Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Anyone feel like trying to distribute Ranken Basses flight of dragons next year? It was distributed by Warner Bro's in real life so it's a possibility.
 
Movie Pitch: Gamera: Rise of Drogu
Alright then, this is the last entry I'll put for the Gamera Franchise for now. It's getting harder to find actors when I don't know which ones are eventually selected. So far, I think this might be the weakest entry, as I could not write a short summary for the story, but I think the plot is simple enough to be understood.

Thus, I give you:

Movie Pitch:
Gamera: Rise of Drogu


GENRE: Kaiju/Action

SUBGENRE: Fantasy/Drama

FORMAT: Japanese Movie

Set Up: Based on the character owned by Daiei films, the fourth film in the rebooted franchise. One year after the defeat of Jiger and the destruction of Monarch Sciences, Doctor Koga Takahiro leads an expedition to the South Pole where he finds a seemingly slumbering monster which he accidentally awakens. Now, brought to Japan, he begins a rampage as he absorbs all kinds of energy, increasing its power and threatening the Earth as no one seems able to stop him. No one that is, save for Gamera.

Director: Kazuki Ōmori
Composer: Makoto Shinohara

Captain Yasui Ryota: Member of the Bureau of Paranormal Defense, in charge to face down against Drogu, as well as the leader of the investigation as to where he came from. Though ambivalent to Gamera, his feelings began shifting as he sees the Kaiju fight Drogu and defend a child before he was killed.

Played By: Masahiro Takashima
Alternate: Akira Nakao

Dr. Mayumi Nagamine: She is a gifted ornithologist who was among the first to ever learn about Gamera as she helped with the situation with Gyaos. Her specialization and studies make her one of the foremost authorities on monsters (as much as she may wish she wasn't) and thus she is the one trying to figure out from where does Drogu comes, and what his weakness may be.

Played By: Yoshiko Tanaka
Alternate: Ryoko Nakano

Colonel Genji Kusanagi: A member of the JSDF, and dedicated to finding the truth no matter what gets in his way. Promoted after the fight against Jiger, Genji leads the ground forces and makes sure to help Machida Tetsuo when the latter comes to him with information about Drogu, and who may be the one responsible for it being in Japan.

Played By: Kōsuke Toyohara
Alternate: Koichi Sato

Gamera: The titular kaiju, Gamera is a giant flying, fireball-breathing turtle that was created by an advanced civilization (Atlantis) to exterminate the invading Gyaos. While not apparent at first glance, Gamera does have a soft spot for children. Gamera's fight against Drogu remains inconclusive as the latter always manages to sneak away before being given the final blow, with Gamera in the end taking him high above the ozone layer, causing him to freeze before once more dumping him in the South Pole.

Played By: Kenpachiro Satsuma
Alternate: Toru Kawai

Drogu: A monster slumbering in the South Pole until he was awakened by Dr. Takahiro's expedition. Drogu can absorb electric energy to grow stronger, and use it in different ways to attack directly, as well as using it in more subtle ways to manipulate the minds of those close to him. Such were his actions with Dr. Takahiro, where he killed them all, and then had Dr. Takahiro bring him to Japan before erasing his mind of any and all knowledge of his findings.

Played By: Hurricane Ryu
Alternate: Wataru Fukuda
Dr. Koga Takahiro: Initially found as a disheveled old man with memory problems, it is eventually revealed that he was once one of the most brilliant scientists who, in an expedition to the South Pole, accidentally awakened Drogu, and was controlled by it to bring him to Japan before being discarded. It was a small miracle he survived, but he managed to write down his ramblings, which helped in finding a hint to weaken it at least for a while.

Played By: Takehiro Murata
Alternate: Tomokazu Miura

Saeki Takahiro: Dr. Takahiro's daughter, who's been taking care of him and hiding him from any that might try to harm him. Though she initially discourages Tatsuo, claiming to know nothing, when meeting and being reassured by Colonel Kusanagi, she agrees to show where her father is, as well as the notes he wrote in his delirium.

Played By: Kaoru Sugita
Alternate: Hikaru Ishida

Machida Tatsuo: He is a reporter that followed the small pieces of evidence about a derelict ship being found and the sudden appearance of Drogu in Japan, managing to find the link that allowed Colonel Kusanagi to find Dr. Takahiro, as well as the hints to finally harm Drogu once and for all.

Played By: Tetsuya Bessho
Alternate: Kiichi Nakai
Hitomi: Saeki's friend who finds it odd how her friend is suddenly going home early where before she was more of an extrovert.

Inspector Nozawa: A police officer who finds the records for Dr. Takahiro and gives them to Colonel Kusanagi when asked for.

A.N.: Well, this should tide us over for Gamera for the 80's and entering into the 90s. I hope we can find some other Kaiju's for Gamera to fight afterwards because man did Gamera's enemies' suck!! Seriously...Viras, Zigra, Guiron...and don't even get me started on Barugon! Why does Godzilla get to fight classics like King Ghidorah or Mothra, while we get stuck with a fish and some knife headed weirdo! If you ask me, they did an excellent choice when they only showed Gyaos in the Heisei Gamera films and then went for original Kaiju's later on. Though at least we were able to remake Jiger somewhat.
 
Movie Pitch: Flight of the Navigator
When I first saw this movie I was a bit confused about the entire story. Then again, I saw this movie when I was a child so of course I was going to have trouble deciphering what exactly was going on. But, once I did, I found this movie to be just beautiful. it's just so wholesome, with the entire theme of family, friendship, and not recognizing what you have until you lose it. Even the special effects have their own charm that, despite the many movies since that have perfected it, still remain unique and just perfect for the film.

And that's without mentioning the entire interactions between David and Max. I swear, seeing both of them banter, become friends, and eventually the ending when both of them have to go their separate ways was just amazing. Heck, I also loved the entire concept of time travel, and how despite it being eight years, it still is a shock to David when he sees the changes that have been brought forth, truly highlighting how the 70s and the 80s differ despite it not even being a decade.

Thus, I give you:

Movie Pitch:
Flight of the Navigator


GENRE: Adventure/Mystery/Thriller

SUBGENRE: Science FIction/Comedy

FORMAT: Movie

Set Up: On July 4, 1978, in Fort Lauderdale, Florida, 12-year-old David Freeman walks through the woods to pick up his 8-year-old brother, Jeff, from a friend's house, when he falls into a ravine and is knocked unconscious. When he revives, eight years have mysteriously passed, and it is now 1986. He has not aged, and his appearance exactly matches his missing child poster. He is reunited with his aged parents and the now 16-year-old Jeff.

Director: Randal Kleiser
Composer: Alan Silvestri

David Scott Freeman: He is Bill and Helen Freeman's older son. He enjoys his usual routine of playing frisbee with their dog, Bruiser (whom he trains for the Frisbee Championship), school, and hanging out with his friends. His younger brother, Jeff, was born when he was four and he always enjoys teasing him which results in a lot of quarreling to which their parents always get caught in between.

Played By: Joey Cramer
Alternate: Joaquin Phoenix

Max (Voice): He is the computer/robotic pilot that commands a Trimaxion Drone Ship from the planet Phaelon. He came to collect samples from Earth and return them to Phaelon, but lost most of it, implanting it in David, and taking him to the future due to the complexities of humans. When Max does receive the information he needs, he gets something more; the ability to feel and express emotions.

Voiced By: Paul Reubens
Alternate: Jim Carrey

Jeff Freeman: He is a cheeky boy who enjoys tormenting David, causing a few heated arguments in which Bill and Helen are always caught in the middle of. after his mysterious disappearance for 8 years, Jeff shows how much he really cared about him by helping in Bill and Helen's search for him, feeling bad that the last time they met is when he scared him by jumping out of a tree when he goes to pick him up.

Played By: Matt Adler
Alternate: Chris O'Donnell

Dr. Louis Faraday: He is the lead scientist at the NASA base. He arrives at the scene of the incident after being notified by the police and then captures the ship, transferring it to a hangar at the NASA base. He tries to figure out a way to get inside it, but doesn't have any luck until he gets David in his hands and tries to obtain the information in his mind by any means necessary.

Played By: Howard Hesseman
Alternate: Frank Langella
Bill Freeman: He is David and Jeff's father. He is stern when necessary, but also loving to his children.

Played By: Cliff DeYoung

Helen Freeman: She is David and Jeff's mother. She loves both of her children, and is delighted when David finally returns.

Played By: Veronica Cartwright

Carolyn McAdams: She is a NASA intern. She befriends David Freeman while he is staying at the institute. She also helps him escape from his room to reach the ship.

Played By: Sarah Jessica Parker
Larry Howard: He is Janet's husband, and the owner of David's former home after his parents moved. He's a kind man who aids David when he's distressed.

Janet Howard: She is Larry's wife, and the one who answered the door when David knocked. She was shocked when David entered the home, but still managed to call the police to escort David.

A.N.: I'm keeping the Director, Composer, and the main actors, since I can't imagine there being any other that could play the part. Still, I've put some alternate casting for the Main Characters. I'm thinking we make the film in 86' like it had been done before in OTL, but I'm open to the idea of it being done sooner. I'd have to look for new actors, but it's doable.
 

Nice
How about Legally distinct Godzilla wearing an American Jacket and Smoking an apple pie in his incarnation as Nuclear trouble caused by carelessness contempt and overparticular leading to lack of caution and respect. Poke toho by taking Godzilla back to its roots, show Gamera defeating Legally distinct Godzilla and remind peole that things become trditiosn because not doing things that way results in DYING

Three Mile Island should just have happened so there is an audience in America.
alternatively as Gamera is a dragon turtle so his natural nemisis is an Italian plumber.


While I have never seen the movie, I remember seeing a making-of documentary and being VERY impressed with how they managed the special effects and just how impressive the computer-generated reflection mapping on the spaceship was for the time. If it is made any time before OTL, Lucasfilm is likely to be the only ones with the technical ability.



Onto another subject - Kittens

I beleve the cucrrent plan is to Give one to Cat (Bruces sister) and her goup of children, one to Mark Hamil's son Nathan, Keep three for Mary Joseph and Sarah which leaves one more.

Mavis Kingsley, I think, has a child about he same age as Mary. Would she like a kitten ? is she close enugh to the family to receve one and Is there anyone else at lucafilm with young children who would like a kitten?
 
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Movie pitch


Kung fu pnada

Genre:Action, Adventure, Fantasy, Humor,Family
Sub-Genre:Martial art,Wuxia
Format:F
ull-Length animation Movie



In the Valley of Peace, a land in Ancient China inhabited by anthropomorphic animals, a giant panda named Po helps his goose father Mr. Ping run their noodle restaurant, but dreams of fighting alongside the Furious Five – Tigress, Monkey, Crane, Viper and Mantis – a group of kung fu masters who live in the Jade Palace, where they are trained by Master Shifu, a cranky red panda. One day, the wise tortoise, Master Oogway, the founder of kung fu, and the Valley's spiritual leader, predicts that Shifu's former protégé, the snow-leopard Tai Lung, will escape from prison and attack the Valley to obtain the Dragon Scroll, a legendary artifact said to grant limitless power to its reader, which he had previously been denied. Panicked, Shifu sends his goose assistant, Zeng to increase the security at Chorh-Gom Prison, where Tai Lung is held.

Shifu holds a tournament for the Five so that Oogway can identify the Dragon Warrior, the prophesied hero worthy of reading the Scroll, and Po arrives too late to enter the arena. Desperate to see his idols, he accidentally launches himself into the middle of the tournament off a chair propelled by fireworks. With the townsfolk believing Po descended from the sky in a fireball, Oogway proclaims Po the Dragon Warrior, much to Po's and the Masters' shock. Shifu believes Oogway's decision to be an accident, and the Five dismiss him, so Po considers quitting. However, after receiving encouragement from Oogway, he endures a frustrated Shifu's harsh training and gradually befriends the Five with his resilience, culinary skill and good humor. During this time, Tigress informs him that Shifu's distant behavior stems from his shame over Tai Lung's betrayal because of being denied the dragon scroll (as Oogway sensed darkness in his heart), having raised him from infancy.

At Chorh-Gom Prison, Zeng's warnings are ignored; Tai Lung easily escapes and subdues his guards before sending Zeng back. Shifu informs Oogway, who makes Shifu promise to believe in Po as the Dragon Warrior, before hiring Shifu as his successor as the Valley's leader and ascending into the Spirit Realm in a stream of peach blossoms. Shifu informs Po and the Five of Tai Lung's escape and Oogway's passing, and tells Po he is the only one who can stop him. Horrified by the bad news about Oogway's death, Po attempts to run away, but Shifu stops him. When Shifu asks Po why he chose to stay, Po tells him that he hated who he was, and he felt that despite Shifu's harsh treatment, he still believed Shifu could change him. Po then makes Shifu admit that he does not know how to train him to be the Dragon Warrior. Tigress overhears this and leads the Five in a secret attempt to stop Tai Lung.

Meanwhile, Shifu discovers that Po is capable of impressive physical feats when motivated by food, and successfully trains Po by incorporating these feats into an innovative style of Kung Fu. The Furious Five fight Tai Lung, but he ultimately defeats them with his nerve-strike technique, leaving only Crane who carries the rest back to the valley, as a warning. On returning, Shifu decides that Po is ready to receive the Dragon Scroll. When Po opens it, he discovers that the scroll is nothing but a blank reflective surface. Believing the Scroll to have no power, Shifu has Po and the Five evacuate the inhabitants of the Valley while he faces Tai Lung alone to help everyone else escape. Trying to console a distraught Po, Mr. Ping reveals that his "secret ingredient soup" has no secret ingredient at all, explaining that things can become special with belief. Realizing that this is the message of the Dragon Scroll, Po rushes back to help Shifu.

At the Jade Palace, Tai Lung brutally defeats Shifu, but he discovers that the Scroll is missing. Po arrives with the Scroll, saving Shifu's life and prompting them to fight. Po proves to be a formidable opponent, frustrating Tai Lung with his confusing fighting techniques. Tai Lung eventually obtains the Scroll, but does not comprehend its blank surface. Tai Lung tries to take his frustrations out on Po with his nerve-strike technique. However, Tai Lung discovers that Po is immune to this. Po overpowers Tai Lung and sends him to the Spirit Realm using the legendary Wuxi Finger Hold technique, which he taught himself. Po is honored by the Valley, earns the respect of the Five, and relaxes with a recovered Shifu.
Po: Chris Farley(if relased in the 90s) or Robin Williams
Tigress: Carrie Fisher
Monkey: Jackie Chan
Mantis: George Carlin
Viper: Michelle Yeoh
Crane: Donnie Yen or Frank Welker
Shifu: Peter Cullen
Oogway: Toshiro Mifune
Tai Lung: Brian Blessed
Mr. Ping: James Hong
One of the good dreamwork and if he achieves even a quarter of the popularity he had with the Chinese people irl it would be a very good method to mess with the Chinese government and humiliate their "Chinese Hollywood"
An earlier version of Kung Fu Panda would work just as well, if not, even better in the 80s considering all the trends that was going on back then.


