Lights... Camera... ACTION!!: A Hollywood Quest

Movie Pitch: Dehontsigwaehs: The Game of Gods
I was just watching a video talking about this and how much of the traditional industry was lost right about the current year in quest this time in OTL, so I was thinking we could bring it to the fore alongside or at a similar time to Hiawatha.

(Tentative) Movie Pitch:
Dehontsigwaehs: The Game of Gods

GENRE: Historic/Documentary

SUBGENRE: Sports/Interviews

FORMAT: Movie (Live Action)

So this film would be a look into the historic roots of lacrosse, with interviews of various players, equipment manufacturers, and most centrally the various peoples of the Haudenosaunee (or Iroquois) whose ancestors created the game. I think we could spend a few actions getting the information and staff on board while doing Hiawatha actions so as to enhance the accuracy of both films and bringing a spotlight on something that helped shaped the structure of the US (or at least we could market it that way).
 
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Movie Pitch: Dune (Part 2)
Alright then, I figured we could have this done sooner rather than later. Although we don't have a clear idea how the second art of Dune 2021 is supposed to go, we do have an idea, and information from what they have been able to release from the cast and some direction to where they wish to take the plot. Not to mention that using the source material to follow up is never a bad idea.

The movie should be more of an action film, as it follows Paul, now a member of the Fremen and his fight to free Arrakis and take over the throne. It should have some more political scheming as we see Emperor Shaddam IV and his daughter Princess Iruna, and their struggle to keep the throne and influence among the Spacing Guild, the Landsraad, and the Bene Gesserit. It should follow the different factions of Fremen as they join Paul, or fear his influence. Not to mention the Harkonnen and their insidious plot to subsume the Empire as they control the one planet with the only source of Spice in the entire universe.

All the plots of mice and men, who all cannot avoid, nor stop, the future that is the Jihad, and the rule of Paul "Muad'dib" Atreides, the Mentat Emperor.

I give you:

Movie Pitch:
Dune (Part 2)


GENRE: Drama/Science Fiction

SUBGENRE: Action/Adventure/Fantasy

FORMAT: Movie (Part 2 of 2)

Set Up: The second of a two-part adaptation of the 1965 novel of the same name by Frank Herbert. Set in the distant future, the film follows Paul Atreides as his family, the noble House Atreides, is thrust into a war for the deadly and inhospitable desert planet Arrakis. The movie covers the events from the second half of the book; Paul has joined the Fremen after the destruction of his family and murder of his father, the duke Leto, by the hands of House Harkonnen. Now, gaining power amongst the Fremen, and reuniting his remaining retainers, he takes up the name Muad'dib, assumes the mantle of the savior of the Fremen, as well as that of the Kwisatz Haderach, the goal of the Bene Gesserit. The film itself is more of an "epic war movie" as it will feature more action where the first was more contemplative.

Director: Francis Ford Coppola
Executive Producer: Bruce O'Brian
Composer: Hans Zimmer
Paul Atreides: The son of Leto and royal heir to the noble House Atreides. With his family exterminated by the Harkonnen, him and his mother, the Lady Jessica, are forced to flee to the Fremen of Arrakis. Paul must now learn the ways of the desert and the Fremen, taking the name Muad'dib, as he seeks to gain their support in order to reclaim what's his by right, all the while learning to use his new powers and face his destiny as the Kwisatz Haderach.

Played by: Keanu Reeves
Alternate: Johnny Depp

Lady Jessica: The concubine of the late Duke Leto and mother to Paul. Heavily traumatized by the death of Duke Leto, she begins strategizing to realize the ambitions of the Bene Gesserit after she and Paul join the Fremen. She becomes the new Reverend Mother when the Fremen's old one, Ramallo, passes away. Afterwards, tensions soon emerge between her and Chani, as Chani is aware that her schemes will negatively impact the Fremen.

Played by: Jane Seymour
Alternate: Isabella Rossellini

Alia Atreides: She is the posthumous daughter of Duke Leto Atreides I and his Bene Gesserit concubine Lady Jessica, born on the planet Arrakis. She was changed as a fetus due to her mother drinking the Water of Life to become the Reverend Mother. She lived with the Fremen for several years along with her mother and brother, and she was also present in the palace on Arrakeen when her brother and his forces successfully conquered the combined forces of the Emperor's Sardaukar and House Harkonnen.

Played by: Judith Barsi
Alternate: Drew Barrymore

Gurney Halleck: He's a defiant warrior with the soul of a poet, he's watched over Paul since he was born. Although he would never say it aloud, he loves Paul as though he were his own son. After the destruction of House Atreides. Gurney Halleck disappeared and joined a group of Spice Smugglers, rising in position in their ranks and in Arrakis in general. During one of their usual raids they were caught in a Fremen trap, where he discovered Paul was still alive, joining his side once more.

Played by: Nick Nolte
Alternate: Sam Neill
Alternate 2: Christopher Lee

Stilgar: The leader of the Fremen Community of Sietch Tabr, he's a man who will do anything to protect the life and culture of his people—guardians of the Arrakis deserts. He is revered as a man of great wisdom, born of a deep symbiotic relationship with the wilds of Dune. After taking in both Paul and the Lady Jessica, he teaches them the way of the desert, becoming a surrogate father to Paul as well as a mentor. There is concern however at the growth of Paul's political power among the Fremen.

Played by: Raul Julia
Alternate: Omar Sharif

Chani Kynes: She was born on Dune, raised in the ways of its free people the Fremen, and shaped by its wilds to be a confident and dangerous warrior. A relentless defender of the people she loves, she will rise defiant against any outsider seeking to endanger the natural beauty of her world. After Paul's induction into the Fremen, they both engage in a "battle of courtship and one-upmanship" as an epic love story between them develops. Chani helps in keeping Paul centered during his struggle to contain his power, serving as his "moral compass".

Played by: Michelle Pfeiffer
Alternate: Mary Elizabeth Mastrantonio

Otheym: He is a renowned Fremen fighter and a future devoted follower of Paul Atreides. Although originally from Sietch Gara Kulon, Otheym came to Sietch Tabr to join Muad'dib's crusade and was one of the first Fedaykin. He was a key figure in the training of Fremen fighters in the Weirding Way, and in the liberation of Arrakis from House Harkonnen.

Played by: Edward James Olmos
Alternate: Morgan Freeman

Korba: He is a Fremen from Sietch Tabr during the time Paul Atreides joined. A follower of Stilgar, He aided Paul in his training and even gave Paul his own maker hooks during the Sandrider Trial. As Paul's power and influence begins rising, their budding friendship is tested due to Fremen traditions on leadership and his clear loyalty to Stilgar.

Played by: Antonio Banderas
Alternate: Robert Beltran
Baron Vladimir Harkonnen: He's Greed and tyranny personified; a force of malevolence determined to feed his addiction to brutality. A gravity-defying monster of a man, gliding through the air like a phantom, he ensures his family stands ruling through fear, and determined to exploit the natural resources of Dune no matter the cost to its people. He's been heavily debilitated and reliant on being submerged in fluids, thus focusing on choosing an heir between his brutal and savage nephew, Raban, or his cleverer nephew Fey-Rautha. He's killed by Alia Atreides.

Played by: Gene Hackman
Alternate: Joss Ackland

Glossu Raban Harkonnen: As animalistic and savage as his given name implies, the "Beast" Rabban is the towering enforcer and nephew of the sadistic Baron Harkonnen. Tasked with securing the Baron's empire by any means necessary, he is a brutal force of nature, prone to explosive and petulant bouts of rage. Of those that cross him, few live. Unknown to him, his uncle favored Feyd-Rautha more, planning on using him to enhance Feyd-Rautha in the eyes of the people later on. He was slain and beheaded by the Fremen populace of Arrakeen in the end.

