Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
Last edited:
Who has any questions?
Well, @Magoose I have a few proposals for divisions of Lucasfilm... Can you tell me if they are valid new proposals, how much will they would cost to implement, and which bonus they will give us if we implement them in Lucasfilms?
  • Lucasfilm´s advisory committee of experts: Lucasfilm is a studio that cares to portray things in their movies with as much historical and scientific realism as possible (within reasonable limits) and is committed to making faithful adaptations... So it is well worth it to have several university teachers and other scholars in several fields (Physics, archeology, history, literature...) in your call to serve as consultants...
  • Lucasfilm's right acquisitions division: Like Conan, there are plenty of novels, novellas, children´s books, theater plays, and even comics that are great stories in their own right, and which Lucasfilm would love to be able to adapt to the Silver screen... This is where the bookworms of this division will come into play, their job is not only to actively search for stories on other media (both old and new) with the characteristics that the directors and producers want but also to investigate whether those rights are available for purchase and if so try to pave the way for a favorable acquisition (by researching among other things the profile of the owner and what would be the best way of approaching him)
  • Lucasfilm´s Legal department: Exactly what it says in the tin, after the fiasco that was filming Jordan and getting sued by the Beatles themselves, several high-profile lawyers have been hired by the company so that they can deal with similar nonsense in the future and prevent headaches...
By the way, If these ideas are accepted I would thank profusely suggestions about both the content of the descriptions and about the name for each division, especially from the regular plan makers like @Kaiser Chris @overmind @Orion Ultor
 
Last edited:
In my mind the average film quality of the 80s is around 200.

But there is also the strange fact that some mother fucker at universal is throwing the god damn gauntlet.

Napoleon film 1 quality: D100 + 450 => 514

Stanley Kubrick is taking no god damn prisoners and is after our bacon!
 
Right now it is now the issue of how much fucking money this film series will make.

Cause right now it needs to make only 300 mill to make a profit.

And that is between all 6 films.

They can be total fucking flops and still make money.
 
Right now it is now the issue of how much fucking money this film series will make.

Cause right now it needs to make only 300 mill to make a profit.

And that is between all 6 films.

They can be total fucking flops and still make money.
Dammit that is kind of terrifying...

We need to bury them under so much Star Wars Merchandising Sales that they don't even know what hit them...
 
Last edited:
can we have like an inhouse editing department or something?
not sure what else we could do inhouse if we wanted too apart from trying TV again?

rent out some office space to start a radio stadion just for shits and giggles
 
Napoleon? Kubric?

It looks like my Napoleon TV Series Rewards has finally made its impact (Pretty sure it's a boost towards Movies/Pitches like Napoleon)..also the Gilgamesh Reward (Gilgamesh Pitch basically gave a boost to Epic-Styled Movies starting the year we were at)

Anyway, not to worry people! We can beat them with an epic movie of one figure of American History..

John Brown
 
Doesn't really lend itself well to an epic all on it's own, although maybe a civil war one could work, but those tend to be incredibly dry and dull if you aren't a huge civil war buff.
Mostly because almost every civil war movie ever made has been made by talentless hacks or lost cause assholes.

Just look at Lincoln or Glory and you can not tell me those are not compelling civil war films!
Anyway, not to worry people! We can beat them with an epic movie of one figure of American History..

John Brown
Is it wrong that I belive John Browns story should be part of the larger narrative of the sectional crisis between the north and south and that of the civil war.

Because if I'm being honest here, his story is only interesting in two places, despite his footprint on American history of this era.

Bleeding Kansas (the tragic prelude) and the raid on Harpers Ferry.

This is not a knock on John Browns story but rather from the lens of a guy who likes movies, and his story is only interesting in those final years.
 
Last edited:
Hmm..

What about the Real George Washington? (Aka..his actual story, trials, etc..not as an American Patriot..but the message and story of George Washington himself.)
 
Everyone Bruce should write a couple of books to show the public his scholastic side. I recommend books like how to learn other languages, a book about physical fitness and an autobiography
 
Mostly because almost every civil war movie ever made has been made by talentless hacks or lost cause assholes.
I don't think I quite agree. I think the reason why is because most of the civil war films are made by civil war buffs, so they put in all the little things that interest their fellow civil war buffs but it bores the fuck out of normies like me who don't give a fuck about Civil War history and it drags down the films. Like seriously, I'm trying to watch a movie, not a documentary.

