[X] Your turn now. Sing alone, for Mami:
-[X] Boop
[X] Duet time!
-[X] Vivo per lei
[X] Telepathy Sayaka if there's a down moment where you both can speak.
-[X] Confessions are scary no matter who you are. In the end, it's really just down to her being brave and asking him or her out on a date - and if it's Kwijibo, and she doesn't have to tell us if it is, she may want to do so with a bullhorn and full parade because the boy is denser than the core of a Neutron Star.
[X] Back to Funtimes if Sayaka doesn't have questions.
 
Or we could make the Vocaloid thing a competition with Kazumi and blow her away with one of the most iconic homosexual-themed duets on the internet. Sabrina and Mami could even magic up the stupid butterfly headphones!

"Even if this is something that cannot be allowed, the flames jump higher still"
"The "strange feeling" turns into an unbearable longing"

Is this the "Secret Bonus Route" Hitomi x Sayaka song, or is it more trolling Hitomi by singing this in front of her right after Mami's song choice, to rub it in? It does sound nice either way, buuut....

[X] Your turn now. Sing alone, for Mami:
-[X] Boop
[X] Duet time!
-[X] Vivo per lei
[X] Telepathy Sayaka if there's a down moment where you both can speak.
-[X] Confessions are scary no matter who you are. In the end, it's really just down to her being brave and asking him or her out on a date - and if it's Kwijibo, and she doesn't have to tell us if it is, she may want to do so with a bullhorn and full parade because the boy is denser than the core of a Neutron Star.
[X] Back to Funtimes if Sayaka doesn't have questions.

Bandwagon chaaaarge! Breach the barriers of time and let the magi-cutes of meguca make the reality we desire!! (Because that Boop song is too amazing to let petty things like release-dates stop us)

"She is always by my side to turn off my solitude"
"if she is here, the death doesn't exist I live for her that gives me all the love that she has

Seeming a bit more Homura, perhaps it'll give her a fun nudge? :3 Just because its us and Mami singing doesn't mean we can't eyebrow waggle and look meaningfully between the two on certain lines.
 
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"Boop" was composed for RWBY, Season 1 of which came out in 2013. The song does not exist in 2011, and nobody will get the reference. Please vote for something else.

Alternate timelines and their many variances (why can't someone have given him the idea a few years early to get started? I mean it could've been inspired by stumbling across actual magical-girl battles? xD) , and the general bullshit of Mitakihara and some of its displayed tech level....

But really, this is Sabrina of the Grief Orchestra and the Nano-Scale levers, and the song is specifically one for us to sing solo. We know for a fact that Sabrina's meta-knowledge extends past the present day of Mitakihari (mentions of hurricanes/earthquakes in the future for example, and she warned Nadia about one) so what is stopping her from just overlaying it on a paused machine or some other trickery?

Its NOT about making an RWBY reference and I don't see why it needs to be, its about the lyrics content themselves (not like I've watched that animation anyways and I still like it).

She can even come out and make it explicit afterwards, if anyone questions it "I'm sorry, but to do that amazing bit of (tomatoface squeee temporary freeze) singing a proper response I had to cheat just a little and add a song I'd heard somewhere...."

Honestly, we've used a grief orchestra to play the PMMM theme songs to their namesake characters before, the only difference here is that we were /expected/ to use the karaoke machine. Otherwise showing off an unknown song is something we've done before repeatedly.
 
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Alternate timelines and their many variances (why can't someone have given him the idea a few years early to get started? I mean it could've been inspired by stumbling across actual magical-girl battles? xD) , and the general bullshit of Mitakihara and some of its displayed tech level....

But really, this is Sabrina of the Grief Orchestra and the Nano-Scale levers, and the song is specifically one for us to sing solo. We know for a fact that Sabrina's meta-knowledge extends past the present day of Mitakihari (mentions of hurricanes/earthquakes in the future for example, and she warned Nadia about one) so what is stopping her from just overlaying it on a paused machine or some other trickery?

Its NOT about making an RWBY reference and I don't see why it needs to be, its about the lyrics content themselves (not like I've watched that animation anyways and I still like it).

She can even come out and make it explicit afterwards, if anyone questions it "I'm sorry, but to do that amazing bit of (tomatoface squeee temporary freeze) singing a proper response I had to cheat just a little and add a song I'd heard somewhere...."
Look, Firnagzen has outright stated he'd prefer something from 2011 (not two years in the future), so try to work within the given guidelines.
 
