Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Ah so Spielberg being snubbed for Jaws here and having been treated like shit by Universal along with being given so much trust by his friends to help their studio has helped to push him more to the filmmaker he is in the 80's?
Potentially.

There is also the simple fact that, with the increasing pressure to succeed when his friends made some of the biggest films of all time, he decided to get good, or die trying.

Or fail trying.
You know funnily this is actually a legitimate development instead of Magoose Dice funnies. OTL, Fred Trump owned Coney Island during the 60's and revitalized the neighborhood with modern apartment complexes. He attempted to create a modern domed amusement park on Steeplechase but it never went anywhere and after getting into fights with city hall, Fred was forced to sell the park and focused back on residential building. I imagine that Joseph coming in and doing what Fred failed with immense popular support from the city probably pisses Donald off who sees it as some kind of slight against his Dad and wants to outshine Joseph and maintain the Trump influence on the city even though Joseph just wanted to restore the amusement park he and his family loved to have fun at.
And the fact that Joseph is now a semi-famous new yorker with money to burn, a Brand he can use, and the possible idea of expanding his bars into a franchise to secure his own degree of fame might also help.

Again, Joseph might not come back to acting, but he'll be dammed if he dosen't try and be a good man and a good person to the city of new york, his home.
I think by sitcom rival Magoose is saying Donald Trump is becoming to Joseph what Newman was to Kramer and Jerry in Seinfeld, Jimmy Pesto to Bob Belcher in Bob's Burgers, etc..
In a manner of speeking. Though perhaps the more accurate term is shonen rivals.

they each do things that piss each other off, and they go big, and get amazing for it.

Like say, revitalizing coney island leads to Donnie doing something incredible, then Joseph doing something else because he happens to have the support of the neighborhoods or the boroughs, and he does what they want, that sort of thing, and they both grit their teeth and congratulate each other.
No. We will make him...Our Friend!
If anything, they will just become rival new yorkers, hating the shit out of each other, but having a respect for each other.
...Or that. Both sides can come to an agreement or just find they work better when they oppose each other.
And then Joseph, with all that money he's about to make from that movie he starred in... might just do something fun... like Buy the Knicks, and draft Michael Jordon. :V
I assume this is because Trump is only in his early 30s at this point?
Correct. He hasn't had the major successes that would make him world-famous, nor has he put his name on the art of the deal.
 
The Funny thing is, I only rolled because I wanted to give Joseph something to do before he inevitably appears in the story again, in the next big event that affects the obrians.

so him trying to make New York a better place with a sit com arch nemesis who wants to do the same thing for less then altruistic reasons, is just hilarious to think about, and makes for great omake fodder.
Say @Magoose is someone accuses us of being a communist how would the government react to that since we are their American hero and poster boy
If someone tried to accuse Bruce of Being a communist, with absolutely no evidence of that in the slightest...

They would not only be laughed out of town, but the communists would try to end them because... Sure Bruce would be a huge propaganda win against the capitalist west... but really... thats about it.

He still humiliated them in many ways, is the antithesis to everything they desire, and really does nothing to help communism become popular in the west.
 
Wow we're so popular the communist would kill anyone from trying to take us down because we would just ruin communism more oh @Magoose what does the American communist socialist party think of us (note they hate the USSR)
 
Wow we're so popular the communist would kill anyone from trying to take us down because we would just ruin communism more oh @Magoose what does the American communist socialist party think of us (note they hate the USSR)
Eh, less popular enough to kill us, more they are afraid to make a Maytr of us... but yeah.

as for ACSP... I mean, we're american so... they might like us.

Or they might hate our guts.
 
Movie Pitch: Across America in 90 Days
TITLE: Across America in 90 Days
GENRE: Comedy/Adventure
SUBGENRE: Biopic
FORMAT: Movie
BASIC PROMPT:
Plot:

On May 19th of 1903, a lively debate was taking place at the University Club of San Francisco. Club members discuss the merits of the newfound invention and popular fad of the wealthy, cars. While some are receptive to the automobile, nearly all agree that it is an overpriced and complicated hunk of junk that is just a impractical trend and soon the rich will come to their senses and continue to use their faithful steeds to travel through the city and country.

