Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Doesn't that mean that, due to the amount of Pitches and scripts we've put out, that there's less chance for the Animated movies scripts to be written? If only because there is more Live Action Pitches and scripts than animated ones?
there will be originals and IRL pitches that will be used however.

Like an American Tale, and other such.

I have planned for this, please have some trust in me.
 
Vision of a City Upon A Hill
Vision of a City Upon A Hill:

It began in the fog of unrest, this ghostly image of the City building itself up and around him even as he continued his efforts preforming some...work, great and terrible, even as its nature eluded him. All he knew in these moments was a great web of bloodless string ensnaring each and every part of him as he toiled in that vast, ethereal sea. Eventually and with great effort he began to look around, slowly turning to see little Sarah Flaherty standing a few feet away from him, beckoning him to come closer.

As Bruce stepped forward, suddenly and similarly a child, Sarah took his hand and led him through the sea, and as they sloshed through the sea, Bruce saw visions of the worst and best humanity had to offer and saw the horrors of war, the devastation of natural disasters, and the exploitation of innocent people, each and every foul act greatly wounding them as he was forced to walk past, his every instinct to give aid suppressed. And yet...for every vile act, he also saw twiceover the kindness of strangers, the love between friends and family, and the beauty of the natural world.

As they continued walking, Sarah led Jack to a street where children were playing. They were laughing and running around, just as Jack and Sarah used to do when they were young. But suddenly, a group of men in all manner of official dress appeared and chased the children away, laughing as the streets grew swiftly to rot as they grew into dens of sin. They instilled fear in them and forced them to stay within the confines of their home, turning neighbor against neighbor in effort to keep them distracted from the sin of pride unchecked. Sarah then looked at Bruce with a gentle, sad smile, knowing what he was thinking as his rage grew deep in his breast. She walked away from him and out among the poor, with each step having her grow older in wisdom and bearing as she soon gained the bearing of Sister Brigid in her final hours but Jack was unable to follow. Chains made of coin, of pride, of each and every excuse held him within the walls of an ostentatious structure, trapping him in his own ambition...and then he awoke.

In those groggy moments of first waking up, covered in cold sweat, it was to uncertainty, the fear that he had lost sight of what was truly important in life, that he had become consumed by his desire for wealth and power, and he had forgotten about the simple joys of life - like playing with friends in the street, becoming like the men he had come to despise in this town and felt a deep sense of regret. It wasn't until he wandered down the stairs, searching for the elixir of blackwater, that he heard the sounds of children's laughter. Confused, he wandered into the living room to find Carrie having fallen asleep to a PBS documentary, with there now being a showing of Mr. Roger's Neighborhood about...architecture. Search for coffee forgotten, he wandered back up the stairs in a daze to find a file in his desk, almost forgotten...the Ildefons Cerdà's Plans. Quickly flipping through the proposal, he saw that the rough outline for the proof of concept for a more naturalistic city plan, one that allowed the people a chance to make the city spaces their own, a place for children to play wild and free...

Slowly, gently he reached further into the desk and shook loose the stray photograph of all of them as children, laughing in the street as they had snagged Mr. Flaherty's camera to document their mischief, Sally's being the brightest spark of them all. Trembling slightly, he vowed to ensure that no matter who they were, each and every man, woman and child deserved a slight chance at happiness...and with all these people making their way to the City of Angels, now might be the time to ensure that they had proper quarters to live and raise themselves up.

"It is required of every man," Bruce whispered, mind wandering to an old passage he remembered Sally highlighting over and over again in her writings, "that the spirit within him should walk abroad among his fellowmen, and travel far and wide; and if that spirit goes not forth in life, it is condemned to do so after death."

A few moments, that felt as if a great many days had passed by, as old sorrows waned and waxed again, before he slowly fell to his knees and heartedly, raspedly whispered, "Almighty and most merciful God, we remember before you all poor and neglected persons whom it would be easy for us to forget: the homeless and the destitute, the old and the sick, and all who have none to care for them. Help us to heal those who are broken in body or spirit, and to turn their sorrow into joy. Grant this, Father, for the love of your Son, who for our sake became poor, Jesus Christ our Lord. Amen."
 
