Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Also I am going to say this: I hate doing this but the second part of the Alan deal will have to be scrapped.

I will give the reward here soon however.
 
Was watching an architecture video, about Le Corbusier's designs for Paris, and I feel that we can incorporate some of his ideas into Imperial Coruscant [assuming we want to show off some of the planet in the OT].

In that same way, I think we can utilize Ildefons Cerdà's ideas for Barcelona for that Development we still haven't touched, and so make LA actually a liveable, far less congested city [in that section, unless the law and land developers follow suit].
 
Was watching an architecture video, about Le Corbusier's designs for Paris, and I feel that we can incorporate some of his ideas into Imperial Coruscant [assuming we want to show off some of the planet in the OT].
I'd absolutely love to show Imperial Coruscant in the OT. I still advocate for us having a section similar to the ATLA episodes in the Fire Nation so that we can see the opinions of the regular Imperial citizen and the propaganda and why they support the Empire.
 
I'd absolutely love to show Imperial Coruscant in the OT. I still advocate for us having a section similar to the ATLA episodes in the Fire Nation so that we can see the opinions of the regular Imperial citizen and the propaganda and why they support the Empire.
If we can't fit it into the movie, I think we should experiment with a short film anthology series [akin to Pixar Shorts] that plays for ten or less minutes before the start of our movies, to give the audience a slightly better idea of what goes on elsewhere and help expand the lore, touching on different topics and philosophies.

Figure it doesn't have to be live-action or even the same genre, so long as it's a creative take.
 
And in the Vesper Light...A Siren's Call
And in the Vesper Light...A Siren's Call:

On that initial sailing trip with Dave and Feet, Bruce had a memorable experience that would change the course of their lives. As the sun began to set, Dave spotted a green flash in the distance [what Bruce had offhandedly dubbed a Vesper Light], a rare phenomenon that occurs when a specific combination of atmospheric conditions align perfectly...but for Dave, that green flash was an inspiration. For the rest of that night, and even as they sailed back to shore, the image slowly engrained itself deeper and deeper into his memory, even as the tale slowly patched itself together from various tales, before slowly solidifying into a grand cacophony of narrative and music.

Days turned into weeks, and those weeks slowly became a month as Dave dedicated himself to refining and perfecting his story. It was a tale of adventure, romance, and swashbuckling action, set against a backdrop of pirates and the high seas, and from that simple framework slowly sprung forth a vast and epic Naval Opera that grew around that original core of a forbidden romance, that between a simple man finding his way in the world (essentially a pirate) and a governor's daughter: The Curse of the Black Pearl.

But even as he worked tirelessly on his script, something felt incomplete. The characters were still little more than caricatures, lacking the depth and nuance that he knew the story deserved. Still, he continued to work, pouring his heart and soul into the script. And with each passing day, the first notes of a melody began to grow more insistent, calling out to him in the quiet of the night, slowly growing a magnum opus of his own without end.

Near the end of that August, even with the very much rough draft, he felt his script had the potential to resonate with audiences around the world, as he knew that from that simple note, the first notes he had heard what felt like so long ago, that had inspired it all. And as he gazed out at the sea, searching for the Vesper Light to appear once more, he knew that it was that elusive spark of creativity that had led him to this.

"That was the moment that lit the fire," Dave had said to Bruce and Feet eventually, showing them the very much incomplete draft. "It was like something inside me just clicked, and the rest is history."


As the sun began to slowly set once more over the Pacific, he gently whispered into salt-heavy breeze the words that now had finally formed.

~Cruel and cold like winds on the sea
Will you ever return to me?
Hear my voice sing with the tide

My love will never die.~

Once more the vesper light flashed, and once more its siren's song called from beyond the sea.


Curse of the Black Pearl: by Dave Alistair ( Rough Draft '75 )
In it, we learn the story of The Flying Dutchman and its captain, Davy Jones, who had made a deal with Hades to give up his heart in exchange for immortality.