Played by: Willem Dafoe
Alternate: Jack Nickolson

Feyd Rautha-Harkonnen: The nephew of Baron Harkonnen, he is also the product of a centuries-long breeding program organized by the Bene Gesserit to marry a Harkonnen boy to an Atreides girl. A plan destroyed after Jessica gave birth to Paul Atreides. Feyd is cleverer and more charismatic than one would expect from a Harkonnen, almost a mirror to Paul. He takes over as Baron Harkonnen after the death of his uncle, challenging Paul to single combat to the death.

Played by: David Bowie
Alternate: Gary Oldman

Thufir Hawat: He was the master of psychological warfare and head of House Atreides' security division. Thufir Hawat is a Mentat (a highly-trained strategist whose mind has the infinite processing power of a supercomputer), a grandmaster of cause and effect capable of seeing all possible outcomes to unravel plans within plans. After the death of Duke Leto and the destruction of House Atreides, believing Paul to have died, Hawat was forcibly taken into the Harkonnen's service, where he schemed against them in order to avenge his lord.

Played by: Ian McShane
Alternate: Richard Jordan
Shaddam Corrino IV: The eighty-first Padishah Emperor of the Corrino Empire, and thus the Known Universe. His feelings of inadequacy, and jealousy, towards his cousin, Duke Leto Atreides, caused him to give Leto the administration of Arrakis in a secret plot with the Harkonnen to reduce their power and influence. Emperor Shaddam believed the Atreides to be exterminated, thus he never suspected, nor foresaw, that Paul would re-emerge to challenge both his rule and the Harkonnen, attempting a takeover of Arrakis and thus bring the Spice trade to a halt.

Played by: Brian Blessed
Alternate: Laurence Olivier

Princess Irulan: She was the eldest daughter of Emperor Shaddam Corrino IV, and Anirul, a Bene Gesserit of Hidden Rank. A proud, intelligent woman. She saw the state of the Empire and the perception of House Corrino, causing her to fear that her father will lose his throne due to his loss of influence over warring factions. Though she tries to slow the descent, in the end it's too little too late, as the actions taken by her father had created a hidden enemy that no one could have foreseen.

Played by: Linda Hamilton
Alternate: Daryl Hannah

Reverend Mother Gaius Helen Mohiam: She's a wise Truthsayer who sees all-too clearly what humanity is capable of. A member of the mysterious Bene Gesserit Sisterhood directs her stern gaze of judgement towards the young Paul Atreides. She joins the emperor and his retinue when he goes to Arrakis during the last year of the Desert War against the rebel leader Muad'dib, unknowing that said leader was Paul Atreides, the Kwisatz Haderach.

Played by: Eva Marie Saint
Alternate: Faye Dunaway

Lady Margot Fenring: She is a Bene Gesserit, and close friend of the emperor, who influenced him to marry Reverend Mother Anirul Corrino, knowing she would never bear him any sons. She was married to Count Hasimir Fenring, a Mentat, and was the one who left the hidden message for Lady Jessica in Arrakeen during their brief stay. She was used by the Bene Gesserit in order to seduce Feyd-Rautha in order to bear a child and salvage his genetic material, and also by Emperor Shaddam IV who sent her to Arrakis and commanded her to kill Paul.

Played by: Gates McFadden
Alternate: Isabelle Huppert

A.N.: I do wonder about this film. Afterwards we could perhaps work on adapting the next one some years later, though I still feel this could work better if we start production around 1980-81 for a release date around 1983-84. Even with our advanced technology thanks to ILM and George's desire to have the best, we still will need a lot of time for the sets and the right environment. As for the cast, they are suggestions, and perhaps we'll have to take different actors for the roles, but this is basically what would be my "Dream Team" when it comes to this movie. Besides, if we do this right, then we'll know we're ready for an adaptation of The Hobbit later on, so we can take this as a test run for future films.
 
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Morals and Money don't mix
Morals and Money don't mix

Alan found himself in quite the situation. The board was already breathing down his neck due to his purchasing of DC, viewing it as a waste of money and time. How none of them could see the value of all those untapped stories that he'd bought was beyond him. Whatever, the other thing that was making him restless at night was that the board wanted to rehire David Begelman, the sonuvabitch who'd embezzled tens of thousands of dollars from the company.

Oh he'd moaned day and night over how stupid of an idea it was, but most on the board wanted to hire the piece of shit back in order to stop anyone from the press from finding out and embarrassing the whole company. Again, Alan had put his foot down and told them all to actually think with their heads if they weren't going to think with their hearts. Hiring someone like Begelman back was just asking for trouble. Of course Herb was his chief adversary on the Board, arguing against him at every turn.

Alan knew that he was fucked, the board majority had already made up its mind, and pretty much the only reason he hadn't been booted out the door yet was because they were more than likely waiting for the Superman flick to flop and then put all the blame on him.

The only way, the ONLY way, that he wasn't going to be finding new work by the end of '78 was if Superman ended up being the talk of the world. Even then, he wouldn't put it past the board to still fuck him over and try to take all the credit.

Which, in a move of pure pettiness, Alan was going to do something very stupid. If the board was intent on throwing him overboard, he was going to sink the goddamn ship before they had a chance.

Getting the camera set up hadn't been too difficult, he'd made sure to familiarize himself with these things considering how often he was around them. Sitting down in front of it, trying to find the words was the difficult part. "Jesus, how the hell do actors do this stuff without sweating all the time." Alan sighed, looking straight on ahead. "My name is Alan Hirschfield, and I am the CEO of Columbia Pictures. I am recording this as a testimony to just how utterly stupid the board of directors for this studio actually is. The board, in its infinite wisdom wishes to rehire one David Begelman, a man who embezzled over sixty-thousand-dollars from us. They wish to do this in order to try and cull any news reports that would end up making the studio, and they themselves, look foolish. I have been completely against this decision the entire time, both morally and financially, but the board have made it clear that my opinions are not needed. I am either going to toe the line and keep my job, or stand firm and find myself out of a job by next years time. So I record this in order for people to understand, that at the end of the day the people on the board are nothing but petty and foolish individuals out to only look out for themselves. This is Alan signing off."

Alan stood, walking over to the camera and switching it off before taking the reel. He found a large manila envelope and put the reel inside, then as quickly but casually as possible he made his way outside and to his vehicle. A short drive after that he arrived at his bank, and with a few words had the teller escort him to his safety deposit box, where he put the reel.

The drive back wasn't making him any less anxious, the only upside being that he got to see the sun rising and give the city an honest to goodness beauty to it. When Alan made it back to his office his secretary greeted him a good morning and told him that the morning paper was already on his desk.

Sitting down with a tired sigh, Alan checked out the front page news and nearly did a double take at the headliner. Bruce O'Brian, the bane of Hollywood executives, and his talented wife Carrie were expecting. Surprise turned to subtle joy at the news, and then to confusion, and then disgust. It didn't take a genius to figure out that someone like The Goose didn't give the go ahead for something so personal, and it didn't even take a moron to figure out that it was more than likely the paparazzi overstepping their bounds that resulted in something so heinous.

Alan tapped his fingers across his desk, thinking something over before shrugging. Fuck it, he was already prepared to burn bridges, might as well build some new ones. "Lindsay," He said, pressing his finger on the intercom for his secretary. "Have someone send Bruce O'Brian and his wife a congratulations card along with one of those Three Stooges gift baskets we got lying around. The ones with the lollipops shaped like their heads." Alan leaned back in his chair, smiling a bit. Hollywood was a rough town, but things wouldn't get better unless people tried. Besides, maybe after he got his ass fired he could try and find some work at Lucasfilm.

After all, that Star Wars movie was pretty good.
 
