Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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It would be a more meaningful act if she was trained as sith intentionally. Also, that kind of takes away Luke's main love interest. I'm cool with it, but we would need to give him someone else.

What if… she also had a sith twin sister that hounds Luke in revenge when he kills her?

Whose focus eventually turns to the Empire for setting her up this way and evenutually getting lightpilled by Luke after another trillogy.

Then they get triplets, becuase the Force has enough with just twins to correct the severe lack of Force users around the galaxy.
 
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What if… she also had a sith twin sister that hounds Luke in revenge when he kills her?

Whose focus eventually turns to the Empire for setting her up this way and evenutually getting lightpilled by Luke after another trillogy.

Then they get triplets, becuase the Force has enough with just twins to correct the severe lack of Force users around the galaxy.
No offense meant and it may just be how you wrote the post, but this reads like bad fanfiction. The solution I would go for would, honestly, be to just use one of Luke's other OTL love interests, like Gaeriel Captison or something. No need for some grand twist or anything like that when a simple solution works just fine.
 
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Visiting George
If the clone wars being made into the prequels from a throwaway line. Then surely Leia can mention the help the few Jedi have been to the creation of the rebellion with a single sentence. Galen Maren, Ahsoka Tano, Cal Kestis(should he be added too?).
I'd like that too, but I was imagining this more as a situation where the Apprentices make appearances in fairly minor roles in the OT. Like, they don't need to appear in New Hope, so a reference is fine, then in Empire Strikes Back they make their first cameo, like [First Son(?)] Galen Marek is there marching alongside Vader after the Battle of Hoth and Ahsoka gives Luke directions to Dagoba in a brief holo call, and then finally in Return of the Jedi Ahoska (and Rex) is there with Han and the Rebels during the Battle of Kahsyyk Endor...all combined, appearances and references to them shouldn't be more than five minutes combined [across all three movies].

I think it'd be such an interesting thing, to see what kind of impact Anakin/Vader has had directly on people and juxtapose both of those extremes, giving a little bit more tension to Luke attempting to redeem his father.
Luke: "There are Jedi in the rebellion?"

Leia: "There were."
Damn.

What a wham line, like wow.
Actually, I'm going to give a challenge...

George working on Star Wars.
George Lucas sat in his office, surrounded by a mess of papers, books, and red string. He had been lost in thought for hours, trying to make sense of the complex worldbuilding he was committing to Star Wars.

He had always been fascinated by the idea of creating an entire universe, full of different planets, species, and technologies. But as he delved deeper into the details, he realized just how daunting a task it was.

The red strings crisscrossed through the room, connecting different ideas and concepts. Each strand represented a different plot point, character arc, or piece of technology. Some were thick and tangled, representing the more complex elements of the Star Wars universe, while others were thin and simple, representing smaller details that added color and depth to the world.

As he stared at his work, he felt a sense of pride and accomplishment. He knew that the Star Wars universe was far from perfect, but he had poured his heart and soul into it. Every detail, no matter how small, had been carefully considered and crafted.

But despite his dedication, he couldn't shake the feeling that something was missing. Some intangible element that would take Star Wars from a series of movies to a cultural phenomenon.

He sighed and took another sip of his coffee, feeling the weight of his responsibility as the creator of Star Wars. He knew that the fate of the universe he had created rested on his shoulders, and he couldn't rest until he had uncovered that missing piece.

With a renewed determination, George Lucas set to work. The red strings danced before his eyes as he wove new ideas and concepts into the tapestry of the Star Wars universe. Each piece added a new layer of complexity and depth, until the universe he had created was so vivid and real that it felt like it could exist beyond the confines of the movies.

He smiled, feeling a sense of satisfaction as he looked around his office. The red strings still hung haphazardly across the room, but now they represented not just chaos, but a carefully constructed vision of the world he had created.

As he leaned back in his chair, he knew that Star Wars would continue to evolve and grow, but he was confident that he had laid the foundation for something truly special. And for that, he was proud.

