Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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I think you're a decade behind buddy. It's 1980 not 1968.

Wait, it's Reagen then? Damn, I really did fuck up and get uber confused. My bad.:D
I'll try to fix that mistake. I don't remember American politics as well as movies.

...Wait, wasn't the crazy stalker who tried to impress Jodie Foster tried to assassinate Reagan? Fuck! How could I forget that?!

On another note, what is the current progress of the TV shows that we are producing at the moment? It's been a while since we've picked them and I kinda want to know.
In addition, should we do the Marvel shows next year (be it live action or animated)?
 
Your answer is nonsensical; it's basically "We owe the CIA so this Will pre-empt it" and that it has to be done ti keep our people safe.

It doesn't for either of those reasins. We don't know what the CIA will ask of us, and trying to tie ourselves so right becuse of it is ridículous. As for keeping our people safe, I seriously doubt Magoose is going to do this every single turn as well.

I'm going to be honest; I find your plan wasteful, but it's that option that makes it dangerous in my mind, as it involves too much risk for nearly nothing in the end.
Look, myself and others [notably Schehera Zade] already covered the CIA aspect in depth, so arguing with someone I fundamentally disagree with on the basis that it's "ridiculous" will get us nowhere, but saying that it's all for nothing?

Buddy, have you seen what the Hong Kong cinema industry generates?
1980The Young Master師弟出馬Jackie Chan9 February 1980HK$11,026,283
1981Security Unlimited摩登保鑣Michael Hui30 January 1981HK$17,769,048
1982Aces Go Places最佳拍檔Eric Tsang16 January 1982HK$26,043,773
1983Aces Go Places 2最佳拍檔大顯神通Eric Tsang5 February 1983HK$23,273,140
1984Aces Go Places 3最佳拍檔女皇密令Tsui Hark26 January 1984HK$29,286,077
1985My Lucky Stars福星高照Sammo Hung10 February 1985HK$30,748,643
1986A Better Tomorrow英雄本色John Woo2 August 1986HK$34,651,324
1987Armour of God龍兄虎弟Jackie Chan21 January 1987HK$35,469,408
1988The Eighth Happiness八星報喜Johnnie To11 February 1988HK$37,090,776
1989God of Gamblers賭神Wong Jing14 December 1989HK$37,058,686
1990All For The Winner賭聖Jeffrey Lau and Corey Yuen10 June 1990HK$41,326,156
1991Fight Back To School逃學威龍Gordon Chan18 July 1991HK$43,829,449
1992Justice, My Foot!審死官Johnnie To2 July 1992HK$49,884,734
1993Flirting Scholar唐伯虎點秋香Stephen Chow and Lee Lik-Chi1 July 1993HK$40,171,804
1994God of Gamblers Returns賭神2Wong Jing15 December 1994HK$52,529,768
1995Rumble in the Bronx紅番區Stanley Tong21 January 1995HK$56,911,136
1996Police Story 4: First Strike警察故事4之簡單任務Stanley Tong10 February 1996HK$57,518,795
1997Mr. Nice Guy一個好人Sammo Hung31 January 1997HK$45,420,457
1998The Storm Riders風雲雄霸天下Andrew Lau18 July 1998HK$41,398,555
1999King of Comedy喜劇之王Stephen Chow13 February 1999HK$29,848,860
2000Needing You...孤男寡女Johnnie To and Wai Ka-fai23 June 2000HK$35,214,661
2001Shaolin Soccer少林足球Stephen Chow5 July 2001HK$60,739,847
2002Infernal Affairs無間道Andrew Lau and Alan Mak12 December 2002HK$55,057,176
2003Infernal Affairs III無間道III:終極無間Andrew Lau and Alan Mak12 December 2003HK$30,225,661
2004Kung Fu Hustle功夫Stephen Chow23 December 2004HK$61,278,697
2005Initial D頭文字DAndrew Lau and Alan Mak23 June 2005HK$37,862,364
2006Fearless霍元甲Ronny Yu26 January 2006HK$30,201,600
2007The Warlords投名狀Peter Chan13 December 2007HK$27,919,869
2008CJ7長江七號Stephen Chow31 January 2008HK$51,440,832
2009All's Well, Ends Well 2009家有囍事2009Vincent Kok23 January 2009HK$24,655,932
2010Ip Man 2葉問2:宗師傳奇Wilson Yip29 April 2010HK$43,313,345
20113D Sex and Zen: Extreme Ecstasy3D肉蒲團之極樂寶鑑Christopher Suen14 April 2011HK$41,078,280
2012Cold War寒戰Longman Leung and Sunny Luk8 November 2012HK$42,820,819
2013Unbeatable激戰Dante Lam15 August 2013HK$44,631,344
2014Golden Chicken 3金雞SSSMatt Chow30 January 2014HK$41,277,620
2015Ip Man 3葉問3Wilson Yip24 December 2015HK$60,422,830
2016Cold War 2寒戰IILongman Leung and Sunny Luk8 July 2016HK$66,824,171
2017Love Off the Cuff春嬌救志明Pang Ho-cheung24 April 2017HK$30,256,619
2018Agent Mr Chan棟篤特工Jeff Cheung15 February 2018HK$44,709,699
2019Integrity廉政風雲 煙幕Alan Mak5 February 2019HK$31,360,754
2020The Grand Grandmaster乜代宗師Dayo Wong23 January 2020HK$29,456,956
2021Anita梅艷芳Longman Leung12 November 2021HK$62,409,445
2022Warriors of Future明日戰記Ng Yuen-fai25 August 2022HK$81,947,016

