Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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So put the kibosh on Lovecraft until the 90's. Got it. I have another idea. Could we possibly network with a young filmmaker named John Carpenter about any hypothetical ultra-cheap horror films he's going to be making? Imagine if Carpenter's ragtag operation got a little bit more polish on the script and effects? Though I'd make it so the Shatner mask is still used.

Maybe we could pull strings so Peter Cushing gets the role of Loomis as a consolation regarding the Grand Moff's death. It'd be like he was playing a modern day Van Helsing.

And if we get the rights to Halloween we could make sure that the hypothetical sequels have a consistent standard of quality instead of being a mixed bag at best.
 
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So put the kibosh on Lovecraft until the 90's. Got it. I have another idea. Could we possibly network with a young filmmaker named John Carpenter about any hypothetical ultra-cheap horror films he's going to be making? Imagine if Carpenter's ragtag operation got a little bit more polish on the script and effects? Though I'd make it so the Shatner mask is still used.

Maybe we could pull strings so Peter Cushing gets the role of Loomis as a consolation regarding the Grand Moff's death. It'd be like he was playing a modern day Van Helsing.

And if we get the rights to Halloween we could make sure that the hypothetical sequels have a consistent standard of quality instead of being a mixed bag at best.
I agree on this. My first pitch on the quest was for "The Slender Man" a horror story that, looking back on it, was not my best work but it can be made into a horror/suspense story with little problem. I wanted John Carpenter to direct it, so I really hope we can get him on board.
 
Anyway, back to the subject of the quest...

Oh boy, I'm about to die because all the rolls I did.

Also, holy fuck, the rolls I did and the quality of this film.

George deserves a vacation after this effort.

Also... Uh...

Oh boy.

I do to.
 
Okay, to give you a brief overview of the conflict over Lovecrafts works.

There's R.H Barlow, who Lovecraft intended to gain the rights but was never actually put into his will before he died. Resulting in Barlow being given control over the rights by Lovecrafts aunt. However he was a writer, not a lawyer, and was not technically the owner specified in the Will.

August Derleth helped Lovecraft, came up with the name 'Cthulhu Mythos', and after Lovecrafts death published some of his works, or republished them in volume collections. It became unclear where Derleth's contributions ended, and how his republications and publications affected the rights to Lovecrafts works. Due to the unclear status of Barlow's claim, Derleth tried to essentially carve away a huge chunk of Lovecrafts works for his own.

Donald Wandrei was Derleth's co-conspirator in the republications of Lovecrafts works. Neither Derleth or Wandrei were malicious, they wanted to keep Lovecrafts works alive, hence the republications. But he also used these publications and republications to try and lay claim to parts of Lovecrafts works. Some for himself, some in conjunction with Derleth.

They created Arkham publishing iirc, and then brought the Weird Tales magazine where most of Lovecrafts works had originally been published. This essentially raised the question of how much ownership Weird Tales had over these stories, as well as Derleth and Wandrei. Essentially creating a triple conglomerate of separate but interconnected ownership claims over multiple different stories that fought with Barlow for control. The disputed eventually coming down to 'who owns which story, name, character, etc'.

Basically take how Lord of the Rings is split between Amazon owning the Appendix, Warner Bros owning the rest of both books, Games Workshop owning the game licence and the Tolkien estate technically owning parts of all of them. And then make it twenty times more complicated.

Because there's a third faction involved.

Remember Lovecrafts aunt? Technically she is the beneficiary as Lovecraft never managed to add Barlow to his will. She supported Barlow's claim even though her own was legally stronger.

When she died her kids inherited her claim.

Ethel Morris and Edna Lewis proceeded to inherit their aunts claim in the 50's, then switch sides to Derleth and Wandrei and the Arkham Publishing group. However there's another twist, far from just supporting Arkham Publishing, they in fact claimed that they themselves owned the entirety of Lovecrafts copyrighted works, and they were just renting them out to Arkham, complete rejecting Barlow's claims and Derleth and Wandrei's own claims of partial co-ownership.

This all got so messy that, by the time it came to renew the copyright, no one could even remember the time limit was up, or who was supposed to control what, which resulted in the Library of Congress getting involved and saying the deadline was likely missed, putting much of Lovecrafts works in the public domain in the 2000's. However the works published after his death are still copyrighted, and the dispute as to who owns then still simmers to this day.
 
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Does Screen Presence reset after each film or does it continually stack? Cause if it's the later, I think an easy way to keep the SP rewards from Omakes balanced is to just have it reset to a base number after each film. That way it encourages audience participation and it keeps the SP from becoming this overblown thing.

Also any children we and Carrie have should automatically get a Screen Presence that's a combined of both of ours.
 
This all got so messy that, by the time it came to renew the copyright, no one could even remember the time limit was up, or who was supposed to control what, which resulted in the Library of Congress getting involved and staying the deadline was likely missed, putting much of Lovecrafts works in the public domain in the 2000's. However the works published after his death are still copyrighted, and the dispute as to who owns then still simmers to this day.
Bloody hell, this is a mess of a copyright dodecahedron. :V
 
Does Screen Presence reset after each film or does it continually stack? Cause if it's the later, I think an easy way to keep the SP rewards from Omakes balanced is to just have it reset to a base number after each film. That way it encourages audience participation and it keeps the SP from becoming this overblown thing.
It resets after every film/Major project.
Actually a friendly reminder that we should have a base +80 for SP and Chemistry thanks to +20 from the beginning of pre-production with Bruce's character rolls, +30 from the insanely high costume roll, and +30 as Omake reward from Godzilla vs Gigan.
For Bruce we're sitting at closer to +300 for SP alone, I'm pretty sure.

Everyone else is sitting at close to +200 with those bonuses

Except Peter, he's at +250.

Edit Number are wrong again! :V
 
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