Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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I do like the basic structure of Mask of the Monkey King but it has SEVERAL complications that prevent a 1 to 1 adaptation. Firstly, we can't film in China. There's no way in hell Bruce wants any sympathetic portrayal of the Chinese Communists. There's Japan as the villain and Japan is one of our strongest allies as a nation, so we have to make sure that Oni is explicitly rogue and there are sympathetic Japanese.

I guess one idea is to make the Soviets the enemy and have the Chinese Communists be their pawns, that being said I was kind of hoping we could have the Soviets be the enemy in Last Crusade but then no iconic Hitler scene. Maybe we could film in Taiwan, Thailand, India. Heck, even Vietnam potentially on how relations are.

Also, I do want Marion to be kept in but Willie existing is kind of important because that's how Steve met his future wife Kate Capshaw. Decisions, decisions.
We can have Oni as the rgue element who is disobeying orders, and his subordinates only follow out of either fear, or loyalty to the Emperor. Once it is discovered he is not loyal at all then they turn on him.

Or, we could just go with the Nazis again. In OTL there were many expeditions by them, even to India and Tibet, to find the truth and history of the Aryan people. We could have it that they found knowledge of the Monkey King, since in the tale they went to India and back, so we have Indy and and his firends now having to fight in India rather than China. We could even involve the Thugee cult as them being the ones holding the Mask.

And Last Crusade must remain as it is. it's perfection itself, and no one will convince me otherwise...okay, perhaps we can add some Marion scenes as well, but it's as good an ending to a trilogy as we're going to get.
Hey, so I've been seeing some references to Tron. Is that a competitor's film? Or has the page for it just not been written yet?
We're producing it. It's released later this year.
 
With the whole "no more fighting each other" meeting we did with the rest of holywood should we begin to warn them when we are going to throw wreking balls like that ?,so they can plan around and not loose as much ?

[X] Plan: Shooting Stars Break the Mold
 
Movie pitch The Nightmare Before Christmas


Movie pitch


The Nightmare Before Christmas


Genre:Action, Family, Fantasy, Humor,Musical
Sub-Genre:Halloween movie
Format: Full-Length claymation Movie
Halloween Town is a fantasy world populated by various monsters and beings associated with the holiday of haloween. Jack Skellington, the well-respected "Pumpkin King," leads the town in organizing the annual Halloween celebrations. Unknown to the citizens, however, he has grown tired of the same annual routine this year and wants something new . Wandering in the woods the next morning, he discovers several trees containing doors, which lead to other holiday-themed worlds (Christmas, Easter, Thanksgiving, Independence Day, Valentine's Day,St. Patrick's Day,etc). Stumbling through the one leading to Christmas Town and awed by the unfamiliar holiday, Jack develops an obsession for it .

Jack returns home to share his discovery with his friends and neighbors. They relate to Christmas Town's ruler, Santa Claus (or "Sandy Claws" if you listen to jack), but are unfamiliar with the concept of Christmas and conflate its customs with the Halloween traditions that they are used to . Frustrated, Jack isolates himself in his house and studies Christmas further, intent upon finding a way to rationally explain it . When days of study and experimentation accomplish nothing, however, Jack abandons his attempts to understand Christmas and decides to "improve" the holiday instead.

Jack announces that Halloween Town will take over Christmas this year and assigns Christmas-themed jobs, such as singing carols, making presents and building a sleigh pulled by skeletal reindeer, to various residents. Sally, a feminine creation of local mad scientist Doctor Finkelstein, experiences a vision detailing that their efforts will end in disaster. Jack, whom she secretly loves, dismisses her warnings and instructs her to make a Santa Claus suit for him. He also tasks a mischievous trick-or-treating trio named Lock, Shock and Barrel with abducting Santa; however, he orders the youngsters not to involve his long-time rival Oogie Boogie, a bogeyman with a passion for gambling, in their plot.

When Lock, Shock and Barrel bring Santa to Halloween Town (after mistakenly kidnapping the Easter Bunny first), Jack tells Santa that he will take care of Christmas this year and orders the trio to keep Santa safe. However, they disobey Jack's orders and bring Santa to Oogie, who plots to play a game with Santa's life at stake . Meanwhile, despite her best efforts, Sally is unable to stop Jack from proceeding with his plan . As Jack departs to deliver presents in the real world, she attempts to rescue Santa from Oogie, only to be captured herself.

Unknown to Jack at first, his presents terrify the real world's populace, who contact the authorities and are instructed by them to lock down their homes and residences for protection. When word spreads about Jack's actions, he is shot down by military forces, causing him to crash in a cemetery. While the residents of Halloween Town believe him to be dead, Jack actually survived the ordeal. Bemoaning the disaster that he has caused , he realizes that he enjoyed the experience nonetheless, reigniting his love for Halloween, but must act fast to fix the mess he had caused.

Upon returning home, Jack rescues Santa and Sally, then confronts Oogie and defeats him by unraveling a thread holding his cloth form together, causing all of the bugs inside Oogie to spill out and reduce him to nothing. Jack then apologizes to Santa, who scolds him for the chaos that he caused and for ignoring Sally's warnings. As Santa departs, however, both he and Sally assure Jack that Christmas can still be saved.

Santa resumes his yearly duties as he replaces Jack's presents with genuine ones, while all of Halloween Town celebrates Jack's survival and return. To assure Jack that there are no hard feelings between them, Santa brings a snowfall to the town, thereby bringing the Christmas spirit upon it and, in a way, fulfilling Jack's original dream. The citizens finally realize the true meaning of Christmas, while Jack and Sally declare their love for each other and share a kiss.
A personal favorite,a good start in claymation and with tim burton begining to pitch it around holywood soon we should have the oportunity to make it soon.
 
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Here's a collaboration plan between me and @Kaiser Chris , though some of the actors that I put in the pitch needed to be changed since they were a bit too young for the roles planned. Hopefully this works better.

[X] Plan: Shooting Stars Break the Mold
-[X]Paul Atreides
: Keanu Reeves, Johnny Depp, Matt Dillon
-[X]Duke Leto Atreides: Terence Stamp, Anthony Hopkins, Martin Sheen
-[X]Lady Jessica: Jane Seymour, Isabella Rossellini, Gates McFadden
-[X]Gurney Halleck: Nick Nolte, Sam Neill, Christopher Lee
-[X]Duncan Idaho: Bruce O'Brian, Sylvester Stallone, Kurt Russell
-[X]Thufir Hawat: Ian McShane, Richard Jordan, Ossie Davis
-[X]Dr. Wellington Yueh: Pat Morita, George Takei, Mako

-[X]Baron Vladimir Harkonnen: Oliver Reed, Donald Pleasence, Paul Sorvino
-[X]Glossu Raban Harkonnen: Willem Dafoe, Jack Nicholson, Peter Boyle
-[X]Piter De Vries: Christopher Walken, John Turturro, William Finley

-[X]Stilgar: Raul Julia, Omar Shariff, Edward James Olmos.
-[X]Jamis: James Remar, Victor Argo, Hussein Fahmi.
-[X]Dr. Liet Kynes: Omar Shariff, Franco Nero, Andre Gregory
-[X]Chani Kynes: Michelle Pfeiffer, Mary Elizabeth Mastrantonio, Diane Lane
-[X]Shadout Mapes: Catherine Scorsese, Shelagh Fraser, Marlo Thomas.

-[X]Shaddam Corrino IV: Burt Lancaster, Laurence Olivier, Kris Kristofferson.
-[X]Reverend Mother Gaius Helen Mohiam: Eva Marie Saint, Faye Dunaway, Anne Bancroft.

It makes sense apart from I would remove Keanu Reeves and in is place put Tom Cruise
 
One of the best films of all time, but surely just another example of the excellent near perfect Lucasfilms standard.
Many major films were outright postponed by months and you could have sworn you heard collective screaming across LA when George said on a late night appearance he had a whole trilogy planned out for Indiana Jones.
When Star Wars shut down the movie industry... twice. Atleast the execs of the other companies could rest easy knowing that after the third movie things will die down as Star Wars is just lightning in a bottle. But after Indiana Jones, I think they will realise that LucasFilm can replicate the magic from Star Wars in other trilogies which are completely seperate from Star Wars and shut them down at a moments notice. This might be highly alarming for them.
Lastly was the really fun sensation in the world of history education where kids and young adults were actually really excited to learn about history from Indiana Jones and many other historical greats in films and TV like Small Giant, Classical Tale and more. Archeology in particular has seen a major swing where classes that once only saw a dozen or two students at its best were now swelled with hundred plus classrooms packed to the brim as everyone wanted to be like Indiana Jones. Leading to vast exacerbation and many colorful anecdotes as archeology professors had to explain that no, they did not fight Nazis like Indiana Jones and most work was academic. Still, a lot of genuine archeologists and historians would get their love born from Indiana Jones, so that's a nice thought.
Might it be called the Indiana Jones effect instead of the CSI effect?
 
Charlton Comics Presents... Doomsday Clock Part 3
FINALLY!!! I finally finished a Part 3 to Doomsday Clock. This shit has been really getting on my nerves because my progress had been slow for quite some time, I finally finished up the part I was working on, only to realize that I worked on the wrong part and had to rearrange things.😩 😭
Anyway, I can finally start moving forward with more Charlton Comics, and it at least means that I already have Part 4 finished. This is pretty short because I genuinely could not come up with fuck all as a short storyline for Thunderbolt. Like, I have ideas for later full fledged arcs and storylines, but not for this quick, one and done. It's not much, but I hope you get a kick out of it anyway. The writer for the Doomsday Clock issues is officially going to be Jeff Rovin, as I felt that it made the most sense that he would be so personally invested in it's success, since he's banking everything on it. For the artist, I chose Geof Darrow because his art is actually unreal and he, remarkably, will have done practically fuck all work for Marvel or DC for decades. He technically hasn't entered comics yet, but I figure it isn't too big of a leap since he'd do it in about a year anyway and Charlton has a couple of people he'd associate with or were his influences like Alex Toth or Steve Gerber. I figure he can do good work for Charlton primarily, although I definitely want to get him on the Pacific Rim comic pitch that I'm cooking up since I think his incredible artwork and attention to detail would lend itself incredibly well to Pacific Rim. Anyway, enjoy the work of Jeff and Geof.