"Hey George, just stopping by to see how you're doing..." his friend Bruce trailed off, after having suddenly opened his office door, staring at the culmination of his work and the nineteen plus cups of coffee scattered everywhere, "...George, what the fuck."

George blinked, and realized that not only was the sun only starting to rise but that he was completely, utterly starving.
 
TV Pitch: Monstrum Season 1
Title: Monstrum Season 1

GENRE: Urban Fantasy

SUBGENRE: Adventure/Action

FORMAT: TV Show

Season 1 Synopsis:


17-year-old Morgan Winters lives with her loving older sister Felicia in Kansas, after their parents died in an accident a few years ago. They live in a quaint, little country home where Morgan is homeschooled while Felicia is away from home for long periods of time for her "very important job."

All seems fine until a band of ravenous werewolves, lead by the menacing Remus "Big Bad" Grosse, surround the Winters' house and attempt to burn it to the ground while Felicia is away. Morgan, using her ingenuity and various items around the house, manages to trick, confuse, and take out a portion of the werewolves before she is caught by them. As they drag her out of the now burning house and prepare to kill her, though, they are then ambushed by a livid Felicia.

Felicia, wearing a crimson cloak and brandishing weapons, cuts down the rest of the attackers and fights Remus to a standstill. As the two fight, and it seems Remus might gain the upper hand, Morgan grabs a gun from one of the dead werewolves and shoots him in the eye, forcing him to run away as he swears vengeance against the two.

We follow Morgan as she is trained by Felicia to become a true Hunter. They travel all around America fighting whatever monsters and villains come their way, while also exploring Monstrum and meeting friends and allies.

The season ends with Remus, having rallied several packs of werewolves to his banner, attacking one of Monstrum's bases in Texas, where Morgan and most of her allies are.

The resulting big battle ends with the deaths of Brennan Clawry and Fiddlesticks, with Morgan sacrificing herself to save Therese from Remus. This triggers Therese into an incandescent rage and causes her to mortally wound Remus with a massive blast of magical fire.

As Remus lays dying, Therese rushes to Morgan and tries to heal her. When Morgan's death seems certain, Therese gently gives her a true love's kiss on the lips, saving Morgan from death.

The season ends with the two becoming full-fledged Hunters, with Felicia presenting both with their Hunter's Badges.

Important Season 1 Characters

Morgan Winters: An energetic, sweet, and emotional girl who has been thrown into a hidden and dangerous world against her will. Weak-of-body from a lifetime affliction from Anemia, she must rely on her intelligence, charisma, and allies in order to survive as an Apprentice Hunter.

Felicia "Red Hood" Winters: Morgan's overprotective and sarcastic older sister and a recently-graduated Hunter of the secret organization Monstrum. After her and Morgan's parents were killed,

Warren Daly: The current director of Monstrum's North American Branch, Felicia's former mentor, and the descendant of the famous Monster Hunter Davy Crockett. Though stoic and extremely emotionally reserved, he is a father to his men and will risk his life for them.

Therese Auclair: A haughty Canadian magical prodigy and a fellow Apprentice Hunter, she and Morgan are initially bitter rivals due to conflicting personalities and Morgan upstaging Therese more than once. After training and going through various trials together, however, the two grow closer and become friends, then lovers.

Dr. Richard Light: A brilliant, once-in-an-era genius scientist who is the head of the R&D Division. He is also the looniest scientist working for Monstrum, with his constant antics and shenanigans driving co-workers mad and causing Monstrum to create an entire list titled: "List of things Dr. Light can't do." However, behind the insane antics and frenetic personality lies an empathetic man who is doing his best to help save the world.

Remus "Big Bad" Grosse: A psychopathic, vile, and cunning werewolf pack leader who hides under a charming and affable persona. He has sworn bloody vengeance against the Winters sisters for killing his pack and taking his eye.