The main story followed the adventures of a young sailor named Jack Sparrow, who had been forced into a life of piracy after being betrayed by his own crew. Jack was a man of many talents - a master swordsman, a skilled navigator, and a charismatic leader. But he also had a secret - he was cursed to spend eternity as a ghost, unable to die but also unable to be seen by anyone except his crew. As the story progressed, we were introduced to a young governor's daughter named Elizabeth Swann, who had been kidnapped by the notorious pirate Blackbeard and his crew. Jack and his crew of cursed sailors embarked on a mission to rescue her, navigating treacherous waters and fighting off deadly foes at every turn.

But the true twist of the story came when Jack met Elizabeth and realized that she was, in fact, the reincarnation of Persephone. With that revelation, the story began to take on a deeper, darker tone, as their love becomes forbidden and their union challenged by the punishments of Hades and a jealous group of gods.


A/N: I blame this version of Davy Jones Lullaby for this, but...yeah. Don't plan on having this be on Dave's backburner for...the next twenty years, so that each script gets tighter and tighter before getting a slightly more refined version of what we get in OTL, so Jack's gonna be the problem child something fierce until Johnny Depp.
 
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Weapons Hot: Self-Defense:
Here are the Rewards:

[]This is For the Safety of Our Family (The O'Brian Mansion, with an infrequent exception, is now an impenetrable fortress due to Bruce's Paranoia.)
[]I don't know what else to Say (Unknown Effect on Carrie's Reluctance to Train with a pistol)
[]I belive that the only protection is what we can bring ourselves (Carrie learns Karate)

Horror Movie Pitch:
Deliver us to Evil
This... This is good:

You not only have a complete script with the quality of:
D100 + 20 => 100

You also get a small reward:

[]Satanic Panic? (Decrease hysteria with unknown symbols that parents do not know about when their kids play DnD)
[]So... Disney hired a guy named... John? (John Carpenter has been hired by Disney for a three-picture deal, mostly because he's the only one cheap enough to be hired. To also fiance his other independent projects)
[]I am not okay with this (Unknown Effect)


The Ocean's Salt and Spray:
[]Make a Wish upon the Sea (Unkown Effect)
[]We Belive, we Belive(Unknown Positive effect)
[]In the Bounty of the Sea (Debbie moves closer to Carrie and Bruce)
And in the Vesper Light...A Siren's Call:
For this, I'm actually going to give a small bonus.

The character of Jack Sparrow was created, but cannot be used until the 80's.
 
The Reward For Alan's Deal
As long as Alan LAdd Jr is a partner for Lucas Films, you have gained the following rewards:

Production within the US is significantly cheaper, meaning that when you give a budget, more money will be spent on other things, like VFX or actors' salaries. It also gives a roll bonus to hiring actors by +20.

Bruce can now, without any roll maluses, work on several movies at the same time. (But they must be filmed in the same country)

All Script Rolls will have a +20 to their rolls.

If Alan Ladd is a Producer on a film, suffer no production penalties.
 
[]This is For the Safety of Our Family (The O'Brian Mansion, with an infrequent exception, is now an impenetrable fortress due to Bruce's Paranoia.)
[]I don't know what else to Say (Unknown Effect on Carrie's Reluctance to Train with a pistol)
[]I belive that the only protection is what we can bring ourselves (Carrie learns Karate)
While certainly the first is very tempting, Bruce would probably feel better off if -

[X] I believe that the only protection is what we can bring ourselves (Carrie learns Karate)

- since it's not as situational, and can help her anywhere.
[]Make a Wish upon the Sea (Unknown Effect)
[]We Believe, we Believe (Unknown Positive effect)
[]In the Bounty of the Sea (Debbie moves closer to Carrie and Bruce)
I'm very tempted by the first one, since it seems to give the best mechanical bonus, but that second one...man, if this is what I think it is, Johnny Depp could have really used this in OTL.

