Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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Issue is that Movie absolutely shows our acting chops in a different direction then the MASH action will.
It's not about the producers knowing about our acting chops, it's about them not wanting to cast someone that will make the audiences think of a different character and ruin the immersion. It's about audience perception impacting studio decision.
 
[X]MASH: You were given a call from Brooks about a young man being needed for a TV show. And you of course listened to him, how one producer Larry Gelbert actually saw your Vegas performances last month and thought you were a riot act and wanted to call you in, but no one knew who you were, and he was flashing around a picture of you everywhere in Hollywood. It wasn't until Brooks saw the photo that the two men finally talked to you. Gelbert wanted you on the show he was developing, as a character from the Novel. Corporal Walter Eugene O'Reilly, or known as Radar O'Reilly in the script. (You have been offered the Role of Radar O'Reilly on MASH)

Sure, let's go with MASH. Thank the Magoose dice, everyone.
 
[X]MASH: You were given a call from Brooks about a young man being needed for a TV show. And you of course listened to him, how one producer Larry Gelbert actually saw your Vegas performances last month and thought you were a riot act and wanted to call you in, but no one knew who you were, and he was flashing around a picture of you everywhere in Hollywood. It wasn't until Brooks saw the photo that the two men finally talked to you. Gelbert wanted you on the show he was developing, as a character from the Novel. Corporal Walter Eugene O'Reilly, or known as Radar O'Reilly in the script. (You have been offered the Role of Radar O'Reilly on MASH)
 
[X]MASH: You were given a call from Brooks about a young man being needed for a TV show. And you of course listened to him, how one producer Larry Gelbert actually saw your Vegas performances last month and thought you were a riot act and wanted to call you in, but no one knew who you were, and he was flashing around a picture of you everywhere in Hollywood. It wasn't until Brooks saw the photo that the two men finally talked to you. Gelbert wanted you on the show he was developing, as a character from the Novel. Corporal Walter Eugene O'Reilly, or known as Radar O'Reilly in the script. (You have been offered the Role of Radar O'Reilly on MASH)
 
[X]MASH: You were given a call from Brooks about a young man being needed for a TV show. And you of course listened to him, how one producer Larry Gelbert actually saw your Vegas performances last month and thought you were a riot act and wanted to call you in, but no one knew who you were, and he was flashing around a picture of you everywhere in Hollywood. It wasn't until Brooks saw the photo that the two men finally talked to you. Gelbert wanted you on the show he was developing, as a character from the Novel. Corporal Walter Eugene O'Reilly, or known as Radar O'Reilly in the script. (You have been offered the Role of Radar O'Reilly on MASH)
 
[X]MASH: You were given a call from Brooks about a young man being needed for a TV show. And you of course listened to him, how one producer Larry Gelbert actually saw your Vegas performances last month and thought you were a riot act and wanted to call you in, but no one knew who you were, and he was flashing around a picture of you everywhere in Hollywood. It wasn't until Brooks saw the photo that the two men finally talked to you. Gelbert wanted you on the show he was developing, as a character from the Novel. Corporal Walter Eugene O'Reilly, or known as Radar O'Reilly in the script. (You have been offered the Role of Radar O'Reilly on MASH)
 
[X]Colombo: You have been given a job as a heavy of Colombo, a murderer that has an ingenious scheme, of hiding his involvement. Not only hiding out in a public place with dozens of witnesses around, but also destroying the murder weapon by burning it. Its a job that requires sophistication, class and charm, something you have abundence of. (Be a TV Heavy for Peter Falk's Colombo)
 
[X]Colombo: You have been given a job as a heavy of Colombo, a murderer that has an ingenious scheme, of hiding his involvement. Not only hiding out in a public place with dozens of witnesses around, but also destroying the murder weapon by burning it. Its a job that requires sophistication, class and charm, something you have abundence of. (Be a TV Heavy for Peter Falk's Colombo)
 
If the Colombo option is for a single episode and MASH is for an ongoing commitment why can't we do both?