And that's just their highest grossing film for that year, totaling HK$1,654,616,341, which is not including inflation or conversion at the time these films were made.
I know what you're proposing but I find it too grandiose. Instead I propose we copy Netflix OTL and just open an office building and hunt for talent/scripts and have them made on site with connections in the region or have them done in our backyard in Cali or Japan. Blowing 100 million dollars on a state of the art campus is a bit much. But hey if our subdivision is succesfull we can expand them later like we did with Sunrise.
That is literally what I just said, but jumping straight to Sunrise.
In addition, should we do the Marvel shows next year (be it live action or animated)?
Yes.
 
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Why risk so much for no gain besides the dumb satisfaction of starting a dick-measuring contest against China?

Nah, they've started it and we'll be responding appropriately.

Or until they decide to cut their loses and stop...

The unfortunate thing about this situation especially with the type of enemy we're facing, is that they never really let go until you make it physically impossible for them to do so. I mean- you could delay it. But with how nepotism works in the Party? It'll only be a matter of time.

A combination of the ruthlessness ingrained from Mao's Revolution, nurtured with corruption and nepotism in a steady narrative of vengeance against those that had wronged the Party and two generations down, you've got yourself a government so self-righteous in itself that it's willing to flaunt International Laws to get what it wants.

At the stage in China's history, I suggest curtailing them hard with soft power if you can. But with how widespread the reach of the ruling party has? Best back it up with local programs aimed to bring back what is China before the Communist revolution eroded it into the pale puppet it now wears.

Do it now while the party is still in its early stages of kicking off its economic miracle.

In a few more years actions like this will become harder if not downright impossible to do.
 
I know that tempers can flare so please remeber that it's just a quest. Okay?
Dude, no need to doom so hard. You're still up by one.
I apologize that I let my temper get the best of me. You are correct in that this is a quest, and as such I must treat it like that.
Look, myself and others [notably Schehera Zade] already covered the CIA aspect in depth, so arguing with someone I fundamentally disagree with on the basis that it's "ridiculous" will get us nowhere, but saying that it's all for nothing?

