've worked on have been fun productions, critics and audiences love me. It's just...I don't really know where to go from here or what I should do with my career."

"How so?" You asked.

"Well I hope you don't mind if I ask you this, but what kind of movies do you like to star in, or direct I guess?" John answered with a question.

"Action and adventure. It's where my talents lie physically and as a Director and there's honestly just something so raw and real with action that can't be replicated in other emotional beats of a film. Star Wars was the best time I ever had making a film, and Conan when it wasn't a shitshow was somthing truly great and epic. I guess George and Steve made them my favorite genres and I wouldn't mind if they were most of my filmography. But I also want to branch out and do some other stuff. Maybe return to my roots with Comedy and just make people laugh, be in a great and fun musical like you, do a neat horror or fantasy concept-"

"Do some mushy lovey dovey romance with Carrie?" John teased, to which you laugh.

"Yeah I'll take as many of those as I can get." You say. It would be nice to do more intimate stuff like Five Nights, but you would be happy and content if Carrie did separate projects, because at the end of the day she was still your beloved wife and would shine brightly co-starring with or without you.

"Yeah I think that's where my problem is. I got an Oscar and I'm part of the A-List club with you, but I don't know what the hell to do with my career, just let people come to me and sign off on something that's decent and pays the bills. Only problem is people just want the handsome urban bad boys who can sing or dance really well. Nate Rusfield, Tony Manero, Danny Zuko. I love all of those films and I loved my roles, but I'm worried I'll just be seen as those and never get to experience more."

In another time you would have just given John words of encouragement and a pep speech, but a recent gift by Kathleen made you realize that for once you could lend a hand to John in the way Carrie had with Some Nights.

"Well....what if hypothetically speaking I was currently tapped in as Director of a major franchise blockbuster and I could give you a main role that would exist completely beyond your usual typecasting and really show your strengths as an actor?" You said slyly.

John's jaw dropped and he looked absolutely stunned, "YOU'RE OFFERING ME A ROLE IN STAR WARS?!" He yelled in absolute shock and glee.

You panickingly looked around before the vultures tried to weasel their way into Empire, but thankfully the music and crowd was loud enough that John was hopefully drowned out. "No, John it's not Star Wars. We don't have too many new characters and while you might fit this one part, I'd have to read the script from George first before I made any firm offers."

"What the hell man? Why you getting me excited for nothing?" John said with a light punch to your shoulder, genuine hurt seen in his eyes.

"I'm not, just let me finish. The public's going to know in a few weeks so you're one of the first to know outside the production team. I've been hired not only to play Batman for his first film, but I'm also the Director." You informed.

John gave a sour look, "But Batman belongs to Columbia. Did you just quit Lucasfilms?"

You shook your head, "No I'm still co-owner, just doing a bit of contract work, although technically it's a co-production cause ILM is helping out with the SFX and set work plus I got a guy for choreography. Long story short, the Producer came to my house and she got me hooked on a brilliant vision for the caped crusader and convinced me to sign on, said I was the only one fit to play Bruce Wayne."

"So you're just going to be running around in your underwear like Adam West and fighting goons with gadgets?" John asked in confusion.

You shook your head mirthfully, "No, we're going to make a departure from the West show, be more comic accurate. You ever read any Batman comics?"

"No, I kind of bullied guys who read comics growing up." John confessed,

"Well the recent runs have made Batman more gritty and grounded, telling mature stories of a war on crime and Batman's struggle to clean the darkness of Gotham City and deal with his own personal demons. We're going for kind of a similar route, showing Batman's first year in his crusade as he and the good cops of the GCPD take on the mob, really show how the mythos is born." You explained.

"Well if you're Batman where do I come in?" John asked, excitement leaking out of his voice

"Floyd Lawton, AKA Deadshot. A ruthless Assassin for the Falcone crime family who never misses a shot and gives Batman his first fight with a true supervillain."

"Oh hell yeah that sounds awesome!" John said in excitement. John definitely wouldn't be anyone's first pick for Deadshot, but you had faith that he would see it through with his usual passion and high dedication, and if John wanted a departure from bad boy singers then this was it.

"I can't finalize anything yet because I need to run you by the Producer and Alan, but considering you just starred in Grease, I can't imagine they would say no. Plus it's going to be really nice to finally star in a film together. The one thing that bothers me about Five Dates is that you didn't join us." You say.

"Not your fault, I just had a crappy schedule and swapping me out for the King of Pop and Luke Skywalker is a pretty good trade." John assured. "Just so we're clear, this is a film you believe in and think is gonna be good? It's not just a payday?"

You rolled your eyes and gave John a hard stare, "Do you remember who you're talking to?"

John laughed at that, "Right. Well if it's got Bruce O'Brian as Director then I'm in all the way, no questions asked."

You smiled, reaching out and shaking John's hand. "Looking forward to kicking your ass, Deadshot."

"Wait, what?"
 
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Critical Failure: it seems you are not the hottest studio in town anymore. Everyone is going to UA… Sorry Sony UA… and they are pumping out movies like it's the gilded age.

HOW THE FUCK DID SONY BUY OUT UA WITHOUT ANYONE NOTICING!
Well, didn't expect Sony, the electronics company, and recently a life insurance provider to come in like the Cool Aid man.:lol::rofl::lol::rofl:
 
Also Mike Pondsmith is orgasming over the free inspiration to Cyberpunk.
"Wake the fuck up Samurai, we have a company to burn."
-Mike Pondsmith, Creator of Cyberpunk.
Still, I do wish that we got to see some more of the family fluff of Bruce and Carrie playing with Mary. Let this be a lesson to you Bruce. When Mary wants you to wear fairy wings, she wants you to Fucking wear the fairy wings! This is gonna make for some hilarious talk show material.
Well there will be much more fluff, I promise.
Movie Pitch:
Hercules
Normall, I would give a reward.

But currently, I am in a situation where I am unable to, so I am going to give +20 to SP because I can't think of anything.
Well, didn't expect Sony, the electronics company, and recently a life insurance provider to come in like the Cool Aid man.:lol::rofl::lol::rofl:
This is Sony.

They are after one thing and one thing only.

Money.
 
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