Movie pitch (potentialy universal movie pitch)


The mummy


GENRE :Horor/Action/adventure

-GENRE : Fantasy/Drame

FORMAT :
Film​
In Thebes, Egypt, 1290 BC, high priest Imhotep has an affair with Anck-su-namun, the mistress and future bride of Pharaoh Seti I. They kill the Pharaoh, after he discovers their relationship. Imhotep flees, while Anck-su-namun kills herself. Believing he can resurrect her, Imhotep and his priests steal her corpse and travel to Hamunaptra, the City of the Dead. The resurrection ritual is stopped by Pharaoh's bodyguards, the Medjai. Imhotep's priests are mummified alive, while Imhotep himself is tortured, cursed and buried alive with flesh-eating scarabs at the feet of a statue of the god Anubis. The Medjai are sworn to prevent Imhotep's return.

In 1926 AD Cairo, Jonathan Carnahan presents his sister, Evelyn—a librarian and aspiring Egyptologist working for museum curator Dr. Terence Bey—with an intricate box and map that lead to Hamunaptra. Jonathan reveals he stole the box from an American adventurer, Rick O'Connell, who discovered the city while in the French Foreign Legion three years earlier. Evelyn and Jonathan find Rick in a local prison and make a deal with him to lead them to the city, bribing prison warden Gad Hassan to free him.

Rick guides Evelyn and her party to the city, encountering a band of American treasure hunters led by Rick's cowardly acquaintance Beni Gabor. Despite being warned to leave by Ardeth Bay, leader of the Medjai, the two expeditions continue their excavations. A flesh-eating scarab hatches from a decorative shell embedded in an artifact Warden Hassan is looting and burrows inside his body, killing him. Meanwhile, several diggers working with the Americans are killed by triggering a cloud of pressurized salt acid during the excavation. Evelyn searches for the Book of Amun-Ra, made of pure gold. Instead of finding it, she stumbles upon Imhotep's remains. The team of Americans, meanwhile, discover the black Book of the Dead, accompanied by canopic jars carrying Anck-su-namun's preserved organs.

At night, Evelyn reads from the Book of the Dead aloud, accidentally awakening the mummified Imhotep, who seems to briefly confuse Evelyn with Anck-su-namun. The expeditions flee back to Cairo, and Imhotep follows them with the help of Beni, who has agreed to serve him. He regenerates his full strength and human form by killing the members of the American expedition and brings the Ten Plagues back to Egypt. Meanwhile, Evelyn learns that Terence is also working with the Medjai.

Rick, Evelyn, Jonathan, and Terence meet Ardeth at the museum, who hypothesizes that Imhotep wants to resurrect Anck-su-namun by sacrificing Evelyn. She believes that if the Book of the Dead brought Imhotep back to life, the Book of Amun-Ra can kill him again and deduces the book's whereabouts in Hamunaptra. Imhotep corners the group with an army of slaves. Evelyn agrees to accompany him if he spares the rest of the group. Although Imhotep does not honor his word, Rick and the others fight their way to safety, with Terence sacrificing himself to ensure their escape.

Rick, Jonathan, and Ardeth recruit Captain Winston Havelock, a member of the Royal Air Force with a death wish to fly them back to Hamunaptra in pursuit of Imhotep. However, Imhotep magically conjures a sandstorm, crashing their plane and killing Havelock. Rick, Jonathan, and Ardeth locate the Book of Amun-Ra in Hamunaptra while Imhotep prepares to sacrifice Evelyn, also bringing Anck-su-namun's mummified remains to life as part of the ritual. Rick manages to rescue her after a brutal fight with Imhotep's mummified priests and mummified soldiers; Anck-su-namun's mummy is also slain during the melee. Evelyn reads from the Book of Amun-Ra, making Imhotep mortal, and he is fatally wounded by Rick. Imhotep degenerates back into his mummified form and descends into the pool of souls, vowing revenge.

Beni accidentally sets off a booby trap while looting the city of its riches and is killed by a swarm of flesh-eating scarabs as Hamunaptra collapses into the sand. Ardeth bids Rick, Evelyn, and Jonathan goodbye, and the trio rides away on a pair of camels, not realizing it is laden with Beni's stolen treasure.
A brilliant action film with very good special effects and imagery of a fantasized Egypt straight out of an epic adventure dream.
Maybe something we could do between two indiana jone ?
So this would be their attempt to capitalize on Indiana Jones?


Movie pitch



Home alone


GENRE: Family/comedy

SUBGENRE: Christmas movie

FORMAT: Movie

The McCallister family is preparing to spend Christmas in Paris, gathering at Kate and Peter's home in a Chicago suburb on the night before their departure. Kate and Peter's youngest son, Kevin, is ridiculed by his siblings and cousins due to his immaturity. Kevin inadvertently ruins the family dinner after a scuffle with his oldest brother Buzz, in which Kevin's airplane ticket is unknowingly thrown away, resulting in Kate sending him up to the attic. Kevin berates his mother for allowing the rest of the family to pick on him and wishes that his family would disappear. During the night, heavy winds create a power outage, disabling the alarm clocks and causing the family to oversleep. In the confusion and rush to get to the airport, Kevin is accidentally left behind.

Kevin wakes to find the house empty and the family cars still in the garage, unaware that they had rented vans to take them to the airport. Thinking that his wish has come true, he is overjoyed with his newfound freedom. Later, Kevin becomes frightened by his next-door neighbor, "Old Man" Marley, rumored to be a serial killer who murdered his own family. The McCallister home is soon stalked by the "Wet Bandits", Harry and Marv, a pair of burglars who have been breaking into other vacant houses in the neighborhood. Kevin tricks them into thinking that his family is still home, forcing them to postpone their plans to rob the McCallister house.

Kate realizes mid-flight that Kevin was left behind, and upon arrival in Paris, the family discovers that all flights for the next two days are booked, and that the phone lines are still down back home in Chicago. Peter and the rest of the family stay in his brother's apartment in Paris, while Kate manages to get a flight back to Scranton, Pennsylvania. She fails to find a flight to Chicago, but meets Gus Polinski, the lead member of a traveling polka band, who offers to let her travel with them to Chicago in a moving van.

On Christmas Eve, Harry and Marv finally realize that only Kevin is in the McCallister home, and Kevin overhears them discussing plans to break into the house that night. Kevin starts to miss his family and asks the local Santa Claus impersonator if he could bring them back for Christmas. He goes to church and watches a choir perform, eventually re-encountering Marley, who proves the rumors about him are false. Marley points out his granddaughter in the choir and mentions he has never met her since she is the daughter of his estranged son. Kevin suggests Marley should reconcile with his son.

Kevin returns home and rigs the house with booby traps. Harry and Marv break in, spring the traps, and suffer various injuries. Kevin calls the police and lures the duo into a vacant neighboring house that they had previously broken into. Harry and Marv ambush Kevin and prepare to get their revenge, but Marley intervenes and knocks them out with his snow shovel. The police arrive and arrest Harry and Marv, having identified all the houses that they broke into due to their habit of flooding them.

On Christmas Day, Kevin is initially disappointed to find that his family is still gone, but Kate arrives home, and they reconcile. The rest of the family then returns after waiting in Paris for a direct flight to Chicago. Kevin keeps silent about his encounter with Harry and Marv, although Peter finds Harry's knocked-out gold tooth. Kevin then happily watches Marley reuniting with his son, daughter-in-law, and granddaughter. Buzz then confronts Kevin from a distance for trashing his bedroom.
A easy to make and cheap film but which brings in a lot of money, Mike will be happy.
I was surprised to learn that there are six films in this franchise, also by god this poster
Why does it feel that Home Alone would fit even better in the 80s?
Like, I was thinking it'd be the basic plot of the original comic run.

Young teenager Robby Reed is a genius who finds himself falling into a cavern due to the actions of a villain/villain group (in the comic it was the Thunderbolt Gang, but that can be changed). There, he finds a strange alien device that has a dial on it... that he decides to take with him.

He leaves the cavern and spends the next several hours deciphering the language of the dial (or maybe days/weeks for a bit more realism? Or we could go and full send it and have it be a years long deciphering process turning him from young teenager to young man?), and discovers that this dial can turn him into Heroes.
There's a litany of various heroes he could turn into... I'd personally prefer going with the classic options from the original run, but we could make some original ones or use ones from later on.

Classic ones would be stuff like... The Cometeer, Giant Boy, Mole Man, The Squid, and The Human Starfish.

Uh, here's an image of the general concept.


Oh yeah, Robby also has the catchphrase Sockamagee! If anyone was interested... not the greatest catchphrase. But it's at least kind of funny in how bad it is.
So like I said, because Dial H has already been a DC property for ages(since the 60s if memory serves), then unless you make the pitch specifically as a Columbia pitch(the studio that currently owns DC in-quest), then no, making specifically Dial H for Hero for Lucasfilm would not work. It would have to be made sufficiently different from Dial H, and at that point you might as well just do a Ben 10 pitch(I think I actually have one buried somewhere as a "Jen 10" pitch that I had been working on months back, but that's neither here nor there).
Oh yeah, I heard of Dial H for Hero.
TV Pitch
Star Wars Droids

View: https://www.youtube.com/watch?v=riIOiNq0RHk
Genre:Adventure,Comedy, Scifi, Children's Show
Format:Cartoon



Plot: The plot of the series follows the adventures of R2 and C3PO as they explore the galaxy. Helping various masters aiding the rebellion and finding themselves pitted against pirates, crime lords and the Empire. As the series progresses the droids are passed around to different owners/companions mostly by the rebellion lending them out to aid in missions or the droids just getting lost and aiding their new friends.
Thall Joben: A speeder racer who briefly becomes the owner of the to droids when they get separated from Captain Antilles. Inexplecably owns a lgihtsaber hinting a mysterious past.

Mungo Baobab: Heir of the Baobabmerchant fleet. Mungo is an merchant adventurer who is trying to rebuild his familys finances and help people along the way.

Sise Fromm: The elderly boss of the Fromm crime family, Sise keeps runs his empire with ruthlessness and an army of cloned thugs.

Tig "Tiggy" Fromm: Sise's technophile and childish son. Tig eschews the old ways of doing business in favor of using droids and new weapons.

Vlix Oncard: Sise's right hand man. Vlix is a old fashioned gangster and constantly mocks Tig during his failures and tantrums.

Kybo Renn: A pirate king or petty warlord depending who you ask. Kybo Renn seeks riches and plunder is willing to take on anyone for it.

Admiral Terrinald Screed: A hero of the Clone Wars. Years of working under the empire has saw him turn into the tyrant he once fought against. Is slowly being sidelined by more "politically reliable" officers and is desperate to regain his former standing.

The Great Heap: A massive Droid from a long forgotten civilization. It makes a deal with the empire while it pursues its own inscrutable goals.
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I didn't see a star wars droids pitch so I tried my hand at it. Sorry if their was one already I couldn't find one in the search function.

This could be made as a better version of OTL's show considering the whole anime thing and Lucasfilm having direct control.


Animated tv pitch


Avatar the last airbender

Book One: Water

GENRE: Action/Adventure/Epic Fantasy

SUBGENRE: Drama/Comedy/Martial art

FORMAT: Animated TV Show

Episode 1: Katara and Sokka, two siblings from the Southern Water Tribe, discover a boy trapped inside an iceberg floating on the sea after Katara accidentally waterbends in a fit of rage while reprimanding Sokka. They free him and he introduces himself as Aang, an airbender of the Air Nomads—a culture believed to be extinct for 100 years. Aang and his flying six-legged sky bison, Appa, accompany Katara and Sokka to their village. Meanwhile, Prince Zuko of the Fire Nation, accompanied by his uncle Iroh, is patrolling the surrounding waters in search of the Avatar, a fabled immensely powerful bender who can bend all four elements and restore balance to the world. Katara confides in Aang that she is a waterbender, but there are no other waterbenders in the Southern Water Tribe to teach her. Aang offers to take her to the Northern Water Tribe to find a teacher. A chance encounter with an abandoned Fire Nation ship reveals that Aang is unaware of the war that the Fire Nation has waged against the other nations of the world for 100 years; Katara deduces that Aang must have been frozen for at least that long. The pair accidentally set off a signal flare on the ship, alerting Zuko, who already suspects the Avatar is nearby.

Episode 2: After bringing Fire Nation attention to the village, Aang is banished despite Katara's objections. Zuko soon descends on the village and demands the Avatar be handed over to him. Aang returns to the village to defend it, where Zuko identifies him as the Avatar. He surrenders himself to Zuko on the condition that the villagers are left alone, to which Zuko agrees. Katara and Sokka decide to pursue Aang on Appa. Aboard Zuko's ship, Aang eventually manages to break free from the guards and battles with Zuko in the process. Aang is nearly defeated, getting knocked into the water and almost drowning, but he saves himself in his "Avatar State", in which his eyes and tattoos glow and he channels an incredible display of waterbending to overpower Zuko and his crew. As the three fly away on Appa, Aang explains his reluctance towards being the Avatar, and the group sets a course for the North Pole so that he and Katara can learn waterbending.

Episode 3: Aang is eager to return to his home at the Southern Air Temple, though Katara worries that evidence of the Fire Nation's assault on it may upset him. He shows Katara and Sokka around the now-deserted temple, reminiscing about his mentor Monk Gyatso. The group find a room filled with the statues of all previous Avatars (Aang's past lives) in order of their reincarnation, the most recent being Avatar Roku of the Fire Nation. While playfully chasing a flying lemur, Aang discovers Gyatso's skeleton, surrounded by Fire Nation remains. Aang enters the Avatar State in his grief, causing the eyes of the statues at the temple and all over the world to glow brightly, alerting everyone to his existence. Once Katara and Sokka calm Aang down, he accepts that he is the last surviving Airbender. As they leave the temple, they adopt the lemur as a pet, naming him Momo. Meanwhile, Zuko stops to make repairs to his ship and is greeted by Zhao, a commander in the Fire Nation navy. Zuko tries to hide that he has seen the Avatar, but Zhao discovers the truth and takes on the task of capturing the Avatar himself, deeming Zuko a failure. Zuko refuses to accept this, as capturing the Avatar is the only way he can return from his banishment from the Fire Nation. Tensions rise between the two, with Zuko challenging Zhao to a firebending duel (known as an Agni Kai). Zuko wins the duel, but spares Zhao. Zhao then tries to attack Zuko while his back is turned but is stopped by Iroh, who intervenes and chastises Zhao for his dishonorable conduct and poor sportsmanship. The Agni Kai sparks a bitter rivalry between Zuko and Zhao.