Because as much as I love MASH the Colombo option gives us a hell of a lot of options to make contacts in Hollywood - Peter Falk was renowned for being able to do both drama and comedy with great conviction, and he was also known for giving acting advice to other actors ( Johnny Cash appeared on an episode of Colombo once, with no acting experience, and "Peter Falk was good to me. I wasn't at all confident about handling a dramatic role, and every day he helped me in all kinds of little ways." Also Peter Falk was a close from of film director John Cassavetes, and the first episode of Colombo was directed by a young Steven Spielberg.

So Colombo gives us plenty of options to gain access to people not just in the acting side of Hollywood, but also behind the camera in case we want to eventually get into making movies ourself
 
Bruce thought again about that story, the one about John Wick, maybe it wouldn't work well as a movie, perhaps it would be better to produce it in a show format.


John Wick - Season 1

Ep1 - The start of the episode follow the daily routine of a very rich business man of both legitimate and illegitimate kinds of businesses, the kind of person who on the same breath check both his supplier of cloth and the recent shipment of human traffick with the same consideration, he treats crime as normal and is ruthless about it with the same passion he is ruthless when managing his company... Throughout his day he meets NAME1 who tells him that Viggo Tarasov would not like his aggressive move into his already controlled territory (drugs stuff/human trafficking/or similar), anyway, the man hire top notch security.


The next sequence is a brutally efficient disposal of all his security, the man itself and all his advisors, all gone, dead by a shadowy figure which we never see face off, they all end up dead. Throughout the slaughter they scream about the Baba Yaga.


Title sequence


The rest of the episode follows a retired and relatively polite fella named Jonathan Wick, he is well off and lonely, still mourning his late wife, Helen.


John spends his days driving his prized car and caring for his dog Daisy, who was left to him by Helen. All of this changes when a Russian gangster named Iosef Tarasov (who is still not revealed to be Viggo's son, not even his family name is known right now) tries to buy his car at a gas station, but John refuses. An upset Iosef later leads his gang in an assault at John's house during which he attacks him, kills Daisy, and steals his car, leaving him unconscious


*The viewer is left to speculate on who was the shadowy figure at the beginning, what is the connection between Viggo Tarasov and Iosef, what will happen next, and what is John past


Ep2 - John meets a woman named Helen, with whom he falls deeply in love and later married. It is shown as a montage of dates, John then approach Viggo Tarasov (that we see for the first time) talking about retiring, the latter reluctantly agreed to let him leave, but on the condition that he completed an "impossible task": kill every one of Tarasov's rivals in a single night, ensuring his enemies would be completely destroyed before any could mobilize and retaliate. John thinks about his wife and accepts.


Title Sequence


John wakes up in his house, finding Daisy dead and his car stolen. He begins calling old contacts to help "clean" his house, while also starting acquiring information and weapons.


Meanwhile Iosef tries to sell the stolen car but finds out who he stole it from.


John's preparation comes to a stop by a phone call from Viggo who is aware that John will come to take revenge, Viggo tries to advocate peace for his son but John silently refuses, forcing him to send a group of assassins to kill his former associate.


John kills them all, but they are hampering his progress, so he decides to stay at the Continental upon hearing about it, Viggo decides to hire the services of Marcus and Perkins.


Ep3 - a young man named Winston is having an idea, a chain of luxury hotels for normal guests, but these hotels will also serve as a neutral sanctuary for hitmen, assassins and other members of the criminal underworld and prohibits killing of any kind. This is the beginning of the Continental, this section also worldbuild a bit about the different factions, criminals and rules of the Continental.


Title Sequence


John deals with both Marcus and Ms. Perkins in a very brutal and tense battle, the conclusion is that Ms. Perkins broke the rules in a very public way and Marcus is spared only by him showing a Marker to John. Marcus then decides that no price is worth it and decides to remain neutral until it's all over.


Meanwhile Iosef is enjoying his life in clubs and parties, women and drugs is most of what he fills his days with.