As the discussion ends, one man chimes in from a chair in the corner. He strongly refutes the belief that cars are a simple fad, and believes that they are the future. This is not based off of expertise or involvement in the auto industry, for this man was just a very enthusiastic fan of cars and wouldn't take to their being slandered by ignorant snobs. This man is Horatio Nelson Jackson, a doctor from Vermont who stopped by after searching for gold and silver in Alaska. The "Snobs" find this statement to be odd and politely disagree, but Horatio humorously escalates the conversation, taking every criticism as a personal insult and valiantly defending the car as if his wife's honor is on the line when the snobs just want to move on. One of the snobs makes a bet to Horatio, if he believes so much in the car then how about traveling from the west coast to the east coast in 90 days in one, all for a reward of $50. The other members laugh at this offer, seeing it as an obvious joke, but Horatio takes it completely at face value and accepts, proclaiming he shall be the first man to travel from San Francisco to New York in a car. Bewildered, the club members accept and so begins the first road trip in American history.

The scene changes to Horatio conversing with his wife and explaining of the bet he undertook. The scene sort of sets the tone for the movie as expectations are set up about this being some sort of dramatic confrontation between spouses of the sudden impulsiveness of the decision, but Horatio's wife just nonchalantly accepts and wishes him luck, then taking the train back to Vermont.

Horatio then begins what at first looks like an epic montage of preparing for his trip, only to spend the entire montage looking lost and just asking himself questions, not having the first idea on what the hell to do. Knowing his limits, Horatio decides to enlist the aid of a partner for the expedition, his friend and car mechanic Sewall Crocker. At first Sewall is against the idea, viewing it as a frivolous waste of time, however Jackson's casual offering of thousands of dollars in salary quickly changes his tune and Sewall gets invested in planning the journey, slowly finding himself genuinely attached to the adventure and wanting to be an explorer like his childhood heroes Lewis and Clark.

Sewall suggests Horatio buy a Winton as the most optimal car for their journey. Horatio purchases it from a Wells Fargo banker who has the only Winton in town. The banker is a scummy man who overcharges for the Winton which has gone through considerable wear and tear. But because Sewall suggested he get a Winton and Horatio was loaded, he just bought it at an overcharged price and named it The Vermont. Sewall and Horatio get into preparation for the journey with Sewall teaching Horatio how to drive and maintain the car to hillarious hijinks of driving wildly through a dense turn of the century San Francisco. After many days of preparing, the two set out on their journey, the score makes it out to be the start of a very epic and grand journey, only for most of the bystanders being very disinterested and apathetic to the whole venture while the Winton humorously breaks down every couple of dozen feet, with Sewall forced to make quick repairs as the music starts, and then they go off again only to break down.

From here the journey is not a standard structured film but is more of a loose narrative that focuses on the experience that Horatio and Sewall go through rather than an organized hero's journey. There is a broad narrative of the growing friendship between Horatio and Sewall and the many comedic struggles they go through in completing the journey where at several points it looks as if all is lost before a stroke of great fortune aids the two in continuing forward. The overall point of the movie is something along the lines of "It's not about the destination, it's about the journey." While the historic accomplishment of the men is important, what matters about the film is the journey they took in crossing America and seeing so many wonderous sights and interesting people they never could have accomplished through horseback and railroad.

Some important plot points story beats are:
  • The screwball humor of The Vermont constantly breaking down every few miles and the persistence and creativity that Horatio and Sewall used to keep it running.
  • The experience of The Vermont traveling through many small towns of America where the town went into hysteria at the sight of an automobile, the first time they had ever seen one in their lives with everyone in town rushing to see the sight and acting like it was the greatest thing they ever saw in their life.
  • The slapstick humor of the two men traversing through harsh weather with an open roof car and finding creative ways to get through hostile environments.
  • Horatio and Sewall making frequent stops at isolated homesteads across the way and meeting many wacky and colorful characters.
  • A running gag of Horatio frequently writing to his wife and saying "Well it's been pretty rough so far, but once it gets to the next town it'll get easier." and repeating the same thing each letter despite the increasing difficulty.
  • The pair bent sent 108 miles wildly off course due to purposeful misdirections by a woman so her family could see a car.
  • The Vermont breaking down in an open field and being towed to the nearest town by a kind rancher and his horse.
  • A man who had no idea that car's exist coming across the sight of The Vermont and having a panick attack because he believed it was a train that was about to run over him, making a mad panicked dash to release his horses before they were run over, only for The Vermont to casually pass by.
  • Horatio's wild travels in running or biking to previous towns to get parts to fix the broken down Vermont or get back something he lost.
  • Bud getting seperated from Horatio and Sewall in Chicago and having a wild adventure before reuniting with the two men.
At the end of the first act, Horatio encounters a man who offers to sell him a dog to become their mascot. Horatio, wanting a mascot because it was a cool idea and he liked dogs agrees, and thus Bud joined the team. In the middle of the movie, the road trip becomes a race when word of the trio's journey spreads across America and they become instant celebrities. Seeing as how they actually having a shot in completing the road trip, two auto companies Packard and Oldsmobile decide to enter the race to prove that their cars are the best. Horatio, Sewall and Bud do not learn that they are part of a race for many days. When they do learn, while Sewall panicks, Horatio is unphased, believing that they already have what it takes to win and he thinks its neat that he became part of an impromptu national race. While the movie is hinted at changing to a wild and wacky race, this is anti-climatically halted when it's quickly shown that Horatio has no chance of being beaten due to the Packard team sabotaging themselves by taking a scenic route through highly difficult terrain and Oldsmobile starting so late that they were barely crossing the Rockies as Horatio and Sewell reached the Appalachian.

