Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
Last edited:
[X] Steering the Ship and Developing Directing
-[X]Hiring Someone to Run the Ship: You are an Actor. George is more of a technical guy when it comes to movie-making, and is energetic about making it. You both have no fucking idea how to run a company like this. So, time to find help. DC: ???
-[X]Buy An Office: Working from home seems like a good idea until all this goddamn paperwork starts to get in the way. And you need space. DC: 0 Cost 500,000 Dollars (Linetail to ask George if you want him to help out with it, and split the expenses)
--[X] Cover all $500,000
-[X]Steering the Ship: George may be off making… ILM, or whatever it is called to pioneer special effects, and to start making the company money. So that means the Day to Day Operations are going to be up to you. For a time at least. DC: ???
-[X]The Industrial Lights, and Magic: So George has this pet project of his, and you want to see what exactly he has done in the month since he decided to… well show something. DC: 35/60/80 (Helping George can lead to interesting consequences)
-[X]And When She Smiles: Carrie was waiting for you with a book in her hand. "Can you help me with something?" DC: 30
-[X]The Details of Debbie Reynolds: She was back in Town, and she was going to sit you and Carrie down. For a nice, long talk. DC: 0/???
-[X]The Continuing Battle to Control George's Workflow: You need to make sure the man rests every once and awhile. DC: 40
-[X]Action Directing: It seems the town has been talking about how much of a beast you are at just being a stunt person. In fact, they knew you were a student of Bruce Lee. And they think that means you know how to stage and block a fight? Maybe you can DC? ???

I like Plan Lucasfilm Awakens, save for two things:

1. It has us hire someone to run the ship, but no one is currently running the ship while we hire someone. We might not like who we get or there might be a delay- and either way the company is still running while we get candidates and interview. Don't want the ship to steer off-course immediately.

2. It has us develop a script we wrote. Right now, our writing is 10, meaning we just know how to write the English language. We should work on that, of course, but first we would develop our strength and work on either Bruce's Acting or Directing. With his skills in martial arts, he would be an amazing action director if he polished his skills up more. Especially since we are working with George, who let us do the action directing in American Graffiti.

So, trying to up the Directing skills. I'd love to work on Acting skills, too, but every action is needed somewhere else. Since we are still on MASH and have an upcoming TV appearance, we can postpone auditioning for one turn in favor of developing our Directing skills. (Plus, want to get our Directing skill past "absolutely bog standard" when we are nominated for a Directing Emmy.)
 
AHAHAHAHA

But then we wouldn't win any World Series rill 2020:V

The next World Series they have is '81. Not that my idea was anything than an amused observation.

And it's not like the outcomes of important sportsball games aren't easily butterflied. There's no reason why the outcomes have to stay the same decades later.

Though, to be frank, the only time I gave a f*ck about sports it was when I was watching my younger brother's amateur hockey games. And the one time me and my dad attended a baseball game we left before it was over. Most times when it comes up in AH I practically fall asleep from boredom.
 
I like Plan Lucasfilm Awakens, save for two things:

1. It has us hire someone to run the ship, but no one is currently running the ship while we hire someone. We might not like who we get or there might be a delay- and either way the company is still running while we get candidates and interview. Don't want the ship to steer off-course immediately.

2. It has us develop a script we wrote. Right now, our writing is 10, meaning we just know how to write the English language. We should work on that, of course, but first we would develop our strength and work on either Bruce's Acting or Directing. With his skills in martial arts, he would be an amazing action director if he polished his skills up more. Especially since we are working with George, who let us do the action directing in American Graffiti.

So, trying to up the Directing skills. I'd love to work on Acting skills, too, but every action is needed somewhere else. Since we are still on MASH and have an upcoming TV appearance, we can postpone auditioning for one turn in favor of developing our Directing skills. (Plus, want to get our Directing skill past "absolutely bog standard" when we are nominated for a Directing Emmy.)

Okay, I'm down with getting rid of Kung Fu kid development in favor of adding steering the ship. However, I would prefer for us to get auditions done this turn because that way we can get a part to work on in November and then for three months focus all of our acting in MASH. Since we are probably going to get a turn in November, we can take an action focused on directing there to give us a minor boost in preparation for another directing job for a MASH episode. Though since we're at such an average point for directing unless we get nat 90s for both October and November, I highly doubt that missing out on one month would make a major difference.
 
