Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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You know what we could do? Use the money we get from MASH to start buying up CBS stock.

It's not that easy..unless you want us to quit being an actor and be a full time stock exchange guy. (Remember, Stock Exchanges are like the weather, they're random.)

The greatest advantage we have compared to the past decades is the fact we can just check the stocks on our phones.

I'd also take a look at the stock exchange in the 1970s before we decide on actually buy stocks.

It has abysmal critical reception but your average crowd seemed to love it, so maybe there's opportunity for another grand Napoleon film.

Hmm..I got a Prompt Idea from this tidbit :D
 
[X]Remain on the Show: You will remain on the Show… But you are sure that there will be some changes.
[X]Write in for contract negotiations. Double the SAG minimum wage. 5% of the Residuals. Each cast member who gets nominated for a award in relation to the show gets a $500 bonus. Each cast member who wins a award in relation to the show gets $2,000. If the show as a whole gets an award for best series, television overall or a specific genre, each major and supporting cast member gets a $750 bonus. Award bonuses can be subject to renegotiation every two seasons.
 
A minor change -- shooting for the season can't start until the script for the season is done. Basically make sure they have to follow all proper practices (unless that goes without saying)
Oh that's going to be asking to much from CBS :V

But seriously, if you stay, you will find out that there is a lot of things that everyone wanted done.
Speaking of @Magoose Will we get rolls for 1971's major films eventually?
Actually no, because there really weren't any big changes besides THX 1138 being delayed.

Everything else kinda happened the same.
Also does Bruce drive a car, how does he get around?
Bruce dosen't drive a car, because he doesn't have a license. He mostly hitchhikes, takes a Taxi... or well... does some hilarity.

@Magoose, what are the limits?
Go wild.
 
[X]Remain on the Show: You will remain on the Show… But you are sure that there will be some changes.
[X]Write in for contract negotiations. Double the SAG minimum wage. 5% of the Residuals. Each cast member who gets nominated for a award in relation to the show gets a $500 bonus. Each cast member who wins a award in relation to the show gets $2,000. If the show as a whole gets an award for best series, television overall or a specific genre, each major and supporting cast member gets a $750 bonus. Award bonuses can be subject to renegotiation every two seasons.
 
Drunk Adventure
Well. You asked for it.


Drunk Adventure

Waking up, Bruce thought everything was fine, he didn't remember a thing and he was in his place, not in jail and not on the street, except when he was going to the bathroom to freshen up he was surprised by a snake… in the bathroom, upon further inspection Bruce discovered a that he has a new tattoo on his ass, 50 empty containers of Jam in the fridge.

And a man named John passed up on his couch.

As they pieced out what happened that night they discovered that Bruce and John started the night off by hitting up a bar in the city. They had a few drinks and decided to continue their adventure elsewhere. They were wandering around the city when they stumbled upon a group of people playing "Monopoly poker", which they were intrigued by and decided to join in on.

As the night went on and the drinking continued, Bruce and John became more and more wild and reckless. They ended up making a few new friends, including a wanna be comedian named Robin and all decided to head to a secluded beach that one of their new friends knew of for some more drinking and fun.

At the beach, they stripped down and skinny dipped, roasting marshmallows and continuing to drink the night away. At some point, on the way back to Bruce's place they must have found an open pet store and they apparently bought a snake and let it into the house accidentally, it ended up in the bathroom. However, they were too drunk to care or notice at the time.

As the night went on, they continued to drink and party, and eventually Bruce found himself in the midst of a drunken bet with John and Robin. The stakes were high, and Bruce ended up losing, resulting in the unexpected tattoo on his ass.

When they woke up the next morning, they were shocked to find the snake in the bathroom, and Bruce discovered his new tattoo and the 50 empty jam containers in the fridge. They couldn't quite remember why they had so much jam, or why it was all gone, but it was just another bizarre detail from the wild night they had experienced.