[X] Your turn now. Sing alone, for Mami:
-[X] A Thousand Years
[X] Duet time!
-[X] Vivo per lei
[X] Telepathy Sayaka if there's a down moment where you both can speak.
-[X] Confessions are scary no matter who you are. In the end, it's really just down to her being brave and asking him or her out on a date - and if it's Kwijibo, and she doesn't have to tell us if it is, she may want to do so with a bullhorn and full parade because the boy is denser than the core of a Neutron Star.
[X] Back to Funtimes if Sayaka doesn't have questions.
 
Look, Firnagzen has outright stated he'd prefer something from 2011 (not two years in the future), so try to work within the given guidelines.

And we can do that for songs we expect to find on the karaoke machine, if Firn really insists on not stretching things over a trivial bit of fun. I have no idea if a 30 year old American Country song is something you'd expect to find on a Japanese karaoke machine, which may be adjusting my view of what our limits are.

But the whole point of the vote is to explicitly rely on Sabrinas present-day MetaKnowledge and use of her powers to do the song, not rely on its existing in the world properly. Why can't that be an intentional vote for us just like any other use of meta, unless Firn really wants to insist on controlling our tactics write-in towards a specific tone, for what should just be a fluffy fun scene to enjoy?

Edit: We don't even need to keep the one clear reference bit, necessarily. Either say we decided to name our hammer Magnhild (names are important!), or just change that word to "me" so it goes "Hold me I think I'm gonna faint".

I mean, consider the context of our choosing this. Sayaka just asked us less than an hour ago "How did you confess to Mami?" , and we said we hand't really exaclty... so a song with the line "When I wanna say I love you I say (meaningless squeaking instead of words)" . Seems to fit pretty well, the message being that even for us trying to confess makes us stammer and babble red-faced.
 
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And we can do that for songs we expect to find on the karaoke machine, if Firn really insists on not stretching things over a trivial bit of fun. I have no idea if a 30 year old American Country song is something you'd expect to find on a Japanese karaoke machine, which may be adjusting my view of what our limits are.

But the whole point of the vote is to explicitly rely on Sabrinas present-day MetaKnowledge and use of her powers to do the song, not rely on its existing in the world properly. Why can't that be an intentional vote for us just like any other use of meta, unless Firn really wants to insist on controlling our tactics write-in towards a specific tone, for what should just be a fluffy fun scene to enjoy?
Because you don't has computer hax, the song doesn't exist right now, and do you have the sheet music to play the song?
 
Because you don't has computer hax, the song doesn't exist right now, and do you have the sheet music to play the song?

Boop (Intro)
Why yes, Sabrina does have access to the sheet music, if I understand the rules of the quest and her hivemind. And even if she lacks the knowledge to computer-hax the karaoke machine, thats not what I said to do? I said to use grief orchestra (whether visible or invisible) and maybe an illusion/hologram overlaid on the screen, to play the song even though the Karaoke machine is currently paused and not playing anything.

Please try to reply to the argument being made, and not one you found easier? Its bad enough to ignore that "this song doesn't exist" was already replied to as well. Or do you have citations that Sabrina doesn't actually have any post-2011 meta-knowledge after all? Tart Magica (which she's referenced by mentioning Jeanne D'arc as a magical girl) was released in 2013 after all.
 
Sabrina knows "Boop", yes. That's not really in dispute. But playing it requires us to use magic actively and not use the machine (which I'm given to understand usually grades people on their performance), in order to make a not particularly clever reference that nobody else listening (including Mami) will get.

Can we play it? Yes. Sabrina has both the knowledge and tools needed. Should we? In my opinion, the answer is unequivocally no. We'd be stuffing an lot of instruments into a relatively cramped room, ignoring the whole mini-competition thing we have set up, come off as a show off, and prove ourselves to possess the unfunny kind of brain damage.

So yeah, count me very firmly out of playing that song. It's not like there's a lack of songs about love and confession in pre-2011 anime if we want to make a reference that our audience can actually catch.
 