After 63 days, the trio manage to successfully reach New York City, being hailed by the public as heroes. Horatio and Sewall part their ways with Sewall heading back to San Francisco on train (Humourously stating he's had enough car rides for one lifetime) while Horatio goes home with his wife to Vermont in The Vermont with the two formally adopting Bud as part of the family. Horatio's brothers would come in their own cars to help him and his wife return home when The Vermont broke down, but their own cars would break down and Horatio using all he learned from Sewall would fix The Vermont and tow both his brothers cars home, showing his growth. The closing shot of the film shows the Jackson family triumphantly parking The Vermont in their garage, only for the car's drive chain to snap off and fly onto the ground, the only part of the car which had survived with no difficulty throughout the trip. The last line is Horatio realizing to his horror that he never got the $50 from the bet.

Cast:
Horatio Nelson Jackson:
A very eccentric and odd man of sorts, Horatio is the unconventional protagonist and hero of the story, having started the journey just to prove a point to strangers he had just met and willing to spend a good chunk of his fortune to win just $50. Horatio has two sides to him, the ridiculously relaxed and nonchalant Doctor who just takes whatever life throws at him without complaint and the heavily passionate and driven explorer who refuses to give up and double's down on the most minute and pointless challenges. While seemingly like a crazy man, Horatio is a decent person who is loyal to Sewall and does his best to play his part in completing the journey.

Sewall K. Crocker: The straight man and audience surrogate of the film, Sewall is a blue collar everyman who joins Horatio on his journey at first for monetary reasons but later through sharing the trials and experiences of the trip becomes just as passionate about completing the journey. Sewall is a simple and practical man who is very resourceful and is often stumped by Horatio's whimiscal actions. Ideally played by Ron Howard.

Bud: Bud is the faithful canine companion to Horatio and Crocker who is introduced in the middle of the film and becomes a sort of mascot for the adventure and emotional support to help the duo through hard times. He is a very good boy. To be played by a white American Bulldog.

 
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Movie pitch: Final Curtain Call
TITLE: Final Curtain Call
GENRE: Tragicomic Musical
FORMAT:
Movie
BASIC PROMPT: A struggling playwright is attempting to write his magnum opus when a friend/loved one passes away. He buries himself in his work in an effort to hide from his feelings regarding the death. With the exception of the bookends the film takes place mostly in the world of the play with the "real world" frequently breaking and influencing the story as the man is writing it. The actor playing the playwright naturally also plays the leading man in the play. The film climaxes in the man realizing that he can use the play to come to terms with his grief and, in a meta twist, reveals that he's basically written a stage play version of the film itself.

Side note: this idea literally came to me in a dream. I'm not joking.
 
Movie Pitch: The Score
Seeing as we weren't quite able to get the rights to Ocean's Eleven, I do hereby propose an alternative: the Parker series by Donald Westlake (under Richard Stark). There's twenty-four books in the series, and it very rarely gets adapted, the last time being five years ago (and only one book), so there's a lot of potential here for heist shenanigans.

The Score by Dave and Farah Alistair [ Crime (Heist) / Thriller]

Logline: Parker, a professional thief, sets out to plan and execute the heist of a lifetime, but when his partners betray him, he must use all of his skills and cunning to get revenge and get away with the score.

Synopsis: Parker is a highly skilled thief who has made a career out of pulling off high-stakes heists. When a wealthy businessman approaches him with the opportunity to steal a priceless diamond, Parker sees it as the chance to make his biggest score yet.

He assembles a team of expert thieves and begins to plan the heist, meticulously mapping out every detail and contingency. But as the day of the heist approaches, Parker begins to suspect that his partners may be planning to double-cross him.

When the heist goes wrong and Parker is left for dead, he sets out on a mission of revenge, determined to get back what was taken from him. He uses all of his skills and resources to track down his former partners and get the score that he was promised.

As he navigates the dangerous world of organized crime and ruthless criminals, Parker must stay one step ahead of the law and his enemies. But with his expertise and determination, he just might be able to pull off the ultimate heist and get away with the score.