SO I have a small Omake request, that I kinda want to see, as I am really without time right now to make it.

How does the Hollywood elites react to George and Bruce deciding to Team up and rock the boat?
 
Last edited:
Fable: (Anthology Series: Folklore / Mythology / Urban Legends)



Pitch: A seven episode one-hour miniseries that focuses on, or rather highlights, underrepresented stories in folklore and mythology with each episode focusing on a different culture from around the globe, with the last fifteen(ish) minutes of "post-credits" explaining the historical and cultural context of the story.



If picked up for additional seasons, the show would follow a similar seven episode structure.





ex.

Episode 1: Africa (Akan- How the Sky-God's stories came to be Anansi's stories)

Episode 2: Asia (Korea- Transformation of the Kumiho [구미호의 변신])

Episode 3: Australia (Pitjantjatjara- The Great Snake King Wanambi)

Episode 4: Europe (Slovak- Lomidrevo)

Episode 5: North America (Algonquian- Wendigo)

Episode 6: Pacific Islands (Tongan- Māui-Motu'a)

Episode 7: South America (Guarani- Ayvu Rapyta)

I'd like it if we could try for 8:00 and have the first episode be that of Gilgamesh, so that we start with the First story.
 
Movie Pitch: The Lorax
Prompt Name: The Lorax
Genre: Animated, Comedy, Philosophy, Musical
Sub-Genre: Corporate Morality, Rags to Riches to Rags
Format: Animated Movie (2D or 3D would be fine)
General Idea:

The movie starts in the town of Thneedville, where this song is being played as it pans through the town. This version of The Lorax is a pseudo-epilogue as we follow through Ted's plot of materialistic want, wanting to impress a materialistic girl that wants a tree because she views it as an accessory rather than something necessary. He goes out to discover the ruined fields of Truoutside of Thneedville where he discovers a lone house where he meets an old man (his face is not seen) named the Once'ler.

This portion of the movie then goes on with the Once'ler telling his tale (There will be two perspectives, the Clean and Innocent one from the 2012 adaption will be what he tells Ted. The second perspective is a mix between the 2012 and Cartoon version, which is actually shown on the screen.)

Perspective 1 will only be shown through dialogue.

Perspective 2 will be shown after Ted leaves, showing what really happened behind the scenes as Onceler kept cutting down trees even with the promises he made. It was until his family arrived that the amount of trees being cut down increased with the development of Thneed factories. The Onceler (who is actually this nice guy and means well) begins his own rise to power (this storyboard and song will be used).

Act three ends with the Unless scene, where both perspectives merge into one (the storytelling/dialogue merges with what is shown.) Ted returns to Thneedville, slightly still this materialistic lad who wants to impress a girl that likes materialistic things. It was until when the tree was planted and grown that he shows her..she begins gushing out about the aesthetics of the tree as he tells her facts about the Truffula Trees he learned from the Onceler only to feel frustrated as she seems to not care the interesting facts about it and had a single moment to realise with his self-awareness that his reason for wanting to plant the trees is now different compared to when he began.

Getting more seeds from the tree after she left, the movie ends with him working towards planting more trees while the populace remains sceptical, some downright furious at him trying to demolish the infrastructure and aesthetic beauty of the city. After all his efforts causing the trees to be cut down by the others (mostly O'Hare), he leaves the city as he tells them one final quote. "Unless someone who cares a whole awful lot, nothing is going to get better. It's not."

Extra Notes: O'Hare will not be some random annoyance like the 2012 version, rather he is not seen, gives out grey-morality reasons why his company exists and why it will not shut down anymore shops, making the people aside from Ted feel indebted to him. (Sounds familiar?)

Onceler will also recite reasons he gave to the Lorax why he continued building his company and not quit (such as: Not wanting to get thousands of people out into the streets, giving the people a warm place to live in, etc.) He also goes through the one realisation in the "Unless Scene" and the reason he never planted much was the fact not receiving The Lorax's forgiveness and the friends he made on the way are gone made him feel tremendous guilt and remorse.