[X] Your turn now. Sing alone, for Mami:
-[X] A Thousand Years
[X] Duet time!
-[X] Vivo per lei
[X] Telepathy Sayaka if there's a down moment where you both can speak.
-[X] Confessions are scary no matter who you are. In the end, it's really just down to her being brave and asking him or her out on a date - and if it's Kwijibo, and she doesn't have to tell us if it is, she may want to do so with a bullhorn and full parade because the boy is denser than the core of a Neutron Star.
[X] Back to Funtimes if Sayaka doesn't have questions.

It wasn't about the reference anyway, it was about the song being about a badass chick fangirling over her crush but being to nervous to say anything direct and so directing her squee into "subtle" signs of affection. It's about the lyrics of the song matching almost perfectly with our relationship with Mami, right down to "You've always been my family", which is appropriate because we've known Mami for literally our entire lives and she's the closest thing to family we have.

But you're right, it came out in 2013 and Firn nixxed that, so swapping to a contemporary song. It doesn't map quite the same way, but it works more than well enough for fluff.

I don't think we should use Grief. Karaoke is kinda similar to a game, and using Grief would be cheating in that respect. It's not exactly a social more, but we shouldn't trod on folkways just because we can.

I think we absolutely should sing "Boop" somewhere where Mami can hear us later though. Something about Sabrina being too nervous to directly tell Mami so she just escaltes the undertones until the relationship is overt really appeals to me. Something like Mami hearing us sing it through the shower, and hearing the lyrics, only for us to come out and sometime just a bit later poke her nose and go "boop!" only to have her crash her .exe is just a grand idea in my opinion.
 
We can do OOC songs with Grief instruments at another time, yes? No need to bring magic into the karaoke booth.

[Q] Kick yourself out of the booth.
[Q] Boot yourself out of the booth.
 
It's a shame that we can't do Gold from RWBY. Not only does it pretty much encapsulate Sabrina's dedication to Mami, it also matches Mami's color scheme, so that's nice.
 
[x] First, respond to Mami's song with a solo of your own. Sappy and romantic and fitting your feelings, practically a confession in song form.

[x] Then, later, do a duet. Bonus points for a fitting reference for the others to catch.

[x] Try and get Homura to sing at least one song. Nothing boundary pushing, you want this to be pleasant for her. (So you can get her to agree to do it again! Mwahahaha! Just according to keikaku!)

[X] Telepathy Sayaka if there's a moment where you're both free.
-[X] Confessions are scary no matter who you are. In the end, it's really just down to her being brave and asking him out on a date.
--[X] (Good natured teasing) ... since it's Kwijibo, she may want to do so extra bluntly.

[x] Confirm plans. You and Mami will have dinner with the Plieades after karaoke. Be yourself and let conversation go as it may.
 
So, time for some analysis of Mami: (warning: long post)
You sneak up on Mami. Her bench is shared with Kazumi, Umika, and Kaoru, but that's fine. That's enough room for you to sneak up on her, covering her eyes from behind and pressing a gentle kiss to the top of her head.

"Hi," you breathe. "Guess who?"

"Sabrina," Mami breathes, melting back against you. You can feel the tightly corded tension in her body softening as you shift to hug her properly, arms around her waist. She leans her head against your collarbone, eyes sliding shut with a contented sigh.

"Hey, Mami," you whisper. "How are you?"

"Better now," she murmurs, eyes fluttering open to stare at you.

"Did you have fun?" you ask, addressing the question to Kazumi and her friends as much as you do Mami.

"It- it was good to catch up," Mami agrees.

...

Mami bumps her shoulder against you, a warm smile on her lips, and you squeeze her hand lightly. There's a touch of strain around her eyes, but it's ebbing fast.
There are two main points to glean from this, but in order to get to them, I need to provide some context:

Mami obviously has severe abandonment issues, but it doesn't merely end there. She was also incredibly lonely during those times, and increasingly afraid of being abandoned and being alone, the more it kept happening. This would also have an effect on her self-confidence and self-esteem. Again, nothing groundbreaking here. However, it's important to keep in mind that these circumstances would lead to her living in a state of almost constant emotional pain, or at least discomfort. She did her best to ignore it, to distract herself from it, and she had some success, but it was always there.