Buddy, have you seen what the Hong Kong cinema industry generates?
1980The Young Master師弟出馬Jackie Chan9 February 1980HK$11,026,283
1981Security Unlimited摩登保鑣Michael Hui30 January 1981HK$17,769,048
1982Aces Go Places最佳拍檔Eric Tsang16 January 1982HK$26,043,773
1983Aces Go Places 2最佳拍檔大顯神通Eric Tsang5 February 1983HK$23,273,140
1984Aces Go Places 3最佳拍檔女皇密令Tsui Hark26 January 1984HK$29,286,077
1985My Lucky Stars福星高照Sammo Hung10 February 1985HK$30,748,643
1986A Better Tomorrow英雄本色John Woo2 August 1986HK$34,651,324
1987Armour of God龍兄虎弟Jackie Chan21 January 1987HK$35,469,408
1988The Eighth Happiness八星報喜Johnnie To11 February 1988HK$37,090,776
1989God of Gamblers賭神Wong Jing14 December 1989HK$37,058,686
1990All For The Winner賭聖Jeffrey Lau and Corey Yuen10 June 1990HK$41,326,156
1991Fight Back To School逃學威龍Gordon Chan18 July 1991HK$43,829,449
1992Justice, My Foot!審死官Johnnie To2 July 1992HK$49,884,734
1993Flirting Scholar唐伯虎點秋香Stephen Chow and Lee Lik-Chi1 July 1993HK$40,171,804
1994God of Gamblers Returns賭神2Wong Jing15 December 1994HK$52,529,768
1995Rumble in the Bronx紅番區Stanley Tong21 January 1995HK$56,911,136
1996Police Story 4: First Strike警察故事4之簡單任務Stanley Tong10 February 1996HK$57,518,795
1997Mr. Nice Guy一個好人Sammo Hung31 January 1997HK$45,420,457
1998The Storm Riders風雲雄霸天下Andrew Lau18 July 1998HK$41,398,555
1999King of Comedy喜劇之王Stephen Chow13 February 1999HK$29,848,860
2000Needing You...孤男寡女Johnnie To and Wai Ka-fai23 June 2000HK$35,214,661
2001Shaolin Soccer少林足球Stephen Chow5 July 2001HK$60,739,847
2002Infernal Affairs無間道Andrew Lau and Alan Mak12 December 2002HK$55,057,176
2003Infernal Affairs III無間道III:終極無間Andrew Lau and Alan Mak12 December 2003HK$30,225,661
2004Kung Fu Hustle功夫Stephen Chow23 December 2004HK$61,278,697
2005Initial D頭文字DAndrew Lau and Alan Mak23 June 2005HK$37,862,364
2006Fearless霍元甲Ronny Yu26 January 2006HK$30,201,600
2007The Warlords投名狀Peter Chan13 December 2007HK$27,919,869
2008CJ7長江七號Stephen Chow31 January 2008HK$51,440,832
2009All's Well, Ends Well 2009家有囍事2009Vincent Kok23 January 2009HK$24,655,932
2010Ip Man 2葉問2:宗師傳奇Wilson Yip29 April 2010HK$43,313,345
20113D Sex and Zen: Extreme Ecstasy3D肉蒲團之極樂寶鑑Christopher Suen14 April 2011HK$41,078,280
2012Cold War寒戰Longman Leung and Sunny Luk8 November 2012HK$42,820,819
2013Unbeatable激戰Dante Lam15 August 2013HK$44,631,344
2014Golden Chicken 3金雞SSSMatt Chow30 January 2014HK$41,277,620
2015Ip Man 3葉問3Wilson Yip24 December 2015HK$60,422,830
2016Cold War 2寒戰IILongman Leung and Sunny Luk8 July 2016HK$66,824,171
2017Love Off the Cuff春嬌救志明Pang Ho-cheung24 April 2017HK$30,256,619
2018Agent Mr Chan棟篤特工Jeff Cheung15 February 2018HK$44,709,699
2019Integrity廉政風雲 煙幕Alan Mak5 February 2019HK$31,360,754
2020The Grand Grandmaster乜代宗師Dayo Wong23 January 2020HK$29,456,956
2021Anita梅艷芳Longman Leung12 November 2021HK$62,409,445
2022Warriors of Future明日戰記Ng Yuen-fai25 August 2022HK$81,947,016

And that's just their highest grossing film for that year, totaling HK$1,654,616,341, which is not including inflation or conversion at the time these films were made.
And none of it matters if we involve the CIA in any way. Since you and Schehera Zade think that you've given a good enough explanation then i guess there's nothing else I can say, except that it's not worth the hit to our reputation, even with that data
 
Inspector Spacetime (American Doctor Who Spinoff)
Inspector Spacetime (American Doctor Who Spinoff): [ Television (Live-Action) | Sci-Fi/Adventure ]

"Inspector Spacetime" is an exhilarating American spinoff of the beloved BBC series "Doctor Who." The show follows the eponymous Inspector, a Gallifreyan spacetime-traveler, as he navigates through time and space, solving mysteries and exploring the fundamental nature of reality. With the help of his trusty companions, the Inspector embarks on a mind-bending journey to uncover the secrets that lie at the heart of the universe.