As they tried to piece together the events of the previous night, they were surprised to find that Bruce had somehow also acquired a small boat.

Dice results:

Who are you going to drink with: 99 John Travolta

Wild stuff 1# : 40 - "Monopoly Poker"

Another encounter: 97 Robin Willams

Wild Stuff 2# 76 Skinny dipping on a beach

Another encounter: 24 Snake!

Wild Stuff 3# 86 Tattoo!

Who will get the tattoo? Bruce, Robin, John (46, 89, 96)

Where? 6 on the ass

Rewards:
Tattoo, small boat, 50 empty containers of Jam, a pet snake? And of course, two new friends who are actually around Bruce's age.
 
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[X]Remain on the Show: You will remain on the Show… But you are sure that there will be some changes.
[X]Write in for contract negotiations. Double the SAG minimum wage. 5% of the Residuals. Each cast member who gets nominated for a award in relation to the show gets a $500 bonus. Each cast member who wins a award in relation to the show gets $2,000. If the show as a whole gets an award for best series, television overall or a specific genre, each major and supporting cast member gets a $750 bonus. Award bonuses can be subject to renegotiation every two seasons.
 
Hilarious and now I'm going to offer one of the possible events to be canon.

[]I have Friends? (John Travolta and Robin Williams are now friends)
[]I Have Crazy Ideas (a random roll will now be a bit more zany)
[]I have a Tatto (the tatto is canon)
 
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Another tragic lad who suffered a lot..let's bring him in! We do need to have a comedic partner in our comedy-related actions!

N/A: Phew, I was going to create an Omake of Bruce staying Anti-Alcohol and goes on a crusade against them if you chose Tattoos..although I might still make one where he swore to never drink alcohol as the fear of not remembering gets to him.
 
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N/A: Phew, I was going to create an Omake of Bruce staying Anti-Alcohol and goes on a crusade against them if you chose Tattoos..although I might still make one where he swore to never drink alcohol as the fear of not remembering gets to him.
Well, there would also be his family members who suffered from alcoholism that would make him anti-alcohol, right?
 
Well, there would also be his family members who suffered from alcoholism that would make him anti-alcohol, right?

Yep, and him experiencing it himself and the experience just mounted a fear of not knowing and not remembering would just make him ban alcohol anywhere near him, not take them himself, and will help people to get them out of alcohol addiction.

Hilarious and now I'm going to offer one of the possible events to be canon.

Speaking of Canon, I'm guessing How I hopefully met your father, MJ's last Dance, the Some Nights One and Two are canon stories?

Wait..what Omakes are canon?
 
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Well. You asked for it.


Drunk Adventure

Waking up, Bruce thought everything was fine, he didn't remember a thing and he was in his place, not in jail and not on the street, except when he was going to the bathroom to freshen up he was surprised by a snake… in the bathroom, upon further inspection Bruce discovered a that he has a new tattoo on his ass, 50 empty containers of Jam in the fridge.

And a man named John passed up on his couch.

As they pieced out what happened that night they discovered that Bruce and John started the night off by hitting up a bar in the city. They had a few drinks and decided to continue their adventure elsewhere. They were wandering around the city when they stumbled upon a group of people playing "Monopoly poker", which they were intrigued by and decided to join in on.

As the night went on and the drinking continued, Bruce and John became more and more wild and reckless. They ended up making a few new friends, including a wanna be comedian named Robin and all decided to head to a secluded beach that one of their new friends knew of for some more drinking and fun.

At the beach, they stripped down and skinny dipped, roasting marshmallows and continuing to drink the night away. At some point, on the way back to Bruce's place they must have found an open pet store and they apparently bought a snake and let it into the house accidentally, it ended up in the bathroom. However, they were too drunk to care or notice at the time.

As the night went on, they continued to drink and party, and eventually Bruce found himself in the midst of a drunken bet with John and Robin. The stakes were high, and Bruce ended up losing, resulting in the unexpected tattoo on his ass.