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[X] Plan Conan the Rich Barbarian

Should we make Toy Story Pixar's first Animated Film? Or something else?
It might be a bit early to do Toy Story. The film came out in 1995 in our timeline and was already revolutionizing technology in computer animation, I don't see it being feasible to do something like that at this period of time. It's like how James Cameron had the idea for Avatar for years (since the 1990s), but had to wait for technology to catch up before he could make it.

Let's give it 15 years at least, and maybe use this time to push traditional 2D animation to new heights before we go 3D.
 
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No, they delayed it due to Superman being the biggest gamble right now.

And George wouln't care too much, after all as long as we're not using our properties, he's fine with that.

The thing he worries about is the studios trying to get us into a crazy contract that would force us to sell all our stock to them or some shit.

Next writer turn will see the Elvis Spy movie.

And when we get home, that action will appear.

That's good to hear that we can play Batman. Not really interested in doing tons of non-Lucasfilms stuff, only the most iconic of roles along with the occasional fun cameo.

As for the Ginger action, apparently Cats are only fertile between February to August so I guess we missed that window for the year. Probably for the best because it would be messy to have Ginger give birth around the same time Carrie does, best to do it next year after we've had our kid and Bruce and Carrie get the hang of being parents before raising kittens.

Wait..just realised we have Pixar that is being set up by George as of this moment..

Should we make Toy Story Pixar's first Animated Film? Or something else?

Don't see any reason why it wouldn't be. Although don't expect to do Toy Story next year because the tech is literally impossible at the moment and it's going to take years to get any kind of full CGI film.

In the end, it's pretty funny that we got access to both Dreamworks and Pixar for our animation catalog and now Shrek will be part of the same company as Woody. I guess that means for Disney that a lot of their cancelled projects get the greenlight here.

Vision of a City Upon A Hill:

It began in the fog of unrest, this ghostly image of the City building itself up and around him even as he continued his efforts preforming some...work, great and terrible, even as its nature eluded him. All he knew in these moments was a great web of bloodless string ensnaring each and every part of him as he toiled in that vast, ethereal sea. Eventually and with great effort he began to look around, slowly turning to see little Sarah Flaherty standing a few feet away from him, beckoning him to come closer.

As Bruce stepped forward, suddenly and similarly a child, Sarah took his hand and led him through the sea, and as they sloshed through the sea, Bruce saw visions of the worst and best humanity had to offer and saw the horrors of war, the devastation of natural disasters, and the exploitation of innocent people, each and every foul act greatly wounding them as he was forced to walk past, his every instinct to give aid suppressed. And yet...for every vile act, he also saw twiceover the kindness of strangers, the love between friends and family, and the beauty of the natural world.

As they continued walking, Sarah led Jack to a street where children were playing. They were laughing and running around, just as Jack and Sarah used to do when they were young. But suddenly, a group of men in all manner of official dress appeared and chased the children away, laughing as the streets grew swiftly to rot as they grew into dens of sin. They instilled fear in them and forced them to stay within the confines of their home, turning neighbor against neighbor in effort to keep them distracted from the sin of pride unchecked. Sarah then looked at Bruce with a gentle, sad smile, knowing what he was thinking as his rage grew deep in his breast. She walked away from him and out among the poor, with each step having her grow older in wisdom and bearing as she soon gained the bearing of Sister Brigid in her final hours but Jack was unable to follow. Chains made of coin, of pride, of each and every excuse held him within the walls of an ostentatious structure, trapping him in his own ambition...and then he awoke.

In those groggy moments of first waking up, covered in cold sweat, it was to uncertainty, the fear that he had lost sight of what was truly important in life, that he had become consumed by his desire for wealth and power, and he had forgotten about the simple joys of life - like playing with friends in the street, becoming like the men he had come to despise in this town and felt a deep sense of regret. It wasn't until he wandered down the stairs, searching for the elixir of blackwater, that he heard the sounds of children's laughter. Confused, he wandered into the living room to find Carrie having fallen asleep to a PBS documentary, with there now being a showing of Mr. Roger's Neighborhood about...architecture. Search for coffee forgotten, he wandered back up the stairs in a daze to find a file in his desk, almost forgotten...the Ildefons Cerdà's Plans. Quickly flipping through the proposal, he saw that the rough outline for the proof of concept for a more naturalistic city plan, one that allowed the people a chance to make the city spaces their own, a place for children to play wild and free...