Episode 4:Looking for a short break from their travels, Aang brings the group to the Earth Kingdom's Kyoshi Island, where he seeks to ride Elephant Koi, enormous fish who inhabit the surrounding waters. However, the group are captured by the Kyoshi Warriors, a group of warriors (consisting entirely of girls) who protect the island. The trio are freed when Aang proves he is the Avatar, a reincarnation of Avatar Kyoshi, and he quickly gains reverence among the island's inhabitants. His popularity, especially among the girls, soon goes to his head and creates a rift between him and Katara. Meanwhile, Sokka is embarrassed after being bested by girls in combat training, and strives to prove himself stronger than the Kyoshi Warriors. When he suffers further embarrassment, he swallows his pride and respectfully asks to be trained by their leader Suki, who agrees. Aang's desire for popularity soon puts himself and Katara at risk when he tries to ride an Unagi sea serpent, as well as the whole island when Zuko gets word of his location. Zuko attacks, but Aang, Katara, and Sokka all manage to escape before the entire island is decimated. Aang uses the Unagi to extinguish the fires caused by the Fire Nation attack.

Episode 5:The next stop on the group's trip is the Earth Kingdom city of Omashu. There, Aang shows Katara and Sokka the Omashu mail delivery system, a massive network of stone causeways which he and his friend Bumi (Sanskrit word for 'Earth') had once ridden for fun a hundred years previous. The trio gives the chutes a try but runs into trouble after they destroy a cabbage merchant's cart. Brought before the king of the city, an elderly and erratic man, the three are unexpectedly given a feast, during which the king outs Aang as being the Avatar. He imprisons the three and puts Aang through three deadly challenges the next day to test his skills and earn Katara and Sokka's freedom, culminating in a duel with the king himself. After Aang passes all of the challenges, the king forces Aang to guess his name. Aang ponders the question, finally deducing the king is his old friend Bumi. Bumi and Aang finally reunite, Katara and Sokka are set free, and Bumi divulges that he put Aang through the challenges as a means of preparing him for his eventual confrontation with Fire Lord Ozai.

Episode 6:Aang, Katara, and Sokka camp near a small Earth Kingdom town where they meet a young earthbender named Haru. They find the town is occupied by the Fire Nation, and earthbending is forbidden with risk of imprisonment. Katara convinces Haru to save an old man using his earthbending, only for the same man to turn Haru in to the Fire Nation. Katara devises a plan to save Haru by getting herself arrested for earthbending, which she fakes with some help from Aang and Sokka. When she arrives at the Fire Nation prison, a metal sea fortress that is impervious to earthbending, she finds Haru and his long-imprisoned father Tyro. However, she also discovers that all of the prisoners have lost hope of escape due to their inability to bend. Katara successfully leads a rebellion with Aang and Sokka's help by delivering the earthbenders coal from the fortress, which Katara uses to inspire them into action. The earthbenders escape after battling the Fire Nation guards, and return to their occupied towns with plans to rebel against Fire Nation occupation. Haru thanks Katara for reuniting him with his father, while Katara is dismayed when she realizes her late mother's necklace is missing, only to be found by Zuko back on the fortress.

Episode 7:The trio find themselves in a small Earth Kingdom village that is being attacked by Hei Bai, a monster from the Spirit World. The villagers believe that Aang can make peace with the spirit, since the Avatar is the bridge between the Physical and Spirit World. Aang unsuccessfully tries to calm the monster, which kidnaps Sokka in the process of attacking the village. Aang pursues Sokka, but fails to rescue him and ends up in the Spirit World, from which he cannot be seen or heard, nor does he have the ability to airbend. While there, he is told that the previous Avatar, Roku, has a message for him on the Winter Solstice, delivered by the spirit of Roku's dragon. After returning, Aang proceeds to calm the attacking spirit, who was upset that the nearby forest he watches over was destroyed by the Fire Nation, restoring peace to the village. Elsewhere, Iroh is captured by Earth Kingdom soldiers while bathing in a hot spring. The soldiers plan to take him to the Earth Kingdom capital, Ba Sing Se, to face justice, but Iroh proves to be an immensely formidable firebender, even when restrained. Zuko eventually catches up with the soldiers to help free him, forgoing his chase for the Avatar for a time.

Episode 8:Aang, Katara, and Sokka travel to a temple on an island in the Fire Nation, so that Aang may receive Roku's message. The three bypass a blockade led by Zhao; Zuko pursues them through the blockade, despite being banished from the Fire Nation. At the temple, they discover that the Fire Sages who guard the temple are no longer loyal to the Avatar, but to the Fire Lord. The sages attack, but one proves to still be loyal to the Avatar and leads them to the temple sanctuary. Aang manages to enter the sanctuary after narrowly avoiding capture. Zhao arrives, intending to apprehend both Aang and Zuko. Avatar Roku appears to Aang and informs him about a comet that Fire Lord Sozin used to begin the war by harnessing its power to enhance the Fire Nation's bending and wipe out the Air Nomads attempting to kill Aang. The comet will return by the end of the coming summer, and give Fire Lord Ozai the power to finish the war with a brutal assault; Aang must master all four elements and defeat the Fire Lord before the return of the comet. Roku's spirit manifests inside Aang's body, repelling Zhao's forces with a staggering display of bending that destroys the temple as Aang, Katara, Sokka, and Zuko escape.

Episode 9: Aang grows frantic over the fact that he must master all elements to defeat the Fire Lord before Sozin's Comet arrives, so Katara begins teaching Aang waterbending, despite her limited training. Waterbending comes naturally for Aang, much to Katara's frustration. Later, while in town to buy supplies, Katara finds a waterbending scroll on a ship run by pirates, which she promptly steals. Katara struggles to learn the techniques in the scroll, while Aang picks them up quickly, further frustrating Katara. Meanwhile, Zuko runs into the pirates and agrees to help them find the scroll, and subsequently Aang. They soon find and capture Aang, Katara, and Sokka, but Sokka turns the pirates against Zuko, and the three escape in the ensuing chaos, with Aang and Katara using their newly-learned waterbending skills to overwhelm their enemies.

Episode 10: After stumbling into an encampment of Fire Nation troops, Aang, Katara and Sokka are rescued by a rogue teen named Jet and his group of Freedom Fighters. Jet invites the team back to their vast treehouse hideout, where the group plots out its attacks. Jet and Katara form an instant bond, but Sokka has suspicions about him, which leads the young rebel to tempt Sokka with missions. His plan fails, however, with Sokka becoming increasingly concerned about Jet's motives and true objectives after he attacks a harmless old man simply due to him being from the Fire Nation. Sokka is unable to convince Aang and Katara to believe his concerns, while Jet enlists them to help him "save" a nearby Earth Kingdom town by filling up the reservoir. That night Sokka follows Jet and discovers his real intent is to drown the village, sacrificing the lives of innocent civilians to destroy the Fire Nation garrison stationed there, only to be captured by Jet. The next day, after filling the reservoir faster than expected, Aang and Katara learn of Jet's true plan. They try to stop it but Jet interferes. Katara manages to freeze Jet to a tree but are unable to prevent the reservoir from being destroyed, washing away the town. However, Sokka arrives, revealing he managed to evacuate the town, Earth and Fire citizens alike, with the help of the old man in time to thwart Jet's plot.

Episode 11: The group ventures into the Great Divide, the world's largest canyon. Katara and Sokka start bickering, so Aang decides to put his diplomatic skills to the test, as the Avatar is supposed to be a conciliator and promoter of peace. He successfully solves their minor disputes, but Aang's skills are soon put to a more substantial test when two Earth Kingdom tribes, the Zhang and the Gan-Jin, who have been in a feud for over a hundred years, are forced to cross the canyon together en route to Ba Sing Se. The Gan-Jin believe that their ancient leader was robbed by the ancient Zhang leader, while the Zhang believe their leader was only trying to help and was falsely imprisoned. Aang sends Appa across with the most needy people of the two tribes, and the rest are guided by an earthbender guide across the vast, dry landscape. Along the way, they are hunted down by large and dangerous native predators called canyon crawlers — resembling a cross between a spider and a crocodile. In the end, Aang is able to end the feud by lying that their stories are based on a children's ball game and that their leaders were twin brothers, and the two tribes travel together with the guide to the famous capital city of the Earth Kingdom, Ba Sing Se.

Episode 12: Sokka is hired to assist a fisherman with the group needing money. The fisherman berates Aang and angrily tells him that he "turned his back on the world". Guilt-ridden, Aang flies away and later reveals to Katara that he ran away from home after being excluded from activities with his friends and because the monks at the Southern Air Temple wanted to separate him from Gyatso to begin his Avatar training; after getting caught in a terrible storm, he inadvertently sealed himself and Appa in the iceberg after crashing into the ocean until Katara and Sokka found him. Meanwhile, after resolving a feud on Zuko's ship, Iroh tells the crew that the scar on Zuko's face was the result of a duel with his own father Ozai, who had taken offense when Zuko spoke out in a meeting opposing a plan to sacrifice Fire Nation soldiers. Zuko was subsequently banished for showing weakness by refusing to fight Ozai, and sent to capture the Avatar. When another storm hits, Sokka and the fisherman are rescued by Aang and Katara. Aang is forced to enter the Avatar State, mirroring the events that led to him being trapped in the iceberg, but this time he is able to escape with the fisherman, Appa, Katara and Sokka. Zuko also acts heroically when his ship is struck by lightning, rescuing a member of his crew who becomes trapped on the bridge; Iroh uses firebending to redirect lightning away from the ship. Zuko sees Aang flying away on Appa, but elects not to pursue them in order to bring his crew to safety.

Episode 13: Sokka suffers from an illness due to his exposure to the elements during the storm. When Katara contracts the illness as well, Aang goes to a nearby herbalist institute in hopes of finding a cure. On his way to collect the remedy (frozen wood frogs for Katara and Sokka to suck on) Aang is captured by the Yu Yan archers, commanded by the newly-promoted Admiral Zhao. However, a sword-wielding masked marauder, the "Blue Spirit", rescues Aang from Zhao's compound. The Blue Spirit is knocked unconscious during the escape, and is revealed to be Zuko! Aang saves him and offers him friendship, but flees when he is violently rebuffed. Zuko sulks back to his ship while Aang successfully cures Katara and Sokka.

Episode 14:Katara, Aang, and Sokka come across a village that relies solely on the predictions of its fortuneteller, Aunt Wu. Sokka is skeptical and refuses to believe anything she says, trying to discredit all of her predictions. Katara, on the other hand, is obsessed and keeps returning to Aunt Wu for more predictions on her love life. Aang, who has developed feelings for Katara, attempts to win her attention throughout, with no success. Eventually he attempts to fetch a rare Panda Lily flower from the lip of a nearby volcano, which is revealed to be on the verge of erupting — a direct contradiction to Aunt Wu's cloud-reading predictions. Katara and Aang use waterbending to manipulate the clouds as a warning to Aunt Wu and the villagers, and the group manages to evacuate the village before the volcano erupts. As the lava comes toward the town, Aang pushes it back with strong airbending, causing Sokka to comment that Aang is a "powerful bender". This catches Katara by surprise, as Aunt Wu had earlier predicted that she would marry a "powerful bender". The trio depart the village, with Aunt Wu reminding Aang that just as he reshaped the clouds, he has the power to shape his own destiny.

Episode 15:Sokka, Aang, and Katara find a seemingly-abandoned Water Tribe ship that belongs to their father's fleet. Camping out by the boat, Sokka and Katara are overjoyed when they are joined by Bato, an old friend of their father, and a fellow member of the Southern Water Tribe. Bato had been injured in battle and temporarily left behind by the rest of the Water Tribe soldiers while he heals. While they reminisce about the old days, Aang feels left out. A messenger arrives with a message from Katara and Sokka's father for Bato, with instructions to find him. Aang intercepts it and keeps it to himself, fearing Katara and Sokka will abandon him. He later comes clean about the message, but Sokka, furious at Aang for keeping it from them, is insistent on leaving to find his father, with Katara joining him. Meanwhile, Zuko hires a bounty hunter, June, to help him track down the Avatar, utilizing a large mammalian mount (shirshu) with a powerful sense of smell, using Katara's necklace as the scent. After Bato's comments on his loneliness after being left behind by his fellow soldiers reminds Sokka of his sorrow the day their father left, Sokka realizes that helping Aang is where he and Katara are needed the most. However, they're ambushed by Zuko and June who then uses the message scroll to track down Aang. This leads to a skirmish, with Katara and Sokka helping rescue Aang and resume their collective journey to the North Pole. Aang returns Katara's necklace to her after recovering it from Zuko during the fight.

Episode 16 :The kids travel into a Fire Nation town, which is hosting a festival of Fire Nation culture. Unfortunately, Aang's identity is discovered but a strange man, Chey, helps the gang escape. Chey tells the trio about "The Deserter", a man named Jeong Jeong who is the first man to desert the Fire Nation army and live. More importantly, he is a powerful firebending master who is not allied with the Fire Nation. Jeong Jeong initially refuses to teach Aang because he is not ready to handle the destruction fire can bring. It is only when Avatar Roku's spirit intervenes that Jeong Jeong consents to teach Aang. Aang, unfortunately, struggles with the hard discipline required for safe firebending. While trying to prove he was ready for more, he accidentally burns Katara's hands, infuriating Sokka and Jeong Jeong. However, Katara learns that she can use her waterbending to heal, but Aang nevertheless comes to regard firebending as dangerous and vows never to do it again. Meanwhile, Aang is tracked down by Zhao, revealed to be Jeong Jeong's former student. He fights Aang, but Aang uses Zhao's lack of self-control, pointed out earlier by Jeong Jeong, against him and causes Zhao to burn his own ships. Aang is burned during the fight but is healed by Katara, as Jeong Jeong disappears without a trace.

Episode 17: The gang hears a rumor that people who travel in the air reside at the Northern Air Temple, making Aang think there were some survivors of Sozin's genocide. He is disappointed to learn that the "flying" people are not true airbenders, but just people who have learned how to use gliders on the strong air currents around the temple. Aang is further saddened that the current residents have remodeled the temple extensively, often knocking through walls and ornate Air Nomad architecture to accommodate pipes which propel their rudimentary experiments with steam pressure. Teo, a young paraplegic, inspires Aang to open the one remaining area of the temple left untouched, the Air Temple sanctuary. Aang is shocked to see the "pristine" room is in fact stocked with dozens of inventions with Fire Nation insignias on them. Teo's father, a skilled mechanist, confesses to aiding the Fire Nation by building weapons in exchange for the guaranteed safety of his son and his people. When the Fire Nation comes to collect their latest invention, Aang tells them to leave. The Fire Nation launches an attack against the temple, but Aang and the villagers manage to successfully defend their ground. The Fire Nation, however, does manage to recover the mechanist's newest invention, a war balloon.