When they woke up the next morning, they were shocked to find the snake in the bathroom, and Bruce discovered his new tattoo and the 50 empty jam containers in the fridge. They couldn't quite remember why they had so much jam, or why it was all gone, but it was just another bizarre detail from the wild night they had experienced.

As they tried to piece together the events of the previous night, they were surprised to find that Bruce had somehow also acquired a small boat.

Dice results:

Who are you going to drink with: 99 John Travolta

Wild stuff 1# : 40 - "Monopoly Poker"

Another encounter: 97 Robin Willams

Wild Stuff 2# 76 Skinny dipping on a beach

Another encounter: 24 Snake!

Wild Stuff 3# 86 Tattoo!

Who will get the tattoo? Bruce, Robin, John (46, 89, 96)

Where? 6 on the ass

Rewards:
Tattoo, small boat, 50 empty containers of Jam, a pet snake? And of course, two new friends who are actually around Bruce's age.
I gotta ask. How do you embed rolls from rozlz?
 
Holy shit, Robin Williams could be our friend. Lesss goooo
This gives me an idea! When we make Marathon Misadventures let's make Robin the star, or if we want to get an authentic Hispanic actor to play Felix, let's have him play one of the other major racers. This type of film is perfect for Robin's comedy and slapstick skills and would be a great big showing for him if we make it before Mork and Mindie.

Yeah, what I hoped for, Bruce needs friends his age

Yeah when I was writing stuff I also began to realize that Bruce's "Friends" consist of Clint and Bruce, two mentor figures, George whose twice his age, and the MASH cast who are at minimum a decade older. Having John and Robin around will definitely bring the Goose a healthier social life and we'll have more Omake material besides 24/7 Carrie dates, and I think they'd both get along with her.
 
[X]Remain on the Show: You will remain on the Show… But you are sure that there will be some changes.
-[X]Write in for contract negotiations. Double the SAG minimum wage. 5% of the Residuals. Each cast member who gets nominated for a award in relation to the show gets a $500 bonus. Each cast member who wins a award in relation to the show gets $2,000. If the show as a whole gets an award for best series, television overall or a specific genre, each major and supporting cast member gets a $750 bonus. Award bonuses can be subject to renegotiation every two seasons.
 
Yeah when I was writing stuff I also began to realize that Bruce's "Friends" consist of Clint and Bruce, two mentor figures, George whose twice his age, and the MASH cast who are at minimum a decade older.

If we ever go to England..I swear we'd somehow befriend Rowan Atkinson (a year younger Bruce) during a comedy sketch.

Edit: It'd be funny if we were given a "Game Tester" status by Atari..it'd lead to the first Gaming Channel in history..

You are now 18 years old, and can now vote in the next state and federal election.

Erm..who are we electing? 1972 Elections
 
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Movie Pitch: The Emerald Pimpernel
TITLE: The Emerald Pimpernel
GENRE: Historical Drama/Espionage
SUBGENRE: War
FORMAT: Movie
BASIC PROMPT:
Emerald Pimpernel covers the activities of Father Hugh O'Flaherty, an Irish priest and member of the Roman Curia who served in the resistance during WWII and was responsible for saving 6,250 Roman Jews from the Holocaust. Basic gist of the film would be an Italian Schindler's List of sorts as well as covering the overall sentiment of life in occupied Rome and the struggles of the Catholic Church when surrounded in the heart of Fascism.

The film opens in late June 9th, 1940 where we see Hugh go through his daily motions and what life is like for a priest in the Vatican as well as how life in Fascist Rome is in the leadup to their entry in World War II. We see Hugh's work as a priest as well as his daily interactions outside the Vatican with Hugh being shown as a good man of God and humble servant, with a highlight being him saving a Jewish family from the midst of Blackshirt harassment and possibly worst. Special emphasis is placed on the thoughts of members of the Vatican on the ongoing war with some righteous like Hugh advocating for harsher stances of condemnation against the Nazis and moral support for the Allies, others arguing that Germany is in the right for a multitude of reasons, chiefly fear of Communism, and many being ostriches and pledging for strong neutrality. Hugh ends the day conversing with Pius where the latter expresses a wish to take action, but for silent reasons is afraid of pushing fully for a strong stance against Nazi Germany despite Hugh's insistence. The next day, news is spread that Italy entered the war on the side with Germany, and while Hugh is saddened, most of Rome is in the midst of celebrations, while at the same time the city's Jews meet and discuss preparations for the worst.