(Optional) He also gives a quote: "That's why I am Onceler, because there I only have one chance in life. Afterwards it's all set in stone."

The Onceler's family is also part of the movie..all they do is just come over, offer no advice, and just leaves after the entire corporation collapses after the Truffula Trees are all gone. (Up to interpretation of the Message)

(May or may not be removed down the line) Biggering scene will be played as a backflash and truth after Onceler gives Ted the last Truffula tree as he feels remorse at having to slightly lie to him as the camera pans out to reveal he was the one who built Thneedville.

The point of the film and why the Ted segment exists is because there will be youngsters and adults who will not relate with the Onceler (many of them would actually separate themselves from the Onceler as there is no face and some will deny they are young Onceler). Unlike the 2012 version this one actually goes through a character development and self-awareness realisation. This tackles two things: Environment Awareness and Consumer Awareness.

More to be added/removed/created/etc. Later when picked.

This version of Biggering's Storyboard can also be combined with the original version (except the beginning of this version.)

N/A: Decided to create a mix of 2012 and Cartoon Lorax..and create a film that will burn down the curtain that separates Consumers and Companies. It also is in our theme of essentially creating a revolution in Hollywood as this would be a very ambitious movie in my point of view. Also screws over Hollywood companies and others that is just there to create money and nothing else.

I wonder what Disney and the others will think of this version of The Lorax..
 
Last edited:
Movie Pitch: Buckeye and Maple
An idea that's been kicking around in my mind for a while on this thread, and @RealOtto 's mention of Ford's amnesty for draft dodgers in 1974 (it didn't cover deserters or those who had fled the United States, by the way) made me decide to write up a prompt for it.

Also, not sure if other genres would be included, so any feedback would be appreciated.



Prompt Name: Buckeye and Maple ('buckeye' is a reference to Ohio, the Buckeye State, while 'maple is of course a reference to Canada)
Genre: War, Drama
Format: Live-Action Movie
General Idea:
The movie starts with focus on two high school seniors, Peter and Roy, who have just graduated in their small Ohio hometown. The two are great friends and the opening of the movie focuses on their friendship, however TV and radio reports of the Vietnam War cast a pall over the town.

Things get worse when, shortly after graduation, Peter and Roy both receive draft notices. Both of them are reluctant to leave, but while Roy's family convince him that he should comply with his notice Peter sneaks away in the middle of the night, believing the war is wrong. He makes his way to Canada to avoid the draft. The movie then alternates between the two young men, with Roy having to deal with basic military training and adjusting to military life while Peter starts up a new life in Canada, continuing his studies and dealing with his feelings of guilt at leaving his homeland.

The movie continues with Roy being shipped to Vietnam and engaging in combat, having to deal with the ugliness of war but finding some comfort in the comradeship of his fellow soldiers. Meanwhile Peter is continuing to build his life in Canada, including a steady relationship with a Canadian girl he has met, when he receives word that his mother is gravely ill. He sneaks back into the United States and returns to his hometown, where he shares his mother's last days with her and enduring the scorn of many of the townspeople including Roy's family and some of his former high school friends, however his mother tells him that she understands he has to walk his own path. This is the last conversation Peter and his mother have before she dies and, after attending her funeral, Peter returns to Canada.

After finishing his tour of duty in Vietnam Roy returns home to try to adapt to civilian life, only to find that while his family supports him many others in his home town now consider him little less than a war criminal. Unable to deal with the mistrust in his home town Roy moves to another city where several of his comrades from his military service and living together and supporting each other. In an effort to reconnect with his old friend Roy writes a letter to Peter (whose Canadian address he got from Peter's father) , describing what he has been through in Vietnam and stating that he doesn't blame Peter for dodging the draft. The movie ends with Peter reading Roy's letter in his apartment in Canada, relieved that Roy doesn't hate him. He begins writing a letter to Roy in reply, as in the background a TV plays the newly-appointed President Gerald Ford's announcement of an amnesty for those who dodged the Vietnam draft, also noting that it does not apply amnesty to those who fled the country - like Peter.


Basically it's a story about two friends who are forced to leave home, endure troubles as they find their own paths and build their own lives but still retain their friendship, all against the backdrop of the Vietnam War.
 
Back
Top