Episode 18: The group finally reaches the Northern Water Tribe, where they receive a hero's welcome. Sokka meets Princess Yue, the daughter of the chief of the tribe Arnook, and is immediately attracted to her. Aang and Katara seek to learn waterbending from a snippy master named Pakku, but he refuses to teach Katara, as women in the Northern Water Tribe are only trained to use their waterbending for healing, with combat training reserved for men. Sokka tries to spend more time with Princess Yue, who agrees to meet him later on that night. However, when the time comes Yue changes her mind and runs away. Meanwhile, Zhao commandeers Zuko's crew for a mission to attack the North Pole, and in the process deduces that Zuko is the Blue Spirit who freed the Avatar after recognizing Zuko's broadswords. Katara, inspired by a comment from Sokka, suggests that Aang teach her what he learns from Master Pakku every night. Pakku discovers them, and refuses to teach Aang any further. In front of the tribe council, a fed up Katara refuses to apologize to Pakku so he may change his mind and instead challenges him to a duel, demonstrating her considerable skill and potential. Zhao hires the pirates from "The Waterbending Scroll" to kill Zuko, which they attempt by blowing up his docked ship while Iroh is out for a walk. Back at the Fire Nation port, Zhao feigns remorse to Iroh and offers the former general a place beside him for the mission. Iroh accepts, but is revealed to be deceiving Zhao by helping Zuko fake his own death and stow away as a soldier aboard the command ship. Back at the North Pole, Pakku takes notice of Katara's pendant, given to her by her mother and her grandmother before her, and realizes that Katara's Gran-Gran is his ex-fiancée Kanna, who also could not tolerate the Northern Water Tribe's customs and left to start a new life with the Southern Tribe. Sokka proceeds to tell Yue how he feels about her, which culminates in Yue kissing him. She sadly tells Sokka that she also has feelings for him, but they can't be together since Yue is engaged to be married. As a new day dawns, Pakku has agreed to train both Aang and Katara while Zhao's massive armada departs for the North Pole.

Episode 19:Some time later Katara has developed into Master Pakku's star pupil, earning her his highest praises. Sokka and Yue spend more time together including a ride on Appa, during which Sokka notices a storm of "soot", a tell-tale sign of an impending Fire Navy raid. As the tribe prepares for battle, the chief asks for volunteers for a dangerous mission, to which Sokka immediately agrees. As Zhao's armada closes in, Iroh meets with Zuko in disguise as a Fire Nation guard, as he tells Iroh that he's working on a plan of his own. As the Northern tribe takes up battle stations, the raid begins. Aang and Appa work to help disable the lead ship, but are overwhelmed at the size of the fleet that follows. In preparation for the chief's secret mission of infiltrating the Fire Navy, Sokka clashes with a Northern soldier named Hahn before realizing he is Yue's fiancé. Arnook takes Sokka off the mission and assigns him to protect Yue. As nightfall nears, Iroh warns Zhao to halt the attack as the waterbenders will draw power from the nearly-full moon. Zhao cryptically notes he is working on a solution, but agrees with Iroh for the interim. Iroh then meets up with Zuko, who plans to kayak from Zhao's ship and infiltrate the North Pole to capture Aang. He nearly drowns after choosing to free swim under the glacier to find a way in, but is able to infiltrate the city. Meanwhile, Aang and Katara are brought to a spiritual oasis at the top of the city by Yue, with Aang hoping to find the Moon and Ocean spirits for help. Aang begins to meditate in front of a koi pond with two fish circling each other, and when he realizes they resemble Yin and Yang he crosses into the spirit world. Zuko arrives shortly after and battles with Katara until sunrise, when he overpowers her and escapes with Aang's body as the Fire Nation resumes the attack.

Episode 20: Zuko struggles to find shelter for himself and Aang in the frozen tundra, while Sokka, Katara and Yue search for them, as the Fire Nation forces assault the city. In the spirit world, Roku contacts Aang and tells him that the ocean and moon spirits crossed over to the mortal world long ago, and that only one spirit is old enough to remember: Koh the Face-Stealer. Aang must show no emotion or expression at all when meeting with him, or else his face will be stolen off of his head. Back in the physical world, Zhao informs Iroh of his overall plan: While serving in the Earth Kingdom as a young lieutenant, Zhao discovered a secret underground library that gave him the identity of the moon spirit's mortal form, with Zhao viewing it as his destiny to kill it. Aang learns from Koh that the spirits' names are Tui and La, "Push and pull", and that they are in great danger. Aang figures out the Koi fish are the spirits, and quickly heads back to the physical world, coincidentally leading Katara, Sokka, and Yue right to his body. Zuko is quickly defeated, but Aang chooses to save him. As they fly back, Zhao captures Tui, the moon spirit, causing a lunar eclipse and the waterbenders to lose their bending. Aang and Iroh both warn Zhao that the entire world depends on the balance of the moon and ocean, including the Fire Nation. Zhao initially relents, but then attacks in a fit of rage, killing the spirit and darkening the moon completely. Iroh furiously attacks Zhao and his guards, as Zhao quickly flees. Aang enters the Avatar State and, merging with the ocean spirit, decimates the Fire Nation armada by forming a massive spiritual projection. Zuko fights Zhao in retaliation for the assassination attempt, while Iroh remains to try and revive the moon spirit. Iroh recognizes that Yue was touched by the moon spirit as a baby, by her snow-white hair. Yue confirms this as the moon spirit saved her life when she was born ill. Yue gives back the spark of life, sacrificing herself to save the Moon Spirit. She assumes the form of the moon spirit and gives Sokka a final kiss goodbye. Zhao is dragged underwater to his demise by the ocean spirit in retaliation for slaying the moon spirit, arrogantly refusing to accept Zuko's help. Pakku anoints Katara as Aang's new waterbending master as the group contemplates their next move, while Ozai assigns Zuko's younger sister to hunt down her uncle and older brother for their actions at the North Pole.
A great serie with topics not very often touched on in cartoons especialy in the 80s, like war, genocide, imperialism, colonialism,totalitarianism, gender discrimination,female empowerment, marginalization and oppression, spirituality, philosophical questions ,etc.
Also toph is cool
This could turn into a even bigger franchise than OTL's equivalent if in the right hands. At least it won't be in Nickelodeon's hands ITTL.

Speaking of which, since WB is dead, what becomes of Warner Cable(the cable TV operator) and the MTV Networks ITTL? I do have a idea.
Magoose confirming that Trump received a Christmas Carol intervention courtesy of Joseph so he's just gonna be a wacky business guy.
So since Trump's just gonna be a "wacky business guy", then would he try to put his foot in the entertainment industry?
Here ya go, @Duke William of. Like I said, quick and easy.

Animated Movie Pitch
An American Tail
Directed by: Don Bluth
Written by: David Kirschner, Judy Freudberg, and Tony Geiss

GENRE: Adventure/Comedy
SUBGENRE: Musical
FORMAT: Animated Movie​
SET UP: A young mouse named Fievel Mousekewitz and his family emigrate from Russia to the United States by boat after their home is destroyed by cats. During the trip, a fierce storm throws Fievel from the ship, and he loses contact with his family. Luckily, he manages to sail to New York in a bottle. There, Irish mouse Bridget, an Italian mouse named Ton, and a kindly cat named Tiger help Fievel search for his loved ones.
In 1885 Shostka, Russian Empire (a city that is today located in Ukraine), the Mousekewitzes are a Russian-Jewish family of mice who live with a human family named Moskowitz. While celebrating Hanukkah, Papa gives his hat to his son, Fievel, and tells him about the United States, a country in which he believes there are no cats. The celebration is interrupted when a battery of Cossacks ride through the village square in an anti-Semitic arson attack and their cats attack the village mice. The Moskowitz home, along with that of the Mousekewitzes, is destroyed, while Fievel narrowly escapes from the cats. They flee the village in search of a better life.

In Hamburg, Germany, the Mousekewitzes board a tramp steamer, setting sail for New York City. All the mice aboard are ecstatic at the prospect of going to America, believing that there are "no cats" there. During a thunderstorm on their journey, Fievel finds himself separated from his family and washed overboard. Thinking that he has died, they proceed to the city as planned, though they become depressed at his loss.

However, Fievel floats to New York in a bottle and, after a pep talk from a French pigeon named Henri, decides to look for his family. He encounters conman Warren T. Rat, who sells him to a sweatshop. He escapes with Tony Toponi, a street-smart Italian mouse, and they join up with Bridget, an Irish mouse trying to rouse her fellow mice to fight the cats. When a gang of them called the Mott Street Maulers attacks a mouse marketplace, the immigrant mice learn that the tales of a cat-free country are not true.

Bridget takes Fievel and Tony to see Honest John, an alcoholic politician who knows the city's voting mice. However, he is unable to help Fievel search for his family, as they have not yet registered to vote.

Led by the rich Gussie Mausheimer, the mice hold a rally to decide what to do about the cats. Warren is extorting them all for protection that he never provides. No one knows what to do about it until Fievel whispers a plan to Gussie. Although his family also attends, they stand well in the back of the audience, and they are unable to recognize Fievel onstage with her.

The mice take over an abandoned museum on the Chelsea Piers and begin constructing their plan. On the day of launch, Fievel gets lost and stumbles upon Warren's lair. He discovers that he is actually a cat in disguise and the leader of the Maulers. They capture and imprison Fievel, but his guard is a reluctant member of the gang, a vegetarian tabby cat called Tiger, who becomes friends and frees him.

Fievel races back to the pier with the cats chasing after him and exposes Warren as a cat when Gussie orders the mice to release the secret weapon. A huge mechanical mouse, inspired by the bedtime tales Papa told Fievel of the "Giant Mouse of Minsk", chases Warren and his gang down the pier and into the water. A tramp steamer bound for Hong Kong picks them up on its anchor and carries them away. However, a pile of leaking kerosene cans has caused a torch lying on the ground to ignite the pier, and the mice are forced to flee when the fire department arrives to extinguish it.

During the fire, Fievel is once again separated from his family and ends up at an orphanage in an alley. Papa and Tanya overhear Bridget and Tony calling out to Fievel. Papa is sure that there is another "Fievel" somewhere, until Mama finds his hat. Meanwhile, Fievel ends up in Orphan's Alley, and is convinced by a trio of bullies that his family should be looking for him, not the other way around, and the reason why they haven't is because they don't care. Saddened by this, he cries himself to sleep.

Joined by Gussie, Tiger allows them to ride him. This allows them to find Fievel. Papa returns Fievel's hat, commenting that it now fits him, and he has grown up into a mouse. Henri ends the journey by taking everyone to see his newly completed project—the Statue of Liberty, which appears to smile and wink at Fievel and Tanya, and the Mouskewitzes' new life in the United States begins.
Erica Yohn as Mama Mousekewitz
Nehemiah Persoff as Papa Mousekewitz
Amy Green as Tanya Mousekewitz
Phillip Glasser as Fievel Mousekewitz
Christopher Plummer as Henri
John Finnegan as Warren T. Rat
Will Ryan as Digit
Hal Smith as Moe
Pat Musick as Tony Toponi
Cathianne Blore as Bridget
Neil Ross as Honest John
Madeline Kahn as Gussie Mausheimer
Dom DeLuise as Tiger


Movie Pitch


Battleship


Genre:Action/science fiction
Subgenre:Military
Format:Movie (animated ?)

A potentially habitable "Planet G" is discovered, and a year later, a communications array to reach any extraterrestrial life is built in Oahu. There, Alex Hopper is arrested while attempting to impress Samantha "Sam" Shane, daughter of Admiral Terrance Shane. Alex's brother, Commander Stone Hopper, forces Alex to join the U.S. Navy. Six years later, Alex is a lieutenant aboard the USS John Paul Jones and in a relationship with Sam, a physical therapist working with wounded veterans. While Stone is a model officer commanding the USS Sampson, the rebellious Alex, while showing plenty of potential, is facing a disciplinary discharge.

During the RIMPAC exercise, five alien spacecraft arrive. Their communications ship hits a satellite and crashes through the Bank of China Tower in Hong Kong, while the others plunge into the waters off the coast of Hawaii. Sampson, John Paul Jones, and Japanese destroyer JDS Myōkō discover a floating structure that generates an impenetrable force field isolating the Hawaiian Islands and the three destroyers from the rest of the world, and jamming all radar and communications inside. Three alien warships surface and open fire; Myōkō is destroyed, Sampson is lost with all hands including Stone, and John Paul Jones' command crew are killed, leaving Alex to reluctantly assume command as the highest-ranking sailor on board. John Paul Jones disengages to recover Myōkō's survivors, including Captain Yugi Nagata, while alien drones destroy Oahu's military bases.

Hiking near the communications array, Sam and retired US Army lieutenant colonel and double amputee Mick Canales discover the aliens' presence. They encounter scientist Cal Zapata, who reveals the aliens have taken over the array to re-establish communications with their home planet. The John Paul Jones' crew captures an alien which telepathically links with Alex, revealing their history of conquering worlds. More aliens board and retrieve their comrade while one starts sabotaging the ship. Its armored suit proves impervious to small-arms fire but is obliterated by the destroyer's 5-inch gun, and the captured alien's helmet reveals their eyes are sensitive to sunlight. Ashore, Sam, Mick, and Zapata recover his spectrum analyzer, using it to radio John Paul Jones that the aliens will contact their planet and most likely call for reinforcements when the facility's satellite is in position in four hours.

As night falls, Captain Nagata suggests using the National Oceanic and Atmospheric Administration (NOAA) tsunami warning buoys around Hawaii to track the warships without radar; this plan works and allows John Paul Jones to destroy two of them. The third proves too elusive, so they lure it into facing east as the sun rises. Alex and Nagata shoot out its bridge windows with sniper rifles, blinding its crew with sunlight and allowing John Paul Jones to destroy it. The destroyer then attempts to target the communications array, but is sunk by drones launched from the alien structure emitting the force field; Alex, Nagata, and several other sailors barely escape.

The survivors commandeer the decommissioned World War II battleship USS Missouri with the aid of retired Navy veterans.(we should try to get the real ships and real veteran) The floating structure is revealed to be a giant mothership, but Missouri disables the force field, allowing Admiral Shane to scramble fighter jets from the aircraft carrier USS Ronald Reagan. The battleship's turret carrying the ship's last shell is disabled, forcing the sailors to carry the shell to the ship's last functioning turret. Sam, Mick, and Cal stall the aliens at the array, where Mick kills an alien soldier. Alex uses the final shell to destroy the array, rendering the Missouri defenseless, but the mothership's drones are destroyed by Boeing F/A-18 fighter jets, as reinforcements carpet bomb the mothership, eliminating the alien threat.