Charlton Comics Presents...
Doomsday Clock Part 3

SET UP: In the year 2050, Earth is under the rule of the oppressive tyrant, Monarch. His rule is dystopian and the future is bleak for the people of Earth. Matthew Ryder, an expert on temporal studies and a scientist under the employ of Monarch, worked to develop his technology to travel back in time and prevent the tyrannical ruler from ever rising to power. He learned that in the late 20th century, one of Earth's superheroes had turned evil. They had gone on to kill all of Earth's heroes and villains, assumed the identity of Monarch, and began their rise to global domination. Because Monarch only ever appeared in a full body suit of armor, his previous identity was unknown to Ryder. Matthew Ryder succeeds in travelling back in time, 20 years before Monarch's massacre of Earth's heroes, in his desperate bid to find Monarch's true identity and kill him with his new powers before he can rise to power. Unfortunately, Monarch is not far behind and is determined to hunt Ryder down and kill both him, and anyone else who stands in his way. To face this unprecedented threat, Earth's greatest heroes and it's most sinister villains must work together to defeat Monarch and change the future.
Writer: Jeff Rovin
Artist: Geof Darrow
In this installment of the Doomsday Clock storyline, after departing from the confused and defeated Blue Beetle, Waverider tracks down the Thunderbolt and battles with him for a time, before overpowering him and peering into his timelines. He sees various alternate versions of Thunderbolt, some good, some evil, and he sees him battle against all manner of villains including: The acrobatic, clown-themed thief, Circus. The fearsome and wrothful gang leader and Dragon of Kyushu, Lung. The world famous, bird themed bank robbers, The Yardbirds. The slimy and elusive Bond villain, Coil. The reawakened tyrannical female pharaoh, Evila. The beautiful, and equally deadly villainess, Spider Lily. The violent and psychotic killer, Shard. The mystical, Lady Zodiac. The seemingly immortal and insane gang leader, The Butcher. And his long time rival and nemesis from his days at the monastery, Andreas Havoc, among many others not shown. One timeline in particular he focuses in on shows a Thunderbolt, already skeptical of modern civilization and fearful of nuclear war, concocts a scheme that ends with him deceiving world leaders and him nuking the world to prevent the world from nuking itself, taking obvious inspirations from the portrayal of Ozymandias in The Watchmen. Having seen enough to determine that Peter Cannon was not Monarch, he begins to leave in search for his next target, The Peacemaker.
 
Movie Pitch: Gamera: Evolution of Jiger
Alright then, I mentioned trying some original ideas for Gamera, and this is one of them. Jiger seems like one of the coolest models of monsters, and his history about being a past Demon of Mu, makes it easier to adapt than other Gamera monsters like Zigra or Viras (which were both previous pitches before trying for this one). Overall, I'm thinking of making this as the first movie where humans, even if only accidentally, are the ones who antagonize Gamera, thus paving the way for future entries where Gamera may fight against humanity in the future...or at the very least imply so that when the final film have both work together, it is not greeted with indifference but with relief.

I want this series to be more successful than it is today, something that can be a true peer to Godzilla and beyond, I'm aiming at making the 80s and 90s the year when the return of the Kaiju's is heralded by Gamera above them all.

Thus, I give you:

Movie Pitch:
Gamera: Evolution of Jiger


GENRE: Kaiju/Action

SUBGENRE: Fantasy/Drama/Thriller

FORMAT: Japanese Movie

Set Up: Based on the character owned by Daiei films, the third film in the rebooted franchise. Three years after the invasion of Legion, technological breakthroughs through "Monarch Sciences" have allowed the country to enter a new economic boom. What no one knows is that Monarch Sciences is delving into creating their own "Kaiju" by orders of the new Bureau of Paranormal Defense, in order to fight against any other monster invasion...including Gamera if needs be. Yet, when their newest weapon gets out of control, their one chance at survival may well be the amphibious monster.

Director: Kazuki Ōmori
Composer: Koichi Sugiyama

In the years after the invasion of Legion, Japan created the Bureau of Paranormal Defense, dedicated to protecting the people from further Kaiju and alien attacks. Unsaid, but still understood among their members, was that the department would also need to find a countermeasure against Gamera should he ever turn Rogue. Not many agree with it, as the opinion about Gamera is tends to divide the people, with some praising him and others condemning him as just another monster.

Unknown to many, General Kenchi Egawa, the man in charge of the Bureau, was approached by an entrepreneur, offering him just what they need; their own Kaiju they can control. Said Entrepreneur, Toru Aizawa, founds Monarch Sciences, from which many new weapons and devices are created to fight against monsters. Unknown to many is that Toru's technology and advances are created from Lemurian Technology which he found in the Atoll where Gamera was first found, along with DNA for another Kaiju which he then proceeds to clone. Using it as the base for further experimentation, he tries to further improve the new monster, as well as create a bond just like the one Gamera had in order to better control it.

Fumiko Yuasa, the child who bonds with the monster, now called Jiger, causes it to rampage as he can see the way they are treating her. Fumiko is rescued by Dr. Miki Serizawa, one of the many Doctors involved in the project, but one that still had a conscience, and taken away. Jiger, now free, continues his rampage and escapes into the night.

Both Genji Kusanagi and Midori Honami manage to find the truth about Monarch Sciences when they meet with both Fumiko and Dr. Miki. In the meantime, Jiger and Gamera fight on different occasion, with Jiger getting stronger each time. The group needs to escape from the pursuit by General Egawa, eventually managing to find information from monarch Sciences, discovering that the bond between Fumiko and Jiger is what's aiding Jiger, by taking Fumiko's lifeforce. Fumiko however finds it hard to break the bond, as Jiger seems to be blocking her from doing so.

Gamera and Jiger continue their fight, but Jiger is now becoming stronger, to Fumiko's detriment as she's dying. The JSDF, following now Genji and Egawa's orders (as he sees that should Jiger win Japan will never be safe) manage to wound him enough for Gamera to finally defeat him. Gamera then destroys the headquarters of Monarch Sciences, having sensed Jiger's energies coming from it.

The movie ends with the rebuilding, with both Genji and Midori wondering if perhaps this may be what pushes Gamera too far.
Captain Genji Kusanagi: A member of the JSDF, and dedicated to finding the truth no matter what gets in his way. A believer that Gamera is on their side, he begins investigating the unusual movements of troops, finding them trying to arrest Midori Honami. After speaking with her, and finding the truth about Jiger's attack, he joins her in trying to stop Monarch Sciences before they go too far.

Played By: Kōsuke Toyohara
Alternate: Koichi Sato

Fumiko Yuasa: The test subject for "Project Mu" in an attempt to replicate the bond Gamera once had with another human, only this time with Jiger. She's a traumatized girl who was full of anger and fear, which caused Jiger to rampage once the bond was established, allowing her to be rescued and escape. She is slightly hopeful afterwards, though sad that Jiger, her one friend, had to die for her to enjoy her freedom.

Played By: Megumi Odaka
Alternate: Miyuki Imori

Midori Honami: She is a curator at the Sapporo Science Center. Always cool under pressure, she never hesitates to do the right thing, even when it puts her in danger. During the time in between attacks, she managed to find odd signatures coming from monarch Sciences, which in a way were similar tot those emitted by Gamera. By looking too deep she was nearly made to disappear, if it wasn't for the intervention of Genji.

Played By: Hisako Manda
Alternate: Setsuko Karasuma

Gamera: The titular kaiju, Gamera is a giant flying, fireball-breathing turtle that was created by an advanced civilization (Atlantis) to exterminate the invading Gyaos. While not apparent at first glance, Gamera does have a soft spot for children. During the fights, gamera seems to get more brutal to defeaat Jiger, and showing his anger after his victory by destroying Monarch Sciences headquarters.

Played By: Kenpachiro Satsuma
Alternate: Toru Kawai

Jiger: One of the former Lemurian weapons who was destroyed along with their civilizations. Part of their DNA was found by Monarch Sciences, who proceeded to clone them back and use them as their own monster, controlled by a human bond. Jiger has the ability to evolve after every battle, becoming stronger and changing its body in order to better face its opponent, sapping the lifeforce from the bond.

Played By: Wataru Fukuda
Alternate: Hurricane Ryu
Toru Aizawa: He is the founder of Monarch Sciences, and the "creator" of Jiger. Unknown to many, he launched an expedition to where they found Gamera the first time, finding enough material, and DNA, to reverse engineer the technology, and recreate Jiger once more once they were able to decode the information found.

Played By: Katsuhiko Sasaki
Alternate: Ryo Ishibashi

Dr. Miki Serizawa: One of the scientists in charge of "Project Mu". Due to her constant interaction with Fumiko she made the choice to plan for their escape, however said plans were thrown aside when Jiger rampaged through the facility and then Japan, taking the chance to escape with her and trying to find a place where they could live in peace.

Played By: Anna Nakagawa
Alternate: Vivian Wu

General Kenchi Egawa: One of the members from the Bureau of Paranormal Defense. A man dedicated to the protection of Japan, no matter the cost. Under his orders, "Project Mu" was given the go ahead, keeping all attempt at revealing it quiet. He's a man who despite his acts to kill Dr. Miki or bring Fumiko under custody once more, he nonetheless is no coward, willing to sacrifice himself to protect the people.

Played By: Kenji Sahara
Alternate: Yoshio Tsuchiya
Matsuo: Assistant to Toru Aizawa, he's a man who takes himself too seriously, a man who is easy to fool and persuade, one of the victims of Jiger's first rampage.

James: A reporter and friend from Genji. He came to Japan following some trails about Monarch Sciences, and his death is what sets Genji into finding the truth about what happened.

A.N.: Why is it so hard to find Japanese actors who can play teenage girls in a Kaiju film?! One would think it would be simpler than one would think, but it's harder than it looks! Well, at least finding the other actors is easier, though I may have to think that this film will have to be done in around 87' to 88' if we want to have them. Let's hope this works.
 
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Oh hey! The Soviet atrocity memorial should be done soon right?


-[X] A Charitable Heart: You want to invest your newfound wealth. Maybe even save some lives while you are at it. (Linetail what you wish to invest in below this action, and the amount of money you want to donate in)
--[X] Tomb of the Lost: The Memorial of Remembrance Honoring Victims of Soviet Atrocities [ $25 Million ]: A visionary project that aims to pay tribute to the victims of various Soviet atrocities while fostering a sense of historical awareness and remembrance. By honoring the memory of those affected by these tragic events, we not only reaffirm our commitment to anti-communist values but also extend our solidarity to other communities impacted by similar experiences. The memorial will serve as a powerful testament to the human toll of Soviet atrocities and promote a deeper understanding of the importance of preserving freedom, human rights, and dignity. The Memorial of Remembrance is a powerful testament to the victims of Soviet atrocities, while fostering historical consciousness and promoting universal values of freedom, human rights, and dignity. By embracing a sectional approach and actively involving affected communities in the memorial's design and development, we ensure that the diverse stories and experiences of victims are properly honored and remembered. This memorial will stand as a symbol of resilience, remembrance, and a commitment to preventing the recurrence of such atrocities in the future. | Sectional Approach: The Memorial of Remembrance will be thoughtfully divided into distinct sections, each dedicated to memorializing victims of specific Soviet atrocities. This approach ensures that the diverse range of victims and their stories are properly acknowledged and remembered. The sections may include: The Great Purge (1936 - 1938), Holodomor, Gulag System, Deportation of Ethnic Groups, Katyn Massacre, Invasion and Occupation of Baltic States, Suppression of Political Dissent, Vietnam, Romanian. | Outreach and Inclusivity: To ensure the authenticity and inclusivity of the Memorial of Remembrance, we will actively engage designers, artists, and historians from the communities affected by Soviet atrocities. By sourcing talent from within these communities, we will ensure that diverse perspectives and experiences are reflected in the design and narrative of the memorial. Additionally, we will prioritize placing one of the memorial's designers in one of the top five largest cities by population, enhancing its accessibility and visibility. | Educational and Historical Significance: The Memorial of Remembrance will not only serve as a place of solemn remembrance but also as an educational resource. It will provide comprehensive information about the various Soviet atrocities, their historical context, and their impact on individuals and communities. Through guided tours, interactive exhibits, and educational programs, visitors will gain a deeper understanding of the consequences of totalitarian regimes and the importance of safeguarding democratic values. Rolled:D100 => 94

It was incredible to see just how it came out…

But when you saw it… it took your breath away. When it was completed.