Rip Van Winkle: A centuries-old crime boss who stops aging and essentially becomes immortal whenever he is in a state of sleep. Having lived and committed crimes for centuries upon centuries, his moral conscience has been dulled and he has become an emotionless, uncaring husk of a man who only works for himself.

Brennan Clawry: The jovial and hedonistic leader of the Clawry Werewolf Pack and the leader of the clans opposing Remus's goals.

The Headless Horseman: The ghost of a Hessian soldier killed attempting to protect a family from looters, he is an extremist vigilante who kills any criminal who he crosses, no matter the crime.

Darren Peters/Petunia Dunn/Coyote: The human disguises of the infamous trickster Coyote, he has a tendency to cause mischief and mayhem wherever he shows up.

Fiddlesticks: A cat cursed to become anthropomorphic, he's made the best of his situation and become an official Monstrum Hunter. With his mad fiddler skills, his magical fiddle, and his conman demeanor, he has managed to bag many a villain to his own name.

A/N:

Given McLuvin's amazing yet also intentionally problematic Pale Saint, I wanted to do an unproblematic version of it.

I also wanted to do what Shrek does and reinterpret classic fairytales and legends in a fun way that still leaves the characters recognizable.
 
It would be good if we could get a bit with Leia's adopted father Bail Organa in the original trilogy. Maybe a bit on Alderan where he realizes just what the Death Star represents and heroically spends his last minutes alive organizing an evacuation of the planet on every lightspeed-capable ship available before accepting his fate.
 
Ironically Supernatural's biggest problem is ironically that its popularity made it go in long after it should've ended. The earlier seasons were rather good before the bullshit crept in.
IIRC the show-runners originally wanted to end it with Sam being locked up in hell and Dean going to retire from Hunting and start a family. But they got green-lighted for another season. So then we got Eve, then Crowley, then Death, then God, then Gods sister etc.
 
It would be good if we could get a bit with Leia's adopted father Bail Organa in the original trilogy. Maybe a bit on Alderan where he realizes just what the Death Star represents and heroically spends his last minutes alive organizing an evacuation of the planet on every lightspeed-capable ship available before accepting his fate.

That could definitely be interesting to work! It would be a bit difficult to do in terms of pacing, but if done properly it can be a great emotional gut punch to help the audience empathize with Leia, set up the stakes and show how evil the Empire is, a little necessary on the last part since you kind of don't give a shit about Alderaan from a first time watch and just think it looks cool.

Would be pretty cool foresight if we cast a Hispanic actor for Bail to set up Jimmy Smitts, could also make for a nice silent progressive statement in showing that in Star Wars skin color doesn't mean shit to make a family, and subtly suggesting Leia is adopted to set up her being Luke's sister and Vader's daughter, could maybe do a bait and switch if you don't show Breha in the OT so people think Leia takes after her white mother, but Bail and Breha sharing their final moments in each other's arms would also be a strong gut punch.

Maybe we could use this as an opportunity to set up the rules for Disturbances in the Force, how the death of an entire planet caused Obi-wan to act like he had a heart attack but Luke and Leia, to one of the strongest force users in the galaxy weren't affected, along with how countless millions or billions across the galaxy should have reacted the same. Also might make for some nice foreshadowing for Leia's force sensitivity in that she could feel the deaths of her parents and people and maybe telepathically was able to pick up Bail's last words stating he loved her and believes she can save the galaxy. We can pass that off as movie flair and dramatics but leave enough hints for people to catch on that Leia can use the Force like Luke. Would be tricky to explain why Vader didn't pick this up, but maybe the Disturbance clouded his perception of Leia?

Also what do people think of the Tosche Station deleted scene and keeping it in?