The next portion of the film which is the rest of the first Act is various scenes of Rome and the Vatican between the invasion of France and Germany's occupation of Rome. While some of the Church are rooting for Italy to win against the "Protestants and Atheists", Hugh shows compassion to the Allies and spends most of his days scouring through the POW camps, attending to the sick rites, mass and confessional needs of Catholic prisoners and secretly smuggling in comforts and sending word of prisoner's survival to their families through the Vatican Radio. His efforts anger the Italians but he has the backing of the Pope. As time grows, restrictions and tyranny grow tighter in Rome while acts of brutality against prisoners, civilians and Jews grow, thus starting the makings of the resistance conspiracy between Hugh and likeminded men and women of the Church. Footage begins to expand beyond Hugh's POV and show more of the ensemble cast with scenes showing prominent side characters in the POW camps, Jewish families and Church trying to go through their lives in a dark time, praying for hope and change. Hugh makes first contact with Kappler at a diplomatic party. Hugh hopes to convince Kappler to have Rome be treated better, only to realize Kappler's true mission is to help in the extermination of all opposition. With pleas for the Church leadership to take firm opposition falling flat, Hugh resolves to take action.

The second act of the film is the start of the occupation of Rome and building of the resistance. Kappler, previously having been a slightly neutral evil shows his full colors and potent evil when his first act as SS Chief of Police for Rome is to round up more than a thousand Jews and send them to Auschwitz, and then extort the survivors for 50 kilograms of gold, hinted at being entirely for personal benefit when his next appearance shows him buying his wife a score of expensive jewlery. This action pushes Hugh to take immediate action who meets with his fellow conspirators who agree that it would be a betrayal of Jesus to turn away those that are suffering. The resistance is built from the ground up, using the Vatican's neutrality to organize under the nose of the Nazis and then begin the smuggling and rescue of both Allied POWs and Jews, Hugh participating in many missions himself using disguises and wits to outsmart the Nazis and lead the prisoners and Jews to safety in the Vatican and other Church grounds. A number of thriller sequences where the groups narrowly escape pursuing Nazis occur, one of which is a assasisnation attempt on Hugh which he avoids through beating his would be assasins through boxing and escaping. This occurs at the end of the Act which alerts Kappler of Hugh's identity. Two important scenes featured in the Act would be the work of the Irish Embassy in coordinating with the resistance in sheltering Jews and prisoners along with the hidden Jews secretly celebrating Hannakuh in the Basilica of Saint Clement.

The third act focuses on the climax of the resistance leading to liberation as the Nazis grip tightens and yet Rome grows more defiant by the day. The cat and mouse game between Kappler and Hugh has intensified with Hugh managing to shelter thousands of people, but at the same time a few scenes do show Kappler growing more wise and in a few instances managing to capture and kill some of the resistance members and sheltered people, leading to scenes of grief and struggling faith for Hugh. However, time is not on the Nazis side and with each passing day the Allies move closer to Rome. Realizing that the war in Italy is lost and he cannot hold Rome, Kappler arranges a meeting with Hugh, who at this point due to being exposed cannot leave the Vatican, and asks for mercy and help in sheltering his family who he believes will be killed by the Allies. In this scene, Hugh breaks his usual piety and lashes out in heavy anger at Kappler, claiming he serves the anti-Christ and is an agent of evil and demanding why after all the sins he committed after all the innocents he killed and made suffer, should he expect any mercy from the righteous. Kappler departs, some small seeds of doubt forming, only to return home and find his wife had ran away with their children, an earlier scene showing her witnessing an execution of Jewish families and realizing the monster her husband had become.