Then comes Sabrina. At first, Sabrina is a new friend, a new student. There's the initial novelty of Sabrina living with Mami, which she undoubtedly enjoyed greatly (it meant more frequent contact, and it also meant that her home no longer felt 'empty' or a place to remind her of her loneliness). However, Sabrina quickly became much more than that. Sabrina somehow immediately picked up on Mami's loneliness, telling her that she wasn't alone anymore. Then she picked up on Mami's fear of being left behind or being abandoned, and kept reassuring her that she wouldn't leave. As explicitly laid out in the canon bit from Mami's perspective (written by Firn), Mami was constantly dreading when Sabrina would see under her facade of being a cool, dependable, perfect sempai magical girl and discover the real her: terribly afraid, terribly lonely, thinking herself broken and worthless. That, when Sabrina did see it, she'd leave her.

See, unlike her previous students/friends, Sabrina had no reason to get hung up on the "hunt all Familiars" rule--she could cleanse her own gem at will with no cost. But there were other cases, like Masami, who lived elsewhere (but near enough for them to frequently be in contact) and one day told Mami that she needed her space and just dropped out of contact. Thus, even when Mami does nothing wrong or makes no imposition on others, her students can just up and leave her without explanation or warning. This kind of fear is thus pervasive and irrational, because, from her perspective, it doesn't even need a rational basis for it to still come true.

Sabrina is so good to her, but at the same time, she keeps endangering herself seemingly recklessly. This simultaneously giving Mami too much hope and too much fear/stress/anxiety causes her to break down in front of Sabrina, admitting her true feelings: that she's terrified of being left behind/abandoned, terrified of being alone/is so lonely, feels like she's broken and worthless, etc. And rather than thinking any less of her, Sabrina comforts her, tells her that she's not leaving, that she thinks Mami is an amazing person who has done incredibly meaningful things for a lot of people, and that she's not broken.

This is big, for a lot of reasons, but biggest reasons are that A) she's never broken down like this to one of her students/friends before, never revealed her truest feelings and fears, and B) she's never directly confronted her worst fears and had things turn out well.

Things get better for her. But it doesn't last, because then comes the truth about Soul Gems and Kyubey, and this breaks her. Neither of these things were fears she had had; neither of them were issues she had even considered before. The first one is horrifying, yes. But the second is a sense of betrayal, a sense of compounding loneliness. Now, everything in her life before has taken on a darker, new light. Kyubey was never her friend; he was just using her for his own ends: recruiting more magical girls and turning their souls into rocks (from her eyes). This also comes with a huge sense of guilt, because she essentially facilitated everyone else she recruited being horribly tricked as well. In the past, even when everyone else had left her, Kyubey remained with her. As she said, at her last birthday, Kyubey was the only one there. Thus, her past loneliness becomes even worse retroactively: she was always more alone than she had even realized. But to top it all off, in her distress and anguish, she'd told Sabrina to go away.

But Sabrina doesn't leave, doesn't think any less of Mami, and doesn't complain or give any indication of discomfort with Mami desperately clinging onto her. Everything in her life feels wrong, and she no longer feels sure about anything, including herself. Her worldview has been broken, but Sabrina feels like the one rock-solid, unshakably steady thing she can cling to and rely on.

Sabrina isn't merely a best friend, or someone she loves; she's practically a (to put it in terms that I know will be misinterpreted by some) drug to Mami, but not in a bad way. Anyone with depression or an anxiety disorder will know what it's like to be without your medication when you need it: a state of strong discomfort or misery, one that's inescapable otherwise. Sabrina is everything Mami ever wanted since contracting: someone who made her not feel lonely or left behind, someone who gave her affection and comfort, someone who she could depend on and trust completely, someone she could spend time with and enjoy, someone who would read her well and assuage her fears and doubts. Sabrina is also something of a source of hope for her: a hope of reconciliation with her past friends/students, of a safeguard against her unwittingly or unknowingly driving her friends away, etc.

So, the two conclusions:
1) When Sabrina is around, her anxiety lowers dramatically, her fears go away (relatively speaking), and the PTSD-like reminders of loneliness and isolation get soothed and shooed away. When Sabrina is around, she can finally relax and feel comfortable and relatively okay. When Sabrina is around, she doesn't feel like she's slowly coming apart at the seams under the weight of her fears, anxiety, loneliness, trauma, or sadness.

