Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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As I said, I'm not that sure how good the Special effects in the 1970s are (aside from Star Wars) so if you think Prince of Persia can be done now then Im fine witgh it. My main concern has always been that it turns out like so many of those "Fantasy" films that have so many flaws (from the acting, writing, fights, etc).
We should hopefully be able to get to Clash of the Titans quality (even if we use non-stop motion style effects for it)

Basically if OG Star Wars effects don't hold up well enough for what you envisioned, then it's probably best to wait, though I think, looking at Indiana Jones, ILM is up to the task.
 
We should hopefully be able to get to Clash of the Titans quality (even if we use non-stop motion style effects for it)

Basically if OG Star Wars effects don't hold up well enough for what you envisioned, then it's probably best to wait, though I think, looking at Indiana Jones, ILM is up to the task.
Hmm. Let's wait a couple of years before we start then. By then ILM will have this down pat, and it's closer to what Indiana Jones should be able to do.
 
Well I can safely say this:

This deserves a reward:

[]A Billion Dollars Mike, That's a Little Overkill don't you- That's a lot of... speculation. (Merchendising Roll for Star Wars gains a bonus.)
[]George See's Reason (Autopass The Intervention with George)
[]Well, We have a Plan... Kinda (Mike has a plan that will... eventually, provide a way to get a movie out at all quarters of the Year)

Well keep in mind the Omake was mainly to show why Marcia and Mike are so gunho on Rocky support and Mike's point of view on how Star Wars should be handled. Magoose has the final call and by extension us as the audience for Bruce so we can always change the schedule if we find something different to be better.
There will be some ever-slight changes... But that is about it, and I see no reason not to reference it.
What you have is a relatively decent plan, and for Carrie I don't think it'll be too much of an issue because I would have it go like late September early October so it will have gone through most of its lifetime by the time Star Wars comes out and as a supernatural horror it was going to make less money anyways and be more niche while Star Wars is popular for general audiences.
Well, the thing about Carrie is, I'm rolling for how smooth its production is...

It's not nearly as smooth as Rocky or Star Wars...

Not a disaster, but most certainly not the funniest of time.
We might be able to release some stuff at the fourth month or so, but the reason I said six months was because five months after Some Nights was released we tried and failed to release Lady Snowblood because it was juts so popular so something similar will probably happen here, especially with Star Wars hinted at being a billion dollar movie.
Oh there will be some more hints.
In terms of Bruce's personal movie list, I want to film Five Dates after we're done with our Olympics documentary because Magoose said it only takes one production turn and is relatively simple, and then we release it on Valentine's Day so that way we'll get a flock of people to see it because of Bruce and Carrie and the success of one will boost the other. Kung Fu Kid I want to film after the Olympics and release as a summer fic. We could also try to squeeze Iron Lung since that's relatively simple. For the grandiose stuff like Solomon Kane, Conan, etc.; I want to wait until Steve is ready because he seems most qualified to handle that type of scale.
Well the thing about What Steve Wants, and what we want, and what George wants...

And who we have on offer...

Well, let's just say that Steve may be able to juggle two productions... possibly.

He hasn't suffered through the hell that was Schindler's list and Jurassic Part yet, so perhaps he may be able to do it, with far less stress on him.

Especially if we can help him.
Also I wouldn't worry about Close Encounters, because Steve said he needs a year for pre-production and filming to happen and then after that he'd spend some months with the Magicians and marketing, so Close Encounters releasing in the summer right after Star Wars ends its run would be pretty good timing wise. Although we could always go for late summer but then Carrie would have to be pushed to early 1977.
Well the thing is, Steve might be able to get things done...

Really quickly.
Personally in regards to Bruce's big movies that he acts or directs in for 1977, I would prefer Marathon Misadventures, Moonlight Diner or Emerald Pimpernel, maybe Slenderman if we put a lot of work into it. The problem with Solomon Kane and Conan is that it requires a Bruce who is at the very least in his mid 20's so we have to wait a while. I wouldn't mind producing or directing Prince of Persia, but I would rather Bruce not star in it and have as authentic as possible cast of Iranian or other middle eastern actors.
Well, the thing I want to say about Bruce and big directorial films...

