Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Bruce O'Brian:D100 => 94+300=394

Hm, considering Conan was Bruce's Oscar winning role, it's good that he kept up the quality.


I guess Sean and Michelle are in the running for Best Supporting Actress. Looks like we succeeded in pushing forward Red Sonja's popularity, though if she gets a solo film I don't want Bruce to direct.



Also in regards to the Genesis' successor, I'm guessing we'll be going for a 32 or 64 bit console with CD-Roms instead of cartridges, but also have backwards compatibility for Genesis games?

I really don't want to copy Sega with all of its add-ons for the Genesis as that was a major factor in killing it because Sega fans just had too much confusing hardware to choose from while Nintendo was streamlined. Also wouldn't mind the GameGear.

Only exception I might consider is the 32x just as a stopgap and explore 32 bit games.
 
Also in regards to the Genesis' successor, I'm guessing we'll be going for a 32 or 64 bit console with CD-Roms instead of cartridges, but also have backwards compatibility for Genesis games?

I really don't want to copy Sega with all of its add-ons for the Genesis as that was a major factor in killing it because Sega fans just had too much confusing hardware to choose from while Nintendo was streamlined. Also wouldn't mind the GameGear.

Only exception I might consider is the 32x just as a stopgap and explore 32 bit games.
We can actually do 32 bit on the Genesis natively if I'm correct on what specs it has, cause George rolled a 100 on his tech roll. It'll just take a lot of work. I wanna do visual novels, but 16-bit a visual novel does not take. And Ace Attorney deserves the best.
 
I think it's a good idea considering we own Marvel, George has always wanted to do one, and with our advances in CGI we won't have to be beholden to the animatronic suits, or perhaps we can convince Lucas to go full animated instead.

Not to mention, this time we can remain faithful to Howard's personality, and by 1984 we would have finally made peace with Gerber.
The wiki says it was originally meant to be animated but either contractual obligations forced it to be live action or Universal thought having it animated would take to much time an money. Of course wiki isn't always right so take it with a grain of salt.
 
Also in regards to the Genesis' successor, I'm guessing we'll be going for a 32 or 64 bit console with CD-Roms instead of cartridges, but also have backwards compatibility for Genesis games?

I really don't want to copy Sega with all of its add-ons for the Genesis as that was a major factor in killing it because Sega fans just had too much confusing hardware to choose from while Nintendo was streamlined. Also wouldn't mind the GameGear.

Only exception I might consider is the 32x just as a stopgap and explore 32 bit games.
If we go with both CD and Cartridges for backwards compatibility we'll be doing it for the rest of our consoles going forward as well. I think that the next one should just be one like the Playstation that uses CD's but also allows for games in different types of bits so that we can explore different kind of games, and show that it's not so much the amount of bits or 3D what matters, but instead the gameplay and story.

Plus, I've said it before and now again, I think it being called the Sega Playstation would be awesome.
I will forever stand by the fact that Howard the Duck should be live-action. How dare y'all speak ill of our Glorious Supreme Leader Howard T. Duck!
Dude, it's not even a cult classic, and not even those who love to riff on bad movies show it.
 
Good luck getting it out of uncanny valley, then.
Dude, it's not even a cult classic, and not even those who love to riff on bad movies show it.
First off, wow, y'all took that way more seriously than you should've. I was pretty obviously shit posting. More seriously though, I just have weirdly fond memories of watching that movie as a kid. Second, tbh, I just don't really see it as an animated film. If anything, I think I'd work better in sort of Space Jam or Who Killed Roger Rabbit style of animated character in live action.
Dude, it's not even a cult classic, and not even those who love to riff on bad movies show it.
It's a classic in my heart :cry:
 
Also in regards to the Genesis' successor, I'm guessing we'll be going for a 32 or 64 bit console with CD-Roms instead of cartridges, but also have backwards compatibility for Genesis games?

I really don't want to copy Sega with all of its add-ons for the Genesis as that was a major factor in killing it because Sega fans just had too much confusing hardware to choose from while Nintendo was streamlined. Also wouldn't mind the GameGear.

Only exception I might consider is the 32x just as a stopgap and explore 32 bit games.
I actually want us to make a hand-held console to compete with the Gameboy, because I want us to have Pokemon and my head is bursting with ideas for the franchise. I'm sure to write pitches down in the weekend, alongside some original idea or two.

...But I want Pokemon.
 
I actually want us to make a hand-held console to compete with the Gameboy, because I want us to have Pokemon and my head is bursting with ideas for the franchise. I'm sure to write pitches down in the weekend, alongside some original idea or two.

...But I want Pokemon.
I think its creator works for DreamWorks? I'm not sure if it was canonized, but it was mentioned as such in one of Orion's omakes.
 
By the way, which movies' premiers did we miss because of the shooting of Conan? Magoose said that there were several, but which ones?
We'll find out soon enough.