The final act shows the liberation of Rome with Hugh and his allies along with the surviving Jews no longer hiding and breaking out in joyous celebration as Pius presides over mass, thanking God for seeing them over the dark times and that just as the Church had experienced many nights of suffering before, now the morning has come and a new day is here for all chidlren of God. Abotu 5-10 minutes are spent with Kappler wrapping up his storyline, showing him to be a broken mess in the abandonment of his family, beliving them to be dead and without those he loves, just going through the motions of the officer. Left overseeing an increasingly poorly supplied unit of old men and children, used mainly to committ pointless crimes while Germany is losing by the day and Hitler and the Party deny reality and claim the final victory is at hand, Kappler begins to see the lie that Nazi Germany was, but is never motivated enough to defect or defy the party, with him being captured by the Allies and put on trial by the Italians for high crimes just as he starts to see the truth, a fate that Kappler accepts.

The final scene takes place a year after the war. Kappler is rotting in a Italian prison, being treated poorly and with disgust by his captors for his crimes, though he doesn't fight back and accepts his fate. Kappler out of nowhere, especially for being a Protestant, asks a priest for confession, and while the guards don't think he is worthy, they comply and Kappler's confessor is Father Hugh. Hugh informs that Kappler's family are alive and doing well in Switzerland, with it being hinted that he was responsible for their passage to safety. Kappler breaks down and confesses his long line of evil deads, with Hugh listening on in solemn company, beginning his road to conversion.

Principal Cast

Father Hugh O'Flaherty-
The central protagonist and leader of the Roman resistance, Hugh O'Flahtery is a devout Christian who wishes for peace on Earth, though in times of darkness and conflict recognizes that action must be taken instead of simply turning the other cheek, and rallies his allies in the Church and greater Rome to fight the Nazis. Is very empathetic and compassionate in his mission and praying for the souls of his enemies. Throughout the film has some moments of a crisis of faith or philosophical questioning of why the war is happening and why do the innocent have to suffer, keeps faith thanks to God and the humanity he experiences in his fellow man.

Colonel Herbert Kappler- The central antagonist of the film and main opponent to Hugh O'Flaherty. Kappler has two sides to him. One is the honorable soldier who is loyal to his country and treats his men well along with being a devoted family man, and the other is an abhorrent monster who takes pleasure in the pain of others and happily engages in his loathsome duties and participation in the Holocaust as part of his version of a greater good. While the resistance do manage to score a number of victories against him, Kappler is still at the end of the day a competent and dangerous foe. His turn to the end is as a result of his family where he grows distant from his wife and children and his wife becomes more disgusted with his role as she finds out what his true duties are. In the epilogue he recognizes his evil and wants to change but understands if redemption isn't possible for the likes of him. Serves as an exploration into the duality of Nazis as how they like to think themselves and the evils they are.

Pope Pius XII- The contemporary head of the Catholic Church throughout World War II. Pius appears sporadically throughout the film with most of his appearances being condcuting diplomacy with the Fascist Italians and Nazis or having talks with Hugh where the two discuss the struggles of faith and the ongoing war. While Pius is an inherently good and devout man, at the same time he is shown as being heavily flawed and a troubled head of the Church, with it being observed by Hugh that he was once a devoted warrior against Fascism but now as Pontiff lost much of his fire. While Pius tries to act for mercy and peace, each action is met with inaction or silent submission which greatly troubles Pius and it is left to the viewer to interpret where he was right and wrong, and if he didn't want to or couldn't take action. One thing it is clear that he does support Hugh in spirit and pray for his success, with it left up to interpretation again whether the resistance saw Pius' involvement in rescue or if he just turned the other way.

(There's a crap ton of other people in the Nazis, resistance and Church who will probably become characters in the film, but for all intents and purposes the above three are the main central characters the film focuses on.)
 