He's competent enough to do it, just not enough to do it in the masterful way that say... George and Steve could bring.

What I'm saying is, he might need more experience with smaller fare before he jumps to blockbusters.
Actually I just thought of something, can't we just have Bruce audition occasionally for non-Lucsafilms movies?
That depends on how much of a box office draw he is, how much he's willing to take as pay, and how much the studio heads hate him for being the head of a competitor.
Hmm. Let's wait a couple of years before we start then. By then ILM will have this down pat, and it's closer to what Indiana Jones should be able to do.
What I'm going to say about the subject when it comes to Big Special Effects movies...

The Later, the better... but also, take risks for what you have, and see what the boys of ILM and company can do.
 
I hope that no one will fault me for asking this...

But Dennis Murin should be working on Star Wars right now as the first class of ILM... and part of me wonders how he views everything.

I hope that someone can make an omake of that between now, and Star Wars' Release.
 
calling the vote
Adhoc vote count started by Magoose on May 31, 2023 at 12:44 AM, finished with 58 posts and 19 votes.

  • [X] Plan Merry Memorial Day
    -[X]The Lucasfilms Christmas Party: George, this is going to party… Dammit, I will come, because Carrie said I had to. DC:0
    -[X]The Final Countdown for George Lucas: You looked at Sly, Mike, Marcia, and George, and shook your head. "George, I think we're about to get that conversation we want to have." DC: ???
    -[X]How Warner will Be Looted: So… How will the courts handle Warner Bro's disintegration and selling of their assets? DC: 30/???
    -[X]The Olympics with Bruce O'Brian: You are going to continue this story of Olympic might… with a member of the women's Team. Shirley Babashoff. DC: 10
    -[X]And Carrie Begins to Become Awesome: Carrie is willing to work on one of the many pitches you have and write screenplays for them. (Linetail what you want to see if she can… produce)
    --[X] The Playground
    -[X]Continue Developing Marathon Madness: You want to expand the idea and make the script idea you have even better.
    -[X]And the Last Cowboy:Clint just relaxed on his chair by his pool "So kid, thanks for coming." DC: 10
    -[X]Calling Your Parents: You are going to call your parents and see what they want. DC: 10
 
The End of the Year is Something Incredible Turn 42 Results (December 1975-January 1976)
The End of the Year is Something Incredible

[X]The Lucasfilms Christmas Party: George, this is going to party… Dammit, I will come, because Carrie said I had to. DC:0 Rolled:D100 => 23

You looked at the people at the party and then looked at Carrie. "Have I become a Grinch? That's supposed to be Mike's Job!"

Continued in: The Christmas Party of 75
----------------------------------------------------

-[X]The Final Countdown for George Lucas: You looked at Sly, Mike, Marcia, and George, and shook your head. "George, I think we're about to get that conversation we want to have." DC: ??? Rolled: D100 => 1 (Auto Pass)

George was a stubborn Mule, but even he couldn't get through this situation. "Fine, you cornered me, in my office, and won't let me leave." He turned to Mike. "Did you put them up to this?"

Mike merely shrugged. "This was a calculated business decision that we have gone through. I have gone through all the risks. Releasing Rocky is one of them that I have believed would save this company from financial struggles."

George was almost wild at that thought. "Really, except now, my president is telling me what to do in my studio!" He pointed to Sly. "I'm not going to lose another film to someone who just had a good script and was impressed-"

Sly realized just how upset George was, and he was not thinking straight and was not taking it personally, but you stood up. "Hey, George, don't take it out on Sly, I'm the one who decided to bring us all together!"

George did not like the answer you gave… because of how hurt he became from the voice speaking to him being your's "We had a promise, Bruce!" his voice was almost cracking from how hurt he sounded, unable to reconcile the fact you were working against him.

"We did." You responded calmly, letting George vent his frustrations onto you. "And I'm asking you to change it, knowing full well how much this means to you. And I don't come to this conclusion lightly."

George exploded, gone was the meek director and your friend. In was a man who clearly was afraid. "And what then Bruce! Are you going to ask me to do something else? To make some film that I don't want to make, because it will help the company! To set aside my artistic credentials and ideas, because I happen to be one of the more talented directors, and we have to sacrifice for the greater good of this company!"