Is it wrong that I belive John Browns story should be part of the larger narrative of the sectional crisis between the north and south and that of the civil war.

Because if I'm being honest here, his story is only interesting in two places, despite his footprint on American history of this era.

Bleeding Kansas (the tragic prelude) and the raid on Harpers Ferry.

This is not a knock on John Browns story but rather from the lens of a guy who likes movies, and his story is only interesting in those final years.
Fully agree honestly. Especially considering there are so many more interesting personalities to focus on that are floating around during the period. It would definitely need to be part of a larger narrative I believe. I think maybe a Civil War trilogy epic could work like Overmind's American Saga pitches, although it would probably have to be dramatized in places just to keep from being too dry. Like those Lincoln speeches from...I think Daniel Day Lewis? I can't quite recall.
 
Last edited:

Small Giant
GENRE:
Biopic
SUBGENRE: War
FORMAT: Movie​
BASIC PROMPT:

A biopic covering over the life of Robert Smalls, a slave turned Civil War hero who managed to free himself and became a Navy pilot for a Union. Smalls is a simple man who lead the life of a giant and until now has tragically been forgotten by America.

Plot:
The film starts with Robert Smalls as a child slave. Smalls is a house slave who is favored by his master and is treated kindly as a pet with Robert adoring his master. His mother, horrified by Robert growing to become fond of slavery, requests to their master that Robert works in the fields picking cotton to experience the harsh life of the field slaves. Their master agrees, and while Robert at first resents his mother, his forming camaraderie with the field slaves and witnessing the brutal horrors that the overseers inflict upon them open his eyes to the evils of slavery and lit a fire inside of Robert to escape and experience freedom.

The movie flashes forward to Robert as a young man, marrying his wife Hannah, starting a family and working in the Charleston harbor. Robert develops a love for the sea and sailor's life, often being conscripted to serve as a helsman for Southern vessels where Robert learns many skills of running a ship. Robert hopes to earn enough money one day to free him and his family, but with the abysmal wages he is paid it is an impossible dream. Everything changes when the Civil War breaks out, and due to the needs of the war effort and the South's poor tradition and experience in naval affairs, they conscript slaves to fulfill menial labor and grunt work in the Confederate Navy with Robert being placed as the helsman of a Confederate transport ship, the CSS Planter.

Robert fulfills his work very well and gains the confidence and favor of the Planet's white crew while he bonds with the other enslaved crew of the Planter. Getting to finally fulfill his dream of sailing, Robert is at first happy, but seeing the abuse the Confederate military places on slaves and Confederate soldiers boasting about how they'll lynch Lincoln to protect their rights to own Blacks reminds him of his childhood subservience and makes Robert start to be horrified and resent his work. Seeing that his hands are used to pilot a ship that can go anywhere in the world, Robert sees that he can finally achieve his freedom and he begins to form a conspiracy with his fellow slaves to escape.

On May 19th, 1862; the Planter stops for shore leave after having successfully dismantled an abandoned fort. The officers depart and Robert asks the Captain if the slave's families could visit, which he accepts due to liking Robert. Robert's family and those of the other slaves reunite with their loved ones where Robert reveals the plan for all of the families to sneak aboard the Planter where together they shall escape Confederate waters and head to the Union. Many of the wives are frightened by the plan, fearing what will happen to their children if they get caught. This makes the slaved crew uneasy until Hannah Smalls makes a defiant speech about how it is a risk they must take for the future of their children, so they may spend the rest of their lives free and their grandkids will never know the bondage of slavery. Hannah's bravery inspires everyone to go aboard with the plan.

On the morning of the 13th, Robert and the slaves execute the plan as the white crew and officers are partying and drinking in Port Royal. Picking up their families who were hidden in a vacant steamship, they would make their way across the South Carolina coast past numerous Confederate forts and patrolling ships. Robert wearing Captain Relyea's straw hat and a spare uniform, is able to fool the passing Confederate sailors in the dimly lit early morning by pretending to be Captain Relyea, adopting his known mannerisms and giving the correct hand signals which Robert had observed numerous times before. Each time they pass a patrol there is heavy tension and anxiety with many believing they would be caught. Hannah rallies the men and women to tend to the ship while Robert confidently steers the boat, being compeltely calm and collected in spite of the ongoing terror of the situation. After a tense close call with Fort Sumter, Robert pilots the Planter to the Union blockade, surrendering the ship with Union sailors being astonished that a group of slaves successfully stole the vessel.