In the vast expanse of the time vortex, there exists a Gallifreyan known as the Inspector. Trained by the enigmatic Mathematician, the Inspector possesses an uncanny ability to perceive changes in the local spacetime fabric, much akin to the sonar abilities of bats. This unique perception allows him to navigate through time and space with unparalleled precision, sensing disruptions, temporal anomalies, and hidden dangers that others cannot perceive. Driven by an insatiable curiosity to understand the fundamental nature of reality, the Inspector reluctantly assumes a semi-law enforcement capacity, akin to a deputized US Marshal or a reservist soldier in the military police.

After undergoing his third regeneration, the Inspector emerges as a fairly young and athletic man, whose lust for adventure overrides the sensibilities of his previous regenerations. Intrigued by the tales of the Doctor's adventures on Earth, he sets off to explore the different eras, dimensions, and planets throughout the cosmos, his pursuit of knowledge in all its forms drives him forward. Each episode of "Inspector Spacetime" presents a self-contained adventure, while an overarching narrative unfolds throughout the season. Accompanied by a diverse group of companions, each with their unique skills and perspectives, the Inspector delves into the mysteries of the universe. Along the way, they encounter phenomena that challenge their understanding of time, space, and existence itself.

As the Inspector delves deeper into the secrets of the cosmos, he uncovers hidden truths and encounters enigmatic beings from across the cosmos and the realities that came before. These encounters provide glimpses into the interconnectedness of all things and offer insights into the nature of consciousness, the fabric of reality, and the mysteries that lie beyond the boundaries of human comprehension.

"Inspector Spacetime" combines thrilling adventures, mind-bending concepts, and philosophical exploration. It invites viewers to join the Inspector and his companions on an extraordinary journey through time and space, where they grapple with the mysteries of the universe and the profound questions that arise along the way.


A/N: Where we have a lowborn Gallifreyan, modeled after Community's parody, as the MC and who explores a lot more of the cosmos and picks up a lot more alien species as companions as a result. He also isn't limited to hearing only British accents, because his TARDIS "isn't malfunctioning". If there's a difference between them, it boils down to him being far more "lowborn" and a lot less lucky than the Doctor.

His aforementioned ability is modeled directly after three characters (JJ- No Ordinary Family, Brian- Limitless, and Sickguy Alananimations) and tends to be animated instead of using CGI:


As for who to play him, why not Brendan for a season or two?
 
Something I'm in favor of, considering that I also want Marvel to start making different labels and continuities that cover a wide range of genres and age demographics. Like, we have Marvel stay a "shōnen"-line of comics (targeting an audience of adolescent boys), Atlas be their "seinen"-line of comics (targeting young adult and adult men), and their Romance imprints being split into their "shōjo"-line (targeting adolescent girls and young women) and "josei"-line (targeting adult women) of comics, each being compiled into dedicated magazines instead of induvial comics.

We would obviously wouldn't call it that, so instead I think we should go for a more of a color system, for a general example something like:
Age​
"Action"
"Romance"
  • 00-07 (G)
  • 08-12 (PG)
  • 13-17 (PG13)
  • 18-27 (R)
  • 28+ (NC-17)
  • Green (Bronze Stripe)
  • Yellow
  • Orange
  • Red
  • Black (Red Stripe)
  • Green (Silver Stripe)
  • Cyan
  • Blue
  • Purple
  • Black (Purple Stripe)

After that, their would be the Imprint Coding System, which I think keeping with either numbers like 616 or little icons in the corner for specific Imprints/Labels would be a fine idea, with those titles that fall outside a main continuity or what-if is marked with as Independent or with a brand new icon, for those writers doesn't want to be hamstrung by an existing continuity.