In the meantime, I'm thinking that we should see if we can buy some more book rights to turn into films. If we buy the rights for Shoeless Joe then we can make Field of Dreams.
 
Makes me wonder if Conan the Conqueror is going to end up being made.

Every good series needs a trilogy.
Bruce will probably be mentally recovered enough in a few years to do it. Just as long as there's no boats.
 
Video Game Pitch: Thunder Blade

Video Game Pitch: Thunder Blade
Game Developer: Lucasarts
Platform: Arcade
Director: Chris Butler
Genre: War, Action, Air Combat​

Premise: Loosely based on the Columbia film Blue Thunder, Thunder Blade sees players take control of the "Thunder Blade" attack helicopter where they must go off to war and do battle against a multitude of enemy forces, but primarily armored vehicles, helicopters, SAMs and jets. Players can attack using a chain gun or missiles with missiles often being one hit, but needing to reload. Players can also use flairs to redirect enemy missiles.

There are five stages that the player must need to clear; Urban, Beachside, Desert, Mountain and Fortress. Players must clear the map of enemies, navigating through limited three dimensional space and able to change in elevation. Once all enemies are cleared, the players will then be taken to a boss fight where they must defeat a large enemy vehicle or construct.

A/N: Roughly similar to OTL but losing the rail shooter aspect for more freedom of movement.
 
Comic Pitch: What If...? Vol 1. #43: What If Iron Man's Suit Worked Differently?
Happy Halloween Everyone! To celebrate the spookiest day of the year, I bring this pitch for a comic in Marvel; a What if, featuring the amazing story Darkhold: Iron Man who managed to bring an amazing body horror tale to life using one of the most iconic Marvel heroes there is. Seriously, if you haven't read it, then go and do so now. I'll wait. No seriously, do so, I may have put the plot later down, but you'll have a greater experience by reading it as a comic.

...You done? Good, then we can continue.

So, this actually came to me when I was thinking on what to make for October, and I was planning on a series of Halloween pitches... that is until The Last Voyage of the Demeter ended up taking most of my time and I ran out of energy to continue with the rest. But in the end, I figured that I could at least finish this for Halloween, since when I was researching which issue to replace, I found that there was no What If issue in October. It was like it was just calling to me.

Thus, I give you:

Comic Pitch:
What If...? Vol 1. #43: What If Iron Man's Suit Worked Differently?

GENRE: Horror/Thriller/Drama

SUBGENRE: Body-Horror/Suspense

FORMAT: Comic

Set Up: They rise in a chorus across the city. It's only when what's inside those suits changes that the screams finally stop. Just as I know mine will...when a heavy hand rests upon my shoulder...and a name I don't let anyone else call me...escapes from the body of the man I love. - Pepper Potts.

Artist: Barry Windsor-Smith
Writer: Roger Stern

During a rainy night at the Stark Tower Pepper Potts and Happy Hogan enter a dimly-lit room, approaching with caution the dark silhouette of a bulky suit of metal, the original Iron Man Armor, sitting on the floor leaning against the wall. In her inner monologue, Pepper introduces herself as a 31-year-old top scientist at the company who is secretly in love with her boss, and admits to herself that it sounds cliché. As she reaches out to the suit's helmet, she recalls that she lets him call her "Pepper," one of the many things she lets him get away with. Under the suit's mask, two eyes suddenly open up, startling Pepper. Brushing aside her opening remarks, Pepper reveals that this is the story of how she died. Recognizing Tony Stark inside the suit, Pepper screams for him to help her get the armor off their boss.

Pepper and Happy have disassembled most of the armor, uncovering a bruised and scratched Tony underneath. When they reach the helmet, Tony stops them so they don't take off the chest plate since its electromagnets are keeping shrapnel near his heart from getting closer. He explains he just needed to charge it, and unplugs the chest plate from a cable that was connecting it to the wall. Tony turns his attention to his computers, brushing aside Pepper's worry while sardonically going over the multiple injuries he's suffered. He declares that his suit is not enough as it is, and asserts that he can make it better, and more than a weapon. When Happy suggests getting a doctor, Tony remarks that he doesn't believe in qualifications, and cites having hired a boxer like Happy as a chauffeur. Stating that he made the armor out of garbage in a cave, Tony challenges them to see what he's capable of when really trying. Tony sits at his computer and dismisses his two employees and jokes that they're fired until Monday. Pepper is perplexed that the man she had spent weeks thinking was dead is now asking for space to focus and create.