Meeting with Union officers, Robert proves to be a boon to the Union war effort as he provides critical intellegence on the state of South Carolina's coastal defenses and shares a code book of Confederate Naval signals and passages. The information allows the Union to capture many Southern islands and strengthen its blockade. Across America, the legend of Robert Smalls grows with Smalls being heralded as an American hero in the North with abolitionists such as Frederick Douglas using Smalls as an example of the intellegence and capabilities of the Black Man. Across the South, Robert Smalls is talked about as if he were a boogeyman to the white planters while slaves gather in hushed circles and share Robert's tale as a story of hope and inspiration that soon they shall be free.

The second act covers Robert's service to the Union throughout the rest of the war. As a war hero, he makes a number of fundraising trips throughout the North, sharing his experiences with slavery to encourage Americans to fight on and end the vile existence of the Confederacy. In one scene, Robert would travel to Washington D.C and personally meet with Abraham Lincoln to discuss the topic of enlisting former slaves into the Union Army. Lincoln is at first reluctant, fearing that it would create backlash against the war effort and unsure if the slaves would be great soldiers, to which Robert passionately defends the fighting spirit of the slaves and promises that if one is put into uniform then they will fight and die for the stars and stripes more than any white man. The scene ends with Lincoln moved and thanking Robert for his insight, with it suggested that Robert gave Lincoln partial inspiration for the Emancipation Proclomation.

In March of 1863, Robert enlists to fight in the War and is placed as the pilot of the USS Crusader, beginning Robert's illustrious two year career with the US Navy. While Robert at first is treated with skepticism by the Union crews as a propaganda piece; Robert's strong character, skill and dependability win over his superiors and the naval enlisted, with Robert being accepted into their ranks and treated as an equal by white men for the first time in his life. The second act shows the many battles that Robert partook in the war with Robert performing with high valor and bravery throughout the fights, steering his ship with excellent mastery. Robert also proves to be a valuable strategic asset by helping Union ships to locate Confederate mines and disarm them. Robert shifts service between many ships of the war, but for the majority he is assigned to the Planter, rechristened as a Union naval ship. The high point of Robert's Civil War service is on December 1st of 1863 where Robert while piloting the Planter comes under heavy fire at Secessionville. Robert's contemporary superior, Captain James Nickerson, flees in cowardice to hide in the coal room. Without a Captain, Robert takes command of the Planter and valiantly leads them to safely to Union waters without any casualties. For this act, Robert is promoted to the rank of brevet Captain by Quincy Adams Gilmore and is recognized for his heroism.

Other highlights of the Second Act is Robert traveling to Philadelphia as an unofficial delegate of South Carolina at the Republican National Convention. There, Robert experiences his first taste of politics and develops a passion and rhetorical strength in it, rubbing shoulders with many prominent Republican politicians. In a true incident mirroring Rosa Parks nearly a century later, Robert takes a streetcar and is told by its bigoted driver to give his seat to a white man and sit in the overflow section. Outraged, Robert refuses to ride the Streetcar and walks, with the incident acting as a casus belli which leads to Pennsylvania integrating public transporation. In December of 1864, Robert joins General William T. Sherman in his March through the South and at the end of the war is employed by the Freedman's Bureau as the Planet's Captain to provide critical supplies to freedman refugees.

The Third Act of the film covers the post-war years of Robert Smalls' life with scenes transitioning between major points from Juneteenth to his final term as Representative of the United States. In Reconstruction, while Robert is able to achieve immense wealth and help develop his local community, he fights a brutal and losing battle to save South Carolina and America from the rise of the Redeemers who wish to turn back the clock and keep Black Americans as living just as, if not worse than their slavery days. While Robert manages to achieve victories such as promoting free education for all South Carolina children and passing Civil Rights, with the end of Reconstruction despite his impassioned pleas with President Hayes and the Republican Party, the Dixiecrat Order is imposed and thus Black Americans while free, do not experience true liberty. The final scene shows Robert on his deathbed, surrounded by his family and loved ones, praying that some day America may know true Freedom, and then showing a montage of famous Civil Rights leaders who followed Robert's footsteps, showing that such a "Small Man" had a Giant footprint and legacy.
Robert Smalls- The protagonist of the film, Robert Smalls is a resourceful, intelligent and courageous man who successfully stole a Confederate ship and fled to freedom and from there fought for the Union and the cause of Civil Rights. Robert is an inspiring, larger than life figure who can easily adapt to whatever situation he's in and rise above and beyond the occasion. Ultimately, Robert is limited by the time and society he finds himself in, but his example inspires a great silent change which can be felt generations later.

