Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Animation is still a money sink, so i propose picking House of Ideas first before that, so that when we do get Animators, they won't lack for potential options to make cartoons of.
 
Animation is still a money sink, so i propose picking House of Ideas first before that, so that when we do get Animators, they won't lack for potential options to make cartoons of.
I'm trying to put as many animation Pitches as possible so that we have a good stable of movies ready to be produced for then, though we're still under represented in comparison to the regular scripts.

I'm planning on making a Pitch for Atlantis the Lost Empire, but since/if we have Ron Clements and John Musker on our team then we get many of the movies that made the Disney Renassaince for us to do We should be fine for scripts then.

Also, does anyone know if the Barsoom Saga is in the public domain?
 
Also, does anyone know if the Barsoom Saga is in the public domain?
We'd have to check with Edgar Rice Burroughs Inc., but if all things are even then if it was published before 1923, it's in the public domain, but for the works published between 1923 and 1963 if it's been renewed (and they should have been) then it'll be Master Mind of Mars (1928) and Llana of Gathol (1948) that'll be the ones we need the rights [and characterizations] for at this time.

They're also the same folks we need to talk to for Tarzan series, the Pellucidar series, the Amtor series, and the Caspak trilogy, so there's also that.
 
Would be an amazing steal to do The Great Mouse Detective by ourselves instead of letting Disney hide it under a rug.
 
We'd have to check with Edgar Rice Burroughs Inc., but if all things are even then if it was published before 1923, it's in the public domain, but for the works published between 1923 and 1963 if it's been renewed (and they should have been) then it'll be Master Mind of Mars (1928) and Llana of Gathol (1948) that'll be the ones we need the rights [and characterizations] for at this time.

They're also the same folks we need to talk to for Tarzan series, the Pellucidar series, the Amtor series, and the Caspak trilogy, so there's also that.
I've been thinking that we could do the Barsoom Saga as Animated films, so I'm very interested in buying the rights for said books. The Amtor series though, it intrigues me more as either a movie saga or a TV show. I don't know why, it just does.
Would be an amazing steal to do The Great Mouse Detective by ourselves instead of letting Disney hide it under a rug.
We should be able to. The Great Mouse Detective was based on the book Basil of Baker Street, so if we buy the rights to the book before them, then we can do it.
 
[X] Plan Mr. Beast? More like Mr. O'Brian

Well, been a while since I voted. I actually had a nice little idea for two scripts. Don't know how well it will come out, but I'm going to add a bit of "backstory" before the actual scripts ideas.
 
Knight Owl: Night City Court of Law (a R. Talsorian Cyberpunk Story)
Knight Owl: Night City Court of Law (a R. Talsorian Cyberpunk Story): by Mike Pondsmith and Dave Alistair [ Novel / MiniSeries (Animated) | Cyberpunk / Court Drama ]

A-Plot: The neon lights of Night City shone bright as lawyer Rachel Nguyen made her way to the courthouse, her briefcase clutched tightly in her hand. She had been assigned to defend a notorious fixer named Jack "The Knife" Murphy, who had been accused of multiple counts of murder and racketeering. Rachel knew that this was going to be the toughest case of her career, but she was determined to see it through. She had spent countless hours poring over the evidence, interviewing witnesses, and preparing her defense.

As she entered the courtroom, Rachel could feel the eyes of the various gang members and fixers in the gallery on her. She took a deep breath and began to present her case, arguing that the prosecution had no concrete evidence linking Jack to the crimes. But the prosecution was relentless, and they had a number of witnesses who were more than willing to testify against Jack. Rachel fought back, cross-examining each witness and tearing apart their testimonies piece by piece.

As the trial went on, Rachel began to uncover a web of corruption and deceit that went all the way to the top. She discovered that the prosecution had fabricated evidence and coerced witnesses in order to secure a conviction. Determined to see justice served, Rachel brought this information to the attention of the judge, who ultimately declared a mistrial and ordered a new trial with an independent prosecutor.

Rachel's hard work and dedication had paid off, and Jack "The Knife" Murphy was eventually acquitted of all charges. Rachel had not only defended her client, but she had also exposed the corruption and rot at the heart of Night City's legal system. As she walked out of the courthouse, Rachel knew that she had made a difference. She had shown that even in a city as corrupt and brutal as Night City, justice could still prevail.

Rachel Nguyen's work on the Jack "The Knife" Murphy case was a resounding success. She had uncovered corruption and deceit within the legal system of Night City and helped secure her client's acquittal. However, unbeknownst to Rachel, Jack was, in fact, guilty of all charges. After his release, Jack continued his criminal activities, emboldened by his victory in court. He expanded his racketeering operations and became more ruthless than ever before. His newfound power and influence allowed him to evade the law for years, and he became a notorious figure in Night City's criminal underworld.

Meanwhile, Rachel's reputation suffered a severe blow. Rumors began to circulate that she had helped a known criminal go free, and her credibility as a lawyer was called into question. She struggled to find work, and many clients were hesitant to hire her, fearing that she would not be able to defend them effectively. The fallout from the case had destroyed her career, and she had never fully recovered. In the end, Rachel realized that justice was not always black and white. She had done her best to defend her client, but in doing so, she had inadvertently allowed a dangerous criminal to continue his reign of terror. She vowed to never make the same mistake again and to always ensure that she was on the right side of the law.

All that was left was her story, and the blood money she'd been payed with...she needed a professional to deal with this, and that meant she needed to talk to a Fixer.


A/N: Fifth time tonight the cats I've been pet-sitting have fucking headbutted me awake for scritches, so I've given up on sleep and decided to watch Lincoln Laywer (highly recommend it)...which then inspired me to write this pitch for a Laywer Drama.
 
Show on Netflix, Season 2 was released yesterday I think.
Ugh. My dad loves that show and I can't understand why for the life of me. Literally couldn't get through an episode without noticing all the utter ridiculousness in the scenes or easy to predict plots or twists. Not to mention, no disrespect to the lead guy(I forget his name) but his acting was weird as hell and I'm not sure if it was the accent that was harming his ability to deliver lines or if there was something up with his lines themselves or if he just wasn't able to act out the scenes or what, but it took me out of it so much. The movie though, the one with Matthew McConaughey, is excellent and definitely worth watching.
 
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Ugh. My dad loves that show and I can't understand why for the life of me. Literally couldn't get through an episode without noticing all the utter ridiculousness in the scenes or easy to predict plots or twists. Not to mention, no disrespect to the lead guy(I forget his name) but his acting was weird as hell and I'm not sure if it was the accent that was harming his ability to deliver lines or if there was something up with his lines themselves or if he just wasn't able to act out the scenes or what, but it took me out of it so much. The movie though, the one with Matthew McConaughey, is excellent and definitely worth watching.
Honestly had the opposite experience, since I felt McConaughey was his usual self in the movie (preferred him in The Gentleman, since that's at least a unique performance from him), while the show at least makes the attempt to stand out from other shows of its type through use of Cinematography, prop placement, and behavioral acting, of which the second season has improved upon.

I will admit it is legal pulp, but it's at least great legal pulp.
 
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