"And what happens when we can't pay the bills, George? What happens when Universal comes over and fucks us because they decided to stop toying with us and not to play fair! Because you know they will! They've tried to do it before to us!" You screamed at George. "I hate this because I broke my damn word to you!"

Everyone seemed to be secondary to you. And you calmed yourself. Taking a deep breath and making sure George was also calming down. "You're going to listen to Mike. You're going to listen to Marcia, Sly, and Me… Because we aren't doing this just to break promises."

"We're doing this to save your movie and your studio, you can have one, or the other, or you can listen to us, and maybe we can have both, and that's going to rock Hollywood harder than anything I've ever done!"

And George was still. "So for the love of God, George, please, just listen to your family!"
--------------------------------------------

It took over an hour before you finished… but George didn't say anything for a week.

And as you sat in your office, writing… you just… saw him come in, seemingly happy.

You looked at him with a raised eyebrow… and saw George try to leave. "George." You said his name, as he stopped.

He just took a breath. "Mike already knows. Rocky is going to release soon… probably in the Summer."

He listened.

He didn't need to say anymore.

Reward: Rocky will release in the Summer, and it will be the first Official Lucasfilms Unlimited Production Released.

George has realized, for good, that this is no longer just his studio.

Unknown Effect on How Hollywood Reacts (hint, they will never see it coming)
--------------------------------------------------------------------------------------

-[X]How Warner will Be Looted: So… How will the courts handle Warner Bro's disintegration and selling of their assets? DC: 30/??? Rolled:D100 => 92

"Six months. They are holding off for another Year?" You asked. "What happened."

"California court got involved, same with federal, they want to get all the… chickens in one basket so to speak." Mike smiled. "I think we can do something about that… Something quite good."

You could see the Evil in Mike's Eyes.

It scared you.

Reward: Due to Warner's Collapse, California and Federal courts have gotten involved and delayed the selling of assets for one year.

How… convenient. If you didn't know any better, you'd say Miek was involved, but you think it's a coincidence, and nothing more.
-------------------------------------------------------------------------------

-[X]The Olympics with Bruce O'Brian: You are going to continue this story of Olympic might… with a member of the women's Team. Shirley Babashoff. DC: 10 Rolled:D100 => 97

To say that you decided to go… Emmy Mode was a complete understatement. You see, you looked at some of the scripts, and the questions, and many of the shots.

You told them all that you were not going to make this… Abomination. You were going to make Art.

Shirley was a bit confused when you followed her through her routine.

But you did have some fun keeping up with her, a camera in hand, and just doing what you do best.

Shoot with a camera.

When that was done, you started asking questions and just did some of the following interviews.

And oh boy was it electric. You decided to ask the questions in order of what she liked doing, leaving the patriotic fluff out for the end, where it came off as more of a joke than anything too serious.

That made it both relatable and funny.

And to say that the style of questioning was both… funny, entertaining, and captivating, you were satisfied with it.

Reward: You managed to make quite a showing of the next part, and frankly, you were extremely satisfied with the finished product… once the Government men were shown that you needed not some fluff piece, but actually artistry.

And when they gave you all the time in the world to work with.

+1 to directing skill.
----------------------------------------------------

-[X]And Carrie Begins to Become Awesome: Carrie is willing to work on one of the many pitches you have and write screenplays for them. (Linetail what you want to see if she can… produce)
--[X] The Playground Rolled:D100 => 27+150=177

Script Quality:D100 + 20 => 78

"So… How is the script?" She asked as she looked at the mess in your office.


-[X]Continue Developing Marathon Madness: You want to expand the idea and make the script idea you have even better. Rolled:D100 => 75

Script Quality:D100 + 20 => 71

"BLARGH!" You said as you slammed your head down on the desk. "I hate this!"

"You completed it though?" She said with a smile.

Reward:
The Playground and Marathon Madness have been completed and can now be produced.

+1 to screenwriting skill
-----------------------------------------------------------------------------------

-[X]And the Last Cowboy:Clint just relaxed on his chair by his pool "So kid, thanks for coming." DC: 10 Rolled:D100 => 72

You and Carrie were at Clint's house in Hollywood and frankly, you were just… really trying to ignore the paparazzi. "Clint, you know-"

"Oh, I know." He said with a smile. "Feels nice to know that I hate them just as much as you do."