Hannah Jones Smalls- Robert's wife, a fiery and spirited woman who serves as Robert's rock and confidant throughout their marriage, pushing him to take action and inspiring him to be a good man and help create a better world for their children.

Captain Charles Relyea- The Confederate Captain of the Planter, Charles treats Robert fondly but views him as a child and thinks of his relationship towards the slaves in a superficial and paternalistic manner. He is a proud Confederate patriot who views the Civil War as a fight to defend the honorable Southern Way of life and the great States Rights, when really all he cares about is making sure that slavery is intact and the white man keeps their place on top.

James Freeman- A fictional character who is a slave who serves on the Planter with Robert and then as a gunner with Robert on many Union ships throughout the war. James' creation serves to compliment Robert's war experiences by having another man of color to play off of and share in their experiences of service. James is a dependable and hard-working man who does his best to help the ship through each battle.

Rear Admiral Samuel Francis Du Pont- A prominent Union officer critical to the Anaconda strategy and placed in charge of the blockade of South Carolina. Samuel is the first to recognize Robert's skill and acts as his silent patron throughout the war, rooting for Robert to prove himself and help contribute to the Union's victory.

Captain Alexander Rhind- Robert's direct superior on many of the ships he serves. Alexander is a gruff, no-nonsense man who expects the very best of everyone who serves under him with Robert earning his respect through his hard work and bravery.

Richard Howell Gleaves- A shrewd and intellegent freeman introduced in the Third Act as Robert's business partner both in business and politics. As a Black man who was born free, Richard helps mentor Robert through the messy life of business and politics, providing him the skills he needs to compete as an equal to the white man with both being instrumental in Beaufort's growth.

This hasn't been threadmarked yet

He still thinks Bruce has some stuff he needs to prove to be worthy of his sister but really they be bros.

I'm guessing that sort of stuff is Bruce being a loving and present father and being there for Carrie and the kids instead of a glory hog? Well time to be a great Papa Goose.

Also for some other questions. What movies has ILM worked on outside of Lucasfilms this year and has Bruce released his two singles that he did during the Queen-MJ Mansion Rock jam?
 
Movie Pitch: Casper
You know, Casper was one of those comics, and cartoons, that just outright depressed me when I first read/watched them. I mean, yes, the little guy gets some sort of friends at the end, but many of them end up dying, just to become ghosts and follow Casper, and that just seemed a bit sad to me. Casper really deserved better, to have friends, to play, to not have his animal pets be killed so heartlessly. Really, what the fuck was wrong with those people!

It's odd, but the 90s version of Casper, for all that they said was darker and had more mature themes, seemed much more lighthearted to me when I first read it; Casper managed to keep a friend, and whoever died was brought back to life, heck he even had a family for all that they were annoying. I really liked the movie for what they did for the little guy and I think we can have it done for the 80s, when we can still show it in a time where we still had a bit more innocence than the 90s. Where a little friendly ghost could warm up our hearts.

So, I give you:

Movie Pitch:
Casper


GENRE: Dark Comedy/Fantasy

SUBGENRE: Horror/Drama

FORMAT: Movie

Set Up: Loosely based on the Harvey Comics cartoon character Casper the Friendly Ghost. The story is a much darker interpretation in tone when in comparison to the previous cartoons and comics, especially with its theme of death as well as addressing Casper's own death. The film features Carrigan Crittenden and her bumbling henchman as they ask a "ghost therapist" to exorcise the spectral inhabitants of a haunted house fabled to contain treasure. Casper, the spirit of a deceased 12-year-old, befriends the therapist's young daughter, despite the opposition of his adoptive uncles; Stretch, Fatso and Stinkie.