Slowly, gently he reached further into the desk and shook loose the stray photograph of all of them as children, laughing in the street as they had snagged Mr. Flaherty's camera to document their mischief, Sally's being the brightest spark of them all. Trembling slightly, he vowed to ensure that no matter who they were, each and every man, woman and child deserved a slight chance at happiness...and with all these people making their way to the City of Angels, now might be the time to ensure that they had proper quarters to live and raise themselves up.

"It is required of every man," Bruce whispered, mind wandering to an old passage he remembered Sally highlighting over and over again in her writings, "that the spirit within him should walk abroad among his fellowmen, and travel far and wide; and if that spirit goes not forth in life, it is condemned to do so after death."

A few moments, that felt as if a great many days had passed by, as old sorrows waned and waxed again, before he slowly fell to his knees and heartedly, raspedly whispered, "Almighty and most merciful God, we remember before you all poor and neglected persons whom it would be easy for us to forget: the homeless and the destitute, the old and the sick, and all who have none to care for them. Help us to heal those who are broken in body or spirit, and to turn their sorrow into joy. Grant this, Father, for the love of your Son, who for our sake became poor, Jesus Christ our Lord. Amen."

All for doing urban development, but as MysteryCPU said the Barcelona plans are shit for Los Angeles due to American socioeconomics and culture. Would be better just to create high quality urban housing and maybe dedicate some charity actions paying off mortgages for struggling families.
Hoping that we start massively investing in Lucasfilm next turn once we get some Star Wars money.

Not a big fan of using Cerda's concept in Los Angeles. Unlike 1860's Barcelona, the United States (and especially LA) has a heavy car culture where a lot of parking is needed. Also, the US has a heavy gun culture and LA has a crime issue. Which can be an issue when gangs have been known to take over housing projects and the plan seems to create semi-enclosed housing districts.

Just seems to be wrong time, wrong city.

If we want to develop the city, would rather hire modern urban planners and work together rather than forcing a concept from a 100+year old urban planner that Bruce likes into a city that might not be a good fit merely because he has the money to do so.
 
All for doing urban development, but as MysteryCPU said the Barcelona plans are shit for Los Angeles due to American socioeconomics and culture. Would be better just to create high quality urban housing and maybe dedicate some charity actions paying off mortgages for struggling families.
I've talked about this before [I'm 97% sure it was to you too], but the part of his plans that I've been highlighting [literally have it timestamped for this purpose] is not only how modular the plans were, but how they were meant to create a public spaces and gardens internal to each of the buildings...that the city didn't end up using, even removing the height requirements to the buildings that would have allowed more sunlight, in order to create more urban housing, shrinking the liveable areas for the common man and completely defeating the purpose of his designs.

It was to take inspiration from the best parts of the design, giving people a larger liveable footprint, public parks and spaces for that would open the community up to multiple micro-communities in each block as it even says so in the plan (highlighted).
--[X] Housing Development [$15 Million]: After having read Ildefons Cerdà's original plans for Barcelona [during one of your visits to the Library with Carrie], you've come to realize that with your considerable capital you could actually implement his plans on a widescale level and improve the lives of ordinary folk by a considerable margin. In that vein, you've decided to take a look a look at various locations throughout the greater Los Angeles metropolitan area that would suit your project and taking steps to reach out to a reputable Civil Engineer to bring your vision to life, one where a developed urban center and affordable apartment housing can coexist with nature in harmony, with everything the common man needs; you also plan to leave space for higher educational and religious centers, but the priority is that people can live here relatively peacefully and without fear of unreasonable oversight, where parents don't have to be afraid for their children's safety.
 
Movie Pitch: Basil Of Baker Street
Damn, I remember watching this movie back when I was a kid and enjoying it a lot. Thing is, I did not know this was a Disney movie back then, the entire flow, tone and even characters are so different to what Disney usually put out that I never once thought that this could've come from the same place. It was only years afterward that I learnt about it, and even more when I read about the culture of Disney on the inside where I saw how the entire movie was made, how it was perceived, how its budget was actually slashed, and even then, they created a masterpiece that endures even to this day.