"Yet why did you let them come?" You asked.

"Oh, I needed cover from any potential spy in the middle because someone has been going through my mail, trying to find any correspondence between myself and you," Clint replied. "Take a seat."

You laid down on the seat, while Carrie went to talk to his wife and just have a happy time. "Listen I hate to ask for this, but I need help."

"Clint, you know I will-"

He raised a hand and sat you back. "Relax." He said. You sat back and looked at the drink resting upon the table. "Hope you don't mind the orange juice, been a little carried away."

"Well, why are we playing a game of spies?" You asked. "And why are you worried someone is going through your mail?"

"That is because someone from Universal offered me a six-picture deal and I turned it down. Quite loudly, when I said that I was thinking about something else."

"Retaliation?"

"Oh no, I don't think they would go that far, but After Warner bros got shuttered… well, I wouldn't put it past them." He then smiled and took a sip of his drink. "Bit tougher than the average actor." He then chuckled at himself. "No, I need your help to get Dirty Harry."

You frowned. "So that's why you're throwing the party? Asking me for help?"

"Universal already offered me 10 million dollars to tie me down as the director… But I had no control over my own film or character." He paused and set his glass down. "And honestly, I know for a fact that they want to hold my character, hostage, for leverage."

"You're asking me for help?"

Clint nodded. "I wouldn't ask if I had any other options."

You nodded. "Well, thanks for the business talk Clint, but… I think we should both just… relax. We got a year to plan for that."

Clint nodded. "So… I have to ask… How is Carrie treating you in bed?"

You spat out your drink. "Clint what the hell!?" You swore at him.

Clint just chuckled. "I knew that would get a rise out of you, now I owe some people money."

"What?"

Reward: You learned that in between jokes, Clint is desperate for help to get Dirty Harry Back.

And while you made no promises, you have learned that he would need your help to get it.
-----------------------------------------------------------------------

-[X]Calling Your Parents: You are going to call your parents and see what they want. DC: 10 Rolled:D100 => 11

You looked at the phone and then sighed. "Sorry Mom, work was busy."

Mom understood. "I'm still proud of you and Carrie being able to have common ground."

Reward: You and Mom had a good… short chat.

AN: BLARGH!

I am so tired right now.
 
I was going to make a list of projects that LucasFilm might be putting out in the next few years, just to consolidate the growing list but my insomnia is kinda making that a slog. Will try to make a run at it sometime tomorrow.
The Assets of Bruce "the Goose" O'Brien (as of June 1974)
1 Black Ford Falcon
1 California Driver's License
103,544,980.26 Dollars in US Currency
First Draft of Marathon Misadventures
First Draft of Kung Fu Kid
100% Ownership stake in 10 Story California apartment building. (with one room being owned and used by Bruce himself)
49% Ownership Stake in Lucas Films Unlimited
Bruce's Fighting skills
Bruce's Sex Appeal (Subjective)
Things to add:
  • Animals:
    • Ginger O'Brien (Scottish Fold, Queen)
    • Friday O'Brien (Kieger Mustang, Stallion)
  • Firearms:
    • PPE (Ear & Eye Pro)
    • Mossberg 500 shotgun (×1)
    • Smith & Wesson Model 10 revolver (x1)
    • Winchester Model 1894 rifle (×1)
  • Instruments:
    • Beginner Guitar
    • Jimi Hendrix's Guitar
  • Library:
    • Classical Literature
      • English
      • Irish
      • Cantonese
      • Japanese
      • French
    • Graphic Novels
    • Musical Notes (Guitar)
    • National Geographic Catalog (1888 - Present: Complete & Up to Date)
    • Pulp Fiction
    • Research (Language)
      • English
      • Irish
      • Cantonese
      • Japanese
      • French
  • Outfits:
    • Casual
    • Casual Sailing
    • Jean Suit
    • Costumes:
      • Han Solo
      • Stormtrooper (x2)
    • MMA Sparring
  • Vehicles:
    • 1970 Ford Mustang Boss 302 Fastback (Highland Green)

Miss anything?
Actually I just thought of something, can't we just have Bruce audition occasionally for non-Lucsafilms movies?
if we do, I vote for taking on more International projects, just so that we aren't stuck in Hollywood and we can get our name out there.