Director: Wolfgang Petersen
Composer: James Horner

Casper McFadden: He is the ghost of a 12-year-old boy who died from pneumonia after staying out too long in the snow to play with his new sled which his father had gotten for him. Casper has been haunting his family home of Whipstaff Manor for some time, and now in the care of his three wicked uncles, Stretch, Stinkie and Fatso, Casper's afterlife is not exactly pleasant. He has had to put up with his uncles' outrageous antics and his wish to gain a friend is always ruined.

Played By: Corey Feldman
Alternate: Barret Oliver

Kathleen "Kat" Harvey: she is a 13-year-old girl who moves to Friendship, Maine with her father, where she meets and befriends Casper. She is beyond her years, and a deadpan, wry sense of humor with a no-nonsense attitude. She can be stubborn and occasionally short-tempered, often putting up a stoic front to cover up her true vulnerability and self-doubt. Despite these traits, Kat remains a courageous and determined girl who isn't afraid to speak her mind and doesn't frighten easily.

Played By: Rachel Weisz
Alternate: Jennifer Connelly

Dr. James Harvey: A psychiatrist and father of Kat. After the death of his wife Amelia prompted him to give up his conventional career as a therapist and move onto parapsychology, which he used as an attempt make contact with his wife. His work led him to Whipstaff Manor in Maine, to deal with a trio of ghosts. Dr. Harvey is an easy-going guy with a big heart. He obviously loves Kat, although he sometimes appears rather neglectful of his now motherless daughter's emotional needs.

Played By: Martin Sheen
Alternate: Dirk Benedict

Amelia Harvey: She is the late wife of afterlife therapist Dr. James Harvey and is the mother of Kat. After she died, instead of becoming a ghost, she crossed over and became an angel, wishing to help those in need. A caring individual, she loves her husband and daughter very much, and was loved by them in return. So much that when she died, she had no unfinished business and was thus able to move on without remaining as a ghost on Earth.

Played By: Geena Davis
Alternate: Katherine Sutherland

Catherine "Carrigan" Crittenden: Carrigan is an extremely nasty, cruel, spoiled, mean, self-absorbed, clever, abrasive, roguish, relentless, independent, grouchy, ambitious, negative, conscientious, responsible, ill-tempered, thoughtless, treacherous, efficient, narrow-minded, determined, evil, nefarious, callous woman. Her late father had a huge fortune, but he didn't leave any of it to her. Upon discovering that Whipstaff Manor, the old mansion that he did leave to her, may contain treasure, she becomes obsessed with possessing the treasure.

Played By: Catherine O'Hara
Alternate: Cindy Morgan

Paul "Dibs" Plutzker: A close associate of Carrigan. He appears to work for her as a kind of toady despite the fact she constantly belittles him, never even calling him by name, only as "Dibs". Although he is technically on her side, he doesn't seem to be as nasty a person as she is. His motivations are unclear, but he clearly is only on her side because of whatever power she may have over him. The moment he thinks he finds a weakness he turns on her.

Played By: Rick Moranis
Alternate: Marc McClure
The Ghostly Trio (Stretcho, Stinkie, Fatso): They are the uncles of Casper, and the possible older brothers of J.T. McFadden (Casper's father). They spend most of their afterlives haunting the living in Friendship, Maine while also bossing Casper around, and forcing him to do chores around the house. Stretcho is the leader of the trio, Stinkie is the most annoying, while Fatso tends to be the more dimwitted of the three. Despite it all, deep, deep, deep inside of them, they do care somewhat for Casper, and even grow fond of Dr. Harvey.

Stretcho
Played By
: Maurice LaMarche
Alternate: Joe Nipote

Stinky
Played By: Joe Alaskey
Alternate: Jeffrey Bergman

Fatso
Played By
: James Avery
Alternate: Brad Garrett

Amber Whitmore: She is the daughter of a wealthy couple and one of the most popular girls at her school, Marshwood. She became jealous of the attention that Kat, who has newly moved into Whipstaff Manor, was garnering from their peers, and planned to humiliate her during the Halloween party there. She is stroppy and spiteful, long-accustomed to being handed whatever she wants and easily becoming offended if she does not receive it.