Frankly, I would've expected everything to collapse, but Musker and Clements did it again, created an excellent movie when the odds were against them. I'm so glad we hired them.

Now, with the advent of Pixar and computer animation (though it will take some time before we can use it) I figure that soon enough we'll be able to do justice to the scene with the cogs (which admittedly was one of my favorites), not to mention having the showdown between Professor Ratigan and Basil of Baker Street once more (and this time, we keep the name).

So, I give you:

Movie Pitch:
Basil Of Baker Street


GENRE: Noir/Mystery

SUBGENRE: Adventure/Action

FORMAT: Movie (Animation)

Set Up: Based on the children's book series Basil of Baker Street by Eve Titus, the main characters are all mice and rats living in Victorian London. Basil, a mouse detective emulating the legendary Sherlock Holmes, is called upon to solve the case of the abducted father of Olivia Flaversham, a young Scottish mouse, with the help of Major David Q. Dawson, formerly a Major in the Queen's army. During the investigation, Basil discovers it's all part of a sinister plot against the Queen by his archnemesis; Professor Ratigan.

Director: Ron Clements and John Musker
Composer: Henri Mancini
Detective Basil of Baker Street: He is a take-off of the classic Sherlock Holmes character, modeling his career after the famous detective's. Basil is a brilliant, plucky mouse who refuses to back down or end his pursuit against Prof. Ratigan, which makes him tenacious. He comes off as a jack-of-all-trades, showing skill in areas such as science, history, and disguise, not to mention being physically capable. However he can also be prickly and self-centered as well as very emotional and operatic, becoming very moody if things do not go his way or if the situation looks dire.

Played By: Barrie Ingham
Alternate: Sylvester McCoy

Doctor David Q. Dawson: Dr. Dawson is a bumbler who has a good heart and joins Basil on their hunt to find Mr. Flaversham, Olivia's father, from the diabolical Professor Ratigan. He previously served as the Queen's sixty-sixth Regiment in Afghanistan, and is made Basil's partner at the beginning of the case, providing necessary encouragement when in their darkest moments. He later becomes Basil's assistant and the two mice become lifelong associates after Ratigan is defeated.

Played By: Jeremy Irons
Alternate: Peter Cullen

Olivia Flaversham: She is generally an innocent, sweet, rambunctious, very brave little girl mouse. She adores everyone, especially her father (who's kidnapping by Fidget sends her searching for him with the aid of Basil), and is fond of fuzzy animals, particularly Toby. She becomes irritated when people tell her last name wrong, so she typically corrects them (on one occasion, with the help of Dr. Dawson), although by the end, it is shown to be an inside joke among them.

Played By: Drew Barrymore
Alternate: Tara Strong

Hiram Flaversham: He is the devoted loving father of Olivia (and a widower as well) and is said to be the best toymaker in all of London. His specialty is the creation of clockwork toys. He is kidnapped by Fidget, Ratigan's underling, and commanded to build a replica of Queen Mousetoria in order to aid Ratigan's plans to use her as a way to gain control of the entire kingdom. Though he refuses at first, he crumbles when he's threatened with his daughter's life.

Played By: Ian McKellen
Alternate: Patrick Stewart

Professor Ratigan: He is a pernicious, yet suave crime lord, he is the archenemy of Basil of Baker Street, who proves to be an obstacle in his grand scheme to control all of Mousedom. He is obsessed with his status as a mouse, but when labeled a rat, his ostentatious demeanor shatters and reveals a violent and savage mind. Ratigan is regarded as the most infamous criminal in all of Mousedom, with the only road block in his plots being Basil himself, their rivalry spanning years.

Played By: Vincent Price
Alternate: Christopher Lee

Fidget the Bat: A peg legged bat and Professor Ratigan's right-hand man. Fidget is a cowardly, greedy minion in the employ of Professor Ratigan. He is somewhat forgetful, as he left his hat and Ratigan's list (which allows Basil to track him down and find his hideout, respectively) when he ran away the first and second time, respectively. Despite this, he is also cunning; he tends to use stealth to carry out the tasks given to him by Ratigan. And in spite of his physical hardships, he's still quite scrappy. He isn't a very good speaker either.