Reward: It will be completed next year.

Unknown Effect. It will cause a great and drastic change to the entire world.
 
Sarah's Kitten
Sarah's Kitten​

Something had changed recently that was very important to Sarah. Ginger cat usually played the waving tail game with Sara and her twin Joseph. Ginger would sit above the crib and wave her tail just out of their reach and let them try and grab it, or just watch them follow it with a smile on her kitty face. It was a very good game and she couldn't remember a time when she hadn't played it. Then, when both Sarah and Joseph were tired from playing, Ginger would come down into the crib, snuggle with them, and keep them warm.

The problem was that Ginger was getting heavier and bigger around the middle, didn't fit onto the edge of the crib, and played the waving tail game less. On the other hand, when she got into the crib with Joseph and Sarah, she was bigger, so there was more warm. Ginger was good at being soft and warm and making nice vibrations. Natale, the Dalmatian, was good at being big and warm but not at making vibrations or being soft. Or getting into the crib. Big sister Mary had to go and get help and then make Mummy stop laughing before they managed to get Natalie unstuck.

Ginger being bigger and not playing the waving tail game wasn't bad. There were other fun games to play, like the magic Kermit box watching one where you were quiet and watched the Kermit box or snuck around so that the people watching the Kermit box didn't notice you. or the one where Mary helped her read a book by reading words while Sarah looked at the pictures and pointed. Or the pretty dancing game Joseph liked. In that one Mary did a dance like Daddy or Brandon and Joseph and Sarah tried to copy. But Ginger being bigger was different, so she asked Mary.

Mary knew lots and lots of things, a vast number of things more than Sarah, like six or so. Six was a really big number. Kermit seemed to think so when he played the Sesame Street counting game. But Ginger getting bigger wasn't one of the things that Mary knew about, so they needed to ask Mommy about it. Mommy is the cleverest, so she knows ten more things than Mary. Sarah thought that Ten was an absolutely Ginormous big number. The count on Sesame Street seemed to think so, as that was the biggest number he usually went to. Mary said there were bigger numbers, but she was the only one who talked about numbers called millions or billions. Kermit and the Count didn't. Mary said to ask Wally about the amount of money Star Wars or Indiana Jones made and went off in a bit of a huff to check on Joseph and do some Pretty Dancing with him. Sarah didn't want to ask about numbers. She wanted to know why Ginger was getting fat.

So Sarah had asked Mommy by herself, well, She actually said, "Mummy Ginger Fat". Mommy was a bit surprised, going to check on Ginger. Then, suddenly Shannon Lee was babysitting them, as Mommy needed to take Ginger needed to visit a special doctor for animals.

----​

At dinner, Mummy was saying what had happened, and a disgruntled Ginger sat beneath Mary's chair, glaring at Mummy. Mary said it was because Ginger didn't get a lolly or a sticker, and Mommy said it was because they had to prod and poke Ginger, and she didn't like that. Natalie had a big doggy grin as she watched Ginger Sulk.

Mummy told Mary they had to poke Ginger somewhere uncomfortable to check if she had kittens. Big sister Mary asked if Kitten was like fleas and they had to give Ginger a bath. Natalie had hidden her head under her paws at word Bath. Sarah understood. Bath was not always fun. Bath was too hot to go into and too cold to get out of, and it only happened when you had just gotten yourself appropriately messy, and it undid all that.

Mummy had just laughed and said that kittens meant baby cats. Mary said that Baby Cat wouldn't be fun because babies need a long time to grow big enough to play with. Joseph and Sarah only starting to get funs now and not proper funs like Wally or Brandon. Sarah was insulted. She was proper funs. So she decided to prove it to them by playing the feed Natalie and Ginger game and throwing bits of the meal she didn't particularly like on the floor for them.

----​

Ten minutes later, an exhausted Bruce O'Brian walked in the door to a scene of chaos. Food was on the floor. Ginger and Natalie were enthusiastically "Helping "clean up. Mary was wailing about the mess, and throwing food was not a dinner game. Sarah was sulking, refusing to eat the meal while Carrie tried to feed her. Joseph was sitting calmly, unbothered by his surroundings, with a half-empty bowl dripping stuff down his face on his head, picking up beans from his highchair tray between his index finger and thumb one by one.

Bruce sighed, smiled at the look of relief on his wonderful wife's face and went to run a bath.

By the time the Twins Mary, Natalie, Ginger and the kitchen were clean, dry and sorted out properly, it was time for bed. Bruce scrounged the ingredients for a quick sandwich for himself, ate it and climbed into bed facing his wife. No discussion of vet visits or Dune preproduction happened, merely two tired people still very much in love with each other, getting themselves ready for bed and finally allowing themselves to fall into an exhausted sleep facing each other.


----​


Something else changed with Ginger after she got to a ginormous size, bigger than she had ever been before. She kept meowing at and following Mummy when she was home. Mummy didn't like that game much and made a nest for Ginger out of a cardboard box for her to sit in instead. Ginger usually liked cardboard boxes but didn't like this one. Instead Ginger went to funny places around the house. She would try to be in a hidey place all the time. But it had to be in a room that mummy or daddy was in and would leave the room and follow mummy or daddy when they left.

Sarah thought they were not good hidey places because Sarach could see Ginger but not get to her and pet her. Ginger's latest place was a gap between two bookcases in the corner of the room. Sarah could fit her head in the gap, but if she did, her arms wouldn't fit, so she couldn't pet Ginger, which was the point of the game. Ginger would hide, and Sarah would find and pet. Ginger was soft and warm, so petting was fun.

After trying to fit herself for a while, Sarah decided that if Ginger wouldn't let her play Pet Ginger, then Sarah would play another game with someone else. Joseph was having a turn with Kermit, so she decided to see if Mary could play with her instead. Mary usually played good games and could do the Ah ha ha of the count from the Kermit box very well and liked it when Sarah repeated whatever she had said. So Sarah pulled a book off a shelf and bought it to Mary. Mary was playing a reading game herself. She had a ginormous yellow and green book. But it wasn't an interesting book all it had were numbers and diagrams of things in black and white.

"Mary read?" Sarah asked, dragging over her book.

"Hello Sarah. Do you want to read the McMaster-Carr catalogue with me? It has lots of interesting things."

"No. Read Grover." Sarah said, dropping her book across the open catalogue.

Mary looked grumpy, so Sarah smiled at her like Mary did to Mummy and Daddy when she wanted more cake. Mary closed her eyes, turned away, and huffed.

"Pweease." Sara said, making sure to make her eyes extra big and her lip wobble.

Mary huffed again but turned and opened one eye to look.

"Okay. but only once."

"Yay," said Sarah, immediately moving to see the book properly.

"Grover's book of Cute Little Baby Animals by BG Ford and illustrated by Tom Leigh."

Mary read the book, and Sarah looked at the pictures, entranced by the images of small fuzzy things and her sister's voice. This was better than Ginger who wasn't playing the hiding game properly. She felt like she could stay like this forever or at least until the book was finished and it was HER turn with Kermit.

Then, there was a strange high-pitched meowing sound from the bookcases. Ginger didn't make sounds like that. So Sarah abandoned Mary and crawled over to investigate. Ginger was still in the corner between the bookcases but was in a funny, twisted-up position. Sarah still couldn't get in, but she could see Ginger, and now there were some new little things around her.

Ginger moved strangely, and then there was another one. It was black and white, with a burglar mask across its face and its eyes were shut tight. Unlike the other little lumps, it wasn't making a high-pitched mewing sound.

Ginger finished licking it and then turned back to the other lumps. The black and white lump stuck its head up and unsteadily crawled away from Ginger, right into Sarah.

Sarah was delighted. This was a warm, soft being was with these sharp but not cutting things at the end of its feet. And it was Snuggling Her cheek. this was to good to keep to herself. And she wanted a picture to remember it forever or at least next week too. So she needed help.

"Mary." she yelled.

"What Sarah? I am doing readings as good as I can. Why did you go away?"

Sarah felt Mary stomp up behind her and heard an indrawing of breath as Mary could finally see what she could see: the small lumps and the warm thing rubbing itself in Sarah's face .

Mary then yelled excitedly and ran out of the Lounge. "Kittens. Mum, Mum, look Kittens."

Pandemonium ensued. Mary wanted a look. Joseph wanted a look Natalie the Dalmatian wanted a look, and Mummy made Sarah get out of the way before she was ready. Worse, she made Sarah leave HER Kitten behind and had to watch Ginger ignore her and put Sarah's Kitten back into the corner where she couldn't reach or even see.

She was upset. She wanted the little furry thing that had rubbed against her cheek back. It had only been out of sight for a minute, and already she missed it. Sarah's lip wobbled, and then she howled her distress to the world.

----​

Crying didn't Get her Kitten back. It did get mommy to cuddle her.

"Yes, Sarah, she is adorable, but she needs to have a drink of milk from her mother now so she can grow up big."

"Mean. Want big now." Complained Sarah

The authoritative voice of her sister answered her "Baby not fun. Must wait till big and help grow properly. That means teach and not play the funnest games until they are big enough to not hurt. It hard work."

Sarah didn't understand why her mother was suddenly laughing. She just wanted her warm furry thing now.

Then Daddy came home and was very surprised there was kittens at all. Silly Daddy.


----​


The lounge room had been rearranged. Mommy had cleaned in the corner while Daddy had moved heavy furniture. Ginger now had the corner back but with some additions.

The nest that Mommy made Ginger was now in the corner, and a fence in front kept Sarah and Joseph out. Ginger could still get in and out, and Mommy could get in to change the sandbox and towel thing in front of the bookcase. Still, Sarah couldn't get in to see or hold the kittens, not even her favourite black and white one, which Mummy said looked like a Lamington. Mary said she thought she could get in but wouldn't try because it would be wrong if someone touched the kittens, as it might make Ginger forget they were her kittens.

Sarah thought that was silly and only Mary said that, so Mary read to her from a big book with many words but only a few pictures of kittens that said the same thing. Sarah still didn't think that it was right. HER Kitten, Lamington, had rubbed itself on Sarah's face and Ginger hadn't forgotten who it was. Then Mummy agreed with Mary and Sarah didn't like that much.

Sarah needed to sit on the couch and be high enough if she wanted to see the kittens. Kittens not being a touch game and only a look game made Sarah annoyed because they could be SO much more fun. But it meant she could watch the Kittens from Fort Couch and then go back to watching Kermit and his friends on his Magic box. Watching kittens was fun, but she really wanted to cuddle with them.

----​

One of the weirdest things that happened was that Ginger was allowed to eat in the Lounge all the time, not just as a special thing. When she asked why and if she could always eat in the Lounge, Mummy said no, and it was special for Ginger because Ginger needed to stay and keep the kittens warm.

Sarah didn't see the logic. Ginger could bring the kittens to her crib, keep Sarah and Joseph warm, and let Sarah play with the kittens. If Ginger brought the kittens, Ginger could see that they were still hers and wouldn't forget, and Sarah could play with them.