Alex is promoted to lieutenant commander and presented with a Silver Star and his brother's posthumous Navy Cross. Admiral Shane promises Alex will soon have a ship of his own, while he is also recommended to become a Navy SEAL. Alex asks him for Sam's hand in marriage, and the admiral initially refuses but invites Alex to lunch.

We either will have to either change some details either wait for some of the thing that are in the scenario to be created like the RIMPAC exercises,some of the ships,plane and weapons or the china bank tower but it's a nice fun litle action movie that should get us some brownies point with the navy ,we will also have to negociate with Milton Bradley Company for the use of the batleship license
Good movie ideas.
I, Bruce, the Action King...

The pitch hadn't gone well. Not that Tim blamed them- he had only been working for Disney as an apprentice animator for a year. Who was Tim Burton? In Disney's eyes, he was a new guy who hadn't even cut his teeth in anything substantive before pitching an entire idea- and certainly not something called "The Nightmare Before Christmas".

And, in retrospect, perhaps an idea that wasn't suited for the House of Mouse. The Old Man that had looked at the pitch had pointed out that Disney was now focusing on Teen/Adult Horror for October and animations for children. They didn't want to mix or confuse the market with something with the words "Nightmare" in the title...and there was really no place in the schedule for them to release the film even if they wanted to. October was for Horror thrillers and December was for the family friendly animation or movies.

And when he voiced his opinion that the music should be done by someone like Danny Elfman ("what's New Wave?" he was asked) and that the movie should be done in stop motion...well, that had been the end of it ("do you know how much that'd cost- we're an animation studio!") The Old Man shook his head at the new generation, and told Tim to get some more experience and then he'll understand why his pitch just didn't work.

And...the Old Man had a point. Actually, all the points made sense. And yet...

And yet, there was something in him that told him the idea was great. That there was a great movie to be made- a great story to be told. That was why he put on his best black shirt, and went to the Lucasfilm Campus in Los Angeles. Where the fact that he worked for Disney opened the door to him pitching directly to Yoshiyuki Tomino. Yoshiyuki F'ing Tomino.

Tim was a fan- a huge fan. And what followed was , in retrospect, a little embarrassing for a guy pitching a movie. But, Tomino-san took it with aplomb and quickly asked Tim what his story was. And, Tim told him.

"This story is about a man who feels tired of doing the same project over and over- even though he is the best at it? But, after trying another project that fails, his spirit of innovation is revitalized and once more inspiration arises?" Tomino asked after the pitch.

"Well, I wanted there to be a love story, too. A story of longing, acceptance, and triumph."

"Yes. It is...very good, Tim-san. And your portfolio? May I look at it?"

"Of course!"

And Tim showed him, his heart thrumming at showing his work to a master of the craft. And the follow up...

"I was thinking that the story would be most visually striking and served by being stop motion rather than animated."

Tomino-san paused a moment, his finger in-between pages of the portfolio as he digested the words.

"Yes- quite ambitious, Burton-san. And yet...such ambition is appropriate for the young. And yet...appropriate."

Tomino-san looked at an assistant that was nearby and said something in Japanese. And then, he pulled out a pencil from the a nearby desk.

"Do you mind if I make some suggestions, Burton-san?"

"Please, call me Tim, Tomino-san. And, I'd be honored to hear any insights."

"Yes...I think if you tightened the design here, the expressiveness of the character can be increased..."

What followed was a masterclass, such that Tim Burton lost track of time. He didn't want the lessons to end...but end it did when he heard a knock.

And he turned to see Bruce O'Brian. Bruce F'ing O'Brian!

"Sorry to interrupt. But, you asked for me, Tomino-san?"

"Ah, yes! Bruce-san! Let me introduce you to this most impressive artist, Tim Burton. Tim-san has a most interesting story that he wants to make. And I thought I needed your okay."

Bruce offered Tim his hand, with a simple," Hi. Bruce O'Brian."

Tim numbly shook the man's hands, noticing the strength beneath the grip and the rough calluses of a man who fought Ali and won.

"Tomino-san. You have full authority to okay pitches, as you know..."

"Yes. But...this is a special case. Please, Tim-san. If you would give the pitch to Bruce-san?"

And Tim Burton once again gave his pitch to Bruce O'Brian.

And he listened.

"Huh. Yeah- interesting story..." he said as he trailed off in thought.

The Action King nodded," Yeah- the story of a man who wants to try something new. Lucasfilm is built on that and yet...sometimes...anyways, what type of music were you thinking."

"Err...I'm a fan of Danny Elfman..."

"Oh! Oingo Boingo- yeah they're good. Carrie likes them."

Tim was surprised for a moment before he realized. Of course the man who was on the record of the "Mansion Sessions" and was married to the Princess of Rock would know Oingo Boingo.

"I mean. I think it's a great project- I'd give it a go. But, I still don't understand why I was called." Bruce said quizzically.

"Well, Bruce-san, Tim-san and I agree that this story would be best done as stop-motion with puppets rather than animation."

"Oh. Yeah..." Bruce mused, " Yeah. I can see that. It'd cost more. And...knowing ILM and George...we'd end up starting up an entire puppetry/stop motion wing which would cost money..."

He looked at Tim and smiled.

"But, you know what, this is Lucasfilm. We aren't going to shy away from trying something new. Plus...George and Steve would love to see it. Maybe be a good excuse to try and contact their idol. Hmm...yeah. I like it. I'd love to have us make A Nightmare Before Christmas. And, if Tomino-san says you're talented...it's good enough for me!"

Bruce offered his hand out to Tim Burton again.

And this time, when Tim shook his hand, he did so with a wide smile. Bruce's grip was still strong, but it felt like a firm lifeline.
So The Nightmare Before Christmas is gonna be a Lucasfilm movie ITTL?
Also if American Tail is a Dreamworks movie, then this Family Guy gains a whole extra layer to the joke in it being about the Disney-Dreamworks rivalry. I could see Seth making another joke later in the episode or in a following episode about Dreamworks getting revenge.

Stewie: This is terrible! If I don't reach Brian soon the mob's going to do worse things to him than when Dreamworks got revenge for Feivel.

Cuts to Mickey in his office in Disneyland snorting cocaine.

Mickey: Haha, I love money, haha!

Door is destroyed into pieces and a bloodied and gutted Donald Duck is thrown onto the floor while Goofy is thrown through a window.

Goofy: Yahoooooey!

Mickey: Donald, Goofy, what happened!

A mob of iconic Dreamworks characters storms into Mickey's office.

Mickey: Dreamworks! But how, I thought the Looney Tunes dealt with you Japanese freaks!

Moses: You really think a bunch of silly cartoons can overcome the power of God and anime on our side?

John Henry: You fucked with the wrong studio you damn dirty rat.

Basil: Mickey Mouse, I find you guilty of the murder of Feivel Mousekewitze. We have all the evidence to prove it.

Mickey: Alright fine, take me to jail, but it's pointless I tell you. I got the judges in my pocket and you won't lay a single finger on me.

Woody: Oh we're well aware of that partner.

Megamind: It's a good thing that Dreamworks isn't afraid to relish in villainy.

Po: Prepare to be skadooshed.

Mickey: No, NO!!
That would make for a great joke to say Disney is inferior to DreamWorks.
This was already addressed in the post you quoted where I said that I picked Universal more as an impulse because they're our "arch enemies" in the public consciousness, but that on review, I thought Disney would be a better choice. Just FYI.

I've had this on the backburner for god knows how long *checks notes* since SEPTEMBER!? Jeez, that's a long fucking time, lol. Regardless, now is as good of a time as any to finally begin putting this out. For those of you who don't know what SCP is, first off, what rock have you been living under? Secondly, it's an online community project where different people across the internet make stories all set in the fictional setting of SCP, which stands for Special Containment Procedure, despite the misconception that SCP stands for Secure, Contain, Protect, which is actually just the motto of the SCP Foundation. The SCP Foundation is a secret organization that studies, contains, and if necessary, destroys anything that can be deemed anomalous, which can range from a toaster that makes you think that you're a toaster, to literally the embodiment of all evil. They do this nominally to protect humanity, though their true motives can never be known. It's a lot of fun and there are tons of great stories of all different kinds. It's kind of the spiritual successor to Creepypasta's, tbh. If you don't know much about SCP, I implore you, do yourself a favor and get into it, you won't regret it. SCP is definitely something that I can see us being able to milk for fucking ages, probably straight up decades because of how much content exists and how much can be made from it and I've already got tons of other seasons lined up. This series in particular I envisioned as our version of Goosebumps or Tales From The Crypt, but with a bit of a twist in terms of the framing. Aside from the Proto-ARG and Found Footage elements, I wanted each of the SCP to be framed as if they were actually real and were leaked files. I think it would be very entertaining to see done at this time, particularly with some of the SCP's available. I'm still kind of stuck on whether or not I want the episodes to be fully found footage, specifically following a sort of whistleblower who is the narrator/horror host for the audience, along with any other found footage or recordings that'd be used, or if I want to mix the found footage with more traditional episode formats and combining the lore dumps from the whistleblower/conspiracy theorist narrator with the normal parts of the episodes following encounters with the SCP's. Feel free to chime in with your thoughts on that. I do have ideas for other SCP related series, but I'll leave those to later. I decided to start off Season 1 of SCP with a lot of familiar faces within SCP, things like Shy Guy, The Sculpture, or Plague Doctor, but I did decide to add a few different SCP from the typical "newbie" SCP. Nothing too special, but just adding a little bit of spice like Cragglewood Park, Bobble the Clown, or the Stalker Mailbox. Don't worry though, we'll start getting pretty out there with some of the other seasons. The SCP Seminar episodes, just for clarification's sake, are intended to be lore dump heavy episodes that are used to cover a lot of things in one episode that wouldn't necessarily be able to otherwise have it's own episode or that would need a lot of episodes to cover. You may also end up noticing that there are multiple episodes labeled as SCP-001. That is very much intentional, not only because of the fact that SCP does not have an actual, definitive SCP-001, but also because I wanted to fuck with the audience by giving them one of the SCP-001's and letting them think that it was the first SCP (since that factors in specifically with The Prototype's story) before blindsiding them with a bunch of other SCP-001's that also give contradictory accounts, before explaining what the fuck is happening with the final SCP Seminar of the Season by going over some other 001 proposals and the lore surrounding them. Also yes, the SCP # followed by a title of the SCP is meant to be the actual names for each of the episodes. For the episodes, I wanted to include more to them in the pitch, outlining how each of the episodes would go, but since I'm still not 100% on the framing for each episode, I'll just leave that to the Sidestory. I very easily see SCP becoming a staple of horror and would likely end up with a revolving door of a bunch of different horror writers and directors working on the series for different episodes and whatnot, which would be pretty cool. The special effects department and ILM is really going to have their work cut out for them with SCP though, lol. As an aside, I've been noticing a bit of a pattern with Mavis/my pitches for her in that they've primarily been comprised of 3 main things, with those being Mecha/Robots, Horror, and Christianity. Like, it's overwhelming and it's not even close. Funny how that all works out, particularly with the horror stuff, lol, since Mavis is absolutely not the type to enjoy horror media since she'd be frightened too easily, the thought that she might end up becoming a sort of horror icon because of stuff like Faith, Lucius, Amnesia, Promised Neverland, Hush, or SCP is amusing to me. I feel like I have a lot more that I want to say, but I can't really think of it right now, so I'll just let y'all go for now. I'd like to thank @overmind for his help with this back when I first asked for his help writing up a summary for this, and without further ado... I hope y'all enjoy and let's traumatize some kids who try and stay up late! And speaking of late, it's 2:30 and I have class early tomorrow so with that being said, sleepy time now😪💤💤

TV Show Pitch:
The SCP Files
Written by
: Mavis Kingsley

GENRE: Horror/Thriller
SUBGENRE: Anthology, Proto-ARG, Found Footage
FORMAT: Television Series​
SET UP: Just as humanity lives and dies, it does so ignorant of the danger that everyday existence brings upon the planet. Creatures from myth and beyond, dangers just under the thin layers of reality, monsters that can only exist as proof that there is no loving God, deals made in the dark in exchange for just one more day to live...all this happens underneath our noses. And the reward, is to live and do it all over again. This thankless work of protecting humanity from horrors unseen is the job of the Special Containment Procedure Foundation, or SCP Foundation. An organization dedicated to the study, containment, and if necessary, neutralization of anomalous phenomena. Led by the mysterious O5 Council, those at the Foundation work relentlessly to protect humanity's fragile sense of normalcy and ensure it's survival, regardless of the what it may cost along the way.
Episode 1: SCP-173 The Sculpture
Episode 2: SCP-106 The Old Man
Episode 3: SCP-682 Hard-To-Destroy Reptile
Episode 4: SCP-049 Plague Doctor
Episode 5: SCP-035 Possessive Mask
Episode 6: SCP-096 Shy Guy
Episode 7: SCP-999 Tickle Monster
Episode 8: SCP-323 Wendigo Skull
Episode 9: SCP-087 The Stairwell
Episode 10: SCP Seminar-Foundation Part 1
Episode 11: SCP-294 The Coffee Machine
Episode 12: SCP-1128 Aquatic Horror
Episode 13: SCP-5172 North American Ice Machines
Episode 14: SCP-178 3-D Specs
Episode 15: SCP-3288 The Aristocrats
Episode 16: SCP-3000 Anantashesha
Episode 17: SCP-2571 Cragglewood Park
Episode 18: SCP-3199 Humans, Refuted
Episode 19: SCP-056 A Beautiful Person
Episode 20: SCP Seminar-Foundation Part 2
Episode 21: SCP-1269 Stalker Mailbox
Episode 22: SCP-939 With Many Voices
Episode 23: SCP-001 The Prototype
Episode 24: SCP-993 Bobble the Clown
Episode 25: SCP-001 The Spiral Path
Episode 26: SCP-231 The Seven Brides
Episode 27: SCP-001 The Scarlet King
Episode 28: SCP-001 The Factory
Episode 29: SCP-001 The Foundation
Episode 30: SCP Seminar-001 Proposals
Holy shit a SCP TV series would go so fucking hard!
Movie pitch

Sequoyah



Genre:historical/Drama
Subgenre:Biopic
Format:Movie

The film tells the story of Sequoyah's life,there are multiple theory for some partsof his early life i placed them all so the eventual writer could pick wich one he want.