2) When catching up with friends she's not seen or spoken to in a while/long time, her anxiety and fears come back with a vengeance, fueled by traumatic memories. In situations like these, when Sabrina isn't around, she lacks that pillar of stability, comfort, reassurance, and support; she lacks that safeguard against accidentally doing or saying something that might drive them away from her again. Thus, being present when Mami is spending time with friends she's reconnecting with is important and helpful to her. If a future situation like this comes up, we could just give Sayaka a ride to her training session, give the payment to Kyouko/Yuma, and then fly back to Mami, and then fly back to pick Sayaka up when she's done. It was good to be there the first time, but not really necessary in the future.

To emphasize these points, I'll requote from above:
"Hi," you breathe. "Guess who?"

"Sabrina," Mami breathes, melting back against you. You can feel the tightly corded tension in her body softening as you shift to hug her properly, arms around her waist. She leans her head against your collarbone, eyes sliding shut with a contented sigh.
See how much Sabrina's presence bring her relief? This is more than her usual reaction of reuniting with Sabrina after school each day. She's been tense and worried and self-doubting and anxious the entire time Kazumi, Umika, and Kaoru have been here when we weren't. She's enjoyed catching up with them, but it's hard to really enjoy social interaction when you're constantly afraid and anxious. And it's not like Sabrina was gone for long--maybe 70 minutes? And Madoka, Hitomi, and Homura were there with her. It wasn't just "time without Sabrina", is what I'm saying.

"It- it was good to catch up," Mami agrees.
That hesitation there is key. It was good to catch up, but it wasn't the purely enjoyable experience it otherwise would have been, because her constant fears/anxiety/self-doubts brought on by catching up with a friend she'd not seen in a long time. That kind of thing will fade the more Mami and Kazumi interact. One major point of progress, probably in the future, is if Mami admits her deepest feelings on the matter to Kazumi--her loneliness, fear of being abandoned/left behind, her self-doubts and low self-esteem, her constant fear of saying or doing the wrong thing and driving her friends away, and her fear that, one day, her friends will just distance themselves from her without warning or explanation. And if Kazumi takes all of that in and reaffirms her relationship with Mami, it will be a major point of progress, with many (but not all, and not completely) of her fears and doubts being addressed directly.

Mami bumps her shoulder against you, a warm smile on her lips, and you squeeze her hand lightly. There's a touch of strain around her eyes, but it's ebbing fast.
In some ways, Sabrina being around Mami has an almost instant effect: the sense that everything will be alright, that she most definitely isn't alone, that she doesn't need to be constant fear of accidentally saying or doing the wrong thing, that she won't notice the signs in others that something is wrong or that they'll decide to distance themselves from her, etc.

But in other ways, Sabrina needs to actively be there for things in Mami's life (such as her current experiences) for these things to no longer be as scary or hard to deal with. Like the difference between a young child being alone in the dark, and a young child being with his/her mother in the dark. The latter can, over time, make being alone in the dark less scary, because (among other reasons) having the source of comfort and reassurance during the experience makes it less scary, and thus, less fear and anxiety is associated with the experience itself when thinking about it or confronting it. This makes confronting the experience increasingly less scary, to the point that, eventually, confronting it without that source of comfort and reassurance is manageable.

---

Slightly unrelated, but it's worth pointing out: being in an officially (and publicly acknowledged) relationship with Mami is undoubtedly helpful for her. Officially acknowledging a relationship is a degree of commitment. Publicly acknowledging it is a public commitment, and people are a lot less likely to go back on their public commitments, especially ones displayed directly in front of friends. That, combined with having solid confirmation on the depth and nature of Sabrina's feelings towards her, does a lot to address her fears that Sabrina will leave her.

Officially being in a relationship also makes the displays of comfort, affection (both physical and verbal/emotional, and both giving and receiving), and dedication less a source of anxiety and uncertainty. She's not going to be afraid that Sabrina will one day stop giving her big hugs in public because she's no longer comfortable with others thinking they're romantically inclined (when, hypothetically, Sabrina isn't inclined, as Mami feared). Likewise, Mami isn't going to be worried that her asking for big gestures of affection will drive Sabrina away.

While Mami has had friends and students leave her/abandon her before, she's never had a girlfriend do that. This reduces fears/anxieties/doubts.

Mami also has tangible things she can point to (for her own psyche) that represent the mutual nature of their relationship, too. Canone Picchio (spelling?) is a technique that only works as a combination of their magic (amusingly, Mami once noted that true combination attacks between magical girls basically weren't a thing). Sabrina has gone to her as a source of comfort and reassurance, and this has happened well after Sabrina had gone a while without any such needs. It shows that Sabrina needs her, and she won't leave when she no longer needs that comfort or reassurance (because she didn't leave before, when she didn't need it).