Spider-Man Noir Season I Issue #2: Freefall
Here's Issue #2 of Spider-Man Noir. If you thought the last episode was dark, you ain't seen nothing yet. :V



Spider-Man Noir Season I
Issue #2: Freefall



GENRE: Superhero/Noir

SUBGENRE: Drama/Gangster

FORMAT: TV Show/Comic Run (Animation/Possible Franchise)

  • Peter Parker/Spider-Man​
  • May Parker​
  • Katherine "Kitty" Pryde​
  • Harold "Harry" Osborn​
  • Mary Jane "MJ" Watson​
  • Eugene "Flash" Thompson​
  • Roscoe Sweeney​
Introduced This Episode:
  • J. Jonah Jameson​
  • John Jameson III​
  • MacDonald "Mac" Gargan/Stinger​
  • Raymond Bloch/Ox​
  • Daniel Brito/Fancy Dan​
  • Jackson W. Brice/Montana​
  • Marvin "Man-Mountain" Marko​
We open to a gun being fired and a dead man dropping to the floor of an abandoned warehouse, revealing the disdainful Fancy Dan(Daniel Brito) with a smoking gun in hand. He wrinkles his nose in disgust as his fellow Enforcer Ox(Raymond Bloch) takes the body and dumps it into a dumpster with some other bodies.

Fancy Dan complains about how the morons wouldn't just shut up and die with dignity, to which Montana(Jackson W. Brice), smoking a cigar, mutters that he wishes Dan would just shut up. Before Dan can bite back with a retort, the Enforcers' leader Stinger(Macdonald "Mac" Gargan) orders the two to quiet down and save it for later. He says that they're on a job and should act accordingly, not like some namby-pamby schoolgirls. Fancy Dan asks why they couldn't have gotten Marko's job instead, to which Ox stoically responds that this job was better paying. Stinger raises his arms in the air and says that that's exactly why, before asking why he has to rely on the muscle to be the smart one.

He then gives a signal to Ox, who douses the bodies with oil. As Ox wipes the oil on his hands off, Montana takes the cigar he was smoking and tosses it into the dumpster, setting the bodies alight.

We then cut to the opening credits and theme song playing, before the Title Card drops.

"Freefall"

We then cut to Uncle Ben's grave as a small group of mourners stand over it in silence, save for the sobbing of Aunt May as she leans against her old friend Anna Watson for support. Peter blankly stares at the tombstone, still unable to process his uncle's death. He's startled as a hand clasps onto his shoulder, and he turns to see MJ looking at him sympathetically, who, after hesitating a little, asks if he wants a hug. Peter sniffles and can only nod before MJ gently embraces him, with him slowly reciprocating. As they seperate, MJ says that Harry told her to send his condolences since he couldn't attend the funeral. Peter sullenly thanks MJ for the hug and tells her to give Harry his thanks as well before turning back to stare at the grave, lost in a storm of emotions.

We then cut to Aunt May as she's approached by J. Jonah Jameson, Uncle Ben's old friend and owner of the Daily Bugle, and his wheelchair-bound son John. The four share hugs as JJJ expresses his deepest condolences to Aunt May about Uncle Ben's death, saying that he's so sorry. Wiping a single tear from his cheek, JJJ remarks that he and Uncle Ben had always joked about how they'd go out, but this... this had never crossed their minds. "If only the police in this city did their damn jobs-" he begins to go on one of his infamous rants before pausing, clenching his fist, sharply inhaling, and saying, "...I'm sorry, it just started slipping out." Aunt May simply smiles and says that Ben would have appreciated hearing the rant. JJJ gives a small smile of his own before asking, if Aunt May gives her permission, if he can dedicate a small tribute to Uncle Ben in the Daily Bugle. Aunt May, sniffling a little, says that she would appreciate it, yes.

We then transition to Peter as he struggles with his school life while grieving over Uncle Ben, with students shifiting away from him and whispering behind his back whenever he's around. He visibly struggles in class and becomes easily distracted by the smallest of things. His friends Kitty, Harry, and MJ try their best to connect and talk with him, but he pushes them away. It all comes to a head after school ends and his friends try to approach him as they leave. Peter tells them to leave him alone, but when Kitty tells him they're just trying to help, he snaps. He goes on a rant about how there is no way they can help him: his uncle is dead, his aunt doesn't make enough to support the both of them, and the crook who killed Uncle Ben is still on the loose. What could they possibly do to help him? When his friends try to show some empathy and tell him that they understand, Peter angrily retorts that they don't understand and never will. This angers Harry, who says that he very much understands since he was in Peter's position before. Peter angrily bites back that Harry's mother died in some stupid car crash while Uncle Ben was gunned down in the streets for no reason; they are not the same thing at all. Not thinking straight, Peter then furiously exclaims, "I don't need any of you! I don't need the girl wonder to fight my battles for me, I don't need the unapologetic hanger-on to tell me she's sorry, and I certainly don't need a spoiled brat to tell me he understands my sorrow when he's never felt true loss in the first place!"

Once he stops to catch his breath, quickly breathing in and out, his eyes widen in realization of what he's just done when he sees the shocked and hurt looks of Harry, MJ, and Kitty, with Kitty on the verge of tears. Stumbling back, he staggers his way onto a bus and to the back, with another student shifting away as Peter falls onto his seat and buries his head in his hands.

We cut to Peter lying on his bed, lamenting silently over what he said to his friends, especially Harry. He runs his hand over his face and blows out a large sigh before looking around his room. The screen then slowly moves across various pictures of him, Aunt May, and Uncle Ben taken during a happier time. His fists slowly clench, and he struggles to keep himself from hypeventilating. Softly counting from one to five, he manages to calm down as his eyes then land on his Spider-Man mask barely hidden under his dresser. He slowly takes the mask into his hand and stares at it, comprehending some silent question. Finally, he sighs and, burying his head into the mask, says, "I'm sorry..."

We cut to him arriving at the fight club, making sure to stay out of the crowd's attention as he's escorted by a bodyguard to Flash and Roscoe, who are discussing Flash continuing to train some of the more rookie fighters. They notice Spider-Man, jovially waving him over and asking where he's been. Flash playfully elbows Peter and jokes that he's been waiting to collect some more of that sweet bet money. Peter hunches his shoulder and mutters that he's been going through some... family issues, and that he wanted to blow off some steam by fighting again. Flash's jokiness instantly vanishes, and a more serious and sympathetic expression appears on his face. He hesitantly nods and says that he understands before turning to Roscoe and asking if they have any open slots. Roscoe shakes his head and says that the kid'll have to wait for a later time before walking off. Peter nods dejectedly and begins to leave, but Flash gently clasps his shoulder and, after taking in a breath, asks if Spider-Man wants to stay and watch the fights with him. "Watching people get slugged in the jaw is just as fun as doing the slugging, at least for me," he gently jokes, which Peter mulls over for a second before quietly accepting Flash's offer.

As the two find some seats in the back, Flash asks Spider-Man if he's okay with talking about his issues, to which Peter sharply shakes his head. Flash simply nods his head and says that he won't bring it up again, then, before turning to watch the current fight between the Emerald Splash and Hammer Harrison. As Peter turns to watch the fight as well, Flash begins to narrate the fight in an old-timey radio voice, describing each jab, left-hook, and stumble with great exaggeration and wit. This slowly improves Peter's mood and causes him to start chuckling, which Flash subtly notices. As the Emerald Splash knocks Hammer Harrison to the ground with a series of devastating blows, Flash shouts in victory and eagerly rushes to claim his earnings from bets, to which Peter full on bursts into laughter, clutching his stomach.

Flash quickly returns with his winnings and, after counting them up, hands a quarter of it to Peter. Peter is initially confused and asks Flash why he's giving him this, to which Flash smiles and responds that he felt he owed Spider-Man something. Thanks to him focusing more on training Spider-Man and placing bets, Flash explains, he'd been able to make quite a lot of money and help pay off his family's bills while not risking injury, for which he thanks Spider-Man. Peter, though his face is obscured, is visibly moved and slowly nods in gratitude at Flash as the next fighters are introduced.

"Presenting our first fighter, all hail the indomitable and unbeatable champion himself, Man-Mountain Marko!!"

A goliath of a man, with a seemingly permanent scowl, approaches the ring with gruff menace. As the crowd begins to cheer, however, Peter begins to disassociate, all sights and sounds blurring except for Marko. Flashbacks begin to play in rapid pace of the day Uncle Ben was shot, with Peter recognizing Marko as the masked man.