Sequoyah was born in the Cherokee town of Tuskegee, Tennessee, around 1778. James Mooney, a prominent anthropologist and historian of the Cherokee people, quoted a cousin as saying that as a little boy, Sequoyah spent his early years with his mother. In the people's matrilineal kinship system, children were considered born into their mother's family and clan, and her male relatives were most important to their upbringing. His name is believed to come from the Cherokee word siqua meaning 'hog'. However, Davis says the name may have been derived from sikwa (either a hog or an opossum) and vi meaning 'place, enclosure'. This is a reference either to his childhood deformity or to a later injury that left Sequoyah disabled. According to a descendant of his, he was born with the name Gi sqwa ya which means 'there's a bird inside.' After repeatedly failing to complete his farm duties, his name was changed to Sequoyah which means 'there's a pig inside.'

His mother, Wut-teh, is debated to be either the daughter, sister, or niece of a Cherokee chief. Historians believe her to be related to the chiefs who have been identified as the brothers Old Tassel and Doublehead. John Watts (also known as Young Tassel) was a nephew of the two chiefs, so it is likely that Wut-teh and John Watts were related in some fashion. Due to native customs, Sequoyah learned everything from his mother like the Cherokee language and his first job of a tradesman.

Sources differ as to the true identity of Sequoyah's father. John B. Davis cites Emmet Starr's book, Early History of the Cherokees, as the source for saying that Sequoyah's father was a Virginian fur trader from Swabia named Nathaniel Guyst, Guist, or Gist. Other sources state that his father also could have been an unlicensed German peddler named George Gist, who came into the Cherokee Nation in 1768, where he married and fathered a child. Another source identified his father as Nathaniel Gist, son of Christopher Gist, who became a commissioned officer with the Continental Army associated with George Washington during the American Revolution. Gist would have been a man of some social status and financial backing; Josiah C. Nott claimed he was the "son of a Scotchman". The Cherokee Phoenix reported in 1828 that Sequoyah's father was a half-blood and his grandfather a white man.

The New Georgia Encyclopedia presents another version of Sequoyah's origins, from the history Tell Them They Lie: The Sequoyah Myth (1971), by Traveller Bird, who claims to be a Sequoyah descendant. Bird says that Sequoyah was a full-blood Cherokee who always opposed the submission and assimilation of his people into the white man's culture. The encyclopedia noted that Bird presented no documentary evidence of his assertions, but his account has gained some credibility in academic circles.

In any case, the father was absent before Sequoyah was born. Various explanations have been proposed, but the reason is unknown. Wuh-teh did not remarry afterward (assuming she married her son's father in the first place). Sequoyah had no siblings, and his mother raised him alone. According to Davis, Sequoyah never went to school and never learned English. He and Wuh-teh spoke only Cherokee. As a youth, he spent much of his time tending cattle and working in their garden, while his mother ran a trading post.

Sequoyah became lame early in life, though how, when and where are not known. Some reports indicate this may have been caused by injury in battle; others say the cause was a hunting accident. Davis wrote that an early issue of the Cherokee Advocate said that "...he was the victim of a hydrarthritic trouble of the knee joint, commonly called 'white swelling'." One doctor speculated that he had "anascara ". In any case, lameness prevented him from being a successful farmer or warrior.

Despite his lack of schooling, Sequoyah displayed much natural intelligence. As a child, he had devised and built milk troughs and skimmers for the dairy house that he had constructed. As he grew older and came in contact with more white men, he learned how to make jewelry. He became a noted silversmith, creating various items from the silver coins that trappers and traders carried. He never signed his pieces, so there are none that can be positively identified as his work.

Sequoyah possibly took over his mother's trading post after her death, which Historian John B. Davis claimed occurred about the end of the 18th century. His store became an informal meeting place for Cherokee men to socialize and, especially, drink whiskey. Sequoyah developed a great fondness for alcohol and soon spent much of his time drunk. After a few months he was rarely seen sober, neglecting his farm and trading business, and spending his money buying liquor by the keg.

Fortunately, he realized that he was not making good decisions, and took up new interests. He began to draw, then he took up blacksmithing, so he could repair the iron farm implements that had recently been introduced to the area by traders. Self-taught as usual, he made his own tools, forge and bellows. He was soon doing a good business either repairing items or selling items he had created himself. His spurs and bridle bits were in great demand because he liked to decorate them with silver. Although he maintained his store, he both stopped drinking and stopped selling alcohol.

Up to this point, while Sequoyah was not formally educated and didn't know how to read or write he was impressed by writing, and referred to correspondence as "talking leaves" recognized the advantage that comes with an established written language. He believed one of white people's many advantages was their written language as it allowed them to expand their knowledge, partake in many forms of media,have a better network of communication and way to transmit information to other people in distant places, which his fellow American soldiers were able to do but he and other indigenous people could not. The Cherokee's disadvantage was having to rely solely on memory which sparked his interest in wanting to create some form of a written language for the Cherokee nation,but amajority of the Cherokee believed that writing was either sorcery, witchcraft, a special gift, or a pretense; Sequoyah accepted none of these explanations. He said that he could invent a way for Cherokees to talk on paper, even though his friends and family thought the idea was absurd.

Sequoyah is believed to have started developing what became his Cherokee syllabary in hopes of unifying the Cherokee nation and making them more independent around 1809, Sequoyah began creating a system of writing for the Cherokee language while being totaly illiterate. Over the years, his approach was to use a pictograph or logographic system, where every word in the language had a character or symbol. As he failed to plant his fields, endangering his survival, his friends and neighbors thought he had lost his mind. His wife is said to have burned his initial work, believing it to be witchcraft. He realized that his first approach was impractical because it would require too many pictures to be remembered. He tried making a symbol for every idea, but this also caused too many problems to be practical,In 2008 archeologist Kenneth B. Tankersley (Cherokee Nation) of the University of Cincinnati announced having found carvings from the syllabary in a cave in southeastern Kentucky, where Sequoyah is known to have had relatives. This cave was the traditional burial site of a Cherokee chief, Red Bird. Some 15 identifiable Cherokee syllabary symbols were found carved into the limestone, accompanied by a date of 1808 or 1818. In addition, there were petroglyphs that appeared to include ancient Cherokee symbols, in addition to bears, deer and birds.

After moving to Alabama, Sequoyah took part in the Battle of Horseshoe Bend.
It is unclear when Sequoyah initially moved to Alabama from Tennessee. Many Cherokee began migrating there even before ceding their land around Sequoyah's birthplace in 1819, as they were under continual pressure by European-American settlers. Some sources claim he went with his mother, though there is no confirmed date for her death. Others have stated that it was around 1809, when he started his work on the Cherokee syllabary. Another source claims it was in 1818. However, this date is too late, because Sequoyah was already living in Alabama when he enlisted in the army.

In 1813–1814, Sequoyah served as a warrior of the Cherokee Regiment (Col. Gideon Morgan, Commander) at the Battle of Horseshoe Bend against the "Red Sticks" (Creek, or Muskogee, renegades). His white comrades called him either George Guess or George Gist. The Creek War had started during the period of the War of 1812, and represented an effort by traditional Creek to assert their power within the people and expel the European Americans.

While serving, Sequoyah witnessed the disadvantages of not having a written language. Unlike the white soldiers, he and his fellow Cherokee warriors could not write letters to home, read their military orders, or write down any events or thoughts that occurred during their service. This only pushed his determination to create a reading and writing system for the Cherokee language. In his early stages of developing the writing system, he faced criticism from his peers because they believed putting words to paper was witchcraft.

In 1817, Sequoyah signed a treaty which traded Cherokee land in the southeast for land in Arkansas. But in 1819 he backed out of the treaty which resulted in the loss of his first Alabama home, causing him to move to Willstown (Curently Fort Payne), Alabama.

Sequoyah's final attempt was to develop a symbol for each syllable in the language. Using the Bible as a reference along with adaptations from English, Greek, and Hebrew letters, by 1821 he created 86 symbols, later to be 85 symbols, that depict the syllables of the Cherokee language. The syllabary is not an alphabet but a chart or guide to represent each symbol that stands for a consonant-vowel sequence or a syllable. The symbols are written in a chart layout, with the columns being each vowel and the rows being each consonant.
Sequoyah's six-year old daughter, Ayokeh (also spelled Ayoka), helped him in his process to create the syllabary by being the first person to learn from it. Word spread in their town that they created a new way to communicate, and they were charged and brought to trial by the town chief. Sequoyah and Ayokeh were separated but still communicated by sending letters to one another. Eventually the warriors presiding over their trial, along with the town, believed that Sequoyah did in fact create a new form of communication, and they all wanted him to teach it to them.

Sequoyah's syllabary was completed about 1821 but it was not accepted by the Cherokee nation at first. But after the people began to see its value, the syllabary quickly spread and Sequoyah was awarded a medal from the Cherokee National Council in 1824. This same year, Sequoyah moved from Alabama to Arkansas.

In 1825 the Cherokee Nation officially adopted the writing system. The syllabary provided mass literacy for the Cherokee Nation, which was one of the first indigenous groups to have a functional written language. By the end of 1825, the Bible and hymns were translated into Cherokee. In 1826, the Cherokee National Council commissioned George Lowrey and David Brown to translate and print eight copies of the laws of the Cherokee Nation in the Cherokee language using Sequoyah's new system.

In 1828, the Cherokee Phoenix, religious pamphlets, educational materials, and legal documents were all made using the syllabary. The Cherokee Phoenix was the first bilingual newspaper in North America because it had both English and Cherokee languages. This newspaper helped keep unity in a dispersed Cherokee Nation by allowing them to have their own network of communication and information. The syllabary was used for over 100 years to make newspapers, books, religious texts, and almanacs (calendars).

When the Cherokee Nation purchased their first printing press, some of Sequoyah's handwritten symbols needed to be modified. To make the symbols more clear, they were replaced by adaptations from the Roman alphabet, and used in the Syllabary from that point on.

After the Nation accepted his syllabary in 1825, Sequoyah traveled to the Cherokee lands in the Arkansas Territory. There he set up a blacksmith shop and a salt works. He continued to teach the syllabary to anyone who wished.

In 1828, Sequoyah journeyed to Washington, D.C., as part of a delegation to negotiate a treaty for land in the planned Indian Territory. While in Washington, D.C., he sat for a formal portrait painted by Charles Bird King (see image at the top of this article). He holds a copy of the syllabary in his left hand and is smoking a long-stemmed pipe. During his trip, he met representatives of other Native American tribes. Inspired by these meetings, he decided to create a syllabary for universal use among Native American tribes. Sequoyah began to journey into areas of present-day Arizona and New Mexico, to meet with tribes there.

In 1829, he would reluctantly sign a treaty that exchanged the Cherokee land in Arkansas for Indian Territory (Today Oklahoma). He was one of the "Old Settler" delegates that went to Washington, D.C., to sign the treaty,after that he settled in present day Sallisaw, Oklahoma, with his wife and daughter,Sequoyah moved to a location on Big Skin Bayou, where he built Sequoyah's Cabin that became his home for the rest of his life. It was declared a National Historic Landmark in 1965.(The present-day city of Sallisaw, Oklahoma, developed near here.) The house was operated by the Oklahoma Historical Society until it will be purchased by the Cherokee Nation on 9 November 2016.

The syllabary was not hard for the Cherokee people to learn, and by 1830 (just 5 years), 90% of Cherokees were literate in their own language.more than the rate of literate withe people in many place. Over time, naturally, tribes began to form their own dialects depending on what region they lived in. There are two main dialects, the Eastern and Western. The Eastern Dialect, also referred to as middle or Kituwa dialect, is spoken in the Qualla Boundary in western North Carolina. This land was purchased by the Cherokees in the 1870s. The Western Dialect, also known as Overhill or Otali dialect, is spoken in eastern Oklahoma and North Carolina. There was a Southern dialect, also called lower dialect, spoken in South Carolina and Georgia until around 1900. But since no more Cherokee tribes reside there, that style of dialect is no more

In 1838, the Cherokees from the southeast were relocated to Indian Territory under Chief John Ross. After this relocation, Sequoyah set out to unite the 16 other Old Settlers with the Ross Party because they already established their own government. In 1839 when the Cherokee were bitterly divided over the issue of removal to Indian Territory, Sequoyah joined with Jesse Bushyhead to try to reunite the Cherokee Nation. Sequoyah, representing the Western Cherokee, and Bushyhead representing the Eastern Cherokee, made a joint plea at a tribal council meeting at Takatoka on 20 June 1839. They succeeded in getting a voice vote to hold a new council of all Cherokee to resolve the reunification issues. This is when the Act of Union and a new Cherokee Constitution was createdand Sequoyah with 16 other Old Settlers and about 15 representatives of the Ross party signed the Act of Union, and a new Cherokee constitution was created.

Sequoyah dreamed of seeing reunification of the splintered Cherokee Nation.And soon after the signing of the new Cherokee constitution in the spring of 1842, he began a trip to locate other Cherokee bands who were believed to have fled to Mexico and attempted to persuade them to return to the Cherokee Nation while also spreading his teachings of the syllabary, by then mostly residing in Indian Territory. He was accompanied by his son, Teesy (Chusaleta), as well as other Cherokee men identified as Co-tes-ka, Nu-wo-ta-na, Cah-ta-ta, Co-wo-si-ti, John Elijah, and The Worm

Sometime between 1843 and 1845, he died due to an estimated respiratory infection during a trip to San Fernando de Rosas in Coahuila, Mexico. A letter written in 1845 by accompanying Cherokee stated that he had died in 1843.

In 1938, the Cherokee Nation Principal Chief J. B. Milam funded an expedition to find Sequoyah's grave in Mexico. A party of Cherokee and non-Cherokee scholars embarked from Eagle Pass, Texas, on January 1939. They found a grave site near a fresh water spring in Coahuila, Mexico, but could not conclusively determine the grave site was that of Sequoyah.

Sequoyah's work has had international influence, encouraging the development of syllabaries for other, previously unwritten languages. The news that an illiterate Cherokee had created a syllabary spread throughout the United States and its territories. A missionary working in northern Alaska read about it and created a syllabary, what has become known as Cree syllabics. This syllabic writing inspired other indigenous groups across Canada to adapt the syllabics to create writing for their languages.

A literate Cherokee emigrated to Liberia, where he discussed his people's syllabary. A Bassa language speaker of Liberia was inspired to create his own syllabary, and other indigenous groups in West Africa followed suit, creating their own syllabaries.

A missionary in China read about the Cree syllabary and was inspired to follow that example in writing a local language in China. The result of the diffusion of Sequoyah's work has been the development of a total of 21 known scripts, which have been used to write more than 65 languages.

A great man whose work has had a major influence across the American continents, Africa and Asia yet still unknown, this will allow us to shine a little light on Indian culture other than with a warrior, this could reach a different audience than our usual films and shouldn't be too expensive.