Plus, can you imagine the level of hype it would be if Bruce pops up for a guest appearance on something like, I dunno, Kommisar Rex or Dr. Who?

[EDIT: Huh, the timing on that was weird.
Legit made my heart stop, that was real lucky.
And oh boy was it electric. You decided to ask the questions in order of what she liked doing, leaving the patriotic fluff out for the end, where it came off as more of a joke than anything too serious.

That made it both relatable and funny.
So...Late Night by way of the Office and the Daily Show with Jon Stewart?
--[X] The Playground Rolled:D100 => 27+150=177

Script Quality:D100 + 20 => 78
Yay!
Reward: You learned that in between jokes, Clint is desperate for help to get Dirty Harry Back.

And while you made no promises, you have learned that he would need your help to get it.
Do you hear the drums of war?
I am so tired right now.
I feel that.]
 
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I'm still sad about how it went with George. I know it was necessary, but it's true that we promised him that we would have his back and in the end we didn't.

This just leaves a bad taste in my mouth. I hope we can make it up to him, and that this hasn't ruined our friendship.

Edit: @Kaiser Chris , I don't know if there's any chance of you making an Omake about it, just to make sure we don't burn our friendship here?
 
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Brainstorming During the Devil's Hour: Thalassophobia
Brainstorming During the Devil's Hour: Thalassophobia



The moment he'd first read the script for Devil's Hour: Dead Man's Gold, Paul had fallen in love with it and the possible franchise it could spawn. The atmosphere and setting were wonderfully whimsical and fantastical while also being grounded enough that he didn't have to suspend his disbelief too much. The characters, especially the side characters, were delightful to watch, their interactions both amusing and tense to see unfold. And he couldn't talk about it without also mentioning the plot! It was written extremely tightly, each plot thread tightly interwoven into the story's tapestry so as to leave no loose threads.

It was, without a doubt, one of the greatest scripts Paul had ever laid his eyes on.

As soon as Paul was done reading through the script, he immediately stated that he wanted in. Felix, grin as pearly white as ever, clasped his shoulder and vigorously shook his hand and welcomed him to their band of merry men. Ike simply told him that his sanity was now forfeit.

Which was why Paul, a few days later, was now staring at a drawing Ike had come up with, and what he could only describe as nightmare fuel. The gaping maw of a sea monster, with thousands of long, comb-like teeth attached to it, emerged from a sea of pitch black. A single blue light attached to a droopy stalk barely illuminated the drawing, revealing a seemingly gargantuan sea monster with far too many beady eyes.

"You realize this is going to scare so many children, right?" Paul worriedly asked Ike, who seemed like he was proud of the abomination he created.

"Children? This bad boy is gonna traumatize adults." Ike cheerfully, and not at all helpfully, replied. "Bad girl, actually, the dogfish is female."

That thing could spawn?!?!

"...Anyways," Felix quickly jumped in, a little fazed like Paul was, "now that we know what your idea for what the Terrible Dogfish looks like, you said something about it also being the Blue Fairy, right?"

"Posing as the Blue Fairy, actually." Ike quickly corrected.

"Great, now it can pose as people." Paul quietly muttered.

"To put it simply, Geppeto was devastated after the death of his son and was willing to do anything to get him back. The Terrible Dogfish, disgused as the Blue Fairy, took the opportunity to approach the despondent father. In exchange for some... sacrifices on Geppeto's part, the Terrible Dogfish would teach Geppeto the esoteric arts necessary to give him a new son. Geppeto accepted."

"And these sacrifices were?" Felix asked, now fully intrigued about the premise. Paul was mostly worried for Ike's mental state.

"Children. For every child Geppeto sacrificed, he would be able to create a new wooden person, the first of these being rough and extremely unhumanlike. But for every puppet he created, the more Geppeto honed his skill, and the more the puppets looked like humans. As Geppeto continued to give children to the monster, empowering it, he expanded his work. He created a base of operations on Pleasure Island and began a small, but fanatically zealous cult dedicated to the Terrible Dogfish. Soon, the entite island is populated by cultists, and the Terrible Dogfish grows in power."