He soon returns to reality, however, and nudges Flash, asking him who Marko is. Flash, not aware of the emotional turmoil Peter is going through, happily obliges and begins to exposit about Marko's feats as a prizefighter, including the guy's merciless uppercuts and body of steel, and his completely unbroken string of victories. As Flash finishes, Peter mulls over it for a few seconds before blankly stating, "I want to fight him."

A shocked Flash blinks once before asking what on earth Spider-Man is going on about. Peter quickly comes up with the half-truth that he's not gonna be able to fight much longer due to his family issues, and if he's gonna have to stop fighting, what better way to do so than defeating the undefeated? Flash's eyes widen slightly as the gears in his head turn, calculating how much money they could make from bets. After thinking over it, Flash then states that while he can't guarantee a fight, he'll try to convince Roscoe to set the two up. Peter thanks Flash for the favor, who jokingly tells him to thank him by not losing as the two turn their attention back to the fight at hand, Peter now very attentively watching the fight and observing Marko's moves.

We then cut to a few days later as Peter and Aunt May eat breakfast in silence, a third chair glaringly empty next to them. As they eat, May, looking up from the Daily Bugle issue she's reading, tries to make conversation by asking how school is going for Peter, only to receive a groan in return. Peter, running his hand through his hair, laments that he said some very regrettable things due to being emotionally overwhelmed and now he's possibly lost all of his friends in one fell swoop. Aunt May calmly and empathetically listens to Peter mope about his poor decisions before asking if Peter has tried apologizing to his friends, to which Peter replies that he doesn't know even if they want to talk with him anymore, let alone be friends anymore. Aunt May shakes her head and says that if JJJ had felt the same way every time he offended someone, accidentally or otherwise, he and Uncle Ben would never have stayed friends as long as they did. She then returns to reading her newspaper as Peter mulls over her words. As he does, though, he notices the article Aunt May is reading: JJJ's tribute to Uncle Ben. Aunt May, seeing Peter's reaction, tells Peter about what JJJ had asked at the funeral. "Of course," Aunt May jokes, "Jonah is allergic to doing anything small, so the tribute naturally took up an entire page." Peter and Aunt May chuckle as the conversation turns toward how Uncle Ben would feel about the tribute if he could read it.

We quickly transition to Peter in costume that night as he hypes himself up for the upcoming fight. He does some shadow boxing and quietly chants to himself that he can do this. He's suddenly interrupted, however, when Roscoe approaches him and asks if they can talk for a minute. Peter squawks in surprise, causing Roscoe to guffaw, before sheepishly rubbing his neck and asking Roscoe what he wants to talk about. At that, Roscoe turns more serious and runs his hand through his balding head, sighing. Roscoe then bluntly states that Marko is a sore winner and an even sorer loser, and if he suffers his first loss to a relatively new and definitely small kid...

"We once had this promising guy Billy Foreman, a mean right hook on that one, who once fought Marko to a draw," Roscoe says, "No one ever saw his face again after that." Peter's eyes widen under his mask as Roscoe continues, saying that while he doesn't usually say stuff like this, he'd hate for a kid with such promise to get snuffed out because of this. He then suggests that Spider-Man either forfeit the match befoee it even starts or purposefully lose with grace. Peter thinks long and hard about it, pacing slightly and fidgeting with his fingers. Finally, though, he clenches his fists and says that as thankful as he is that Roscoe told him this, he's still going to fight to win. Roscoe sighs in slight disappointment at that statement as he walks off, stating that it's the kid's funeral, then.

We then cut to the arena as the fight begins, with Peter literally jumping out of the way as Marko rushes him like a bull. The fight is rather balanced at first, with Peter too nimble and quick for Marko to hit and Marko too strong and hardy for Peter's punches to do much. However, Peter's talent for taunting begins to enrage Marko, and the fact that Peter is able to dodge every single one of his attack only serves to infuriate Marko even more. Eventually, Peter is able to goad Marko into charging straight into the ropes, after which Peter promptly punches him out of the ring and winning by technical disqualification.

Marko is beyond enraged and tries to rush Peter, only to be stopped by several of several of the joint's guards. Peter, for his part, simply ignores Marko and exits the ring on the other side. Flash then runs up to Peter and triumphantly presents to him all the winnings they made from betting, which is a small fortune. Peter instinctively reaches for the money, only to stop and turn to Flash. He tells Flash to talke half, and when a surprised Flash asks why, Peter simply replies, "I felt like I owed you something."

Peter then leaves the fight club, making sure to walk away from his home as he leaves. His danger sense begins to go off as Marko and some goons begin to follow him, and Peter takes that as a signal as he walks into a narrow and empty alleyway. As he walks in, he pauses just as Marko and his goons block off his escape. Sighing, he turns around and asks them if they really want to do this now. "It's past eleven right now, and I haven't even had dinner yet," Peter jokes, though there's a certain intimidating edge to his tone.

The goons don't bother to humor Peter, though, and simply rush at him with a war cry. Though outnumbered, Peter quickly and savagely knocks out each and every henchman, now able to cut loose with his powers now due to not fighting in an arena. He tosses a goon into Marko, knocking Marko down and knocking out the goon as well. Peter then picks up Marko and declares that he's just getting started with him. He then drags Marko up some stairs and onto the roof of an apartment, where he throws Marko a good distance. As Marko struggles to get up, Peter kicks him in the stomach and coldly says, "You killed Benjamin Parker, and I'm going to beat the why out of you."

A brutal interrogation then follows as Peter mercilessly beats down on Marko and demands that Marko tell him why he killed Uncle Ben. Marko is initially completely silent, telling Spider-Man that he doesn't know who he's messing with, but as Peter continues to pummel him, he starts to really feel the pain. At one point, Peter briefly stops the beating to demand that Marko just tell him why he killed Uncle Ben, to which the bruised and broken man slurringly replies that he'll make sure to pay Spider-Man's family a visit after this, whoever they are.

Extremely enraged at this point, Peter grabs Marko by the shirt and, with one arm, holds him over the edge of the building. As Marko struggles to break free, Peter coldly says that if he dropped Marko right here and right now, he'd get his vengeance and no one would be the wiser as to why Marko died. Primal fear flashes in Marko's eyes, and the man cracks. Marko, through sobs of pain, reveals that the Goblin had hired him to kill Uncle Ben. When Peter asks why the Goblin wanted Uncle Ben dead, though, Marko stutters out that the Goblin didn't say and that he didn't bother asking. Marko then pleads for Spider-Man to let him go as Peter stews over the revelation.

Lightning crackles and thunder booms in the background, with the lightning ominously illuminating the silhouette of Spider-Man holding Marko over the rooftop edge.

We then quickly cut to the Enforcers as they drive in the night after having presumably carried out another job for the Goblin. Fancy Dan, cleaning his guns until he can see his reflection, complains about the winter weather of NYC and reminisces about the scorching sun of Arizona. Montana, appreciating the sights, rolls his eyes as Stinger, who's driving, tells Fancy Dan to just shut up about the weather already. Ox chimes in and states that the scorching sun paid less than the freezing snow does, to which Stinger exclaims, "Thank you, Ox! Ya' see, Dan? You gotta stop being so darn pessimistic and start lookin' on the bright side of-"

CRASH

Without warning, some large object crashes into the front of their car with a devastating thud, causing Stinger to start swerving wildly now that the entire front of the car is obscured. He swears as Fancy Dan pulls out his pistol and fires at whatever hit them, hoping to kill any would be attackers that might've attempted to ambush them. The car screeches to a halt, causing the object to roll off the hood, and the Enforcers prepare to get to work. Ox kicks out the door of the passenger's side of the car and brandishes a large shotgun while the rest swiftly roll out of the vehicle and ready themselves for a fight.