Also it's a pretty good Oscar bait, it's a true story, a little old, intellectual enough so that the Oscar pigs can feel intellectually superior by voting for it, it's talking about a minority so it allows them to having the "you see I voted for this I am therefore not racist" but it also does not denounce a societal problem in a way that could contradict their vision of how the world should be and that is not of animation which prevents them from considering it as a stupidity without interest destined to children and mentally deficient. (yes I don't have the best opinion of the Oscars as an institution)
Who's Sequoyah?
Alright then, this is the last entry I'll put for the Gamera Franchise for now. It's getting harder to find actors when I don't know which ones are eventually selected. So far, I think this might be the weakest entry, as I could not write a short summary for the story, but I think the plot is simple enough to be understood.

Thus, I give you:

Movie Pitch:
Gamera: Rise of Drogu


GENRE: Kaiju/Action

SUBGENRE: Fantasy/Drama

FORMAT: Japanese Movie

Set Up: Based on the character owned by Daiei films, the fourth film in the rebooted franchise. One year after the defeat of Jiger and the destruction of Monarch Sciences, Doctor Koga Takahiro leads an expedition to the South Pole where he finds a seemingly slumbering monster which he accidentally awakens. Now, brought to Japan, he begins a rampage as he absorbs all kinds of energy, increasing its power and threatening the Earth as no one seems able to stop him. No one that is, save for Gamera.

Director: Kazuki Ōmori
Composer: Makoto Shinohara

Captain Yasui Ryota: Member of the Bureau of Paranormal Defense, in charge to face down against Drogu, as well as the leader of the investigation as to where he came from. Though ambivalent to Gamera, his feelings began shifting as he sees the Kaiju fight Drogu and defend a child before he was killed.

Played By: Masahiro Takashima
Alternate: Akira Nakao

Dr. Mayumi Nagamine: She is a gifted ornithologist who was among the first to ever learn about Gamera as she helped with the situation with Gyaos. Her specialization and studies make her one of the foremost authorities on monsters (as much as she may wish she wasn't) and thus she is the one trying to figure out from where does Drogu comes, and what his weakness may be.

Played By: Yoshiko Tanaka
Alternate: Ryoko Nakano

Colonel Genji Kusanagi: A member of the JSDF, and dedicated to finding the truth no matter what gets in his way. Promoted after the fight against Jiger, Genji leads the ground forces and makes sure to help Machida Tetsuo when the latter comes to him with information about Drogu, and who may be the one responsible for it being in Japan.

Played By: Kōsuke Toyohara
Alternate: Koichi Sato

Gamera: The titular kaiju, Gamera is a giant flying, fireball-breathing turtle that was created by an advanced civilization (Atlantis) to exterminate the invading Gyaos. While not apparent at first glance, Gamera does have a soft spot for children. Gamera's fight against Drogu remains inconclusive as the latter always manages to sneak away before being given the final blow, with Gamera in the end taking him high above the ozone layer, causing him to freeze before once more dumping him in the South Pole.

Played By: Kenpachiro Satsuma
Alternate: Toru Kawai

Drogu: A monster slumbering in the South Pole until he was awakened by Dr. Takahiro's expedition. Drogu can absorb electric energy to grow stronger, and use it in different ways to attack directly, as well as using it in more subtle ways to manipulate the minds of those close to him. Such were his actions with Dr. Takahiro, where he killed them all, and then had Dr. Takahiro bring him to Japan before erasing his mind of any and all knowledge of his findings.

Played By: Hurricane Ryu
Alternate: Wataru Fukuda
Dr. Koga Takahiro: Initially found as a disheveled old man with memory problems, it is eventually revealed that he was once one of the most brilliant scientists who, in an expedition to the South Pole, accidentally awakened Drogu, and was controlled by it to bring him to Japan before being discarded. It was a small miracle he survived, but he managed to write down his ramblings, which helped in finding a hint to weaken it at least for a while.

Played By: Takehiro Murata
Alternate: Tomokazu Miura

Saeki Takahiro: Dr. Takahiro's daughter, who's been taking care of him and hiding him from any that might try to harm him. Though she initially discourages Tatsuo, claiming to know nothing, when meeting and being reassured by Colonel Kusanagi, she agrees to show where her father is, as well as the notes he wrote in his delirium.

Played By: Kaoru Sugita
Alternate: Hikaru Ishida

Machida Tatsuo: He is a reporter that followed the small pieces of evidence about a derelict ship being found and the sudden appearance of Drogu in Japan, managing to find the link that allowed Colonel Kusanagi to find Dr. Takahiro, as well as the hints to finally harm Drogu once and for all.

Played By: Tetsuya Bessho
Alternate: Kiichi Nakai
Hitomi: Saeki's friend who finds it odd how her friend is suddenly going home early where before she was more of an extrovert.

Inspector Nozawa: A police officer who finds the records for Dr. Takahiro and gives them to Colonel Kusanagi when asked for.

A.N.: Well, this should tide us over for Gamera for the 80's and entering into the 90s. I hope we can find some other Kaiju's for Gamera to fight afterwards because man did Gamera's enemies' suck!! Seriously...Viras, Zigra, Guiron...and don't even get me started on Barugon! Why does Godzilla get to fight classics like King Ghidorah or Mothra, while we get stuck with a fish and some knife headed weirdo! If you ask me, they did an excellent choice when they only showed Gyaos in the Heisei Gamera films and then went for original Kaiju's later on. Though at least we were able to remake Jiger somewhat.
More Gamera!
When I first saw this movie I was a bit confused about the entire story. Then again, I saw this movie when I was a child so of course I was going to have trouble deciphering what exactly was going on. But, once I did, I found this movie to be just beautiful. it's just so wholesome, with the entire theme of family, friendship, and not recognizing what you have until you lose it. Even the special effects have their own charm that, despite the many movies since that have perfected it, still remain unique and just perfect for the film.

And that's without mentioning the entire interactions between David and Max. I swear, seeing both of them banter, become friends, and eventually the ending when both of them have to go their separate ways was just amazing. Heck, I also loved the entire concept of time travel, and how despite it being eight years, it still is a shock to David when he sees the changes that have been brought forth, truly highlighting how the 70s and the 80s differ despite it not even being a decade.

Thus, I give you:

Movie Pitch:
Flight of the Navigator


GENRE: Adventure/Mystery/Thriller

SUBGENRE: Science FIction/Comedy

FORMAT: Movie

Set Up: On July 4, 1978, in Fort Lauderdale, Florida, 12-year-old David Freeman walks through the woods to pick up his 8-year-old brother, Jeff, from a friend's house, when he falls into a ravine and is knocked unconscious. When he revives, eight years have mysteriously passed, and it is now 1986. He has not aged, and his appearance exactly matches his missing child poster. He is reunited with his aged parents and the now 16-year-old Jeff.

Director: Randal Kleiser
Composer: Alan Silvestri

David Scott Freeman: He is Bill and Helen Freeman's older son. He enjoys his usual routine of playing frisbee with their dog, Bruiser (whom he trains for the Frisbee Championship), school, and hanging out with his friends. His younger brother, Jeff, was born when he was four and he always enjoys teasing him which results in a lot of quarreling to which their parents always get caught in between.

Played By: Joey Cramer
Alternate: Joaquin Phoenix

Max (Voice): He is the computer/robotic pilot that commands a Trimaxion Drone Ship from the planet Phaelon. He came to collect samples from Earth and return them to Phaelon, but lost most of it, implanting it in David, and taking him to the future due to the complexities of humans. When Max does receive the information he needs, he gets something more; the ability to feel and express emotions.

Voiced By: Paul Reubens
Alternate: Jim Carrey

Jeff Freeman: He is a cheeky boy who enjoys tormenting David, causing a few heated arguments in which Bill and Helen are always caught in the middle of. after his mysterious disappearance for 8 years, Jeff shows how much he really cared about him by helping in Bill and Helen's search for him, feeling bad that the last time they met is when he scared him by jumping out of a tree when he goes to pick him up.

Played By: Matt Adler
Alternate: Chris O'Donnell

Dr. Louis Faraday: He is the lead scientist at the NASA base. He arrives at the scene of the incident after being notified by the police and then captures the ship, transferring it to a hangar at the NASA base. He tries to figure out a way to get inside it, but doesn't have any luck until he gets David in his hands and tries to obtain the information in his mind by any means necessary.

Played By: Howard Hesseman
Alternate: Frank Langella
Bill Freeman: He is David and Jeff's father. He is stern when necessary, but also loving to his children.

Played By: Cliff DeYoung

Helen Freeman: She is David and Jeff's mother. She loves both of her children, and is delighted when David finally returns.

Played By: Veronica Cartwright

Carolyn McAdams: She is a NASA intern. She befriends David Freeman while he is staying at the institute. She also helps him escape from his room to reach the ship.

Played By: Sarah Jessica Parker
Larry Howard: He is Janet's husband, and the owner of David's former home after his parents moved. He's a kind man who aids David when he's distressed.

Janet Howard: She is Larry's wife, and the one who answered the door when David knocked. She was shocked when David entered the home, but still managed to call the police to escort David.

A.N.: I'm keeping the Director, Composer, and the main actors, since I can't imagine there being any other that could play the part. Still, I've put some alternate casting for the Main Characters. I'm thinking we make the film in 86' like it had been done before in OTL, but I'm open to the idea of it being done sooner. I'd have to look for new actors, but it's doable.
This sounds like a interesting movie.
 
Mavis Kingsley, I think, has a child about he same age as Mary. Would she like a kitten ? is she close enugh to the family to receve one and Is there anyone else at lucafilm with young children who would like a kitten?
She does have a kid around Mary's age, they're actually friends, and Milly would absolutely adore a kitten. I wouldn't have said that she would've been all that close to the O'Brian's when I first conceived of Mavis, since she was always supposed to be more of an Eisner loyalist, but enough has happened with her character since, including those inclusions made by others like Kaiser Chris, that she is at least on friendly terms(I don't know that I'd call them out and out friends, but that's just me being hesitant to make any definitive judgement on that) with them and their kid's being friends.
 
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Movie Pitch: Anastasia
Among the many works of Don Bluth, I think the one that is the most well-known is Anastasia. I mean, it was the most famous in my opinion, considering that this was Bluth at his best; after all the experience accumulated, all the mistakes he learned from, with a studio at his back, but also with friends that could also hold him back whenever he went too far. After all, he himself has admitted that sometimes he has gone too far due to his own imagination, or that he has failed due to many restrictions. That's one of the things I like about him; when he makes a mistake he owns it instead of trying to find fault with someone else or trying to pass on the buck.

With him at our side now, I think he would have a greater chance to work with a good budget, people that can tell him when he's going to far, and many imaginative people around from which he can borrow or bounce ideas to improve his work...which he will need if we want him to only make good movies instead of the outright mess that dot his works (No Troll in Central Park in this TL!!!!). Anastasia is one of the movies that fit his style the best, taking lessons from Disney, but so much Bluth in story and animation that you can clearly see it's not Disney at all.

Thus, I give you:

Movie Pitch:
Anastasia


GENRE: Adventure/Drama/Comedy

SUBGENRE: Musical/Romance/Fantasy

FORMAT: Animated Movie

Set Up: Based on the urban legend that Anastasia, youngest daughter of the last monarch of imperial Russia, in fact, survived the execution of her family, thus taking many historical liberties. The daughter of the last Russian Czar (Nicolas II), Anastasia is found by two Russian con men, Dimitri and Vladimir, who seek the reward that her grandmother, the Dowager Empress Marie Feodorovna, promised to the ones who'll find her. But Grigori Rasputin, the evil mystic of the Czar family, still wants the Romanov family to be destroyed forever.

Director: Don Bluth
Composer: David Newman

Anya/Grand Duchess Anastasia Nikolaevna Romanov: She is the daughter of the last Russian Tsar, Nicholas II, and his wife, Tsarina Alexandra Feodorovna. She was supposedly killed in 1918 during the execution of the Romanov family.. yet managed to survive and, after being separated from her grandmother, develops amnesia and begins going by "Anya." She tries to find her real life, going along with Dimitri's scheme hoping to find the truth. Anastasia is bright, spunky, stubborn, brutally honest, but very kind and caring. She doesn't behave like royalty even though it runs in her blood. She also is a tomboy.

Played By: Demi Moore
Alternate: Meg Ryan

Dimitri: A former kitchen boy at the Romanov's palace, after the revolution he became a con artist hoping to trick the Dowager Empress and get the reward money for finding Anastasia. At first, Dimitri is interested in only money, and cares little about having a place to call "home", which Anya finds shocking. Initially, he is sarcastic, cunning, dishonest, and sly, with a hint of an arrogant streak, which often upset Anya. However, as the film progressed, Dimitri matured and developed into a considerate, understanding and dependable kind-hearted young gentleman who cared for Anya, and wanted for her to be happy.

Played By: Mark Hamill
Alternate: Robert Downey Jr.

Grigori Rasputin: He is a sinister powerful sorcerer, once believed to be a holy man, who was banished from Russia by Tsar Nicholas II. Eager for revenge, Rasputin plans on destroying the Russian royalty. He sold his soul to the otherworldly forces of darkness in exchange for his amulet and for the power to destroy the czar and his family, in the process becoming a lich (a type of undead creature with magical powers). He then returns to the Russian palace and inflicts on the czar's family with the Romanov curse. He is an arrogant and evil man, as well as somewhat obsessive and impulsive with his objectives when these are not achieved.

Played By: Christopher Lee
Alternate: Tim Curry
Vladimir "Vlad" Vasilovich: He used to be a member of the Imperial Court of Russia, allowing him to see much royalty throughout his lifetime. Ten years following the brutal execution of the Romanov family, rumors of the youngest Romanov Grand Duchess Anastasia's escape spread quickly throughout St. Petersburg, catching the attention of Vladimir and his young confidante, Dimitri. Although Vladimir was hoping to receive the Dowager Empress' reward money almost as much as Dimitri was, he was also glad to help Anya find her family, and guided her with a great amount of sensitivity and gentleness.

Played By: Christopher Lloyd
Alternate: Kelsey Grammer

Maria Feodorovna: She is the paternal grandmother of Grand Duchess Anastasia, and the widow of Tsar Alexander III. Dowager Empress Marie is a generally kind and pleasant woman with an automatic regal and presence, but she can also be stubborn and outspoken, traits she shares with Anastasia. Although she can appear marginally stingy at times, she is in no way selfish nor ungrateful, considering that she is more than willing to reward 10 million roubles to whoever safely returned her granddaughter to her. She is hard to fool, and hard to please. She is able to recognize the mistakes that many Anastasia imposters are making, to the point of which it was beginning to take an emotional toll on her.

Played By: Angela Lansbury
Alternate: Judi Dench
"Comrade" Phlegmenkoff: She is the grouchy and strict manager of the Orphanage. When Anya leaves the orphanage she refers to Phlegmenkoff as Comrade showing that Russia has now converted to communism.

Played By: Andrea Martin

Bartok: He was Rasputin's committed sidekick, but 10 years after the execution of the Romanovs has left Bartok skeptical about being Rasputin's sidekick and is constantly trying to convince Rasputin to "get a life" and to stop being stressed.