Played By: Candy Candido
Alternate: Frank Welker
Mrs. Judson: She is Basil's maid. She lives in an apartment of Baker Street with Basil of Baker Street. She made cheese crumpets for Dawson and Olivia, acting as a mother figure towards her.

Played By: Jeanette Nolan

Queen Mousetoria: The Queen of Mousedom and Ratigan's target in replacing her with a robotic facsimile. She is saved by Basil and friends, Knighting him and Dawson in thanks.

Played By: Eve Brenner

Mrs. Kitty Mouse: Miss Kitty is a tall, slender mouse who is usually called to sing and calm down the crowd in the Rat Trap when they get too rowdy. She has a lovely voice, is very agile and quick.

Played By: Melissa Manchester
Toby: He is the dog of Sherlock Holmes, who lives above Basil of Baker Street. Although he is Holmes' dog, he helps Basil solve cases, too, and is perhaps Basil's most loyal friend (aside from Dawson). He aids them in several occasions and serves as

Felicia: She is Ratigan's fat, spoiled pet cat. He keeps her happy by feeding her hostages and henchmen that make him mad. She eventually gets mauled by dogs after trying to eat Queen Mousetoria.

A.N.: You know, I would be fine if this gained either a sequel, or a TV series. But I was thinking that in that case, we could have Miss Kitty be like the mouse interpretation of Irene Adler, the one person to match (and defeat) Sherlock Holmes. She is pretty iconic in the books, and became near legendary among the fans of the detective despite having a single appearance in the books.
 
In the end, it's pretty funny that we got access to both Dreamworks and Pixar for our animation catalog and now Shrek will be part of the same company as Woody. I guess that means for Disney that a lot of their cancelled projects get the greenlight here.
Yeah, but if we want to complete the Holy Animation trinity we still need to recruit Will Winton so that we can get Laika, the masters of Stop Motion

And maybe we can either buy or make long term deal with Jim Henson's Company, to make sure that the great decline that Puppetry in movies and TV doesn't end up suffering the shsrp decline that it had in the 90s and 2000s...
 

Nah, there earlier talks to create our own Pokèmon show..

Which is what @Magoose wants to sweep under the carpet..after me finding out someone got rewarded for posting Mulan.

forums.sufficientvelocity.com

Lights... Camera... ACTION!!: An Actor Quest Original

I feel..challenged.. Anime Show Pitch: Pokémon: Ho-Oh Genre: Adventure/Action/Strategy Format: Japanese Animation Set-Up: (First Episode can be changed depending on the Questers) Theme Song: https://youtu.be/Nx_iwuspA0M First Episode: The story begins with an introduction to the World of...
 
Red Lake
Red Lake
The waters will run red...

Genre: Slasher/Horror
Sub-Genre: Thriller/Mystery

Outline: The movie follows a group of five teenagers hired on to get the summer camp, Camp Hope, fixed up in time for the following weekends arrival of adolescent campers.

The teens soon find out that there is more to the camp than was let on, as a nearby homeless man who lives in the woods tells them of the camps original name, Red Lake, named so after the owner of the land Hamilton Red. Thirty years ago Hamilton's only daughter, Scarlet, was tragically killed in a forest fire due to a group of Satanic Cultists lighting fires in the forest. Ever since the land has been cursed, and locals claim that Scarlet's ghost still haunts the lands.

The Teens soon find themselves getting killed off one by one, till only the final girl Tammy is left to fend for herself and find out the truth behind Red Lake.


Plot: The movie opens up to 1976, where we are treated to a POV shot of someone moving through woods along a beautiful shot of the lake under moonlight. The POV sweeps over to spot a campfire in the distance, and the POV gets closer to eventually reveal a pair of young adults making out near the fire, the POV steps forward and the girls lets out a scream, only for the guy she was making out with to chastize the viewers(aka the POV) for scaring them. The POV steps forward again, and through a reflection from a nearby hand mirror that's been nailed to a tree we see that the POV is just another normal young adult who laughs and apologizes for scaring them.