Stinger palms the large pointed blade he's drawn and quickly aims, before holstering it after nothing happens. Realizing that they're not under attack, Stinger turns to Ox and complains that he just got the car repaired, he doesn't need Ox kicking doors off of the car now. Ox dryly responds that they've got money here in New York, they can afford new doors and new cars, to which Stinger retorts that it's about the principle of the matter. "And I trusted you to be the reasonable one as well," Stinger half-heartedly laments.

Montana moves to where the object was and cautiously turns it over with his foot, his eyes slightly widening when he realizes it's a dead body. Quickly getting over it, he compliments Fancy Dan on his shot grouping and mentions that the poor bastard definitely won't be getting an open casket funeral. He then calls over the rest of the enforcers to see what they can figure out about what the hell just happened. Stinger and Ox move over and they banter a bit discussing how whoever the corpse was, he must have pissed off some special kind of psycho to get thrown off a roof into nearby traffic.

Peter silently watches this from above when all of a sudden, that same spine-chilling feeling he'd felt when Dash threw the football rings out louder than ever before, screaming at him to move, move move! Peter dashes out of the way as the long blade Stinger had been playing with earlier comes flying towards him. The rest of the Enforcers quickly open fire at where Peter once was, causing Peter to flee as Stinger swiftly reels his blade back in.

The Enforcers ask Stinger what he spotted, to which Stinger replies that someone was watching them but scampered off when they opened fire. He then orders Montana and Ox to help him get the body off the road and to clean up any evidence of their own activities while Fancy Dan runs to call the police from a nearby pay phone.

We swiftly cut to Peter as he climbs down into an alleyway, stumbling into a nearby wall that he leans on for support. He breathes in a ragged manner as he pulls his mask off and clutches his chest, struggling to calm himself after having just been shot at. As the adrenaline begins to wear off and Peter calms down, Peter's eyes harden, and his mouth curls into a scowl before breathing out one word as if it was some foul curse.

"...Goblin."

We cut to closing credits.

Author's Notes:

That ending scene is one big homage to BTAS's Over the Edge for a good reason. :V Also snuck in a little reference to the quest. ;)

Once again, a big thanks to @King crimson for being my beta reader and great advisor for these pitches. I wouldn't be able to do them without him. :D

And once again, I'd love to hear everyone's thoughts on this, what you all loved or didn't love. :D

Sincerely, Duke William of.
 
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Comic Name: Lieutenant Surge
Comics and moral panic. Name a more iconic Duo. :V

I should make a Comics Prompt..

Comic Name: Lieutenant Surge
Genre: Pocket Monsters
Age Range: Everyone
Plot: In a world of creatures called Pokèmon, there is a boy that just recently became a trainer from Professor Samuel Oak. The Trainer catches a Pichu as his first catch..

Then..the War Starts..

This is focused on the War Era of the world of Pokèmon, Professor Oak has already retired, and the main focus is on Lieutenant Surge.

The first issue brings forth of the World of Pokèmon, with Professor Oak introducing it to the readers and follows the story of a young Lieutenant Surge..

No "Realism" that fanfiction is trying to bring, this should be similar in feeling to Horizons.
 
Anime Show Pitch: Pokémon: Ho-Oh
... We don't talk about the Live Action Mulan Movie. We don't. it makes me sad that you brought it up.

Here are the rewards, however:

[]The Fanboy that Bruce is... happy with something. (Hong Kong cinima is seeing a rise in popularity again in the states)
[]Meanwhile, with Brandon Lee (Brandon Lee has looked at many of the things that has happened, and went to his mom. "I wanna be an actor like dad.")
[]Randomness takes hold of Disney (Unknown Effect)

I feel..challenged..

Since DreamWorks is now filled with a Japanese staff and we gained rights for Gundam, we can be the ones who introduce anime to the US, not 4Kids. We can also create our own anime and maybe in the 90s we can make an arrangement with GameFreak and Nintendo a deal similar to what we have with Sunrise: Have our own Pokèmon anime series with a different continuity which is completely separated from Satoshi's adventures.

Anime Show Pitch: Pokémon: Ho-Oh
Genre: Adventure/Action/Strategy
Format: Japanese Animation


Set-Up: (First Episode can be changed depending on the Questers)

Theme Song: https://youtu.be/Nx_iwuspA0M

First Episode: The story begins with an introduction to the World of Pokemon, introduced by Professor Cherrysyle – who also introduces to her audience that she studies the connection between not just trainers, but Pokémon and Humans in general. After the explanation, it is found by the viewers that she is talking to the Press before it closes as the time reaches night.

The next day, the viewers are introduced to a boy – named "Akashi Shuzoku" – waking up in his house in a somewhat well-off fashion. He comments on a faded dream about a weird Pokémon that the last thing he can describe with "Rainbow-like Wings" before looking at the clock that made him flinch at the fact that he was late..

He arrives to the stairs below to eat some breakfast before his friend – Jeiku Chikyū – arrives to remind him that it is the day to become a new Pokémon Trainer, which alarms Akashi..however Jeiku tells him that his parents are waiting him at the nearby archeology site just a bit from town and that they couldn't come or risk anything going wrong that could destabilize the mountain the town is near to.

Understanding, Jeiku rushes to the lab while Akashi goes to the site, where both of his parents – archeologists – greets him and joins in with the excitement of becoming a new Pokémon trainer.

Some time later, he joins Jeiku into Professor Cherrysyle's lab..they arrive at three Pokéballs in front of them..Professor Cherrysyle tells them to pick.

After an information moment, Akashi chooses a Pokémon, with Jeiku choosing an Eevee. The duo goes on a Pokémon fight against each other..This introduces Pokémon Battles to the viewers in how they are fought, tactics/type-advantages basics, etc. (Should not feel forced.)

After a battle (depending on Questers which one wins) before they split off, The Archeological Parents managed to go to Akashi on time as they ran there during Break Time. They decide to give him a [Artifact depends on Questers] they explained they found many years ago during their own journey, and decide that it should be his turn to be entrusted with it.

Happy, the trio says their last goodbyes for a while before he goes out to Route 1..

Route 1 Theme: https://youtu.be/Y1WtDXdExdU (If cutting Episode 1 into two parts, this is the ending of Episode 1 with this outro.)

Akashi goes on to travel on the route to discover Pokémon, and introduces something the games did not..actually train Pokémon.

Akashi, during a battle, has its Pokémon test its newly learned move (however is quite inexperienced with it) and becomes hurt. Knowing his mother can heal the Pokémon better than he can, he goes back home..to discover that his parents became missing..kidnapped by Team Eclipse.

(Episode Ends with this Mic Drop)
Outro-music: https://youtu.be/OyZChQxxcXU (Can Change, Depends on the Questers)

  • It was during the speech that it is revealed to the viewers of a Pokémon Region called: "Erobha"..that practically looks like Europe from afar. | New Pokémon will be based on European myths/legends/creatures/animals..Kalos (France) and Galar (Great Britain) Pokémon can appear more frequently, while other region's Pokémons (Alola's not appearing unless given in-character/reasonable reason) would be rare, but can appear sometimes.
  • Pokémon: Brick Bronze can be used as inspiration for the region's terrain and the Anime's storyline (The Ending portion is not advised by RealOtto).
  • Pokémon: Horizon's tactic of basically using "filler" episodes of setting up the "next episode" with character progression for every episode (no matter how small) is a policy for this anime.
  • Reasonable progression is a must, backstories shall not be rushed in their execution and their timing.
  • Do not rush the plot, Change can also occur, focus on making a quality product without abandoning the viewers.
  • As already mentioned, changes can occur by the Questers.

Soundtrack (Depends on the Questers):

Theme Song: https://youtu.be/Nx_iwuspA0M
Route 1 Theme: https://youtu.be/Y1WtDXdExdU
First Gym Battle Theme: https://youtu.be/60bHu4vK6N0
Final Fight Team Eclipse: https://youtu.be/exl5W4PLcew
Championships Final Battle Theme Song: https://youtu.be/eY87fEAbqkU
Secret Fight (Fight against Red): https://youtu.be/2vhYzgJRAZk
 
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Vision of a City Upon A Hill
Vision of a City Upon A Hill:

It began in the fog of unrest, this ghostly image of the City building itself up and around him even as he continued his efforts preforming some...work, great and terrible, even as its nature eluded him. All he knew in these moments was a great web of bloodless string ensnaring each and every part of him as he toiled in that vast, ethereal sea. Eventually and with great effort he began to look around, slowly turning to see little Sarah Flaherty standing a few feet away from him, beckoning him to come closer.