Ginger didn't bring the kittens. Despite how nicely Sarah asked, she stayed in the Lounge in her nest between the bookcases. She had tried the wobbly lip and everything. So Sarah could only play the watch game. It also meant that Ginger wasn't in the crib to cuddle and keep Sarah warm, so she woke up early. When Mommy came to get Mary for breakfast, Sarah stood up and came too. Joseph stayed asleep, so Mommy said he could have breakfast later when he woke up.

Getting up early like Mary had Sarah hear funny things. Like Mommy going I love you to Daddy and Daddy going I know and then Mary going AWW. When she slept in like Joseph, she didn't hear that happen.

After Daddy left, Mommy made breakfast for the people awake. Mommy had Cereal. Sarah had pureed apple. Natalie had dog food. Mary had Cereal and some Brussels sprouts left from last night, and Ginger had cat food. Then Mommy opened the front door so Natalie could go out and made a funny yell. Then Mummy got a dustpan, picked up half a Jerry frm the mat, and put it in the rubbish bin.

"Not good, Mummy?" Mary asked

"No, the half-eaten mouse is not good at all. We have to put it in the Bin."

"Okay, Mummy. Natalie and I talk to Eddie cat then, and he leaves better bail for Ginger.

"Mary?"

"Yes, Mommy?"

"What is an Eddie cat, and why would it be leaving half a mouse for Ginger."

"Grandma have drink and say story of Eddie. That Eddie sing and entertain and leave lady with baby because Coca-Cola want it to happen. "

"Eddie cat Same. Peter lady from down street come and try and steal Ginger. She get stuck in bush when Daddy Yell at her. Then when daddy not there Lady bring Eddie cat. Eddie cat is bad cat. He sing and make Ginger happy but then he sit on her and bite her ears. Then Ginger hit him in face and he run off and find new Cat. Then Ginger get big and have kittens."

"And why is he bringing a mouse now?"

"Because Natalie and I chase him up tree and if he no give good bail then we do it again." said Mary going back to the last of her Brussels.

"Why is Bringing a mouse for Bail money."

Mary finished her sprouts and looked frustrated. "That what it called. Saw on Kermit box. Bad Daddy who doesn't come home and be's Daddy to the wrong people Gives Mummy Bail money to Mommy or Police put him in jail. No police for cats so Natilie and I chase him up tree instead. Cat not have money but can catch mouse. Ginger likes mouse so Eddie cat catch Ginger mouse for Mouse for Bail money."

A complicated expression crossed Mummy's face.

"Mary Dear, some mice are not good for cats to eat. Please don't feed them to Ginger. And don't tell Grandma about Eddie cat yet."

Mary started sadly "Sorry Mommy I already told Grandma. But…" and Mary brightened "Grandma Makes funny faces like you when I tell story too."

A thump at the window, and a large grey cat with folded ears holding a Jerry in its mouth appeared. The cat looked in the window, suddenly panicked, and jumped down again.

"Look Mommy Eddie cat. I tell Eddie cat not to bring more mouses. Natalie come."

Natalie perked up and followed Mary as she raced out of the dining room.

Mummy suddenly looked like she was having a all children need to play quiet games day.

----​

"Sarah, would you like to go watch the kittens while I tidy up here?"

"Sarah Watch Lamington Kitten." It looked like mummy was finished making funny faces, so Sarah would do more exciting things. But if today was normal and she missed out on things like this by sleeping in like Joseph, she would get up early tomorrow, too.

When she got to the Lounge, she and climbed onto Fort couch and sat down. From here, she could see the Kermit box and the kittens. She also had Kermit, and as no one else was in the Lounge, she didn't have to share. She might even get Kermit to do his magic and make Lamington appear on his box or, even better, in her lap.

"Kermit Lamington, "she said clearly, and hopefully, she looked towards the Kermit box. No Lamington. Twisting her head the other way, she could see the nest full of sleeping kittens still in the same place.

A thought hit her. She couldn't see Ginger. She looked left and then right, and then there was a thump. A pillow had landed in her lap. A big pillow, which made her a bit stuck.

Then Ginger cat appeared, and there was a kitten in her mouth. A black and white kitten with a coat of intermixed short black fur, flecks of long white fur, a black burglar's mask, and eyes were finally open.

Lamington kitten was out of the nest. Lamington kitten had her eyes open. Her beautiful blue eyes. Lamington kitten was on her lap. Sure Sarah was stuck and couldn't get up to play but she could reach Lamington kitten.

"Hello Lamington. I Sarah."

Ginger put Lamigton down on the cushion trapping Sarah in place

Lamington stood and unsteadily walked over to Sarah and rubbed against her face.

Sarah giggled in delight and petted her back.

If this was the reward for getting up early, Sarah would do it all the time.

----​

Ginger sat back satisfied, partially sitting on the now-forgotten Kermit as the TV rolled on unnoticed. The child was looked after, and Kitten was sorted. She turned her head, checked the nest full of other sleeping kittens, and departed. A quick peek into the kitchen showed Carrie had tidied the table and was now attempting to feed Joseph his breakfast.

The Excited shouts of Mary and Natalie from an open door suggested that a certain Cat may have been chased up a tree. Her Ears perked up, which might mean a mouse had been dropped. Worth investigating for a cat with a litter of kittens to feed, especially as mice that she didn't have to hunt herself might suddenly become a scarce resource.

One last glance towards the Lounge, a child and Kitten safely entranced in each other, and Ginger was off. There was a potential mouse with her name on it.
 
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I really like Cyborg 009. I don't know what it is, but the series just has this charm to it that I just can't put my finger to it. When I first saw the series was the 2000s adaptation, which then of course had me try to find more and couldn't because the Internet was not sophisticated enough to get more information about the series. It was only many years later that I found the manga, the other series, and the movies that were made.

Frankly, the Re: Cyborg film was not one that I particularly liked. It all was just too confusing and odd when I tried to compare it to what I had seen. Not to mention that I did not like the inclusion of a girlfriend for Joe, she did not have anything to do in the movie besides just making an appearance and then showing itself as a hallucination. However, I then read the Manga and found an entirely different experience; Many more scenes had been added that helped the storyline make more sense, the girlfriend was scrapped, and the entire religious metaphysical tone was more consistent as well (not to mention the scenes between Joe and Françoise are given the weight they deserve).

So, I think if we can make a film about this amazing series, then we need to follow the manga version, and if we can try it now we could make a huge splash considering that the previous Cyborg 009 film got middling reviews at best, but it must have still been very popular. That this could also be our introduction into Anime Movies in Japan (and from there to bring them to America) is another bonus.

Thus, I give you:

Anime Movie Pitch:
009 Re: Cyborg


GENRE: Action/Adventure/Cyberpunk

SUBGENRE: Science Fiction/Fantasy

FORMAT: Anime Movie

Set Up: Based on 1964's Cyborg 009 and the characters created by Shotaro Ishinomori. Nine cyborgs created for destructive purposes disappeared after they were forced to turn on their creators in the name of justice. Now, as a number of seemingly unrelated terrorist attacks happen in locations throughout the world, the group reunites to battle against the devastating force and restore order to the globe once more.

Animation Studios: Sunrise/DreamWorks Studios
Director: Mamoru Oshii
Composer: Kentarō Haneda

Eliminate Tomoe Hayasaka from the movie.

Change Anti-American sentiment and try to bring the more cyberpunk element of Corporations being the ones behind it all before they started hearing "His Voice".

Follow the Manga more closely, as it has more scenes added that can help the movie have more consistency, and keep the designs from it (As in the uniforms are kept the same, and 003 is still blond, etc.).
Cyborg 009/Joe Shimamura: He is delinquent youth who was shunned by his peers because he was a half-breed, he escaped from a juvenile detention facility before being captured by Black Ghost. After winning the rebellion and fight against Black Ghost, he left the team and blocked his memories in order to live as a regular student, until the terrorist attacks needed him and the other cyborgs to fight once more. He is super-humanly strong, resistant to damage, can leap large distances, and can breathe underwater. He can also move at a speed so fast that everything else looks like a statue to him, this is triggered by a switch embedded in his teeth. He and Françoise are in a romantic relationship.

Seiyuu: Tōru Furuya
Alternate: Kazuhiko Inoue

Cyborg 008/Pyunma: He was originally from an undisclosed part of Africa (eventually revealed to be Kenya). Originally, Pyunma was to have been made a slave along with the people of his tribe, but he escaped from his chains and ran off. Cornered by the slave drivers, all seemed lost until the slave drivers were shot dead by Black Ghost agents from out of nowhere, who then used him as part of their Cyborg experiments. After the fight against Black Ghost, Pyunma became an archeologist, who discovered the "Angel Skeleton", which is theorized to be the cause of people committing terrorist actions in "His Name". He has mechanical lungs that allow him to survive for long periods of time underwater.

Seiyuu: Kazuyuki Sogabe
Alternate: Kōji Totani

Cyborg 007/Sir Great Britain: He was originally from the United Kingdom. He was once a famous and talented stage actor with a broad knowledge of famous shows but a weakness for Alcohol caused his downfall when Black Ghost managed to trick him into following them with an alcohol bottle. After joining the other Cyborgs in defeating Black Ghost, Great Britain joined his country's secret services. He can reshape his cellular structure at will, allowing him to take the form of any object, creature, or person he wishes. With his superb acting skills, he can also blend in with the enemy to use sneaky maneuvers and attacks.

Seiyuu: Kiyonobu Suzuki
Alternate: Kaneta Kimotsuki

Cyborg 006/Chang Changku: He was an impoverished Chinese farmer who once owned a pig farm; almost all of his pigs ran away and he was starving and suffering under heavy taxes. Hopeless, Chang decided to end his misery by hanging himself, but was "saved" by a bullet from Black Ghost which cut the noose. Chang fainted and was later delivered to the Black Ghost laboratory. After Black Ghosts' defeat, he opened his own restaurant, yet still returned to fight one the terrorist attacks began, being able to find much information. Chang's power allows him to breathe huge flames which he uses to create tunnels in the earth and attack enemies with underground explosions.

Seiyuu: Sanji Hase
Alternate: Ichirō Nagai

Cyborg 005/Geronimo Jr.: He was originally from an undisclosed part of the southwest United States (either Arizona or New Mexico). Unable to find work, he accepted Black Ghost's invitation, not knowing what their true aim was. After the retirement of the rest of the Cyborg's, he went back home, but returned when terrorist attacks began. He fought an amnesiac Joe to help him regain his memories, and defended Professor Gilmore during the attacks. Physically, he is the strongest as well as the biggest of the 00 Cyborgs; he also has heavily armored skin. He is a quiet, reserved man, and it's speculated that he may have a sort of sixth sense that allows him to sense changes in the nature.

Seiyuu: Toshio Furukawa
Alternate: Tōru Ōhira

Cyborg 004/Albert Heinrich: He was originally from Germany (specifically, East Berlin). He and his fiancée, Hilda attempted to escape to West Berlin, but they were discovered, shot at, and left for dead. Black Ghost found Heinrich still alive (but heavily wounded), but Hilda was already dead. The extent of his injuries resulted in him receiving the most extensive cyborg modifications: the fingertips on his right hand conceal machine gun barrels, his left hand has razor-sharp edges, and he has missiles hidden in his knees. After defeating Black Ghost he returned to Germany to aid in his country's reunification, serving as a symbol of strength for them, returning to fight when the terrorist attacks began.