Suddenly a masked figure emerges from the brush. They're wearing a yellow raincoat and fisherman's overalls, as well as deer mask that seems to be made out of an actual taxidermied deer head. The Slasher grabs the other young adult male and slams a wood chooping axe's bladed edge into his throat, nearly severing his neck in one go before letting go of his head, letting it flop to the side and reveal his throat and spine as the wound spurts blood. The girl screams and tries to crawl away, but the Slasher grabs her and slams the axe into the back of her skull once, twice, three times. The Slasher then turns to the POV male, who screams and runs off int othe forest. Through the POV shot we see him scrambling and bumping into trees, screaming out for help as he runs for his life. He spots a boat off in the lake, and just as he makes it to the tree line he's grabbed from behind and spun around, coming face to face with The Slasher, who rears back and slams the axe at his face.

RED LAKE

We cut to 1979 and five teens are travelingn along in a van, singing to some tunes. The one at the wheel is Justin, who seems to be intent on making commentary on how rural America is getting shafted by the elites up in Washington all while smoking a joint. In the passenger seat is his boyfriend Tomas, a foreign exchange student from some European country who's more interested in just sketching the landscape around them, although he does still show he's paying attention to Justin by chiming in now and then. One of the girls in the back is applying a tattoo the back of another girl, these two are Jane and Cathy(the one getting the tattoo). Jane tells Cathy not to move so much, and Cathy jokingly complains that it's a bit difficult to stay still in a moving vehicle. the final teen in the back is a boy with large glasses, seemingly intent on reading a book on local fauna by the name of Peter. Through dialogue we learn that Peter and Jane are siblings, and that all of the teens are hear in order to earn some summer cash by getting the cabins ready and set up for Camp Hope. Jane makes note that it's strange the camp would be paying them so much just for a weeks worth of work, but Justin points out that the people who run the Camp always have trouble finding help each year. Peter talks about how he and Jane went to Camp Hope when they were ten, and how Peter ran into a deer that was eating a raccoon and it scared the shit out of him. Tomas finds the story weird, as deers are herbivores, but Cathy just jokes that it probbaly had rabies.

The teens arrive at camp and get to work first getting their own bunks set up. There's only four beds, so Justin states that in consideration of the group he'll happily bunk with Tomas, and Tomas jokes that Justin just likes to cuddle.

We see through a POV shot that somebody is watching the teens from the woods, focusing intently on Peter as he gets everybody's bags from the van. Peter seems to hear or see something and looks towards the woods, and the POV ducks behind a tree. Before Peter can investigate he's called in by Jane.

Jane reveals that they found a stash of booze underneath one of the bunks, and everybody decides that they'll have a party and get to work on the rest of the cabins in the morning. During the bonfire party everyone is dancing, Tomas and Justin make out a bit while Justin complains about the destruction of the environment and greedy corporations, and Jane teases Peter into asking Cathy to dance. Before Peter can work up the nerve a homeless hermit man emerges from the woods, scaring everyone(and making Justin drunkenly scream out that it's the Feds) before warning the teens to hurry and leave these cursed woods. He tells them the story of the lands true name, Red Lake, and the horrible story behind Hamilton Red's daughter Scarlet and her untimely demise by flames due to Satanists. the Hermit warns each of them that their deaths await them if they stay, before grabbing one of the bottle of booze and running off into the woods cackling about blood, death, and taxes. Jane says that they should all hit the sack after something that messed up, and they all agree.

We cut to the Hermit as he chugging away at the booze, him stumbling through the woods, only for a noise to catch his attention. He hollers for who that could be, before turning around and walking off, only to have an axe head whip around from behind a treee and embed itself in his skull. As the Hermit falls to his knees, babbling inhorently, The Slasher comes out from behind the tree and yanks the axe from the side of the Hermit's head, before raising it above their own and then slamming it down onto the top of the Hermit's head with such force that it splits his noggin right down the middle. The Slasher takes their axe out of their victims head, and then drags the poor Hermit's body off with a trail of blood behind them.


In the morning the Teens are getting the rest of the cabins fixed up, and Jane finds an old journal of hers under the floorboards from when she and her brother Peter went to the camp. She opens the journal up and is surprised to see drawings of some figure in a yellow raincoat with a deer head in nearly every one of the pages. The final page has in crayon of a young Jane and the deer person holding hands in the forest.