The following day, Pepper is sleeping at a desk. Her inner monologue explains neither she or Happy obeyed and are keeping Tony company alongside his butler Jarvis, to the point that Pepper hasn't left the penthouse to help Stark. She has been studying so much about different technologies she passed out reading. The shadow of Tony's armor falls on the room as Tony's voice wakes her up. Pepper recalls in her monologue dreaming of clawing at a parasite attached to her chest until her nails peeled off. As she's rousing herself, Pepper notices that Tony got back into the armor. He explains that he's testing the suit's new on-board dermal regenerators. Tony takes off the helmet and presents his pristine face, to Pepper's admiration. She touches Tony's face, admiring the suit's work. Tony hypothesizes the suit could work like a mobile hospital. Pepper deduces that it takes more than dermal regenerators, and Stark explains the suit is run by semi-autonomous computational machinery which coordinates with his brain waves. Tony elaborates that the armor can also probe inside himself, repairing organs and bones with its technology. He continues, disclosing that while in captivity, he discovered he's better at figuring out ways to stay alive, so the suit's new and sole purpose is to keep him secure and alive. Extending his left arm, Tony explains that before putting the glove on, it had three fractures. He invites Pepper to remove the gauntlet and see how it is repaired. Pepper slides it off, but Tony's arm is skinless underneath. Tony goes into shock as Happy and Jarvis rush to help put the glove on, and Tony is instantly relieved when they succeed, quipping about there being a few bugs to work out. Jarvis and Happy help Tony to his computer as he explains that the suit must have replaced his skin with itself because it calculated that, logically, iron skin would offer more protection. Tony asks his friends to help him take off the rest of the suit since the arm is the only part where the armor got that far. As they do so, he explains he just needs to rebuild the suit's supervisory algorithm to make it regenerate the skin it took. Pepper points out she refreshed herself on the company's latest A.I. and biomedical research, and Tony commends her. Placing his hand on Pepper's shoulder, Tony orders Jarvis and Happy to get the manufacturing plants on standby while he and Pepper solve the armor's issue.

As Pepper and Tony are shown working together over an extended period of time, in her monologue she relishes that he treats her like an equal. Pepper expresses she has noticed Tony unconsciously taps his foot when he's really focused, something that he hates, but she loves it and she loves him. Eventually, Tony opens up to Pepper, admitting that he doesn't think he likes himself anymore because he was faced with the prospect of dying as an arms manufacturer who was seen as a profiteer of death, and thought it wasn't fair since he had never killed anyone and only made the tools. Tony begins to tear up as he recalls then making the armor and killing every one of his captors. Pepper approaches Tony as he elaborates that he wants to be remembered as a hero who helped people, and that his suit is his first step to redemption since he can help people with it. As he turns to Pepper and caresses her face, Tony expresses that he also didn't want to postpone the people who love him, and he and Pepper share a kiss. Tony slides his arm down Pepper's back, and she tells him that they will have time to get intimate once they get the armor off him. Time passes, and Tony and Pepper have split up their working force, and they're running experiments away from each other. Sunday comes and Jarvis approaches Pepper with breakfast. She notices that he addresses her "ma'am" for the first time, and wonders if he's aware her and Tony's development. Stark enters the room, shocking both of them. He is fully clad in the armor, with limbs slightly crooked and his head tilted. A white fluid is leaking off the suit's crevices. He obliviously asks Pepper what is wrong.

Pepper asks Tony why did he put the suit back on, prompting Tony to only just now realize he did. Pepper rushes to a computer and informs Tony that his entire skin has been dissolved by the armor. She warns Tony against taking it off since it would kill him at this point, but she's left speechless when Tony asks why would he ever want to do that. After dismissing it as a joke, Tony sits at his computer. He assures Pepper and Jarvis that it's still him inside the suit and he will fix this issue. He asks her and Jarvis to pull together a nutritional isosolution at the lab downstairs. When they return some minutes later, they find Tony on the floor. At his command, the building initiates an isolation protocol, and a giant glass panel slides from above, shutting Pepper and Jarvis out. Tony feebly tells her that he feels different and needs a moment to collect himself. Pepper tells him she's going to use the laboratory scanners to look inside the suit. To her uneasiness, the screens show Tony's entire body is breaking down; wires from the suit are deep inside his brain, his skull is gone, and he'll never be able to leave the suit again, since most of his insides are undifferentiated meat. When she tells him this with tears in her eyes, Tony calmly raises his head. With his eyeballs almost protruding from the faceplate's slits, Tony expresses that it sounds fine to him. Getting up, Tony tells her that an iron skull is better, and he limps away despite her pleas. The white substance has battered Tony's armor, with exposed wires hanging from its crevices. He turns around, apologizes to Pepper to standing her up and leaves to do work. In her inner monologue, Pepper explains that Tony has kicked the building into lockdown, leaving his friends trapped and unable to do anything but wait. She notices that Tony is focused building something and he isn't tapping his foot anymore.