Ep4 - The Director (leader of Ruska Roma) is training a child John, and also supervising her faction, until she is called to a meeting of the High Table


Title Sequence


Ms. Perkins is dealt with by the High Table after she broke the rules, and John starts his hunt of Iosef in full power, killing, massacring and assassinating his way through various security and some public places, as he fights within a huge club trying to kill Iosef.


John heads to the Little Russia church Viggo is using as his front and destroys Viggo's cache of money and blackmail material. Viggo and his men arrive, allowing John to ambush them. However, Viggo's men overpower John and capture him. As Viggo taunts John for believing that he could leave his criminal past behind, John is rescued by Marcus' intervention. Freeing himself, John kills Kirill and forces Viggo to reveal Iosef's location. John also forces Viggo to pull the $2 million contract on his head. John then goes to the safe house and kills Iosef and his bodyguards.


Ep5 - John who is already a legendary figure, we follow him as he joins a Russian criminal organization known as the Tarasov Mob, becoming one of the main executors of its leader, Viggo Tarasov, who in turn values and respects John's exceptional abilities, Viggo decide to challenge him for fun to kill his next target with a pencil, he does it.


Title Sequence


Viggo visits Marcus in his home and tortures him for information before executing him. Viggo contacts John to tell him about Marcus' death John kills Viggo's henchmen, then engages in a brutal fight with Viggo. John eventually kills Viggo after allowing himself to be stabbed to get close enough to finish him.


Ep6 - John service in the United States Marine Corps, 2nd Battalion, 3rd Marines, as a member of the Special Operations Command component of the branch.


Title sequence


With his vengeance against the Tarasovs accomplished, John recovers his car from Abram Tarasov, Viggo's brother. Wanting peace, he allows Abram to live in exchange for a truce. He then returns to his retirement with his new dog.


After Aurelio takes John's Mustang in for repairs, John is visited by Italian crime lord Santino D'Antonio. It is revealed that to complete his "impossible task" - which allowed him to retire and marry Helen - John asked D'Antonio for help. As a form of contract, D'Antonio swore John to a "Marker", an unbreakable promise symbolized by a "blood oath" medallion. D'Antonio presents the medallion to demand services from John, but John refuses, claiming that he is "retired". In retaliation, D'Antonio destroys John's house with a fire-grenade launcher. Luckily, John and his dog are able to escape.


Winston, the owner of the Continental hotel in New York City, reminds John that if he rejects the Marker, he will be violating one of the two unbreakable rules of the underworld: no killing on Continental grounds and Markers must be honored. John accepts his commitment and meets with D'Antonio.


Ep7 - High table meeting, we already seen the Director but we now see how Gianna D'Antonio managed to get control of Camorra from her father, becoming the leader of the Italian crime organization and getting a seat at the table, leaving her brother with nothing.


Title Sequence


D'Antonio tasks John with assassinating his sister Gianna D'Antonio so he can claim her seat on the High Table, a council of high-level crime lords. D'Antonio sends Ares, his personal bodyguard, to follow and keep an eye on John.


In Rome, John books into the Rome Continental and visits The Sommelier (to buy guns), visits The Tailor (Angelo) and the Seamstress (to buy a new suit) and The Cartographer to see the plans for the D'Antonio estate. Preparing for his mission.


Ep8 - we see D'Antonio help with the impossible mission, and his ruthlessness and ability to betray his friends for money and power (how he got the enemies of Tarasov to band together)


Title Sequence


John infiltrates Gianna's celebratory party and confronts her. Faced with certain death, Gianna chooses to commit suicide. While retreating, John is ambushed by D'Antonio's men, who intend to "tie up loose ends" by killing him. After killing most of them, John is pursued by Gianna's bodyguard Cassian. Their brutal fight is halted when they crash into the reception area of the Rome Continental by Julius. As the two reluctantly share a drink, Cassian vows revenge for Gianna's death.


Ep9 - Bowery King backstory, how he got cut twice by John, and later took control of an homeless shelter that he transformed into an underground empire.