Movie Pitch: La Victoire En Chantant
TITLE: La Victoire En Chantant
GENRE: Historical-esque, Action,
SUBGENRE: Military Battles, Struggles, Twisted Hero's Journey, Napoleonic Wars
FORMAT: Film 1-3 Hours
BASIC PROMPT: Follows One Artillery Officer Napoleon Bonaparte in Toulon, and his journey to his death in the decades to come. (At important words, locations, etc. It would be said in French with English subtitles (when first introduced), but the rest of the movie is spoken in English.

Plot (My Proposed one):

Act(ung) One

The movie starts with the Siege of Toulon, with the camera focused on the battle as attempts to kick the British out of the city failed, then the screen pans into Napoleon where the sun is shining on him, casting a shadow on the ground and camera, the camera sees the shadow and Napoleon's back, creating an illusion of the man being larger than expected.

The camera then pans towards the retreating men from the right battery formation while he sighed in exasperation, galloping on his horse towards the retreating units. The Camera follows through and begins to be back to standard until said otherwise.

He tells the fleeing artillery units that were abandoning their positions that the position they were holding is named 'La Batterie des Hommes sans Peur', where the subtitles states out its English meaning: 'The Battery of Men without Fear'.

The screen then shows the men's determination to be part of the battery of men without fear, thus they quickly returned back to the exposed battery position to keep shelling artillery fire on the enemy artillery.

He wrinkled his eyes as he saw the Coalition forces quickly rushing towards the less defended units in the north, prompting him to tell his forces to keep at it and rode off towards the north to rally some units to push back and advance towards the fleeing enemy after the arrival of him and General Dugommier. The capture of the general who surrendered to Washington in the American Civil War is shown with his injury.

The point of this scene paints Napoleon as a person who knows his audience and foreshadow of his life later.

The Siege of Toulon act then sees the French's assault on the enemy positions during rain, there is a small scene of the water making Gunpowder wet and when a French Line Infantry uses it to fire the musket, it fails. Forcing the forces around him to place on the bayonets once they arrived on the enemy, with some using the musket like clubs.

The camera turns to see Napoleon with two groups of soldiers to charge into the enemy positions as a second wave. It is during a camera switch to focus on Napoleon with shots including his soldiers, and how his horse died and was stabbed at the thigh, showing that while Napoleon can be seen as this great man, he is also human at heart.

Injured, he was told by a soldier of his to stop as the enemy was finally overturned by the French and made rapid retreats while the French took their positions and the cities that Napoleon suggested to capture to force a British Withdrawal.

The camera point of view then changes to Admiral Hood finding out the French's checkmate on their ships, causing him to order an evacuation of the coalition army to escape the city.

Many camera shots are made with a focus on the Spanish and British teams, with many of them having the bright idea to burn down the city of Toulon during their retreat back to the ships. The next scene then paints the desperation of the citizens as many of them attempt to escape to the ships that are sailing off. The ships took as many as they could, but many are left to face the wrath of the revolution.

Act One ends with the French forces pulling a robespierre on the citizens, while the troops that Napoleon used and himself aren't the ones executing the operation. Instead the camera then shifts back to Napoleon where he and his forces attempted to ignore the cries and screams, but the faces of restlessness and anguish could be seen on their faces.

Writer's Notes: Act One introduced Napoleon to the audience, as an officer who was promoted twice in the same siege, a man that knew his audience well, and a human. Hopefully introduces the relationship of brotherhood between Napoleon and his soldiers.)

Act Two

The second act starts with Napoleon overseeing a force of demoralised, hungry, and dirty troops while he looks at them with concern. He walks back to the command tent of his army to look at the map of Europe. The camera pans at the map from his shoulder to see the agreed plans of having the Rhine Armies of the French attacking the HRE, while his army is focused on attacking Italy.