As Bruce stepped forward, suddenly and similarly a child, Sarah took his hand and led him through the sea, and as they sloshed through the sea, Bruce saw visions of the worst and best humanity had to offer and saw the horrors of war, the devastation of natural disasters, and the exploitation of innocent people, each and every foul act greatly wounding them as he was forced to walk past, his every instinct to give aid suppressed. And yet...for every vile act, he also saw twiceover the kindness of strangers, the love between friends and family, and the beauty of the natural world.

As they continued walking, Sarah led Jack to a street where children were playing. They were laughing and running around, just as Jack and Sarah used to do when they were young. But suddenly, a group of men in all manner of official dress appeared and chased the children away, laughing as the streets grew swiftly to rot as they grew into dens of sin. They instilled fear in them and forced them to stay within the confines of their home, turning neighbor against neighbor in effort to keep them distracted from the sin of pride unchecked. Sarah then looked at Bruce with a gentle, sad smile, knowing what he was thinking as his rage grew deep in his breast. She walked away from him and out among the poor, with each step having her grow older in wisdom and bearing as she soon gained the bearing of Sister Brigid in her final hours but Jack was unable to follow. Chains made of coin, of pride, of each and every excuse held him within the walls of an ostentatious structure, trapping him in his own ambition...and then he awoke.

In those groggy moments of first waking up, covered in cold sweat, it was to uncertainty, the fear that he had lost sight of what was truly important in life, that he had become consumed by his desire for wealth and power, and he had forgotten about the simple joys of life - like playing with friends in the street, becoming like the men he had come to despise in this town and felt a deep sense of regret. It wasn't until he wandered down the stairs, searching for the elixir of blackwater, that he heard the sounds of children's laughter. Confused, he wandered into the living room to find Carrie having fallen asleep to a PBS documentary, with there now being a showing of Mr. Roger's Neighborhood about...architecture. Search for coffee forgotten, he wandered back up the stairs in a daze to find a file in his desk, almost forgotten...the Ildefons Cerdà's Plans. Quickly flipping through the proposal, he saw that the rough outline for the proof of concept for a more naturalistic city plan, one that allowed the people a chance to make the city spaces their own, a place for children to play wild and free...

Slowly, gently he reached further into the desk and shook loose the stray photograph of all of them as children, laughing in the street as they had snagged Mr. Flaherty's camera to document their mischief, Sally's being the brightest spark of them all. Trembling slightly, he vowed to ensure that no matter who they were, each and every man, woman and child deserved a slight chance at happiness...and with all these people making their way to the City of Angels, now might be the time to ensure that they had proper quarters to live and raise themselves up.

"It is required of every man," Bruce whispered, mind wandering to an old passage he remembered Sally highlighting over and over again in her writings, "that the spirit within him should walk abroad among his fellowmen, and travel far and wide; and if that spirit goes not forth in life, it is condemned to do so after death."

A few moments, that felt as if a great many days had passed by, as old sorrows waned and waxed again, before he slowly fell to his knees and heartedly, raspedly whispered, "Almighty and most merciful God, we remember before you all poor and neglected persons whom it would be easy for us to forget: the homeless and the destitute, the old and the sick, and all who have none to care for them. Help us to heal those who are broken in body or spirit, and to turn their sorrow into joy. Grant this, Father, for the love of your Son, who for our sake became poor, Jesus Christ our Lord. Amen."
 
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Movie Pitch: Basil Of Baker Street
Damn, I remember watching this movie back when I was a kid and enjoying it a lot. Thing is, I did not know this was a Disney movie back then, the entire flow, tone and even characters are so different to what Disney usually put out that I never once thought that this could've come from the same place. It was only years afterward that I learnt about it, and even more when I read about the culture of Disney on the inside where I saw how the entire movie was made, how it was perceived, how its budget was actually slashed, and even then, they created a masterpiece that endures even to this day.

Frankly, I would've expected everything to collapse, but Musker and Clements did it again, created an excellent movie when the odds were against them. I'm so glad we hired them.

Now, with the advent of Pixar and computer animation (though it will take some time before we can use it) I figure that soon enough we'll be able to do justice to the scene with the cogs (which admittedly was one of my favorites), not to mention having the showdown between Professor Ratigan and Basil of Baker Street once more (and this time, we keep the name).

So, I give you:

Movie Pitch:
Basil Of Baker Street


GENRE: Noir/Mystery

SUBGENRE: Adventure/Action

FORMAT: Movie (Animation)

Set Up: Based on the children's book series Basil of Baker Street by Eve Titus, the main characters are all mice and rats living in Victorian London. Basil, a mouse detective emulating the legendary Sherlock Holmes, is called upon to solve the case of the abducted father of Olivia Flaversham, a young Scottish mouse, with the help of Major David Q. Dawson, formerly a Major in the Queen's army. During the investigation, Basil discovers it's all part of a sinister plot against the Queen by his archnemesis; Professor Ratigan.

Director: Ron Clements and John Musker
Composer: Henri Mancini
Detective Basil of Baker Street: He is a take-off of the classic Sherlock Holmes character, modeling his career after the famous detective's. Basil is a brilliant, plucky mouse who refuses to back down or end his pursuit against Prof. Ratigan, which makes him tenacious. He comes off as a jack-of-all-trades, showing skill in areas such as science, history, and disguise, not to mention being physically capable. However he can also be prickly and self-centered as well as very emotional and operatic, becoming very moody if things do not go his way or if the situation looks dire.

Played By: Barrie Ingham
Alternate: Sylvester McCoy

Doctor David Q. Dawson: Dr. Dawson is a bumbler who has a good heart and joins Basil on their hunt to find Mr. Flaversham, Olivia's father, from the diabolical Professor Ratigan. He previously served as the Queen's sixty-sixth Regiment in Afghanistan, and is made Basil's partner at the beginning of the case, providing necessary encouragement when in their darkest moments. He later becomes Basil's assistant and the two mice become lifelong associates after Ratigan is defeated.

Played By: Jeremy Irons
Alternate: Peter Cullen

Olivia Flaversham: She is generally an innocent, sweet, rambunctious, very brave little girl mouse. She adores everyone, especially her father (who's kidnapping by Fidget sends her searching for him with the aid of Basil), and is fond of fuzzy animals, particularly Toby. She becomes irritated when people tell her last name wrong, so she typically corrects them (on one occasion, with the help of Dr. Dawson), although by the end, it is shown to be an inside joke among them.

Played By: Drew Barrymore
Alternate: Tara Strong

Hiram Flaversham: He is the devoted loving father of Olivia (and a widower as well) and is said to be the best toymaker in all of London. His specialty is the creation of clockwork toys. He is kidnapped by Fidget, Ratigan's underling, and commanded to build a replica of Queen Mousetoria in order to aid Ratigan's plans to use her as a way to gain control of the entire kingdom. Though he refuses at first, he crumbles when he's threatened with his daughter's life.

Played By: Ian McKellen
Alternate: Patrick Stewart

Professor Ratigan: He is a pernicious, yet suave crime lord, he is the archenemy of Basil of Baker Street, who proves to be an obstacle in his grand scheme to control all of Mousedom. He is obsessed with his status as a mouse, but when labeled a rat, his ostentatious demeanor shatters and reveals a violent and savage mind. Ratigan is regarded as the most infamous criminal in all of Mousedom, with the only road block in his plots being Basil himself, their rivalry spanning years.