Played By: Hank Azaria

Sophie Stanislovskievna Somorkov-Smirnoff: She was Dowager Empress Maria's own lady-In-Waiting, as well as her cousin. She tries to be of help to her among all the Anastasia impostors.

Played By: Bernadette Peters

Nicholas II Romanov: Father of Anastasia and last Emperor of Russia. He banished Rasputin for his evil acts, and thus suffered his curse, along with his entire family.

Played By: John Lithgow

A.N.: I think we can make this movie in the latter half of the 80s, mainly because this movie is in a way somewhat subversive of the Princess Tropes within Disney films, but I think we should try for some real Princess movies to have our own rather than leave Disney with the only ones. Besides, I've wanted to do The Little Mermaid and Aladdin for a while now, so those movies should take priority over this one.
 
I was actually going to work on an Anastasia pitch soon, so this thankfully saves me the time. Great film and awesome music.
"I will not rest until I see the end of the Romanov line!" :p
 
I would like a little change of the Anastasia pitch instead of making Rasputin the atagonist why make it the Soviets as the bad guys that try to hunt her down Rasputin would just be one of the fall guys @overmind
 
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I would like a little change of the Anastasia pitch instead of making Rasputin the atagonist why make it the Soviets as the bad guys that try to hunt her down Rasputin would just be one of the fall guys @overmind
I think the play does something similar and just has the soviets be the bad guys and cuts out Rasputin altogether. Sadly it would mean losing "in the dark of the night" which in my opinion is an absolute masterpiece of a villain song.
 
I would like a little change of the Anastasia pitch instead of making Rasputin the atagonist why make it the Soviets as the bad guys that try to hunt her down Rasputin would just be one of the fall guys @overmind
I thought about it, but...
I think the play does something similar and just has the soviets be the bad guys and cuts out Rasputin altogether. Sadly it would mean losing "in the dark of the night" which in my opinion is an absolute masterpiece of a villain song.
This. So much this. I'm sorry, but I'm not going to deprive TTL of such a magnificent villain song.
 
I think the play does something similar and just has the soviets be the bad guys and cuts out Rasputin altogether. Sadly it would mean losing "in the dark of the night" which in my opinion is an absolute masterpiece of a villain song.
I thought about it, but...
This. So much this. I'm sorry, but I'm not going to deprive TTL of such a magnificent villain song.
Maybe we could change Raspotin instead of deleting it, make it closer to irl, a trusted advisor loved by the royal family and who was close to them so the "in the dark of the night" would become a Rasputin trying to stop at all costs even with his soul the Bolsheviks from massacring the royal family or after their massacre a Rasputin mad with rage and anger releases curses and plagues on the Bolsheviks to avenge the royal family, he could even prepare his revenge for years and being stopped in his attempt at revenge by Anastasia wanting to avoid civilian losses before going through the pitfalls that Rasputin would have erected against those wanting to stop him in his revenge and she ended up revealing her identity to him as the last living member of those he wants to avenge to convince him to stop.
Just a few ideas.
 


Maybe we could change Raspotin instead of deleting it, make it closer to irl, a trusted advisor loved by the royal family and who was close to them so the "in the dark of the night" would become a Rasputin trying to stop at all costs even with his soul the Bolsheviks from massacring the royal family or after their massacre a Rasputin mad with rage and anger releases curses and plagues on the Bolsheviks to avenge the royal family, he could even prepare his revenge for years and being stopped in his attempt at revenge by Anastasia wanting to avoid civilian losses before going through the pitfalls that Rasputin would have erected against those wanting to stop him in his revenge and she ended up revealing her identity to him as the last living member of those he wants to avenge to convince him to stop.
Just a few ideas.
That can work it would make him even more dimensional character
 
..... Ya know, I just had a thought.


A video game animated in Don Bluth style.

It feels like something that would be weirdly cool to see
 
Maybe we could change Raspotin instead of deleting it, make it closer to irl, a trusted advisor loved by the royal family and who was close to them so the "in the dark of the night" would become a Rasputin trying to stop at all costs even with his soul the Bolsheviks from massacring the royal family or after their massacre a Rasputin mad with rage and anger releases curses and plagues on the Bolsheviks to avenge the royal family, he could even prepare his revenge for years and being stopped in his attempt at revenge by Anastasia wanting to avoid civilian losses before going through the pitfalls that Rasputin would have erected against those wanting to stop him in his revenge and she ended up revealing her identity to him as the last living member of those he wants to avenge to convince him to stop.
Just a few ideas.
Making it seem that Rasputin was after Annia too until the end would be an amazing plot twist. Change some lines around so that one a secnod glance they have another meaning. around the climax have Annia caught between the soviets and Rasputin only for Rasputin to reveal he was trying to save her the enitre time.
 
You know if we make rasputian as a tragic figure and the movie is a success I wonder if the world and the pope will declare him a saint for spite towards the Soviets imagine that the Russian used to hate him now they worship and pray to him as god holy man
 
..... Ya know, I just had a thought.


A video game animated in Don Bluth style.

It feels like something that would be weirdly cool to see
There is one it's called dragons lair. Drawn by Bluth himself in fact.
You know if we make rasputian as a tragic figure and the movie is a success I wonder if the world and the pope will declare him a saint for spite towards the Soviets imagine that the Russian used to hate him now they worship and pray to him as god holy man
I doubt they'd call him a saint.
 
Making it seem that Rasputin was after Annia too until the end would be an amazing plot twist. Change some lines around so that one a secnod glance they have another meaning. around the climax have Annia caught between the soviets and Rasputin only for Rasputin to reveal he was trying to save her the enitre time.
It is right ?,that could potentialy gave another layer to the movie without loosing anithing
 
Dancing Kittens
Dancing Kittens​


Mary was busy working on her Rocket design when Daddy asked a silly question.

"Do you want to do some Martial Arts practice?"

"Yes." She scrambled to her feet, took one step away from her drawing and grumbled before putting it back in the box and the items away. As she did so, she got an idea.

"Daddy, can I get cheerers?"

"Cheerers? What do you mean by that?

"Brandon do pretty dancing showing or competition, and Mary cheers. Fred wants to see Pretty Dancing." Mary gestured towards a Black and white Tuxedo kitten

"Are you sure your kitten will want to see?"

"Yes, and Joseph and Sarah and Tig and Lami and…"

Daddy chuckled at her. "Well, go and offer the invitation then, Mary. I will meet you in the gym."

"Yay."

Permission gained and drawings away, Mary ran off down the hall, a black and white tuxedo kitten fathfully following. Mary thought her kitten looked like a butler with a black jacket and white paws, so after ages of deliberation (five minutes ), she named him Alfred, which was promptly shortened to Fred by linguistically challenged younger siblings.

Her younger sister had Lami, whose name was similarly shortened. Lami was a black and white kitten who looked like a lamington and liked to cuddle. Her younger brother's companion was an orange kitten who was very bouncy. When she pointed it out to Daddy, he just laughed and said that bouncing was what Tiggers did best. But Joseph couldn't quite say Tigger yet, so Tig it was.

The Kittens mother was Ginger, who was Daddy's Cat. There were also three other kittens. Daddy wanted to give one to his sister Cat, a black kitten currently being called Caldron. Mark Hamill, who was Luke Skywalker in Star Wars and Amuro Ray in Gundam, said that his son was interested in a light yellow kitten with big eyes called Tony. Tony had the same pattern stipes as Tig, except where Tig was orange Tony was yellow. Finally, there was a female grey kitten, which Mummy called Timmy and daddy said their name wasn't right. Timmy was incredibly fluffy really liked treats but seemed to get stuck a lot. Grandma had stated she might take Timmy but had to find out who owned Eddie Cat, the kitten's father, first.

Mary was pretty sure Edddie Cat didn't have a person as he Didn't wear a collar. Mary thought a cat without a person would be sad and lonely. But Edddie Cat had sat on Ginger and bit her ears when Ginger had just wanted to sing with him, so Mary didn't like him much. She also didn't didn't see why Grandma was considering keeping him even if she told Mommy that she would fix him if she did.

Mary put Eddie Cat out of her mind as she arrived at the lounge to yell excitedly at her siblings. "Joseph Sarah Dancings." Before reversing her direction and running back to the gym.

As she ran back down the corridor, she briefly saw Joseph rise to his feet, dropping the string he was pulling for the orange and black striped kitten, scooping the animal to his shoulder and following Mary at his best approximation of a run. Sarah, closer to the door, followed slower but more elegantly, putting her book to the side and gently nudging her kitten Lami awake before standing and following.

Mary didn't see Ginger raise her head at the exit of two of her charges from the lounge at the behest of the third. Or Ginger standing and nudging the rest of the kitten pile awake. Yawing and stretching, the final three kittens followed their mother down the hall, only occasionally getting into scuffles with each other, bouncing and play fighting.



On Mary's arrival in the gym, to her delight, Daddy had set up a big Daddy-sized practice dummy for him and a smaller Mary-sized practice dummy for Mary. She sat on the side of the mat like daddy said to and like daddy did in the dancing Videos that had Brandon's Daddy and her daddy in when her daddy was learning.

She had sat in the best spot where she could see best and was quickly joined by Sarah, Joseph, and then the rest of the kittens. Seeing the blob of Children and kittens, Mary took charge.

"No on the Mat. Mat for Dancing's only. Sit on edge like Mary.

With some hesitation and false starts, the Group settled and tuned towards Bruce.

"Ready for Your Old Man to show you a few tricks?.

"Yes Daddy. Joseph, Sara say Yes."

"' Es." Came somewhat hesitatingly from Joseph and Sarah.

The kittens started to move out of place, but Ginger Snickered something, and the kittens sat back down to watch. Ginger wandered over to the other side of the mat and sat down.

"Boxing First? "

Mary nodded. "Yes." Daddy was very good at boxing. He beat somebody, Ali after he said rude things.

Daddy changed his pose, put his arms up to guard his face, and punched at the bigger of the two dummies. One two three, the dummy rocked back and forward into Daddy's fist. Perfect timing and control.

Mary cheered

Then Tig bounced from beside Joseph to the small dummy, reared up on his hind legs, went one-two, and fell over.

Mary clapped politely for Tig. Ginger stood, ambled over to Tig, licked him and nudged him back to sit next to Joseph.

Daddy smiled and returned to the boxing form again. One two three…

Ginger yowled and jumped.

For Mary it was magnificent. Ginger had used the shadow of Daddy's punch to throw herself at the dummy's head, sinking claws into the hair and having back legs kicking down the face.

She could see how Daddy's follow-up punch in the stomach would be completely undefended as the person moved to protect their face, allowing Ginger to safely jump off as Daddy punched the dummy again.

She jumped to her feet, Applauding. "Yay, Good dancings Daddy. Good dancings Ginger. Come Fred, and we try."

Fred stood and moved behind Mary as she moved over to the smaller dummy. Then Mary, with a look of concentration, made herself move like Daddy did. One, two, three, and Fred Jumped and bit the top of the dummy's head. Mary then had to be careful for her successive punches to hit the dummy, not hit Fred and not knock Fred off the dummy.



"Did you see Daddy? Did you see?"

"Yes, I did said Daddy with a funny tone of voice, watching as Ginger walked over and smugly Groomed Alfred. "You were very good. So where you Alfred."

Alfred looked up at hearing his name and preened under the praise, sitting a little straighter.

"I saw that right. I punched and Ginger used the shadow of the punch to hide her jump. Then you and Alfred did the same thing.

"Yes Daddy. Fred was very good."

Daddy shook his head and looked at the roof for a moment, muttering something Mary didn't catch before looking back at Mary.

"Do the rest of the Kittens want a go?"

At his words, the remaining kittens abandoned their irregular line at the edge of the mat and charged towards the smaller target and then the kitten piled and savaged it.

Gingers ears went down like she was embarrassed about something.

Sarah and Joseph cheered.

"I think I need to make some phone calls" Daddy muttered.



There where some new games in the house. Mary usually, sometimes Joseph, or Sarah would sit up an old teddy bear so that a kitten would jump and knock it over, grabbing a limb or head with its front paws, biting and kicking with its back legs. It was a fun game. It meant the kittens had liked Daddy's Dancing. When Mary told him so Mary was not sure why Daddy seemed to have a funny expression on his face when she did.

Daddy had also asked some of Grandpas Army friends to bring their doggies over to play with Natalie Ginger and the kittens. When the doggies came, they played some Special Dancing that Mary wasn't allowed to join in with because she wasn't a kitty or a puppy. Mary thought it was unfair because she could make them meow and barking sounds very well. Ginger seemed to think so at least. But it meant that when the animals finished dancing, they all took a nap. And it was nice to fall asleep up against Natalie, be joined by her siblings then have Ginger and all the kittens pile on top. It was warm and comfortable.

Then Mommy started doing silly things like instead of playing the picture game properly and saying Cheese she would sneak in and take a picture before Mary was ready. One time, Fred fell asleep on Mary's head, looking more like a hat than a kitten.

Still, if it made Mommy happy, Mary would put up with her playing the game wrong. Happy people were more important.




Special forces Kittens!!

So the current plan for distribution

Give one to Cat (Bruces sister) and her children, one to Mark Hamil's son Nathan, Keep three for Mary Joseph and Sarah and one to Mavis daughter Millie.



As for kitten names / descriptions. @Magoose or any questers with Good ideas am willing to change my Omake besides kittens often get re named when they go to their forever home.
tentatively

Mark Hamil's son in RL makes dolls with extra large eyes, and otl has a liking for star wars toys so a gold animal with large eyes C 3PO but that's a bit on the nose so Anthony Daniels. Anthony Shortens to Tony, and then we have tony tiger on the breakfast cereal.

Caluldon for Cat is a joke based on the saying pot calling the kettle black and a cauldron being black, as well as the name of the movie she is working on.

Cloud, well a high proportion of cats are grey and fluffy so Cloud. @Schehera Zade any input?
Edit Cloud changed to Timmy as well as a propensity for getting stuck ?


Alfred I am not fully committed to but felt would be good name for a tuxedo cat. It would work better if Mary was a bigger batman fan but Superman or rather Supergirl, has no cats and the best cat in DC Dex - Starr Doesn't get invented until 2011
 
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Cloud, well a high proportion of cats are grey and fluffy so Cloud. @Schehera Zade any input?
Although I like the name on a personal level, for the sake of narrative, can you either leave the kitten unnamed or have Mary name it Timmy? I'm looking to have the cat be named Temmie by Milly so that I can connect it to Mavis' later Undertale script in the same way that Milly's love of Alice in Wonderland and some of her toys inspired Mavis with Undertale, and I'm justifying this by having her be unable to say Timmy and says Temmie instead.
 
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