Played By: Amy O'Neill
Alternate: Christina Applegate

Victor "Vic" DePhilippi: He is a friend of Amber and Kat had a crush on him. He's a laid-back guy who doesn't seem to seek trouble, but also follows Amber's lead whenever she has a plan or wants to do something to harm others. He pretends to want to date Kat on Amber's suggestion to better humiliates her later on, though he clearly doesn't want to, he still does it. At the Halloween party he's scared by the ghostly trio along with Amber, running off in fright.

Played By: Matthew Broderick
Alternate: Rob Stone

A.N.: This is a movie I think we can do around 1985, mostly because I could find actors around that time. The technology should be good and tested, plus if Ghostbusters are still done in schedule, we could have the cameo and bank in on the popularity of the franchise. I'm also thinking on perhaps doing a pitch for Wendy the witch, but something a bit darker, perhaps a bit like the chilling adventures of Sabrina or something like that.
 
now threadmarked.
Lucasfilm´s advisory committee of experts: Lucasfilm is a studio that cares to portray things in their movies with as much historical and scientific realism as possible (within reasonable limits) and is committed to making faithful adaptations... So it is well worth it to have several university teachers and other scholars in several fields (Physics, archeology, history, literature...) in your call to serve as consultants...
Will be agreed on.
Lucasfilm's right acquisitions division: Like Conan, there are plenty of novels, novellas, children´s books, theater plays, and even comics that are great stories in their own right, and which Lucasfilm would love to be able to adapt to the Silver screen... This is where the bookworms of this division will come into play, their job is not only to actively search for stories on other media (both old and new) with the characteristics that the directors and producers want but also to investigate whether those rights are available for purchase and if so try to pave the way for a favorable acquisition (by researching among other things the profile of the owner and what would be the best way of approaching him)
That is actually a no. I want you all to spend actions to get things like that.

So i will say no.
Lucasfilm´s Legal department: Exactly what it says in the tin, after the fiasco that was filming Jordan and getting sued by the Beatles themselves, several high-profile lawyers have been hired by the company so that they can deal with similar nonsense in the future and prevent headaches...
Yeah, I should allow you all to do that.
I don't think I quite agree. I think the reason why is because most of the civil war films are made by civil war buffs, so they put in all the little things that interest their fellow civil war buffs but it bores the fuck out of normies like me who don't give a fuck about Civil War history and it drags down the films. Like seriously, I'm trying to watch a movie, not a documentary.
Ron Maxwell. D. W. Griffith. Even Gone with the Wind... Need I go on. Some of the most famous civil war films that have ever been made is full of lost cause bull shit.

Even Gettysburg, which I love to death, still has a majority of the film following (though I shall say, with a great and excellent portrayal by Martin Sheen) follows mostly Confederate officers, and their struggles (though I will blame the Killer angels, the book Maxwell was using, as it only focused on four men, Buford, Lee, Longstreet and Chamberlin), rather than, in my opinion, the more interesting array of officers and units of the Army of the Potomac.

Snapping Turtle Meade who had just been given the command by Lincoln, The Black hatted bastards of the Iron Brigade fucking shit up when they arrived. The Mad Bastards at the Hornets Nest. DAN SICKLES!

It just feels like it could be so much more.
I'm guessing that sort of stuff is Bruce being a loving and present father and being there for Carrie and the kids instead of a glory hog? Well time to be a great Papa Goose.
Yep and you are right.
Also for some other questions. What movies has ILM worked on outside of Lucasfilms this year and has Bruce released his two singles that he did during the Queen-MJ Mansion Rock jam?
That depends.

ILM has worked on 25 movies, but most of it was consulting on the effects. Only one film has seen them use their talents.

And that was Black Hole.
I love this.

[]Sometimes a Little help would be needed (Friends will help out)
[]We Always Need a Friend (Robin will have a new action available)
[]Happy times or so. (Upgrades moms surprise)
 
Christ I can't believe I haven't asked this.

Hey Magoose, remember that shoe omake I made? With the Leprechaun and I chose the rich backer option for our sister? Whatever happened with that? She gettin' money from somebody right?
 
Christ I can't believe I haven't asked this.

Hey Magoose, remember that shoe omake I made? With the Leprechaun and I chose the rich backer option for our sister? Whatever happened with that? She gettin' money from somebody right?
She's making quite a bit of money from payments from stocks she owns.
 
Back
Top