[EDIT: I'm imagining the color system as a band across the top of the magazine, not so obnoxious as to be unappealing but noticeable enough for people to ask questions if they see a six-year-old wandering around with a Red Label.]
The Business Proposal:
-[] Marvel Presents: The Imprint Coding System [$10 Million]: Marvel Comics is embarking on an ambitious endeavor to better cater to a wide range of readers by implementing a comprehensive labeling and imprint system. This system aims to establish distinct labels and continuities tailored to different demographics, where our content will be compiled into dedicated magazines, or "Imprints", to differentiate between the various age and genre demographics. Additionally, to ensure ease of identification, each Imprint will feature a colored banner at the top of the compiled magazines and collector's comics, indicating a proposed age rating from Green/Cyan to Black. Furthermore, Marvel plans to introduce a Setting Coding System, utilizing a unique number in the corner of each comic to signify specific setting. This coding system will facilitate clear differentiation between titles within the main continuity (Earth-616), independent works (such as Mighty Morphing Power Rangers: Earth-1993), and what-if scenarios, granting writers the freedom to explore new narratives beyond existing continuities. Marvel's innovative approach promises to revolutionize the comic book industry, offering a diverse and engaging range of stories that cater to readers of all ages and preferences.
--[] Marvel Presents: Adventure Imprint: 0-7 Demographic; Green [Bronze Stripe] Banner.
--[] Marvel Presents: ??? Imprint: 8-12 Demographic; "Action", Yellow Banner.
--[] Marvel Presents: Atlas Imprint: 13-17 Demographic; "Action", Orange Banner.
--[] Marvel Presents: Image Imprint: 18-27 Demographic; "Action", Red Banner.
--[] Marvel Presents: ??? Imprint: 28+ Demographic; "Action", Black [Red Stripe] Banner.
--[] Marvel Presents: Amazing Friends Imprint: 0-7 Demographic; "Romance", Green [Silver Stripe] Banner.
--[] Marvel Presents: ??? Imprint: 8-12 Demographic; "Romance", Cyan Banner.
--[] Marvel Presents: ??? Imprint: 13-17 Demographic; "Romance", Blue Banner.
--[] Marvel Presents: ??? Imprint: 18-27 Demographic; "Romance", Purple Banner.
--[] Marvel Presents: Ideal Imprint: 28+ Demographic; "Romance", Black [Purple Stripe] Banner.

Struggling to come up with names for the Imprints, since I was basically trying to match old titles and whatnot to the genre, and Gossip and Confessions don't invoke a good image in my mind as an appropriate title going forward.
 
-[] Marvel Presents: The Imprint Coding System [$10 Million]: Marvel Comics is embarking on an ambitious endeavor to better cater to a wide range of readers by implementing a comprehensive labeling and imprint system. This system aims to establish distinct labels and continuities tailored to different demographics, where our content will be compiled into dedicated magazines, or "Imprints", to differentiate between the various age and genre demographics. Additionally, to ensure ease of identification, each Imprint will feature a colored banner at the top of the compiled magazines and collector's comics, indicating a proposed age rating from Green/Cyan to Black. Furthermore, Marvel plans to introduce a Setting Coding System, utilizing a unique number in the corner of each comic to signify specific setting. This coding system will facilitate clear differentiation between titles within the main continuity (Earth-616), independent works (such as Mighty Morphing Power Rangers: Earth-1993), and what-if scenarios, granting writers the freedom to explore new narratives beyond existing continuities. Marvel's innovative approach promises to revolutionize the comic book industry, offering a diverse and engaging range of stories that cater to readers of all ages and preferences.
--[] Marvel Presents: Adventure Imprint: 0-7 Demographic; Green [Bronze Stripe] Banner.
--[] Marvel Presents: ??? Imprint: 8-12 Demographic; "Action", Yellow Banner.
--[] Marvel Presents: Atlas Imprint: 13-17 Demographic; "Action", Orange Banner.
--[] Marvel Presents: Image Imprint: 18-27 Demographic; "Action", Red Banner.
--[] Marvel Presents: ??? Imprint: 28+ Demographic; "Action", Black [Red Stripe] Banner.
--[] Marvel Presents: Amazing Friends Imprint: 0-7 Demographic; "Romance", Green [Silver Stripe] Banner.
--[] Marvel Presents: ??? Imprint: 8-12 Demographic; "Romance", Cyan Banner.
--[] Marvel Presents: ??? Imprint: 13-17 Demographic; "Romance", Blue Banner.
--[] Marvel Presents: ??? Imprint: 18-27 Demographic; "Romance", Purple Banner.
--[] Marvel Presents: Ideal Imprint: 28+ Demographic; "Romance", Black [Purple Stripe] Banner.
Whereas I consider this very useful from a marketing perspective I also consider that compartmentalizing the ages and genres too much will impact the artistic quality of the comic negatively and make the artist feel much more limited... I mean, what do you do with comics/books that mix romance and action, or terror and fantasy, and so forth...