View: https://www.youtube.com/watch?v=6a0Ak4OKhy0

Not necessarily a strong dramatic introduction like meeting Luke for the first time when he purchases Artoo and Threepio, but at the very least if we kept this in then we would establish Luke and Biggs' friendship and his death would have more impact, plus Mark has some great chemistry with Biggs' actor. Maybe a bigger budget would allow for fiveish minutes of exploring Tatooine life in a Mandalorian style scene to establish the galaxy like with the Mos Eisley Cantina. Also could set up the rest of Luke's friends to have potential for returning moments, such as helping with Jabba's Palace rescue in Return.
 
About my Monstrum pitch, I'm thinking of Therese and Morgan being sent to the British Isles(including Ireland), where the next big threat will involve a tyrannical kelpie intent on invading the land-dwellers' lands. It'll also involve Nuckalavees, the descendant of Abraham Van Helsing, and other references.

Thoughts?
 
That could definitely be interesting to work! It would be a bit difficult to do in terms of pacing, but if done properly it can be a great emotional gut punch to help the audience empathize with Leia, set up the stakes and show how evil the Empire is, a little necessary on the last part since you kind of don't give a shit about Alderaan from a first time watch and just think it looks cool.

Would be pretty cool foresight if we cast a Hispanic actor for Bail to set up Jimmy Smitts, could also make for a nice silent progressive statement in showing that in Star Wars skin color doesn't mean shit to make a family, and subtly suggesting Leia is adopted to set up her being Luke's sister and Vader's daughter, could maybe do a bait and switch if you don't show Breha in the OT so people think Leia takes after her white mother, but Bail and Breha sharing their final moments in each other's arms would also be a strong gut punch.

Maybe we could use this as an opportunity to set up the rules for Disturbances in the Force, how the death of an entire planet caused Obi-wan to act like he had a heart attack but Luke and Leia, to one of the strongest force users in the galaxy weren't affected, along with how countless millions or billions across the galaxy should have reacted the same. Also might make for some nice foreshadowing for Leia's force sensitivity in that she could feel the deaths of her parents and people and maybe telepathically was able to pick up Bail's last words stating he loved her and believes she can save the galaxy. We can pass that off as movie flair and dramatics but leave enough hints for people to catch on that Leia can use the Force like Luke. Would be tricky to explain why Vader didn't pick this up, but maybe the Disturbance clouded his perception of Leia?

How about Ricardo Montalban? He'd be perfect to give gravitas to Bail Organa's last moments. He'd just need some aging makeup to represent the years since the prequels.

My idea is that it's interspersed with Leia's scenes to imply that Leia is subconsciously using the Force to transmit a warning to Bail regarding the Death Star firing. Neither the Emperor nor Vader (or Leia herself for the matter) know that she has the Force and are too arrogant to be actively searching for other Force users. Bail would start his scene in a trance as he hears his daughter's psychic message. And, to show how decisive he is, immediately snaps into action and uses what little authority he has as a Senator to commandeer every Lightspeed-capable ship docked on Alderan. It's nowhere near enough to save everyone, but it'll save enough.

And after the refugee ships are sent away Bail has enough time for a dramatic mini-monologue before staring green blazing death fearlessly in the face. And then he instinctively thinks of his love for his daughter. Which Leia hears. And the Imperials* misinterpret her tears as her being broken by her planet's death.

Goddamnit, I made myself sad writing this up!

* I forgot that the Emperor wasn't present on Death Star 1.0 in the original movie earlier on in the write-up.

The difference in the reactions can be chalked up to how much training in the Force they have. Obi-Wan can sense it despite being on another planet who knows how further away he is from it because of how much training he has. Luke has very little and is about as far away as Obi-Wan and Leia has basically nothing but is very close and has a personal connection to one of the victims, so she might feel a little bit of the disturbance. But it'd be a little heartache versus the nigh-on heart attack Obi-Wan suffers.
 
No offense meant and it may just be how you wrote the post, but this reads like bad fanfiction. The solution I would go for would, honestly, be to just use one of Luke's other OTL love interests, like Gaeriel Captison or something. No need for some grand twist or anything like that when a simple solution works just fine.