[X] We Believe, we Believe (Unknown Positive effect)
 
I wonder how the gov is going to react to the strike now.

As I stated before, there's little hard power the government can pull to intervene in this strike. The film industry is part of the private sector and does not fulfill a critical function to American society. While no films would make the public a bit agitated and angsty, America can technically go on without going to the movies or watching new shows and it's not a matter of national security. Post Gilded age, most government actions in relations to strike were either education, transporation, or energy along with bills that generally regulated the legality and rules of labor unions within America.

Now considering the strike has put Hollywood on shutdown for eight months, this is likely going to bring the topic of organized labor back into the public consciousness and political spectrum with conservatives arguing for more anti-union stuff and liberals for pro-union. The success of either side depends on the exact outcome of the strike, the actions of both the studios and Guilds during it, how they move forward in victory/defeat, and how the public perceives each side winning. Nationally Liberalism is the dominant political culture but Reaganism is on the rise and Baby Boomers have shed their progressive youth and are now beginning to adopt individualism and yuppie culture so it's a lot of flux. National legislation depends on how Ford, Carter and Reagan are effective as Presidents and who is in control of Congress; but barring the Guild being Communist or Guilded Age actions of the studios, I don't think we'll see much national ramnifications besides maybe right to work getting a start in popularity.

Now the big kicker is how California and Los Angeles react to the strike. Film reform is likely going to be a hot topic for Jerry Brown to tackle in regulations for how movies are filmed, the rights of adult and child actors, and intellectual rights and credit. Tom Bradley has to decide whether or not he wants to become a full friend of the Guilds, back the studios or play neutral. He could spank the studios through taxes and regulations along with minimum wage and worker's compensation reform, but Bradley has to play a delicate balance game because if he pushes too hard then the establishment might want to form a new Hollywood or we could see giants like Disney and Universal who have significant out of state presence move to Florida, which if it happens would kill Bradley's political career. For the next year to two, Los Angeles is likely to be in a state of recession which will have knock back effects on Southern California, and this is on the eve of the Iranian Oil Shock and Stagflation so very dangerous times for the common folk of LA.

In terms of electoral politics, with the Democrats now in trifecta control of California and leading most of its major cities, they have to contend with the pendulum swing and bad economic times and social strife under their watch is likely to lead to boosts in GOP performance across the state, but until Reagan revives conservatism at the national level there isn't going to be a major power shift. 1970's races barring LA are likely to stay the same but 1980s might see changes at the federal and high state level depending upon butterflies for social issues and if the growth of the Californian economy is stunted by the legacy of the Strike of '75.

Overall too many What-Ifs without knowing the exact details of the strike. Could have massive potential for political change and things could stay the same. But unless the studios or guilds are performing outright felonies in the midst of negotiations, there's not much any level of government can do to intervene.

Rolling line 1 : 3d100 + 0 to total : 90, 77, 99, TOTAL: 266

When you're a film executive wanting to be corrupt and filthy rich but then a Filipino Sphere Boi said NO.

Well…

Shit.

Expect everyone but the producers guild to get everything they want.

You also might have prevented several deaths.

Honestly I'm pretty happy with this. Out of all the spheres of Hollywood, Producers generally have the highest rate of scumbags per capita and a producer tends to be filthy rich so the Producers Guild not getting a total victory but Actors and Writers doing so is perfectly fine with me. Presumably a 79 is still a general victory, so overall a fine day for the working artist against big film. Can't wait to see the official results.

One hopeful effect of a successful strike is Debbie manages to shorten or rip up her contract. Her shooting may also have a dark positive in that because of the scars, Universal doesn't consider Debbie to be photogenic or beautiful enough for films and quietly lets her go. Pretty terrible move, but at least it frees her and helps her take back control of her career. Would love to have her play Bobby's mom in Kung Fu Kid.
 
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