He reached for a note as he started reading what seems to be correspondence of his scouts that also brought back maps for him to study, which there are different tables with fresh ink on them.

He walks back to his demoralised army with determination as he makes a speech of promises of food, riches, and glory once they complete the thought to be 'impossible'. After the speech, he himself helped to cook and hunt for food to give to his troops, who looked at him in shock at the fact that a higher commanding officer is helping his soldiers. The scene then ends with Napoleon sleeping outside on a chair facing the stars above. The night time troops looks at him with respect and wonderment.

The scenes then flipped from a little of the Battle of Mondovi with a paper that signifies the Sardinian surrender with the Austrian army on the retreat.

The next important scene shows the Battle of Lodi, where it takes the POV of a soldier who was open firing on the enemy forces. He quickly ran back to the supply area of the siege to reload gunpowder and bullets. He then quickly ran back just to see Napoleon's clothing dirtied, yet kept encouraging and commanding the Artillery portion. He looked to his fellow peers to just see awe in their eyes. Then, he orders a charge on the bridge leading to the village, with many soldiers calling war cries as they charge towards the enemy. Galvanised by this move and his call to action, the POV soldier rushed in with a bayonet charge while some of his peers were shot on the spot, however the soldier managed to stab multiple soldiers with more soldiers closing in. The camera shakes as Cannons open fire at the enemy, forcing them to retreat. The end of the scene shows the forces celebrating, but Napoleon is seen planning out further advancements into Italy.

The next small scene shows the French forces pillaging lands of the Austrian Rich to fund the war effort and also give the poor soldiers actual money, proving more loyalty towards Napoleon as they don't need to go hungry in the streets any longer. More scenes also show the Austrians kept retreating back towards Vienna while Napoleon's army followed suit with the man at the helm.

An important scene shows him arriving at the city of Vienna as it surrenders to the French, Napoleon himself was there during the treaty signing as he was the one negotiating for the French Nation.

The next scene sees Napoleon, his men, and the scholars he hired to go with him in the city of Alexandria that was surrendered to the invading force. There he encourages the scholars to learn forth from Egypt's past, architecture, the works that's been kept from the Europeans since Ottoman conquest of the region.

The scene starts with the bickering of French Parliament members as they walked into the new meeting place the military told them to go to escape a potential uprising in Paris (pronounced: Parii). Then after some time the doors closed, with a sudden incoming of French troops with Napoleon at the front, the muskets pointing towards the members of parliament..however everything became chaotic as nobody knew what they were doing. There is a shot of Napoleon being punched at the face by one of the members until his brother made everyone stop and have things back on schedule. The scene ends with Napoleon declared as the First Consul.

Another scene shows him and his army on the alps..with Napoleon riding on a mule. The camera then pans backwards as a painter is seen painting an image on the canvas before finishing, he called Napoleon over to view it, which he did. The camera then looks from their shoulders to see the well-known picture of Napoleon going through the Alps.

The next bit shows a POV from an Austrian general who received information after Napoleon's crossing, he and his fellow peers then discussed potential plans of attack with the general agreement at the end being the French leader going to Genoa. Satisfied, they all went back to their quarters..only to be awoken at midnight to be told of Napoleon's taking of Milan. The final scene then ends with the generals getting their armies to head towards the French positions to take back their supply line.

The Scene then changes to the Austrians, a distance from the village of Marengo, defeating the invading French army with cheers being held while they ran after the retreating French forces and stopped once they felt that it was enough. It was only a few hours later the French returned with Napoleon at helm.

(At the Battle of Austerlitz, Once it is seen Napoleon wins, a triumphant and fast version of Chant du Depart.)

And so on and so forth, Act Two ends with Napoleon's surrender and exile towards Elba. On the island, Napoleon contemplates how things could be different, thinking about what he should've done before..he receives word (or letter) how France would still welcome him to lead the nation and not be under the Bourbons once more. He crunched the letter as determination fueled him once more, looking at the skies with a sun going over him with a field of dark and grey clouds in the sky.