Seiyuu: Keaton Yamada
Alternate: Hirotaka Suzuoki

Cyborg 003/Françoise Arnoul: She was originally a ballet dancer from France. Her brother Jean, a member of the French Air Force returning to Paris on a one-week leave, was to meet Françoise at the train station. However, she was kidnapped by Black Ghost operatives, despite repeated attempts by her brother to save her along the way. Though not a frontline fighter, she still is capable of such; she has enhanced vision and hearing, allowing her to see through walls and sense objects an enormous distance away; and is also an excellent pilot, technician, and a machine whiz. She and Joe have a romantic relationship, despite him losing his memories he always remembers her.

Seiyuu: Hiroko Suzuki
Alternate: Shino Kakinuma

Cyborg 002/Jet Link: He comes from New York City in the United States and was the leader of a street gang on Manhattan's West Side. He was kidnapped by Black Ghost during a fight with a rival gang. He has a brash personality which often conflicts with his peers, but he's a loyal, good-hearted member of the team, providing air support and rescue. Jet has thrusters built into his feet, allowing him to fly at speeds of up to Mach 5. After the defeat of Black Ghost he returned to America in order to help his country. He has a bad relationship with Joe, as he often feels jealous of him.

Seiyuu: Keiichi Noda
Alternate: Kōichi Hashimoto

Cyborg 001/Ivan Whisky: An infant born with a severe illness which his father Gamo, a famous brain surgeon, tried to cure but went mad in the process. Gamo performed numerous brain enhancement processes on Ivan in his attempt to cure him which granted the young baby a mental capacity far exceeding that of a normal human. Black Ghost took custody of him, up till the rebellion by all the others. Ivan's enhanced brain gives him several psychic powers, including, telepathy, telekinesis, and extrasensory perception. Though it takes him a lot of energy, and needs to sleep for days if he strains himself. He remains with Gilmore during the time in between the defeat of Black Ghost and the new attacks.

Seiyuu: Fuyumi Shiraishi
Alternate: Sachiko Chijimatsu

Professor Isaac Gilmore: He is the lead scientist in the 00 Cyborg program. Gilmore was a dutiful worker who hid a deep distrust for Black Ghost's plans. After the cybernetic enhancements for the first nine 00 Cyborgs were complete, he intentionally let himself be "taken hostage" by the cyborgs. Since then, he has been the team's advisor and father figure, not only helping to formulate the team's plans but also assisting them with the nuances of their newfound mechanical bodies. After the defeat of Black Ghost, the UN feared his power, forcing a reduction of the budget for the Cyborgs, and leading to them disbanding. He investigated the attacks as soon as they began, reuniting the Cyborgs once more.

Seiyuu: Jōji Yanami
Alternate: Kōji Yada

A.N.: I put Mamoru Oshii as the Director as he tends to take the material and try to change it somewhat when he makes the film. The Manga/Movie still retains loyalty to the concept, but adds some religious subtext that should hopefully be enough for him. If not, then we can get another director if necessary. I want the Manga plot to be followed, so I think it would be a good idea to read it so that you know what it is about.
That's actually a good way to bring Cyborg 009 to America.
This one is not for us. This one is for a great man who was taken away too soon, and a man who did more for the world than I'd ever thought.

At this moment Toriyama should still be working for Dr. Slump and trying to find new ideas for what will become Dragon Ball in the future. And I hope to give him the opportunity to bring to life one of his latest works. It's not that long that should impede him from continuing his current one, but I think it's something that will help him further his career even more.

Thus, to Toriyama-Sensei, we hope he brings us:

Toriyama Pitch:
Sand Land


Set Up: After enduring years of natural disaster and war, the world is left without its main supply of water; the river that provided water to the country dried up long ago. With the greedy king of the land's personal water supply becoming increasingly more expensive for the citizens of Sand Land to buy, the people begin robbing one another for water and money. Sheriff Rao, tired of the king's greed, approaches the demons of Sand Land for help in searching for a new water supply. Demon prince Beelzebub and his friend Thief agree to join Rao.

Mangaka: Akira Toriyama

Beelzebub: Named after the biblical demon of the same name, he is the son of Lucifer and the prince of demons. Generally referred to only as "Prince" by his fellow demons, Beelzebub tries to live in relative harmony with the humans. Although he regularly steals water from them, he only takes as much as he and the demons need to survive. Simply joining Sheriff Rao out of boredom, Beelzebub lends his enhanced sight and demonic strength to fight against the tyrannous king.

Rao: An elderly man, he seeks to free the people of Sand Land from the king's pocket. Formerly known as General Shiba, he is believed to have died 30 years ago along with his forces while destroying a mysterious weapon on the king's orders. As he travels with Beelzebub and Thief, Rao learns that the weapon was not actually a weapon at all, but instead a machine to artificially create water. Rao sets to right his wrong by bringing down the king and helping those whose family died due to his actions.

Thief: He is recruited by Beelzebub for his expertise at stealing and his great wisdom. He often fights with Beelzebub for turns to drive the tank. He is very easily excitable, but is loyal to Beelzebub, and wants him to be sage at all costs. In time he grows fond of Rao, and grows to respect him just as Rao does him.

General Are: He is Rao's replacement in the king's army, Are's father died during the raid against the mysterious weapon. Initially, he actively pursues Rao in order to avenge his father. However, once he learns the truth about the mysterious weapon he joins Rao in bringing down the king.
General Zeu: The true antagonist of Sand Land, Zeu is the aging commander of the King's forces. Due to his failing body, Zeu is confined to a floating robotic lift. He ordered the attack on the Picchi people, the creators of the water-producing machine, to both rid himself of Shiba's disobedient tank brigade and the threat to the king's monopoly. He uses the king as a figurehead to rule Sand Land. Ultimately, Are shoots and kills him with a tank cannon blast.

King: As the current ruler of Sand Land the king makes enormous profit by selling bottled water at high prices. He tries to eliminate Rao to make sure nobody finds out about his personal water supply or the water-creating machine he had destroyed. After water is returned to Sand Land, he is forced by Rao to give his wealth to the people.
Lucifer: King of the demons and Beelzebub's father.

Papa: The muscular leader of the Swimmers, the self-proclaimed "greatest criminals in Sand Land", and father of the other members.

Pike: A skinny member of the Swimmers who wears a necktie with no shirt. He has superhuman eyesight.

Shark: A skinny member of the Swimmers who wears a blazer with no shirt. He can run at superhuman speed.

Guppy: An extremely large and fat member of the Swimmers. He carries a large hand cannon.

A.N.: I really hope this is not seen as something distasteful. I just want to bring something good to Akira Toriyama, even if only in this quest, in thanks for everything he gave us in this world.
An earlier Sand Land does sound good not gonna lie. Perhaps it gets a earlier anime adaptation?
Here's something that I've been cooking up for a bit. Well... not exactly. Originally, I had been making this as an anime, but @Kaiser Chris convinced me to make it a comic first, before I then decided to spice things up and kickstart Amerimanga/OEL's. I've been wanting to do that for a while, initially intending to do it with Charlton, but I felt like people might complain if I did it for Charlton before Marvel, so... As previously discussed within the thread, I have decided to make a pitch for Peni Parker in order to capitalize on the current popularity of the Mecha genre as well as the success of Spider-Noir to help kickstart the Spider-verse(even if I personally have a low opinion of the wider Spider-verse). For the writers, I obviously included Mavis Kingsley, since I like giving her as many writing credits as I can (I need to get her into that Writers Room damn it!) as well as the fact that she is already well known for her work in revolutionizing the Mecha genre, but I also decided to include Simon Furman to write alongside her. Given that Mavis is doing tons of other work, she can't go gallivanting off to write comics all on her own, not to mention the fact that it's not what she's primarily interested in, hence Simon being the primary writer with Mavis working with him(particularly to stay consistent with the future animated series). Seeing as how Furman was one of the writers for the Marvel Transformers comics, I felt that he would fit rather well as the primary writer for the series, at least until the Transformers comics come around. The same goes for Geoff Senior, seeing as how he was one of the artists for the Marvel Transformers comics. The only other thing that I think I wanted to mention was the tone of the series, just for the sake of people's references. Drawing from part of Peni Parker's real life inspiration in Neon Genesis Evangelion, I wanted to go for a darker tone than was presented with her character in the Spiderverse films or in the comics in which she appears. Specifically, I was aiming for that sort of "child soldier, everything is slowly falling apart and unraveling" feel. The other primary reference for tone that I had decided on was actually Berserk, specifically the Millennium Falcon War(yes, that's what it's called, hardy har har) arc. This arc, and the latter half of it in particular, is notable for not only being the longest Berserk arc to date(it's soooo long), but also because this is when the series begins to make a noticably lighter tonal shift from it's eldritch, grimdark fantasy roots. I envision that being emulated here with Peni, starting out lighter before shifting to being much darker and more Evangelion in tone, before shifting once again to what I'd call "cautiously optimistic" or "hesitantly hopeful," in a similar vein to what is presented in the latter half of Berserk. Although, like I've discussed with Kaiser Chris, just because I'm specifically referencing Evangelion and Berserk, doesn't mean that there aren't positive and lighter moments. It just means that I didn't take the time to flesh them out like I did the darker moments. I think I've said all that I wanted to for now, and I'd once again like to thank @Kaiser Chris for his contribution and assistance and I hope y'all enjoy!

Marvel Manga Pitch:
SP//dr: Amazing Armored Hero

Writers: Simon Furman and Mavis Kingsley
Artist: Geoff Senior
FORMAT: Amerimanga/Original English-Language Manga(OEL)
SET UP: Peni Parker was just a normal girl like any other until her father died. Her father was the pilot of Sp//dr, a mech developed by Oscorp that was used to help protect the city. After his death, she was contacted by Oscorp for the intention of having her bond with Sp//dr and becoming it's next pilot and protecting the city, a prospect that she was eager for. Now under the command of Uncle Ben and Aunt May, she must work hard and risk life and limb to ensure the safety and security of the people while doing what she can to scrape together a normal life and find fulfillment, but that's much easier said than done when all you've known is how to be a child soldier in a war that wasn't yours to fight.
Holy shit that's awesome! I would actually read this AND watch the animated adaptation!

Indiana Jones and the Raiders of the Lost Ark
Directed by: Steven Spielberg
Written by: George Lucas, Lawrence Kasdan
Produced by: George Lucas
Production and Distribution Studio: Lucasfilms Unlimited
Starring: Harrison Ford, Karen Allen, Paul Freeman, Ronald Lacey, John Rhys-Davies, Denholm Elliott



Quality: D100 + 400 => 500
Audience: D100 + 300 => 398
Critics: D100 + 300 => 367

Budget: $30,000,000
Domestic:832,412,944

International:469,201,551
Total Gross: $1,301,614,495

VHS: $693,848,596

You were honestly this close to just not attending the premiere for Indiana Jones. It had been a rather long and busy month as Francis was throwing you into the grinder for Dune and the homefront though wonderful and blessed could be a handful as the twins were becoming really hyper and there was Ginger's kittens, making the O'Brian house very active and full. Fortunately, with the end of the NBA season (The Lakers having been denied a back to back Finals return by the Houston Rockets who managed to narrowly beat the Celtics 4-3 in spite of entering the playoffs with a losing season), Carrie was active as a full time mom and was a blessing to help you through this mess.