...What the he-

"At least, that's a rough idea of what I have right now." Ike remarked as he carefully put his drawing away. "It has a lot of potential, and I think we could expand Geppeto into being the big bad of the season finale."

Paul perched his chin against his fist, thinking. As much he was a little(read: very) disturbed by the concept, it was also an extremely novel and creative concept. At the very least, people couldn't accuse them of being unoriginal. He just hoped parents wouldn't just let their children watch this show because it included Pinocchio. He'd rather they not be the cause of nightmares and horrified screams of children all around America.

"What if," Paul slowly added, "the coachman, that guy who brought Pinocchio and his friends to Pleasure Island, was one of the cult members."

"That could work." Felix slowly grinned, his eyes alight with inspiration. "He could travel all over Europe at the head of some travelling band or something, using that as a method of kidnapping children without drawing too much suspicion."

Ike was quickly and eagerly writing down everything Paul and Felix were saying, seemingly possessed by a writer of old. "Yes, yes, this all could work!"

"Sweet!" Felix clapped his hands together, a wide smile on his face. "Though, I would like to take some time to discuss some of our other ideas for the series."

Good, they were on a different track now! No more nightmare fuel!

"Specifically, I now want to cover the Little Miss Muffet episode idea I came up with, along with the giant spider terrorizing her estate."

Dangit!



Author's Notes:

I figured that with how good the script quality roll was, I could be allowed to indulge a little in Paul's praise of it. Anyways, this is a little glimpse into what a possible season 1 for Devil's Hour could be.

Also, blame @King crimson for how creepy and horrifying the Terrible Dogfish is. :p Not that the creepiness is a bad thing, of course, it's why I fully supported it,actually.

For casting, I'm thinking Alec Guiness for the role of Geppeto.

As for if there are more of these Terrible Dogfish in the Devil's Hour universe... that's for you to decide. ;)
 
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"Children. For every child Geppeto sacrificed, he would be able to create a new wooden person, the first of these being rough and extremely unhumanlike. But for every puppet he created, the more Geppeto honed his skill, and the more the puppets looked like humans."
...I'm uncomfortable with the Meatcanyon energy we're getting from the studio today –
– and I love it.
 
...I'm uncomfortable with the Meatcanyon energy we're getting from the studio today –
– and I love it.

Actually, that's part of the plan. Somewhat. Maybe. :V

Geppeto didn't discard his early puppets, but instead kept them as some sort of backup in case he needed some manpower. And yes, some of them will be somewhat similar to the MeatCanyon Pinocchios, with the actual Pinocchio being uncannily human.
 
Geppeto didn't discard his early puppets, but instead kept them as some sort of backup in case he needed some manpower. And yes, some of them will be somewhat similar to the MeatCanyon Pinocchios, with the actual Pinocchio being uncannily human.
Any trace of their humanity left, for a sorta redemption arc/token good guy ["What have you done papa?!"], or did the Dogfish eat all of that up?
 
-[X]The Final Countdown for George Lucas: You looked at Sly, Mike, Marcia, and George, and shook your head. "George, I think we're about to get that conversation we want to have." DC: ??? Rolled: D100 => 1 (Auto Pass)

George was a stubborn Mule, but even he couldn't get through this situation. "Fine, you cornered me, in my office, and won't let me leave." He turned to Mike. "Did you put them up to this?"

Mike merely shrugged. "This was a calculated business decision that we have gone through. I have gone through all the risks. Releasing Rocky is one of them that I have believed would save this company from financial struggles."

George was almost wild at that thought. "Really, except now, my president is telling me what to do in my studio!" He pointed to Sly. "I'm not going to lose another film to someone who just had a good script and was impressed-"

Sly realized just how upset George was, and he was not thinking straight and was not taking it personally, but you stood up. "Hey, George, don't take it out on Sly, I'm the one who decided to bring us all together!"

George did not like the answer you gave… because of how hurt he became from the voice speaking to him being your's "We had a promise, Bruce!" his voice was almost cracking from how hurt he sounded, unable to reconcile the fact you were working against him.

"We did." You responded calmly, letting George vent his frustrations onto you. "And I'm asking you to change it, knowing full well how much this means to you. And I don't come to this conclusion lightly."