Yeah, wasnt really thinking too deep on the plot- but more hung up on the missed oppurtunity of Mara Jade, when the Mouse had tons of lore to pick on.
 
a little necessary on the last part since you kind of don't give a shit about Alderaan from a first time watch and just think it looks cool.
Honestly, I don't think this is strictly true. You as a viewer obviously do care that a whole planet was just wiped out as a message, but I think the reason it lands a little flat is that we barely see it affecting Leia and Obi Wan communicates the effect in the Force to us and Luke in a pretty muted fashion. I think an easy fix would be to just have it more clearly affect Obi-Wan, perhaps by having him far more weakened and winded from it, as well as showing Leia in her cell after Alderaan's destruction and while she put up a strong front in front of Tarkin and the Stormtroopers(was Vader there? I can't remember), once she's alone in her cell, she starts crying to herself. This gives her a moment to grieve as a character as well as allowing the audience to truly digest the fact that a whole planet worth of people was just blown up, while also not potentially cluttering the film or affecting pacing. It always struck me as odd that when Luke comes in the cell to let her out, she's just lounging and makes quips, all right after her planet was blown up and everyone she ever cared for was just eradicated. It's a whole lot of tonal whiplash, although you admittedly don't feel it too strongly when watching because of how little attention they give to Alderaan but that is a problem that needs fixing. Instead, we could have her still be depressed by the time that Luke arrives to her cell and she can still make her quip about him being short for a stormtrooper, but it's more bitter, sarcastic, and resigned but still a show of defiance as opposed to some teasing+sexual teasing. Then Luke reveals that he's there to rescue her and that they need to go. We see that she's surprised by this and we saw her being resigned and losing hope earlier, but after hearing this, she takes a bit of time but quickly collects herself and escapes with Luke, where everything proceeds as it did. This allows her to showcase a more tender side to her earlier on, than just her romance with Han, as well as showing that despite her losing hope and the tragic loss of her people, that she is tough, committed, and determined enough to push through for the time being. She can feel sorry for herself later, right now, she has a chance to escape and still foil the Empire's plans and ensure Alderaan didn't die in vain. I think this simple addition would do wonders for her characterization in the film and solve a pretty glaring issue at the same time.
 
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I didn't write this in the last post, but my hadcanon is that what we see in the OTL final firing sequence of the Death Star. And that it actually takes a lot longer to "warm up" a moon-sized weapon of planetary destruction. Which, in their attempt to make it as dramatic as possible, gives Bail and the Resistance figures on Alderan precious minutes to evacuate as many people as they can. It's definitely not enough to evacuate them all, but even a relatively small portion of the planet's population being saved is enough.

Also, I had the idea that Alderaan's architecture is a kind of sci-fi Romanesque architecture and that the building that Bail is in, presumably the Alderaan Governor's residence, has a room modelled on the Pantheon in Rome. And that when the Death Star is firing Bail is standing under the open sunlight in the dome with the bright green light of death shining in his face before he, and the rest of the planet, dies.

Intersped that with scenes from the Death Star pushing the big red button. A moment later we see a close up shot on the crew's faces as shards of the planet flies by as reflected on the viewing panels.

Precisely.
 
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Calling the Vote:
Adhoc vote count started by Magoose on Apr 1, 2023 at 11:19 PM, finished with 77 posts and 29 votes.
 
And Now: Here are the Rolls for Our possible Obi-Wan Kenobi.

Pat Morita:
D100 => 78
Toshiro Mifune:
D100 => 98
Christopher Lee:
D100 => 99

Honestly, I was hoping for Pat or Toshiro.

We have the Legend of Sir Christopher Lee.

This was a battle of Two Shakespearean Titans.

And Pat Morita just didn't do enough to beat them.

And Mifune really wants to work on the Sequel.

Or as I like to say... If there is a sequel, they will have significant bonuses to getting hired.
 
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