He turns towards the camera, his eyes piercing into everyone's soul, before turning back and beginning the formation of his plans to escape and return back to his homeland. Some scenes show him being humble to the British, claiming his time is over, however there are also scenes of French visitors and correspondents preparing for the great escape.

(A Quiet, yet solid version of this song is played as the ship sets sail to France.)

After one British reporter, Neil Campbell, returns back to England, the final scene shows Napoleon gathering his loyalists on the island on a British-painted ship as he heads inside the ship, and the screen slowly fades as Napoleon's ship fades over the horizon of water.

Writer's Notes: Act Two is meant to show Napoleon's journey, growing from every battle and facing his greatest, first, and multiple failures the more he got older. The Elba scene is meant to show his confusion, frustration, and want to not become forgotten. His determination comes to him as he plans and later escapes the island.

Act Three

Napoleon, compared his more emotional upbeat youth, his more subdued yet serious as he led the Battle of Waterloo. The Imperial Guard looking stoic as they watch with their commander of the battles ahead. He looks at the seeming to win the French army before many mistakes were made, and that due to the fact his army is made mostly with recruits, not the veterans he led in his past. He looked down as he got on a horse and headed towards Paris..

(The Final Scene of the Movie)

He looks down from his seated position on the bed with a sad look, the camera pans to his shoulder facing down to see a notebook with words written in French, a reference to the diaries/journals he made at the end of his life.

A Slower, subdued, and Instrumental version of this edition of the song is heard as Napoleon turned his head towards the door of his house with a sigh. He walks out slowly as the music continues from a soft and rising tension. The scene ends with the climax of the song as he steps his left leg on a boulder, hands clasped behind him while he stares at the setting sun, the camera watches both man and sun. The song ends after a few seconds of Napoleon looking at the distance, when it ends with the drums the screen becomes dark at the same time, ending the film.

Writer's Notes: The ending is an echo of Napoleon's earlier scene where the younger had cast a larger shadow and high sun, signifying the true start of his journey, while the hills around him at the end of the film casts a shadow over him instead with a setting sun, signifying the end of Napoleon's journey.

(Scene Change)

You woke up with your face on a solid surface, this made you jump back in surprise and stiffness at your neck. You look at a pile of notebooks with some loose paper going out of them, with books related to the Napoleonic Wars and Napoleon himself.

"Did I go overboard again?" You chuckled as you remembered your effort towards creating a much better version of that Waterloo story, but instead you utilised the concept of 'A Hero's Journey' made by Professor Campbell. Showcasing Napoleon as the Emperor, General, and Man, and his soldiers as well.

"Probably, probably not" a voice says out while placing a bowl of lucky charms and milk on the table. You turned to see Carrie smiling fondly at you as she grasped your hand softly. "But what I know is that you're just using the passion that you made yours – To create life from a mere few words, sounds, actions, and images."

N/A: Never knew that would be where La Victoire would end up as. Added a little Carrie and Bruce moment at the end.
 
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The Emerald Pimpernel
Incredible.

Here are the Rewards:
[]This is Getting kinda ridiculous (+ 5 to SP)
[]I'm Irish and a Patriot (Cat begins writing this story, in addition to the others)
[]Choosing My Religion (Bruce begins to go back to Church, and maybe find his faith again)
La Victoire En Chantant
Getting some La Chanson Vibes Here.

[]The Stare into the Abyss (Stanley Kubrick begins pitching and writing his Napoleonic epics)
[]Epic Movies are Back in Fashion... Maybe? (Studios are now testing the waters for epic films to make a comeback)
[]Till the End (+5 to Chemistry rolls for next project)
 
[X]Epic Movies are Back in Fashion... Maybe? (Studios are now testing the waters for epic films to make a comeback)

Narratively they'd see the not flopped Waterloo of this timeline as a potential genre to invest in..so this would occur with studios seeing it a worthwhile endeavor.
 
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