George exploded, gone was the meek director and your friend. In was a man who clearly was afraid. "And what then Bruce! Are you going to ask me to do something else? To make some film that I don't want to make, because it will help the company! To set aside my artistic credentials and ideas, because I happen to be one of the more talented directors, and we have to sacrifice for the greater good of this company!"

"And what happens when we can't pay the bills, George? What happens when Universal comes over and fucks us because they decided to stop toying with us and not to play fair! Because you know they will! They've tried to do it before to us!" You screamed at George. "I hate this because I broke my damn word to you!"

Everyone seemed to be secondary to you. And you calmed yourself. Taking a deep breath and making sure George was also calming down. "You're going to listen to Mike. You're going to listen to Marcia, Sly, and Me… Because we aren't doing this just to break promises."

"We're doing this to save your movie and your studio, you can have one, or the other, or you can listen to us, and maybe we can have both, and that's going to rock Hollywood harder than anything I've ever done!"

And George was still. "So for the love of God, George, please, just listen to your family!"
--------------------------------------------

It took over an hour before you finished… but George didn't say anything for a week.

And as you sat in your office, writing… you just… saw him come in, seemingly happy.

You looked at him with a raised eyebrow… and saw George try to leave. "George." You said his name, as he stopped.

He just took a breath. "Mike already knows. Rocky is going to release soon… probably in the Summer."

He listened.

He didn't need to say anymore.

Reward: Rocky will release in the Summer, and it will be the first Official Lucasfilms Unlimited Production Released.

George has realized, for good, that this is no longer just his studio.

Unknown Effect on How Hollywood Reacts (hint, they will never see it coming)

Oh my Lord am I glad that I made that Omake. I made it because I believed that anything that wasn't in the 80's or 90's would see serious harm in our relationship, but I never could have imagined a nat 1! Jesus, we might have formed a huge ass riff like George's ending of friendship with Gary Kurtz or his many sour breakups with Francis, really happy we managed to avoid that. Real damn shame that we had to break the promise, hope we can find lots of ways to make it up to George and show our friendship, or at the very least have the strategy pay off as best as possible for Lucasfilms.

-[X]The Olympics with Bruce O'Brian: You are going to continue this story of Olympic might… with a member of the women's Team. Shirley Babashoff. DC: 10 Rolled:D100 => 97

Glad we managed to do a good job here. If we manage to stick the landing then we can hopefully just wrap up the documentary in 3 turns and can immediately start with Five Dates. Also if this is a TV documentary, then it should have a +10 to the roll thanks to our Emmy Award trait, thus a 107 here and a 65 for last turn.

-[X]And Carrie Begins to Become Awesome: Carrie is willing to work on one of the many pitches you have and write screenplays for them. (Linetail what you want to see if she can… produce)
--[X] The Playground Rolled:D100 => 27+150=177

Script Quality:D100 + 20 => 78

"So… How is the script?" She asked as she looked at the mess in your office.


-[X]Continue Developing Marathon Madness: You want to expand the idea and make the script idea you have even better. Rolled:D100 => 75

Script Quality:D100 + 20 => 71

"BLARGH!" You said as you slammed your head down on the desk. "I hate this!"

"You completed it though?" She said with a smile.

Reward:
The Playground and Marathon Madness have been completed and can now be produced.

+1 to screenwriting skill

I guess we have firmly cemented that Carrie holds the pen in the relationship, lol. I'm fine with Marathon Madness being a B-tier wacky sports comedy with a 71, but Playground being a 78 with Carrie at the helm is a real damn shame as I think it can be one of the all-time classics. Oh well, at least Carrie has another starring role after Star Wars to diversify her career.

I was going to make a list of projects that LucasFilm might be putting out in the next few years, just to consolidate the growing list but my insomnia is kinda making that a slog. Will try to make a run at it sometime tomorrow.