Sometime later, after Happy has joined Pepper and Jarvis, the glass panel slides open as Tony expresses through the intercom that he has had an epiphany. Jarvis and Happy enter the laboratory with caution. Pepper tries to reason with Tony, but he cuts her off, explaining how the human body is flawed but he can do better and protect everyone. The glass panel slams downward, separating Pepper from Jarvis and Happy. The fire suppression system is turned on, sucking all the oxygen from the room and knocking Jarvis and Happy. Tony's hands pull them away from behind. Pepper returns to Tony's penthouse to observe the laboratory's camera feeds, all of which except one are offline. Tony forces both Jarvis and Happy into a copy of his armor, mutilating their bodies in the process. After some time, the suit gets up and shambles out of view to help Tony. The building's lockdown is suddenly lifted, and Pepper worries of what Tony could have done all night without interference and with the help of one of the most advanced automated manufacturing facilities in the world. Pepper looks outside a window and is appalled to see a crowd outside the building gathering around another copy of the armor. A recorded voice entices people to climb inside to fix their illnesses. An office chair plummets between the armor and the excited crowd, and from the broken window above, Pepper desperately warns them against getting in the suit. Pepper steps back, noticing her effort had the opposite effect, and people are now fighting to climb in faster. She breaks down as her hopes that it's only one suit outside are quenched when she hears many screams across the city, all silenced as soon as the suits do their work. Pepper realizes the same will happen to her as Tony appears behind her, resting his hand upon her shoulder. Piles of flesh are oozing out the battered armor as Tony calls Pepper's nickname while leading her to another copy of his armor hanging from the ceiling in his lab, one tailored for her female physique.
Tony Stark/Iron Man: A famed arms manufacturer, Tony Stark was the head of Stark Industries. While being held captive by terrorists, pieces of shrapnel became lodged into his torso. Stark built a chest plate with an electromagnet to keep them from reaching his heart. After designing an entire suit of armor, he killed his captors and escaped. Returning home battered, Stark crashed into the Stark Tower to recharge the chest plate's batteries. He was found and assisted by his chauffeur Happy Hogan and Pepper Potts. Attempting to turn the Armor into a mobile hospital to heal himself, he would soon find out that his suit was working...oddly.

Pepper Potts: Tony's secretary and the narrator of the story. Pepper Potts was also secretly in love with her boss, Tony Stark. Sometime after Stark had been captured and presumed dead, she and Happy Hogan found him passed out at the Stark Tower clad in a bulky suit of armor. She remained alongside Tony to better help him while he tinkered with the armor, and thus was able to see how his mind changed little by little.

Happy Hogan: A former boxer, Happy Hogan was the chauffeur of Tony Stark. Sometime after Stark had been captured and presumed dead, he and Pepper Potts found him passed out at the Stark Tower clad in a bulky suit of armor. He helped him up and removed most of his armor save for his chest plate which had electromagnets preventing shrapnel near his heart from getting closer.

Edwin Jarvis: The butler of Tony Stark, Jarvis joined other two of his employees, Pepper Potts and Happy Hogan, in keeping his master company while he tinkered with a new armor of his creation which he intended to turn into something akin to a mobile hospital capable of mending injuries.

A.N.: Barry Windsor-Smith is an amazing artist who's worked in Savage Sword of Conan, and his future works in body horror are truly something to behold. Roger Stern is one of the best writers that Marvel had the fortune to acquire in the 80s. The man created the Hobgoblin and was in charge of nearly the entire Arc, with only editor interference giving us the lackluster ending we got.
 
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As long as we improve the ending and let our god Erwin Smith live, I'll roll with this. No pun intended.
I do want our boy to live, but someone has to Radicalize and form the Yaegerists, I don't want to assassinate Erwin's character like that.
As for the ending, I do want to improve it, but The Rumbling is a pretty good finale, and I don't think Eren being able to kill the rest of the planet and go home scot free would convey a good message to audiences. Definitely gotta change some stuff tho if we don't want the Rumbling, and I'm pretty sure you can't change ignorance, so maybe they find a way to convert normal people into Eldians.
...fuck. AOT would make an excellent HOI4 expansion. As would a lot of other animes.
 
For AoT you would need to start altering at least from the start of season 4, considering how broken worldbuilding ended up being. Marley treats eldians like germans treated jews but apparently it's one of the better countries? And that's just the tip of the iceberg. I am not even going to go into detail of how inconsistent characters ended up being in season 4.

But yeah i think AoT would be a cool lateral move for a king of mecha. But who would make it?

Anyway it's a shame that political situation makes making canon avatar impossible. But i had an idea for a pitch, where in the span of hundred years Aang was frozen, bumi, radicalised by the genocide of airbenders and other atrocities of the fire nation, took over a significant chunk of the earth kingdom, all but kicked out fire nation from the continent and is now waging a war of fascist unification, like Kuvira but without the stupid.

It would be a pretty different series with books Fire, Water and Earth, ending with two old friends fighting it out for the future of the world.
 
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