And getting the +28 print seems pretty useless, +18 already covers all the possible mature/adult content that you may find in any media...
 
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I would go for some more networking actions here, there are plenty of Franco-Belgian comics that are would make for great shows like Lucky Luke , the Smurfs, Papyrus...

And we could easily get the rights for "Once upon a time... Man" one of the most legendary European animated series that Mary would enjoy and which set the stage to get to the rest of the "Once upon a Time" franchise which was pretty big in the 80s and 90s...
Yep one of the greates edutainment show around here with some nice variation:

1) Once upon a time… Life: "This series is intended for children and adults curious about how the human body works.
It tells in a playful way the architecture and composition of different cell types, biological tissues and organs as well as their respective functions. In addition, these microscopic descriptions of the body's components are integrated into educational scenarios dealing more generally with the development of the human body, its main physiological functions, the life cycle and health education."

2) Once upon a time... Man: Once upon a time... Man tells the story of humanity, from the origins of life until the end of the 20th century. The main historical milestones are covered by depicting a family unit and mixing the main points of history with what it meant in daily life. In addition to the off-camera comments, an anthropomorphic clock (it has eyes and arms), animated in a manner similar to that of Looney Tunes, is displayed on the screen, which allows you to find your way in the chronology of the human history by indicating the date corresponding to the events mentioned

3) Once upon a time... the Americas: This series, intended for children, tells the history of the American continent through all its populations (Inuit, Aztecs, Incas...) and its historical events (conquest of the West, War of 'independence...).

4) Once upon a time... the Discoverers: This series, intended for children, tells the story of the great discoveries, and their actors, who made the world today.

5) Once upon a time... the Explorers: This series, intended for children, tells the story of the great geographical discoveries.

6) Once upon a time… our Earth: This new series Once upon a time, the last produced before the death of its creator Albert Barillé in 2009, explains to children the notion of sustainable development, presented as a major issue for the future of the planet and Humanity.

7) Once upon a time… objects: planned for next year

8) Once upon a time... Space: This series follows the first of its kind, entitled Once upon a time... Man. It takes almost all of the characters from the latter to transpose them into a science fiction setting and scenarios. It is intended for children and adults alike.

Humanity has expanded through space into the distant future and encountered other alien races with whom understanding and collaboration are important. Together, they created the Omega Confederation, an interstellar organization made up of their different species. A human scientist is the president of the group (President Pierrette) and each race sends emissaries to sit on the decision-making group. The members are the Earth and various constellations from which other ethnic groups come, such as Andromeda, Scorpio and Cassiopeia. The Omega Confederation is dedicated to space exploration and the maintenance of galactic peace thanks to its Space Police placed under the command of Colonel Pierre, who is assisted by Commander Legros.

The story follows the adventures of Lieutenant Pierrot — son of Colonel Pierre and President Pierrette — of Lieutenant Psi — whose real name is Mercedes, a young telepathic woman — of the robot Metro, and, to a lesser extent, of Lieutenant Petit-Gros — son of Commander Legros —. The three humans have just graduated from the Space Police academy. They began their career while the turbulent military republic of Cassiopeia, led by General Le Teigneux assisted by consul Le Nabot, led a campaign of destabilization – sometimes in a more clandestine manner, sometimes in a much more open manner – against the Confederation. Indeed, Le Teigneux intends to submit her to his total will with the help of unknown allies.

The situation worsens considerably with the discovery of a new planet called Yama, and the threat of unprecedented magnitude that it contains: the race of Humanoids, controlled by the Great Computer, which wants to conquer all universe and impose its law on all organic life by triggering the greatest war that has ever taken place...
 
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