Things to add:
  • Animals:
    • Ginger O'Brien (Scottish Fold, Queen)
    • Friday O'Brien (Kieger Mustang, Stallion)
  • Firearms:
    • PPE (Ear & Eye Pro)
    • Mossberg 500 shotgun (×1)
    • Smith & Wesson Model 10 revolver (x1)
    • Winchester Model 1894 rifle (×1)

I'm actually very against owning a horse because I don't think Bruce even knows how to do horseback riding and considering there's no room in Beverly Hills, he'd need to place Friday on the outskirts of the county and probably would rarely be able to see her. That seems really careless handling for a big animal and at that point why would Bruce even bother owning a horse? At most just have Bruce "adopt" Friday and some other animals and donate them to Skywalker Ranch.

Also in terms of firearms would prefer a modern pistol for easier defense.

@Kaiser Chris Thank you for preventing a disaster.
*DEEPLY AND QUICKLY INHALES*

Thank you, @Kaiser Chris for preventing a wholesale disaster. That could have gone so badly...

You're welcome. When I saw the action my mind was screaming "I have a bad feeling about this" and felt it was best to have something for insurance reasons, and OH BOY did it definitely pay off.

I'm still sad about how it went with George. I know it was necessary, but it's true that we promised him that we would have his back and in the end we didn't.

This just leaves a bad taste in my mouth. I hope we can make it up to him, and that this hasn't ruined our friendship.

Edit: @Kaiser Chris , I don't know if there's any chance of you making an Omake about it, just to make sure we don't burn our friendship here?

Yeah it really does leave a bad taste in my mouth as well, but it's an unfortunate necessity and you can be damn sure we'll pull through with him in lots of other ways without asked from now on. Also while I would be able to make an Omake, I'm literally just about to leave for vacation tomorrow and I don't know if it's necessary. The fact that it autopassed means the absolute worst was averted and we're still friends with George, and he seemed to be smiling and accepting at the end. I think that George just really needed some time to himself to think about it and accept it which is sometimes all that you need. At the very least, George knows Bruce is not an enthusiastic camper about this and is just as torn up about breaking the promise.
 
Oh my Lord am I glad that I made that Omake. I made it because I believed that anything that wasn't in the 80's or 90's would see serious harm in our relationship, but I never could have imagined a nat 1! Jesus, we might have formed a huge ass riff like George's ending of friendship with Gary Kurtz or his many sour breakups with Francis, really happy we managed to avoid that. Real damn shame that we had to break the promise, hope we can find lots of ways to make it up to George and show our friendship, or at the very least have the strategy pay off as best as possible for Lucasfilms.
Good news on that front…

George is just being convinced… that there must be the greater good.

And that means tons of money to be made.
Glad we managed to do a good job here. If we manage to stick the landing then we can hopefully just wrap up the documentary in 3 turns and can immediately start with Five Dates. Also if this is a TV documentary, then it should have a +10 to the roll thanks to our Emmy Award trait, thus a 107 here and a 65 for last turn.
I forgor.
I think that George just really needed some time to himself to think about it and accept it which is sometimes all that you need. At the very least, George knows Bruce is not an enthusiastic camper about this and is just as torn up about breaking the promise
George knows that at least so he just needstime…

Eventually
 
Also you have a year… to gather the funds to start bidding for warners corpse.

Just remember
 
I'm actually very against owning a horse because I don't think Bruce even knows how to do horseback riding and considering there's no room in Beverly Hills, he'd need to place Friday on the outskirts of the county and probably would rarely be able to see her. That seems really careless handling for a big animal and at that point why would Bruce even bother owning a horse? At most just have Bruce "adopt" Friday and some other animals and donate them to Skywalker Ranch.

Also in terms of firearms would prefer a modern pistol for easier defense.
Friday's a stallion (ie a male horse) and I explicitly had him be part of a series of impulse purchases on Bruce's behalf and though he does try and take good care of Friday, it doesn't negate that fact; currently he's trying to figure out how to raise the foal when he originally had no plans to acquire one this soon, something I was going to touch on in an omake [everyone is free to make one of their own the matter before I pull the trigger in the next few days].

As for why he has a revolver instead of a more modern pistol, A) it's a holdout weapon [a literal sidearm] held in reserve for closer quarters in case they get past both the rifle and shotgun and isn't meant to be that fancy, and B) it was originally supposed to be a Glock before I realized they weren't available until 1982 with the release of the Glock 17, so I figured it wouldn't hurt to wait a few years.
 
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