There were very strong personal reasons for you to attend though. Steve was your friend and you never wanted to miss out on one of his movies unless you absolutely had to. The story was George's creation and from your talks with him, Indiana Jones was a child near as dear as Star Wars. The two men would both be working with you for Return of the Jedi and you didn't want to sour things leading up to it. And perhaps most intriguing, George booked the Chinese Theater. He only booked the Chinese Theater for movies that he thought were going to change cinema the way Star Wars did, such that involved Conan and Rocky.

Thus you went, this time with Carrie and Debbie while Cat did you another sisterly solid and watched over the kids and Wally with William and Shannon being brought in as an extra hand for the large gathering. You really wanted to bring Mary along, but apparently Marcia had put her foot down on George bringing Wally despite him earnestly wanting his son to come tonight for his first red carpet, something about the ending scene being too intense which was a good enough signal to Carrie to leave Mary home.

"You know, you can be selfish for once and just not attend a film premiere. You've been to more than enough and it's not like a Spielberg and Lucas film is gonna bomb without you being present tonight." Carrie said sweetly as you finally finished the round of interviews and headed into the theater doors, a bit late for said conversation though Carrie was likely bringing it up for future events.

You shrugged your shoulders, "Eh, I got a good feeling about tonight. Besides, why would I want to miss an opportunity to strut the red carpet, arm in arm of the sexiest woman in the world in one of her most beautiful dresses." You whisper flirted the last part into her ear, making Carrie slap you with a look of mock scandal and tip toeing for a kiss which you reciprocated.

"Well, well, if it isn't her royal highness and her stalwart scoundrel." Said a suave voice interrupting the moment, you turned and saw the film's star and your old co-star Harrison Ford approach you, Harrison having existed the red carpet before the three of you could do a group session.

"Harrison, good to see you again." You say, extending your hand for a shake which Harrison reciprocated firmly. While Harrison had been somewhat of an arrogant ass in production, he had definitely been the best actor in Graffiti and it was a thrill to compete against him both character and performance wise. For about five years he sort of orbited around the Hollywood periphery, finding bit and supporting roles in minor films and tv shows. Then came Blade Runner where he was a household name overnight and if George and Steve were to be believed, undoubtadly an A-lister rubbing shoulders with your social standing in the years to come. Another acting rivalry along the likes of Sly, Arnold, Richard, Mark and John.

"Mrs. O'Brian, you look as stunning as ever." Harrison complimented, giving Carrie a chaste kiss on the back of her hand. Carrie rolled her eyes at the faux chivalry though you narrowed yours at slight annoyance. Even though you trusted Carrie completely, something about hers and Harrison's interactions threw you off a bit.

"Nice to see you again Harrison. Did you ever imagine that you would go from Bob Alfa to an adventuring archeologist?" Carrie asked.

Harrison shook his head, "No, honestly until a couple of years ago I was willing to take just about anything, spent a fortune printing portfolios. I'm really thankful to you and George for giving me lots of chances to prove myself." Harrison said earnestly to you.

You nodded, "Well the pleasure's all ours to work with such a talented and charismtatic star like yourself. You know, auditions for Return of the Jedi are at the end of the year. Want to participate in front of the camera instead of behind it this time." You asked, Harrison having helped out for the previous two.

To your surprise, the man shook his head in a very strong and resolute refusal, an action no actor in their right mind would do for a Star Wars film. "I'll have to pass on that. No offense, but for some reason I just can't really see myself in a Star Wars movie, I'm not sure I would really fit with any type of characters needed for the materials. Great movies, just not for me."

Pretty odd to say, you could see Harrison working in excellently for something like Han, Lando or Boba Fett, but if that was what he wanted who were you to insist, "Sure, it happens. Steve was so sure that I'd be gunning for Indy, but I just wasn't feeling it myself, felt it would work better in the hands of a different actor."

"And my bank account is all the more grateful for it." Harrison joked, to which you and Carrie laughed, "By the way, I've got to ask, do you really do your own stunts and action choreography, even for stunts like Batman and Conan?" Harrison asked. While he saw your work in Graffiti, the Bruce of '73 was practically a pup compared to your current strength.

"Yeah, basically anything that's not an insane jump or high speed vehicle crash, those are practically the only stuff I leave to my guys. Why do you ask?" You say, to which Harrison looked like you sucked the life out of him.

"Well, it's just that I wanted to be a bit adventurous this movie and do most of my own work. By the time I was done, my whole body felt like it went through a tour in Nam and I had to take a break for a couple of months. How the hell do you do all that on a yearly basis and do crazy stuff like jousting and fighting Ali?"

You just shrugged your shoulders, "Dedicated training, lots of grit and hard work, being taught by some of the best masters in the world, with just a pinch of luck."

"Mary likes to say that her Daddy is 'built different' like a Superman and that's why he's so strong." Carrie added, making you laugh at your daughter's sense of wonder.

"Well I can agree to that. I think I speak for half of Hollywood in that we'd like you to do more romantic comedies or cartoons to stop putting so much pressure on the rest of us to catch up." Harrison said, half joking and serious.

"Well when we greenlight an Indy sequel or you want to do more action films, just stop by the Bruce Lee gym. They'll make sure you shoot like Clint Eastwood and fight like Chuck Norris." You offer.

"I'll be sure to apply for a membership."

Later as you and Carrie were walking into the theater room, you stop to pause and look at the poster, focusing in on Harrison and Karen being tied together for one of the final scenes, "You know how you were competing against Karen for Leia?" You asked Carrie.

"Yeah." Carrie responded a bit blankly. While Leia was her favorite role, she felt slightly guilty tonight for being casted as her while Karen struggled for a few years to get some major roles in comparison to Jodie and Linda's existing success, thus she tried her best to avoid her past competitor for the red carpet.

"Well, from what I remember, George told me that if I was gunning for Luke or didn't want to act, that his backup plan was to have Harrison be Han Solo. So in a way, we're Han and Leia, attending the premiere of a movie starring those who could have been Han and Leia." You inform in amusement.

"Huh, Carrie O'Brian as Princess Leia and Harrison Ford as Han Solo." Carrie hummed, trying to imagine the scenario. "The action scenes would have been nowhere near as good, but I could have made something decent with Harrison for the chemistry. He is the second most attractive man I laid eyes on." Carrie teased.

"Whose the first?" You ask dumbly

"This Irish stud of an A-lister whose incredibly cute when he gets jealous." Carrie teased, giving you a kiss on the cheek then pulling you in.



Steven Spielberg is ready for Return of the Jedi. Sure it's a belief you've held firmly for a while, but now it's unquestioned by the world and the hype for Return of the Jedi is even further after the masterpiece of Raiders of the Lost Ark. Every now and then there comes a movie which no matter its comparative quality to other greats in the long history of cinema, is an objective movie of its genre and method of storytelling. Such is the case with Indiana Jones, the perfect action-adventure film that in many ways was even superior to Star Wars and Flash Gordon in invoking the atmosphere and type of storytelling of the classic film serials of the 40s and 50s.

The story of Indiana Jones follows the titular Indy, an archeologist and adventurer in 1936 always in the pursuit of lost artifacts so they may find proper homes in museums in the name of history. In the beginning of the film, Indy while in South America is bested by his rival Rene Belloq, narrowly managing to escape a score of booby traps and the indigenous. Returning to the states, Indy is contacted by the US government who inform him of Hitler's obsession with the past and occult, with his new target being the Lost Ark of the Covenant of the Old Testament, which Hitler and the Nazis believe will grant them great power to conquer Europe. Indy's pursuit reunites him with an old flame in Marion Ravenwood, the daughter of his mentor, and the two must team up to locate the Ark before the Nazis do.

A lot of people like to claim that you are the best Director in Hollywood, but you think that Steve is far worthier of the title. Every time the man does a new production he manages to increase and improve his quality exponentially, learning from his old mistakes and incorporating new tricks that enhance his strengths in storytelling. The cinematography was perfect and gorgeous, extensive widescreen pan shots that give a sense of awe and great scale for the adventures and historical fantasy, then cutting to close and dynamic shots for Indy's action scenes. The set design was intricate, every moment of acting forwarding the story and serving its special role, lots of smartly implemented comedy, drama and thriller. Steve made a damn good film and recreated the same sense of pure awesomeness that came from the adventure serials.

Of course, half of that responsibility also lies with George, the man whose love of said serials gave birth to the greatest film of all time in Star Wars. Indiana Jones may not surpass Star Wars, but it's pretty close and undoubtedly being written on many people's Top 10s, if not their favorites depending on taste. George knew how to write his favorite genre and gave it the same style of treatment and quality as Star Wars, serving as a love letter to the stories while adding new elements to make it original and iconic. You can see a lot of great influences from Star Wars, Flash Gordon and even Conan taking place in here for the greatest epic of our time. George has been really humble about it all though. Lawrence Kasdan did do his fair share of labor on the script which helps evoke a lot of similar emotions to audiences with Empire from a year prior. Marcia also did another fine job of editing with Steve's style of crafting a film only out of the best shots and building it out of a puzzle of sequences going well with her immense talent in editing, definitely worthy of a second Oscar for her.

Out of all of the films in Hollywood, Indiana Jones is probably the closest to a Bruce O'Brian action film save for the martial arts films coming from Japan and Hong Kong. Steve may not have been an action man like you, but he learned some cool stuff by watching you handle the action scenes on Conan, and failing that importing a lot of Bruce Lee Gym trainers and letting them take the reigns of scenes proved to be a good call. The action scenes are simply awesome with plenty of back and forth between the heroes and villains, fun and creative stunts and parkour, nice subversions here and there like Indy shooting the swordsman, and lots of cool integration of the environment and keeping the action scenes mobile. Plus, how could someone talk about Indiana Jones without mentioning his iconic whip and how it's become one of the coolest and most versatile tools and weapons in cinema. While you would probably have been more ambitious, this is admittedly close to what you might have done with the script. Part of the praise for Indy actually came to how the action was fun and exciting yet grounded, making it feel like real people were engaging in these and anyone could have seen the fights happening. A bit of a backhanded insult to how some people are basically saying your films are fantasy, but when you get to the insanity of Batman vs 100 man or the Batmobile chase it's easy to see why some people might find Indy more relatable than Batman.

Speaking of, everyone in the cast does a great job at their roles, but while most simply play the part to their best as part of the adventure tropes, Harrison Ford is the definitive star and icon of the film as Indiana Jones. The man radiates confidence and charisma and even in low stakes and quiet scenes he kind of overpowers everyone just based off of sheer screen presence alone. Harrison couldn't help but remind you of yourself in a lot of respects, and he did an amazing job turning Indy into such a cool and iconic character who wears a lot of hats throughout the film. From one moment Indy can go from fearless action man to a nerdy and intelligent archeologist. A soft spoken romantic to a hardened and stubborn adventurer. Harrison shows a lot of variety to his performance and Indiana Jones is already one of the most iconic characters of all time.