A scream breaks the silence as Jane exits the cabin and runs outside to find Cathy hysterically screaminig and pointing at the van. In drivers seat is the Hermit, his head brutally split open and blood covering the front seat. Jane looks around the front of the van and sees an even worse sigh, the engine and wires have been destroyed, a wood chopping axe sticking out with a bloody hand print on the handle...

The Teens begin trying to figure out what the hell happened, and with Justin still being hungover from the night before he sitting this one out while Tomas and Jane try to work something out. While they're discussing this Cathy goes off to vomit near the tree line, where she spots the Slasher watching her ominously. She screams again, running off and meeting back up with the others near their cabin where she tells them what and who she saw. Tomas is a bit disbelieving, but Peter chimes in that what Cathy just described sounds just like the deer he saw all those years ago.

The group finally decide to just hike it out of there and make it back to the main road, figuring that safety in numbers will protect them. They make their way along the path towards the exit when Justin is suddenly shot in the leg with an arrow. In a panic the teens scatter, Tomas dragging Justin with him as another arrow narrowly misses his head. The two of them manage to dodge more oncoming arrows, and duck behind a tree. After a few moments of peace Tomas peeks his head around the tree, only to immediately have an arrow embed itself into his eye and out the back of his skull, killing him instantly. Justin cries out in anguish as the Slasher approaches, clinging desperately to Tomas' lifeless corpse while calling the killer every name under the sun. The Slasher raises their bow and fires another arrows that goes directly into Justin's throat, making him choke on his own blood before falling dead on top of Tomas.

We cut to Cathy next, stumbling through the forest and crying before coming across a ravine with a log connecting to the other side. She spots the Slasher approaching and hops onto the log, slowly walking across to the other side as the Slasher approaches with powerful strides. She finally makes it to the end of the log and cheers, jumping off only to immediately step into a bear trap that crunches into her leg and makes it fall down, her arm landing in another bear trap. She writhes and screams in pain as the Slasher watches for a moment, tilting their head in amusement before bringing their axe down onto Cathy's face.

It's gotten darker, Peter and Jane slow down as they are out of breath. Peter asks where the hell the exit to this place is as it feels like they've been walking in circles the whole time. Jane can't figure out where they are either, however as the two of them explore deeper into the woods they find, of all things, a large mansion just out of the way, overcome by vines and dirt. They enter the home, and after a bit of exploring find that they are in the old abandoned Red Manor. Along the walls are pictures of the family, showing Hamilton Red and his daughter Scarlet. Strangely there's pictures of Hamilton and some bandaged up figure in paintings further down, and Jane realizes with horror that that must be Scarlet, and she never died.

Jane and Peter finally come across the most gruesome sight in the Manor, the decayed and rotting corpse of Hamilton Red himself. Just as Peter reaches out to touch the corpse, the front door is thrown open and the Slasher, now who we know as Scarlet, bursts into the manor with her axe in hand. Peter and Jane rush around the manor to escape, heading up the long spiral staircase to the top of the manor with Scarlet hot on their heels. Eventually Peter trips and his glasses fall off, while he's looking for them frantically Scarlet grabs him by the ankle and lifts him up like a doll before chopping his leg off at the knee. Jane screams in fury and takes a nearby vase and smashes Scarlet in the face with it, knocking her mask off and revealing a horribly burned appearance. Scarlet goes to hack at Jane but Peter grabs onto Scarlet, causing the two of them to tumbling over the balcony and fall four stories down to the floor below.

Jane looks down in horror at the sight of her brother and Scarlet lying in a pool of blood. She hurries down the stairs, cradling Peter's body once she reaches him and crying the whole time, before somberly standing up and walking out of the manor. The shot follows jane from the front as she walks down a path, the house still in the distance as quiet and lulling music plays. Then Scarlet's form can be seen exiting the manor with a harsh Violin cord, and the masked slasher hobbles closer and closer towards Jane, her none the wiser until finally she turns and lets out a blood curdling scream just as Scarlet brings the axe down on her.
 
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