Played By: Vincent Price
Alternate: Christopher Lee

Fidget the Bat: A peg legged bat and Professor Ratigan's right-hand man. Fidget is a cowardly, greedy minion in the employ of Professor Ratigan. He is somewhat forgetful, as he left his hat and Ratigan's list (which allows Basil to track him down and find his hideout, respectively) when he ran away the first and second time, respectively. Despite this, he is also cunning; he tends to use stealth to carry out the tasks given to him by Ratigan. And in spite of his physical hardships, he's still quite scrappy. He isn't a very good speaker either.

Played By: Candy Candido
Alternate: Frank Welker
Mrs. Judson: She is Basil's maid. She lives in an apartment of Baker Street with Basil of Baker Street. She made cheese crumpets for Dawson and Olivia, acting as a mother figure towards her.

Played By: Jeanette Nolan

Queen Mousetoria: The Queen of Mousedom and Ratigan's target in replacing her with a robotic facsimile. She is saved by Basil and friends, Knighting him and Dawson in thanks.

Played By: Eve Brenner

Mrs. Kitty Mouse: Miss Kitty is a tall, slender mouse who is usually called to sing and calm down the crowd in the Rat Trap when they get too rowdy. She has a lovely voice, is very agile and quick.

Played By: Melissa Manchester
Toby: He is the dog of Sherlock Holmes, who lives above Basil of Baker Street. Although he is Holmes' dog, he helps Basil solve cases, too, and is perhaps Basil's most loyal friend (aside from Dawson). He aids them in several occasions and serves as

Felicia: She is Ratigan's fat, spoiled pet cat. He keeps her happy by feeding her hostages and henchmen that make him mad. She eventually gets mauled by dogs after trying to eat Queen Mousetoria.

A.N.: You know, I would be fine if this gained either a sequel, or a TV series. But I was thinking that in that case, we could have Miss Kitty be like the mouse interpretation of Irene Adler, the one person to match (and defeat) Sherlock Holmes. She is pretty iconic in the books, and became near legendary among the fans of the detective despite having a single appearance in the books.
 
Red Lake
Red Lake
The waters will run red...

Genre: Slasher/Horror
Sub-Genre: Thriller/Mystery

Outline: The movie follows a group of five teenagers hired on to get the summer camp, Camp Hope, fixed up in time for the following weekends arrival of adolescent campers.

The teens soon find out that there is more to the camp than was let on, as a nearby homeless man who lives in the woods tells them of the camps original name, Red Lake, named so after the owner of the land Hamilton Red. Thirty years ago Hamilton's only daughter, Scarlet, was tragically killed in a forest fire due to a group of Satanic Cultists lighting fires in the forest. Ever since the land has been cursed, and locals claim that Scarlet's ghost still haunts the lands.

The Teens soon find themselves getting killed off one by one, till only the final girl Tammy is left to fend for herself and find out the truth behind Red Lake.


Plot: The movie opens up to 1976, where we are treated to a POV shot of someone moving through woods along a beautiful shot of the lake under moonlight. The POV sweeps over to spot a campfire in the distance, and the POV gets closer to eventually reveal a pair of young adults making out near the fire, the POV steps forward and the girls lets out a scream, only for the guy she was making out with to chastize the viewers(aka the POV) for scaring them. The POV steps forward again, and through a reflection from a nearby hand mirror that's been nailed to a tree we see that the POV is just another normal young adult who laughs and apologizes for scaring them.

Suddenly a masked figure emerges from the brush. They're wearing a yellow raincoat and fisherman's overalls, as well as deer mask that seems to be made out of an actual taxidermied deer head. The Slasher grabs the other young adult male and slams a wood chooping axe's bladed edge into his throat, nearly severing his neck in one go before letting go of his head, letting it flop to the side and reveal his throat and spine as the wound spurts blood. The girl screams and tries to crawl away, but the Slasher grabs her and slams the axe into the back of her skull once, twice, three times. The Slasher then turns to the POV male, who screams and runs off int othe forest. Through the POV shot we see him scrambling and bumping into trees, screaming out for help as he runs for his life. He spots a boat off in the lake, and just as he makes it to the tree line he's grabbed from behind and spun around, coming face to face with The Slasher, who rears back and slams the axe at his face.

RED LAKE

We cut to 1979 and five teens are travelingn along in a van, singing to some tunes. The one at the wheel is Justin, who seems to be intent on making commentary on how rural America is getting shafted by the elites up in Washington all while smoking a joint. In the passenger seat is his boyfriend Tomas, a foreign exchange student from some European country who's more interested in just sketching the landscape around them, although he does still show he's paying attention to Justin by chiming in now and then. One of the girls in the back is applying a tattoo the back of another girl, these two are Jane and Cathy(the one getting the tattoo). Jane tells Cathy not to move so much, and Cathy jokingly complains that it's a bit difficult to stay still in a moving vehicle. the final teen in the back is a boy with large glasses, seemingly intent on reading a book on local fauna by the name of Peter. Through dialogue we learn that Peter and Jane are siblings, and that all of the teens are hear in order to earn some summer cash by getting the cabins ready and set up for Camp Hope. Jane makes note that it's strange the camp would be paying them so much just for a weeks worth of work, but Justin points out that the people who run the Camp always have trouble finding help each year. Peter talks about how he and Jane went to Camp Hope when they were ten, and how Peter ran into a deer that was eating a raccoon and it scared the shit out of him. Tomas finds the story weird, as deers are herbivores, but Cathy just jokes that it probbaly had rabies.

The teens arrive at camp and get to work first getting their own bunks set up. There's only four beds, so Justin states that in consideration of the group he'll happily bunk with Tomas, and Tomas jokes that Justin just likes to cuddle.

We see through a POV shot that somebody is watching the teens from the woods, focusing intently on Peter as he gets everybody's bags from the van. Peter seems to hear or see something and looks towards the woods, and the POV ducks behind a tree. Before Peter can investigate he's called in by Jane.

Jane reveals that they found a stash of booze underneath one of the bunks, and everybody decides that they'll have a party and get to work on the rest of the cabins in the morning. During the bonfire party everyone is dancing, Tomas and Justin make out a bit while Justin complains about the destruction of the environment and greedy corporations, and Jane teases Peter into asking Cathy to dance. Before Peter can work up the nerve a homeless hermit man emerges from the woods, scaring everyone(and making Justin drunkenly scream out that it's the Feds) before warning the teens to hurry and leave these cursed woods. He tells them the story of the lands true name, Red Lake, and the horrible story behind Hamilton Red's daughter Scarlet and her untimely demise by flames due to Satanists. the Hermit warns each of them that their deaths await them if they stay, before grabbing one of the bottle of booze and running off into the woods cackling about blood, death, and taxes. Jane says that they should all hit the sack after something that messed up, and they all agree.

We cut to the Hermit as he chugging away at the booze, him stumbling through the woods, only for a noise to catch his attention. He hollers for who that could be, before turning around and walking off, only to have an axe head whip around from behind a treee and embed itself in his skull. As the Hermit falls to his knees, babbling inhorently, The Slasher comes out from behind the tree and yanks the axe from the side of the Hermit's head, before raising it above their own and then slamming it down onto the top of the Hermit's head with such force that it splits his noggin right down the middle. The Slasher takes their axe out of their victims head, and then drags the poor Hermit's body off with a trail of blood behind them.


In the morning the Teens are getting the rest of the cabins fixed up, and Jane finds an old journal of hers under the floorboards from when she and her brother Peter went to the camp. She opens the journal up and is surprised to see drawings of some figure in a yellow raincoat with a deer head in nearly every one of the pages. The final page has in crayon of a young Jane and the deer person holding hands in the forest.

A scream breaks the silence as Jane exits the cabin and runs outside to find Cathy hysterically screaminig and pointing at the van. In drivers seat is the Hermit, his head brutally split open and blood covering the front seat. Jane looks around the front of the van and sees an even worse sigh, the engine and wires have been destroyed, a wood chopping axe sticking out with a bloody hand print on the handle...