Everyone else for the most part did a pretty good job. Karen Allen proved that she was worthy of playing Leia with her grit and spirit providing a fun presence for the adventure where she kicked ass against Nazis and helped the story with important plot moments and helping Indy to loosen up and change for the better. She had really great chemistry with Harrison and a lot of people liked to call them the "Adventure Han and Leia", because now most couples in film couldn't be helped but inevitably compare them to you and Carrie. Not to mention the ever popular rumor that Harrison and Karen were casted because you and Carrie were busy with parenthood that was a common belief despite how much you denied it. John Rhys-Davies is a fun comedic presence as Sallah. Paul Freeman makes for a frustrating and devilish foil to Indy as Belloq. And Ronald Lacey delightfully hams it up as a vile Nazi agent. Pretty good stuff that plays to the standard tropes and makes it fun for all audiences.

A highlight of Indiana Jones was ILM's involvement and how this was probably their best showcase outside of the science fiction and superhero genres. The set design was some of the best you've seen with the recreation of ancient ruins giving plenty of mystique and majesty, the great set design and integration of location shoots helped as well. All of the booby traps are pretty cool special effects, most of all the snakes and the iconic boulder ball. The vehicles were all pretty good restorations of 30's cars and plans and they were done excellently in the chase scenes. And who could forget the terrifying horror sequence at the end where God ushers his wrath on the Nazis and melts them to smithereens, then damning their souls to hell. Some really awesome biblical stuff lifted straight from Exodus and the practical effects of the dummies and explosions provided equal parts terror and catharsis. Although that being said, it's not surprising that after this and Batman that films next year would now see the addition of PG-13 for little kids to not be present in too intense stuff while the teens have fun. Not that it didn't stop many kids from dragging their parents or elder siblings and having a good time.

Last and never least is another fantastic score from John Williams who masterfully conducts his orchestra to give a fast paced and powerful soundtrack that evokes the booming thunder of the old serial scores. From now on you can't think of adventure stories without the iconic Indiana Jones theme song playing in your head and the action music really enhances the sequences like rich frosting on an already delicious cake. The Academy performed perhaps its biggest crime last year of denying John's Oscar for Empire Strikes Back, so you hope they give them one for this.

When you and Carrie went home, you were expecting at least a couple hundred million in the box office, high reviews and plenty of great audience support. What did you not expect in the weeks to come was how Indiana Jones just blew up and became another Star Wars level movie, joining the billion dollar club and making this Steve's first billion dollar gross from theaters alone. You could tell the sheer intensity when in Mexico, the towns were filled with half its people forming long lines to the local theater just to see Indiana Jones and the locals literally excitedly sharing with you how much it was just like Star Wars.

Audiences couldn't help but rave and give high praise to Indiana Jones as one of the best films ever with extensive praise for Harrison's performance, the action, Steve's directing and the awesome story that harkened back to the rest of Steve and George's filmography. Honestly, you were pretty naive to expect anything less than strong universal praise grandiose success to be the norm from the men behind Conan and Star Wars. Everyone said it was the perfect action adventure film and people your age and George's who grew up with the serials but missed out on Flash Gordon got an awesome chance to relive their childhood. One of the best films of all time, but surely just another example of the excellent near perfect Lucasfilms standard.

Critics can't help but give general acclaim with high praises all around and whispers of plenty of Oscar nods, most especially to Harrison, Steve and John. There's no denying it's one of the greatest adventure films ever made and perhaps would have been a guaranteed best film of the year were it not for Batman and perhaps the surprised challenger of Tron based off of technical specs alone. The main difference between critics was how they gave their praise and where there was a stark divide on why Indiana Jones was good. Was it the best entertainment, fulfilling its job perfectly of providing spectacle to the masses with escapism? Was it magic and fantasy, providing wonder and pure childlike joy that evoked the likes of Walt Disney? Or was it true high art and equal of intellectual merit to recent greats like Star Wars, The Godfather and Conan? You think Indiana Jones has a little bit of all three, though it's fun to see critics debate and argue over why its good rather than if it's good or bad.

Then there were the financials which just blew your mind upon ending Dune's production and getting the full rundown from Mike. 1.3 billion dollars. Surpassing Batman and Superman, even all of the standalone Napoleon releases and just barely below the original theatrical release of New Hope. Even with the recent Stagflation hike that saw everything with a price tag shot up, Indiana Jones manages to outperform Gone with the Wind when adjusted for inflation along with the other billion dollar films. Honestly, each time a film manages to cross this mark, you can't help but shed happy tears on how that awful racist garbage of a film is made irrelevant as the years go by. May you one day erase it from the public consciousness completely.

Anyways, back to Indiana Jones, it had amazing showings across the world with uniform popularity in all regions where it wasn't banned. Still, even with high overseas turnout with strong public engagement in the usual suspects like the UK, Ireland, Japan, Korea, Romania, etc. it paled to the magnitude of the domestic release which pulled a reverse Napoleon with dominant, near monopoly of a box office turnout in comparison to weaker foreign markets. Not that $470 million was chump change at all, but to put it into perspective, Empire Strikes Back and New Hope both had a difference of $100 million in favor of domestic. Here Indiana Jones was $370 million, and it was the second highest domestic showing of all time, sandwiched between Empire Strikes Back and New Hope.

Last year when Empire Strikes Back was released, the theaters just became dry as nobody wanted to be so dumb and suicidal as to risk their productions against the unstoppable force that was Star Wars. Only Superman II was brave enough to stand against it, and that was because it was a sequel to the billion dollar Superman, and it came out defeated thanks to it not being Star Wars. Well, 700 million is still damn good, but not the back to back billion dollars that Alan had wanted. All the movie studios thought the summer of '81 would be a safe year with no Star Wars, then Indiana Jones came and exploded and Hollywood would hate him just as much as the Nazis. In its first week of release, life in corporate and middle America ground to a halt as everyone took time off to see Star Wars. It being a summer release meant there were plenty of families starving for a good time at the theaters so that got a major boost in and of itself. After the first week there was no sign of slowing momentum, if anything there was growth from all of the second, third and fourth time viewers and so on. Once again mile line theater lines were the norm in America's cities as no heatwave was gonna stop someone from watching Indiana Jones.

At the same time as Indiana Jones release, Hollywood had a bunch of different selections of films they wanted to push in the summer profits, and their success ran into the brick wall of Lucasfilms like a car going 100 mph crashing into a building. There were some decent films, but no one was as good as Indiana Jones and many potential blockbusters simply became high performing films as people simply wanted to see Indy. The hardest hit was United Artists whose Indie films could barely make back their budgets but even the big boys like Universal were being hit bad. The film industry probably lost tens, maybe low hundreds of millions of dollars from Indiana Jones just existing. Not making matters better were how many theater chains just decided to play Indiana Jones for the reliable money printing like Star Wars and not show anything else and how it continued to have high longevity, to the point where by Christmas time it was still in a couple of showtimes per theater and could reliably make a couple million per week.

Of the Summer releases, the only non-Lucasfilm/non-Batman films that were hugely successful and made more than twice their budget were UA's Clash of the Titans, Fox's Cannonball Run, Disney's Escape from New York, and Columbia's Stripes. None could be classified as blockbusters, but at least made back tens of millions, 120 million for Fox and Cannonball Run, to ensure that the Summer wasn't a complete disaster for them. Many major films were outright postponed by months and you could have sworn you heard collective screaming across LA when George said on a late night appearance he had a whole trilogy planned out for Indiana Jones.

VHS' income was a blockbuster performance in and of itself with near 700 million in sales. Lucasfilms had seen a score of VHS successful releases, but it was Indiana Jones that somehow acted as the magic switch which would convince American households to go out and buy a VCR for their home because movies like Star Wars weren't going to be a once in a lifetime event, they were exciting new norms and everyone wanted to own their favorite films to watch again and again from the comfort of their own home. Come Christmastime, the VCR was the must have household item with radioshack on Black Friday being swarmed by mobs who wanted it for a Christmas gift.

The rest of the decade would see JVC and Sony launch one of the greatest corporate wars ever in the clash of the VHS and the Betamax, though all your money was on VHS as that was where the majority of home sales were. Raiders of the Lost Ark became a must have for any film watcher at home whether casual or cinephile. Heck, some stores had special "Classic Packages" that had films like Star Wars and Indiana Jones bought in a bundle. There were a lot of traditionalists angered with this newfound sesnation, MPAA President Jack Valenti even trying to wage a pointless outrage war and get Congress and the courts involved somehow. However, the film studios saw how a movie's profitability went beyond release and they could get more money on VHS than in theaters, and everyone in town promptly told Valenti to shut up and accept the change (While he was also reminded of how the moralists lost their congressional war against you, a firm VHS Supporter) and now corporate Hollywood is trying to think in the real long term of how to get their Blockbusters to be VCR busters in a sense.

Lastly was the really fun sensation in the world of history education where kids and young adults were actually really excited to learn about history from Indiana Jones and many other historical greats in films and TV like Small Giant, Classical Tale and more. Archeology in particular has seen a major swing where classes that once only saw a dozen or two students at its best were now swelled with hundred plus classrooms packed to the brim as everyone wanted to be like Indiana Jones. Leading to vast exacerbation and many colorful anecdotes as archeology professors had to explain that no, they did not fight Nazis like Indiana Jones and most work was academic. Still, a lot of genuine archeologists and historians would get their love born from Indiana Jones, so that's a nice thought.

Steven Spielberg has hit another grand slam with an excellent masterpiece. Now you're really hyped to see how the other Indiana Jones films play out and just what kind of finale Return of the Jedi will be.


Movie pitch


The Nightmare Before Christmas


Genre:Action, Family, Fantasy, Humor,Musical
Sub-Genre:Halloween movie
Format: Full-Length claymation Movie
Halloween Town is a fantasy world populated by various monsters and beings associated with the holiday of haloween. Jack Skellington, the well-respected "Pumpkin King," leads the town in organizing the annual Halloween celebrations. Unknown to the citizens, however, he has grown tired of the same annual routine this year and wants something new . Wandering in the woods the next morning, he discovers several trees containing doors, which lead to other holiday-themed worlds (Christmas, Easter, Thanksgiving, Independence Day, Valentine's Day,St. Patrick's Day,etc). Stumbling through the one leading to Christmas Town and awed by the unfamiliar holiday, Jack develops an obsession for it .

Jack returns home to share his discovery with his friends and neighbors. They relate to Christmas Town's ruler, Santa Claus (or "Sandy Claws" if you listen to jack), but are unfamiliar with the concept of Christmas and conflate its customs with the Halloween traditions that they are used to . Frustrated, Jack isolates himself in his house and studies Christmas further, intent upon finding a way to rationally explain it . When days of study and experimentation accomplish nothing, however, Jack abandons his attempts to understand Christmas and decides to "improve" the holiday instead.

Jack announces that Halloween Town will take over Christmas this year and assigns Christmas-themed jobs, such as singing carols, making presents and building a sleigh pulled by skeletal reindeer, to various residents. Sally, a feminine creation of local mad scientist Doctor Finkelstein, experiences a vision detailing that their efforts will end in disaster. Jack, whom she secretly loves, dismisses her warnings and instructs her to make a Santa Claus suit for him. He also tasks a mischievous trick-or-treating trio named Lock, Shock and Barrel with abducting Santa; however, he orders the youngsters not to involve his long-time rival Oogie Boogie, a bogeyman with a passion for gambling, in their plot.