"The Score" is a thrilling crime drama that combines intricate planning and high-stakes action with a complex and compelling lead character. With a cast of talented actors and a gripping storyline, it is sure to keep audiences on the edge of their seats from start to finish.
 
What Film does Steven Direct:
[X] marathon madness
$25 million
3rd quarter 1978
Do you Serve as Executive Producer for that film?
[]Yes
[]Yes and Ask to Star in the Film
[X]No
[X]Give it to Mike: Give Mike one of the two films that he requires for his deal

What Film does Martin Direct:
[X] Solomon Kane
$200 million
2nd quarter 1979
Do you Serve as Executive Producer for that film?
[X]No
[X]Give it to Mike: Give Mike one of the two films that he requires for his deal

What Film does Brian Direct:
[X] Killer Queen
$50 million
2nd quarter 1978
Do you Serve as Executive Producer for that film?
[X] Yes and ask for a staring role

What Film does George Direct:
[X] The playground
$100 million
3rd quarter 1979
Do you Serve as Executive Producer for that film?
[X]Yes and Ask to Star in the Film
 
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Okay with no one else suggesting anything here's my plan

[X] Plan Resurrecting Fantasy
-[X] Steven Spielberg: Conan the Barbarian
--[X]Serve as Executive Producer and Ask to Star in the Film
---[X] $40 Million budget
-[X] Martin Scorsese: Solomon Kane
--[X]Give it to Mike: Give Mike one of the two films that he requires for his deal
---[X] $40 Million
-[X] Brian De Palma: Dracula: Blood Origins
--[X]Do not Serve as Executive Producer
---[X] $30 Million

Very open to criticisms or suggestions. I didn't have Bruce be Executive Producer of Dracula because I assumed that both of them would be out of the country and our Producer bonus only happens if we have multiple productions in the same country. We serve in Conan and act as Executive Producer, Scorsese gets a great fantasy character piece in Solomon Kane, and Brian makes the best adaptation of Dracula until Castlevania.

The only other film I would be open to changing is having Spielberg do Marathon Madness if people would much prefer that over Conan. Also @Magoose Are we gonna produce a fourth Lucasfilms movie or more later this year becuase I need to know whether or not to have Mike be Executive Producer for Dracula.
 
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[X] The Cinematic Plan
-[X] Steven Spielberg: The Playground ($25 Million) Release: Summer 1978
--[X] Serve as Executive Producer and Ask to Star in the Film
-[X] Martin Scorsese: Solomon Kane ($20 Million) Release: Winter 1978
--[X] Give it to Mike: Give Mike one of the two films that he requires for his deal
-[X] Brian De Palma: The Kung Fu Kid ($10 Million) Release: Spring 1978
--[X] Serve as Executive Producer

I feel like Steven can do justice to The Playground, and I kinda miss Robin so working with him again would be great.

We should also start with Solomon Kane and establish a cinematic universe with Conan coming out after a year or two. So this seems like a great start.

And as long as we are on as Exec Producer, I would like to see Brian's take on the Kung Fu Kid.
 
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...so are we gonna be humiliated in baki like tyson...?
Probably more like Ali Jr. We'd also probably show up in the likes of Punch Out/Glass Joe, as well as showing up in Hajime no Ippo. The character based on us would probably be someone who just boxes as a hobby or for some other seemingly inane reason and then a fight with Ippo ignites a passion for it in him. We'd also probably show up in various other sports manga, either as good guys or more villainous characters depending.
 
[X] Plan Resurrecting Fantasy

While I'd prefer for Dracula to be released after Devil's Hour, since Brian wants to make it, we should let him make it.
 
[X] Plan Resurrecting Fantasy
-[X] Steven Spielberg: Conan the Barbarian
--[X]Serve as Executive Producer and Ask to Star in the Film
-[X] Martin Scorsese: Solomon Kane
--[X]Give it to Mike: Give Mike one of the two films that he requires for his deal
-[X] Brian De Palma: Dracula: Blood Origins
--[X]Do not Serve as Executive Producer
You forgot the budget we're giving the guys for production of the films.
Also @Magoose Are we gonna produce a fourth Lucasfilms movie or more later this year becuase I need to know whether or not to have Mike be Executive Producer for Dracula
You have the ability to as Mike may decide to start another film.
[X] The Cinematic Plan
-[X] Steven Spielberg: The Playground
--[X] Serve as Executive Producer and Ask to Star in the Film
-[X] Martin Scorsese: Solomon Kane
--[X] Give it to Mike: Give Mike one of the two films that he requires for his deal
-[X] Brian De Palma: The Kung Fu Kid
--[X] Serve as Executive Producer
Same here you all forgot to put the budgets for the films.
 
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