The Teens begin trying to figure out what the hell happened, and with Justin still being hungover from the night before he sitting this one out while Tomas and Jane try to work something out. While they're discussing this Cathy goes off to vomit near the tree line, where she spots the Slasher watching her ominously. She screams again, running off and meeting back up with the others near their cabin where she tells them what and who she saw. Tomas is a bit disbelieving, but Peter chimes in that what Cathy just described sounds just like the deer he saw all those years ago.

The group finally decide to just hike it out of there and make it back to the main road, figuring that safety in numbers will protect them. They make their way along the path towards the exit when Justin is suddenly shot in the leg with an arrow. In a panic the teens scatter, Tomas dragging Justin with him as another arrow narrowly misses his head. The two of them manage to dodge more oncoming arrows, and duck behind a tree. After a few moments of peace Tomas peeks his head around the tree, only to immediately have an arrow embed itself into his eye and out the back of his skull, killing him instantly. Justin cries out in anguish as the Slasher approaches, clinging desperately to Tomas' lifeless corpse while calling the killer every name under the sun. The Slasher raises their bow and fires another arrows that goes directly into Justin's throat, making him choke on his own blood before falling dead on top of Tomas.

We cut to Cathy next, stumbling through the forest and crying before coming across a ravine with a log connecting to the other side. She spots the Slasher approaching and hops onto the log, slowly walking across to the other side as the Slasher approaches with powerful strides. She finally makes it to the end of the log and cheers, jumping off only to immediately step into a bear trap that crunches into her leg and makes it fall down, her arm landing in another bear trap. She writhes and screams in pain as the Slasher watches for a moment, tilting their head in amusement before bringing their axe down onto Cathy's face.

It's gotten darker, Peter and Jane slow down as they are out of breath. Peter asks where the hell the exit to this place is as it feels like they've been walking in circles the whole time. Jane can't figure out where they are either, however as the two of them explore deeper into the woods they find, of all things, a large mansion just out of the way, overcome by vines and dirt. They enter the home, and after a bit of exploring find that they are in the old abandoned Red Manor. Along the walls are pictures of the family, showing Hamilton Red and his daughter Scarlet. Strangely there's pictures of Hamilton and some bandaged up figure in paintings further down, and Jane realizes with horror that that must be Scarlet, and she never died.

Jane and Peter finally come across the most gruesome sight in the Manor, the decayed and rotting corpse of Hamilton Red himself. Just as Peter reaches out to touch the corpse, the front door is thrown open and the Slasher, now who we know as Scarlet, bursts into the manor with her axe in hand. Peter and Jane rush around the manor to escape, heading up the long spiral staircase to the top of the manor with Scarlet hot on their heels. Eventually Peter trips and his glasses fall off, while he's looking for them frantically Scarlet grabs him by the ankle and lifts him up like a doll before chopping his leg off at the knee. Jane screams in fury and takes a nearby vase and smashes Scarlet in the face with it, knocking her mask off and revealing a horribly burned appearance. Scarlet goes to hack at Jane but Peter grabs onto Scarlet, causing the two of them to tumbling over the balcony and fall four stories down to the floor below.

Jane looks down in horror at the sight of her brother and Scarlet lying in a pool of blood. She hurries down the stairs, cradling Peter's body once she reaches him and crying the whole time, before somberly standing up and walking out of the manor. The shot follows jane from the front as she walks down a path, the house still in the distance as quiet and lulling music plays. Then Scarlet's form can be seen exiting the manor with a harsh Violin cord, and the masked slasher hobbles closer and closer towards Jane, her none the wiser until finally she turns and lets out a blood curdling scream just as Scarlet brings the axe down on her.
 
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The Unsleeping City
So this is a part one of two or three as I try to adapt my favorite D&D Let's Play to the quest. I hope to include as many of the elements that Brennan Lee Mulligan had, such as issues in the LGBTQ community, substance issues, and the growing divide between the wealthy and those without in a manner that doesn't completely strain credulity in quest (seeing as Bruce is a rather devout and traditional Catholic). As such, here is the original and my version of:






GENRE: Fantasy

SUBGENRE: Drama/Adventure

FORMAT: TV Show (Animation/Possible Franchise)

EPISODE 1: We follow most of the first episode the same way that the original goes, with small snippets of each character to give the audience an insight into how each one interacts with the world. This starts with Pete accidentally opening the Umbral Warding to the various spirits of Nod. We cut to Kingston Brown waking up and going to work, though as the morning routine progresses, we see how more and more magic is involved. The primary set piece of this episode is Kingston's commute to work, where we see the entire City conform to him as though a grand dance. Kingston will walk forward into traffic in the middle of the road with cars missing him by inches as he doesn't even look, catching a tossed sandwich from the door of a bodega just as he walks by, stepping into a bus just as the doors open, and so on. When we cut away from Kingston, the slowly building golden hue to the screen suddenly cuts, leaving the world seem almost drained of color and vibrancy as we see Sophia in the trash of a bar on Staten Island.

The major changes start with the removal of the Santacon plotline, and instead on the disappearance of the Christmas memorabilia at FAO Schwartz (which is used as one of many portals to Santa's Workshop). The Gramercy Occult Society now has an additional headquarters/armory at the Museum of Natural History, where we learn that the current Facilities head is the Society's quartermaster while the primary battlemage is the head of Human Resources. (As it turns out the Wizards are in charge of the scientific museums while the Bards are in charge of the artistic ones. We see no mention of of the other casters be they Clerics, Druids, Sorcerers, or Warlocks for now.) In addition, the Gramercy Occult Society also maintains the border with the Realm of Nod, the Dreaming World. We end the first episode on the meeting of all the characters in Times Square as a commotion occurs and we hear screaming as the cast looks on at something in horror.

EPISODE 2: The source of the commotion in Times Square is now revealed to have been a summoned Krampus, which also explains why Santa is missing. His cheer and magic was the natural counteragent to the Krampus, so a series of bindings and what looks to be mechanical engines and plastic tubes are surrounding him and seem to be turning the snow like aura around him into a black coal-like smoke that is being blown at the Krampus. Interestingly, we learn that the Krampus's own perception is being altered in order to do this, as it would normally follow the rules of only punishing those deserving of it. The cast is unable to fight the Krampus directly and instead tries to disable the machine that is guarded by small coal constructs (reskinned mephits) while the Society's more powerful warriors fight the Krampus. Eventually the cast is able to disable the machine surrounding Santa, causing the Krampus to stop and leave, though it takes no motion to repair damage it has done in the area.

The Society takes care of the damage (helping to explain why this has not been made public to the wider world already) while the cast starts to look for answers. They eventually make their way to Central Park, which is in fact bigger than expected and tended to by a variety of peoples who have lived there. (This includes the Lenape and the descendants of Seneca Village.) We learn that the strength of nature is rather weak in Manhattan (for obvious reasons) and that Santa's sleigh has been broken into and stolen from.

EPISODE 3: Following the discovery of Santa's sleigh, we have a small cameo of the various bureaucracies of the Unsleeping City as we watch the cast help with the crime scene investigation with a series of vignettes as they are interviewed regarding the Krampus Ruckus in Times Square. Afterwards, we have a small discussion between Kingston and the crew as they go their separate ways to take a short break and we see the characters take a chance to breathe and react to this news in their own space.

Episode 4: In this episode we learn that the Shining City On A Hill (SCOAH for short) isn't a specific city, rather it is the one with the most influence at the time. It is currently New York, but it has been Rome, London, Cairo, Baghdad, Tokyo, Beijing, Babylon. From the beginning, there has been two natural connections, called Waygates, that the SCOAH has that move and are not present in any other city: the Pearly Gates and the Maw of Hell. While every city has some supernatural factor, these two are unique and do not have additional copies. Interesting enough, when London was the SCOAH, a third natural Gate formed; that of the Road to Faerie. The belief and dreams of Humanity itself can create separate worlds, and that has happened once more in New York City. There is now a fourth Waygate: the Golden Door, the entrance to the Land of Opportunity.
 
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