That said, one thing we can do to help reassure her about probably her second-greatest remaining fear regarding Sabrina (the first-greatest being that she's killed) is to tell her (under privacy constructs) that, while we can't yet explain why we're so confident about this due to it involving secrets that aren't ours to share and would be dangerous for Kyubey to overhear, we can tell her that we have very good reason to believe that we sort of...spontaneously came into existence as a result of a Wish. Thus, there aren't really any past memories for us to one day regain or worry about--and amnesia doesn't fit our situation anyway, and memory manipulation powers seem to be pretty rare in magical girls, too. The "created by a Wish" theory would also explain why our soul seemed strange to Kyubey--people aren't normally spontaneously created by Wishes, after all. Lastly, the Wish clearly isn't compelling us to act against our desires, since nothing of the sort has ever happened. Perhaps someone Wished that there would be someone who could improve the lives of magical girls everywhere one day, and we appeared in Mitakihara because that's where we were needed most, and perhaps where we would be best off starting at--with Mami and Homura and Madoka and Sayaka and Hitomi. Perhaps we were needed to beat Walpurgisnacht and end the threat it represents once and for all--and with all of the meguca refugees coming to the city, Mitakihara could become the core or start of a new movement or organization.

Still, that's for later. For now, Kazumi is really the best of Mami's past students/friends to reconnect with first: Kazumi's unwavering kindness, selflessness, and cheerfulness does a lot to assuage Mami's fears. After all, someone so unreservedly happy and kind would have little reason to suddenly cut ties with you, and the selflessness means that hunting all Familiars was probably never a sticking point for her. Nadia revealing that Kazumi was doing well for herself and had her students naming their attacks showed that she clearly still felt inspired by Mami. Kazumi is also the type to not be put off at all by Mami's insecurities, trauma, fears, etc. Lastly, Mami and Kazumi parted on good terms, separation forced more by the reality of how distantly they lived from one another, rather than it happening over a disagreement, fight, or disillusionment.
 
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That said, one thing we can do to help reassure her about probably her second-greatest remaining fear regarding Sabrina (the first-greatest being that she's killed) is to tell her (under privacy constructs) that, while we can't yet explain why we're so confident about this due to it involving secrets that aren't ours to share and would be dangerous for Kyubey to overhear, we can tell her that we have very good reason to believe that we sort of...spontaneously came into existence as a result of a Wish. Thus, there aren't really any past memories for us to one day regain or worry about--and amnesia doesn't fit our situation anyway, and memory manipulation powers seem to be pretty rare in magical girls, too. The "created by a Wish" theory would also explain why our soul seemed strange to Kyubey--people aren't normally spontaneously created by Wishes, after all. Lastly, the Wish clearly isn't compelling us to act against our desires, since nothing of the sort has ever happened. Perhaps someone Wished that there would be someone who could improve the lives of magical girls everywhere one day, and we appeared in Mitakihara because that's where we were needed most, and perhaps where we would be best off starting at--with Mami and Homura and Madoka and Sayaka and Hitomi. Perhaps we were needed to beat Walpurgisnacht and end the threat it represents once and for all--and with all of the meguca refugees coming to the city, Mitakihara could become the core or start of a new movement or organization.

Notably, Mami has already been introduced to the idea that meguca can be created by wishes through the conversation with Oriko about the one in Asunaro. This comes with the ready-made (and true!) reason that one reason (not the only, but an important one) why we're reluctant to share the specifics is that we believe it's related to our meta-knowledge about a meguca's life and wish, which isn't the sort of thing we're willing to share about someone else without permission.
 
We've already broached this topic with Mami: We've explicitly pointed out that our unusual knowledge could only be caused by magic of some sort, and told her that we might not have a history to find.

You grimace. "I... well, the information I woke up with could only have come from magic of some kind, I... think. I don't think I have an actual identity to uncover."

"Oh," Mami says, golden eyes flicking up to meet your gaze. "I..." she bites her lip. "I see."

"Yeah," you say. "Might as well prepare for that eventuality, I figure."

Mami nods. "Alright," she says, smiling softly at you and letting her head droop back to lean on your shoulder.
 
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