When Lock, Shock and Barrel bring Santa to Halloween Town (after mistakenly kidnapping the Easter Bunny first), Jack tells Santa that he will take care of Christmas this year and orders the trio to keep Santa safe. However, they disobey Jack's orders and bring Santa to Oogie, who plots to play a game with Santa's life at stake . Meanwhile, despite her best efforts, Sally is unable to stop Jack from proceeding with his plan . As Jack departs to deliver presents in the real world, she attempts to rescue Santa from Oogie, only to be captured herself.

Unknown to Jack at first, his presents terrify the real world's populace, who contact the authorities and are instructed by them to lock down their homes and residences for protection. When word spreads about Jack's actions, he is shot down by military forces, causing him to crash in a cemetery. While the residents of Halloween Town believe him to be dead, Jack actually survived the ordeal. Bemoaning the disaster that he has caused , he realizes that he enjoyed the experience nonetheless, reigniting his love for Halloween, but must act fast to fix the mess he had caused.

Upon returning home, Jack rescues Santa and Sally, then confronts Oogie and defeats him by unraveling a thread holding his cloth form together, causing all of the bugs inside Oogie to spill out and reduce him to nothing. Jack then apologizes to Santa, who scolds him for the chaos that he caused and for ignoring Sally's warnings. As Santa departs, however, both he and Sally assure Jack that Christmas can still be saved.

Santa resumes his yearly duties as he replaces Jack's presents with genuine ones, while all of Halloween Town celebrates Jack's survival and return. To assure Jack that there are no hard feelings between them, Santa brings a snowfall to the town, thereby bringing the Christmas spirit upon it and, in a way, fulfilling Jack's original dream. The citizens finally realize the true meaning of Christmas, while Jack and Sally declare their love for each other and share a kiss.
A personal favorite,a good start in claymation and with tim burton begining to pitch it around holywood soon we should have the oportunity to make it soon.
FINALLY!!! I finally finished a Part 3 to Doomsday Clock. This shit has been really getting on my nerves because my progress had been slow for quite some time, I finally finished up the part I was working on, only to realize that I worked on the wrong part and had to rearrange things.😩 😭
Anyway, I can finally start moving forward with more Charlton Comics, and it at least means that I already have Part 4 finished. This is pretty short because I genuinely could not come up with fuck all as a short storyline for Thunderbolt. Like, I have ideas for later full fledged arcs and storylines, but not for this quick, one and done. It's not much, but I hope you get a kick out of it anyway. The writer for the Doomsday Clock issues is officially going to be Jeff Rovin, as I felt that it made the most sense that he would be so personally invested in it's success, since he's banking everything on it. For the artist, I chose Geof Darrow because his art is actually unreal and he, remarkably, will have done practically fuck all work for Marvel or DC for decades. He technically hasn't entered comics yet, but I figure it isn't too big of a leap since he'd do it in about a year anyway and Charlton has a couple of people he'd associate with or were his influences like Alex Toth or Steve Gerber. I figure he can do good work for Charlton primarily, although I definitely want to get him on the Pacific Rim comic pitch that I'm cooking up since I think his incredible artwork and attention to detail would lend itself incredibly well to Pacific Rim. Anyway, enjoy the work of Jeff and Geof.


Charlton Comics Presents...
Doomsday Clock Part 3

SET UP: In the year 2050, Earth is under the rule of the oppressive tyrant, Monarch. His rule is dystopian and the future is bleak for the people of Earth. Matthew Ryder, an expert on temporal studies and a scientist under the employ of Monarch, worked to develop his technology to travel back in time and prevent the tyrannical ruler from ever rising to power. He learned that in the late 20th century, one of Earth's superheroes had turned evil. They had gone on to kill all of Earth's heroes and villains, assumed the identity of Monarch, and began their rise to global domination. Because Monarch only ever appeared in a full body suit of armor, his previous identity was unknown to Ryder. Matthew Ryder succeeds in travelling back in time, 20 years before Monarch's massacre of Earth's heroes, in his desperate bid to find Monarch's true identity and kill him with his new powers before he can rise to power. Unfortunately, Monarch is not far behind and is determined to hunt Ryder down and kill both him, and anyone else who stands in his way. To face this unprecedented threat, Earth's greatest heroes and it's most sinister villains must work together to defeat Monarch and change the future.
Writer: Jeff Rovin
Artist: Geof Darrow
In this installment of the Doomsday Clock storyline, after departing from the confused and defeated Blue Beetle, Waverider tracks down the Thunderbolt and battles with him for a time, before overpowering him and peering into his timelines. He sees various alternate versions of Thunderbolt, some good, some evil, and he sees him battle against all manner of villains including: The acrobatic, clown-themed thief, Circus. The fearsome and wrothful gang leader and Dragon of Kyushu, Lung. The world famous, bird themed bank robbers, The Yardbirds. The slimy and elusive Bond villain, Coil. The reawakened tyrannical female pharaoh, Evila. The beautiful, and equally deadly villainess, Spider Lily. The violent and psychotic killer, Shard. The mystical, Lady Zodiac. The seemingly immortal and insane gang leader, The Butcher. And his long time rival and nemesis from his days at the monastery, Andreas Havoc, among many others not shown. One timeline in particular he focuses in on shows a Thunderbolt, already skeptical of modern civilization and fearful of nuclear war, concocts a scheme that ends with him deceiving world leaders and him nuking the world to prevent the world from nuking itself, taking obvious inspirations from the portrayal of Ozymandias in The Watchmen. Having seen enough to determine that Peter Cannon was not Monarch, he begins to leave in search for his next target, The Peacemaker.
Aesome ideas!
 
Movie pitch Kung fu pnada

Movie Pitch


Kung-fu panda

Genre : Action, Adventure, Fantastic, Humor, Familly
Sous-genre : Martial art, Wuxia
Format :
Full animation movie



In the Valley of Peace, a land of ancient China inhabited by anthropomorphic animals, a giant panda named Po helps his father, Mr. Ping, run his noodle restaurant, but dreams of fighting alongside the Furious Five – Tigress, Monkey, Crane, Viper and Mantis – a group of kung fu masters who live in the Jade Palace, where they are trained by Master Shifu, a grumpy red panda. One day, the wise turtle, Master Oogway, founder of kung fu and spiritual leader of the Valley, predicts that Shifu's former protégé, the snow leopard Tai Lung, will escape from prison and attack the Valley to obtain the Dragon Scroll, a legendary artifact believed to grant unlimited power to its reader, something previously denied to them. Panicked, Shifu sends his assistant, Zeng, to reinforce security at Chorh-Gom prison, where Tai Lung is being held.

Shifu organizes a tournament for the Five so that Oogway can identify the Dragon Warrior, the prophesied hero worthy of reading the Scroll, and Po arrives too late to enter the arena. Desperate to see his idols again, he accidentally launches himself into the middle of the tournament from a chair propelled by fireworks. While the townspeople believe that Po came down from the sky in a ball of fire, Oogway proclaims Po the dragon warrior, much to the shock of Po and the Masters. Shifu thinks Oogway's decision is an accident and the Five fire him, so Po considers quitting. However, after receiving encouragement from Oogway, he endures the harsh training of a frustrated Shifu and gradually becomes friends with the Five through his resilience, culinary skills, and good humor. Meanwhile, Tigress informs him that Shifu's distant behavior stems from his shame over Tai Lung's betrayal because he was denied the Dragon Scroll (while Oogway felt the darkness in his heart ), having raised him from childhood.

At Chorh-Gom Prison, Zeng's warnings are ignored; Tai Lung easily escapes and subdues his guards before sending Zeng away. Shifu informs Oogway, who makes Shifu promise to believe in Po as a dragon warrior, before hiring Shifu as his successor as valley leader and ascending to the spirit realm in a peach blossom stream. Shifu informs Po and the Five of Tai Lung's escape and Oogway's death, and tells Po that he is the only one who can stop him. Horrified by the bad news of Oogway's death, Po tries to run away, but Shifu stops him. When Shifu asks Po why he chose to stay, Po tells him that he hated who he was and that he felt that despite Shifu's harsh treatment, he still believed that Shifu could change him. Po then gets Shifu to admit that he doesn't know how to train him to become the Dragon Warrior. Tigress overhears this and leads the Five in a secret attempt to stop Tai Lung.

Meanwhile, Shifu discovers that Po is capable of impressive physical feats when motivated by food, and trains Po successfully by incorporating these feats into an innovative style of Kung Fu. The Furious Five fight Tai Lung, but he ultimately defeats them with his nervous strike technique, leaving only Crane to lead the rest back to the valley, as a warning. Upon his return, Shifu decides that Po is ready to receive the Dragon Scroll. When Po opens it, he discovers that the parchment is nothing more than a blank reflective surface. Believing that the Scroll has no power, Shifu has Po and the Five evacuate the people from the valley while he faces Tai Lung alone to help everyone escape. Trying to console a distraught Po, Mr. Ping reveals that his "Secret Ingredient Soup" contains no secret ingredients, explaining that things can become special with belief. Realizing that this is the Dragon Scroll's message, Po rushes to help Shifu.

At the Jade Palace, Tai Lung brutally beats Shifu, but he discovers that the Scroll is missing. Po arrives with the scroll, saving Shifu's life and inspiring them to fight. Po proves to be a formidable opponent, frustrating Tai Lung with his confusing fighting techniques. Tai Lung finally obtains the Scroll, but does not understand its blank surface. Tai Lung tries to take out his frustrations on Po with his nervous punching technique. However, Tai Lung discovers that Po is immune to it. Po overpowers Tai Lung and sends him to the spirit realm using the legendary Wuxi Finger Hold technique, which he learned himself. Po is honored by the Valley, gains the respect of the Five, and relaxes with a recovered Shifu.
[/DIVULGACHER]
Po: Chris Farley (if released in the 90s) or Robin Williams

Tigress: Carrie Fisher

Monkey: Jackie Chan

Mantis: George Carlin

Viper: Michelle Yeoh

Crane: Donnie Yen or Frank Welker

Shifu: Peter Cullen

Oogway: Toshiro Mifune

Tai Lung: Brian Blessed

Mr. Ping: James Hong
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It's a good work and if it achieves even a quarter of the popularity it had with the Chinese people, it would be a very good method to annoy the Chinese government and humiliate its "Chinese Hollywood".
 
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If you want i could add you casting to the pitch ?,also i don't think there is a rule against doing multiple pitch for the movie ?
sorry to have took that oportunity from you if there is a rule against multiple pitch for a same movie
Ah, cool, here's the list. :p

Po: Chris Farley(if relased in the 90s) or Robin Williams
Tigress: Carrie Fisher
Monkey: Jackie Chan
Mantis: George Carlin
Viper: Michelle Yeoh
Crane: Donnie Yen or Frank Welker
Shifu: Peter Cullen
Oogway: Toshiro Mifune
Tai Lung: Brian Blessed
Mr. Ping: James Hong
 
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