Title Sequence


After John returns to New York City, D'Antonio opens a $7 million contract for John's death, leading numerous assassins to attempt to kill John, all unsuccessful.


Cassian confronts John once again in the subway. After a brutal fight, John gains the upper hand and stabs him brutally. However, he spares Cassian's life out of professional respect. Injured and desperate, John seeks help from the underground crime lord The Bowery King, whose subordinates treat his injuries and guide him to D'Antonio's location.


Ep10- finale


No Title Sequence, once you create a pattern you can break it for effect.


John kills D'Antonio's men and fatally stabs Ares after an intense fight, leaving her immobilized; however, D'Antonio is able to escape to the Continental. John follows D'Antonio there, and D'Antonio makes it clear that he intends to seek refuge in the Continental indefinitely. John, despite Winston's warning, shoots and kills D'Antonio, thus breaking one of the unbreakable rules and being declared "excommunicado."
 
Also, if write-in are allowed

[X] MASH and Colombo, Bruce found both of those options very appealing and will try to apply to those two choices, provided that the the timing doesn't conflict with each other
 
[X]Colombo: You have been given a job as a heavy of Colombo, a murderer that has an ingenious scheme, of hiding his involvement. Not only hiding out in a public place with dozens of witnesses around, but also destroying the murder weapon by burning it. Its a job that requires sophistication, class and charm, something you have abundence of. (Be a TV Heavy for Peter Falk's Colombo)
 
[X]MASH: You were given a call from Brooks about a young man being needed for a TV show. And you of course listened to him, how one producer Larry Gelbert actually saw your Vegas performances last month and thought you were a riot act and wanted to call you in, but no one knew who you were, and he was flashing around a picture of you everywhere in Hollywood. It wasn't until Brooks saw the photo that the two men finally talked to you. Gelbert wanted you on the show he was developing, as a character from the Novel. Corporal Walter Eugene O'Reilly, or known as Radar O'Reilly in the script. (You have been offered the Role of Radar O'Reilly on MASH)
 
I thought about something, why do we try to aim for every super big movie in the 70s? I mean, I'm all for playing Luke or Han in Star Wars, but I think we shouldn't go what was big in IRL.

I say we go into various types of roles not just in the States. We can learn some European languages and be in an Almadovar movie in Spain or in some big French movie.

I also think that we should keep on training in martial arts so that by the time the 80s roll around (and we are in our mid-late 20s) we can be the next martial arts master movie star, doing our own stunts and preparing our own choreography.

Hell, there are so many things we can do. Going simply for every big name movie is just a bit boring as a path. Perhaps I'm wrong, but I just want more variation. We already started pretty good in Hong Kong.
 
[X]Colombo: You have been given a job as a heavy of Colombo, a murderer that has an ingenious scheme, of hiding his involvement. Not only hiding out in a public place with dozens of witnesses around, but also destroying the murder weapon by burning it. Its a job that requires sophistication, class and charm, something you have abundence of. (Be a TV Heavy for Peter Falk's Colombo)
 
[X]Colombo: You have been given a job as a heavy of Colombo, a murderer that has an ingenious scheme, of hiding his involvement. Not only hiding out in a public place with dozens of witnesses around, but also destroying the murder weapon by burning it. Its a job that requires sophistication, class and charm, something you have abundence of. (Be a TV Heavy for Peter Falk's Colombo)

I'll fucking duel anybody here that's trying to stop us from becoming a Columbo alumni.
 
Original Movie idea: Mad in love - Romantic Comedy

An insane man, who has been schizophrenic since birth, constantly hears the voice and thoughts of a girl, 24/7. He talks to her and she talks back to him, she keeps saying that she is insane and that he is a voice inside her head. In their 20s they accidently meet each other IRL, they discover that they are both able to hear each other's thoughts and they are not actually insane, the only problem? They met at a medical facility, one that specializes with schizophrenia. Now they must figure a way to escape/convince the doctors that they are sane, without revealing the fact that they can hear each other's thoughts, throughout these attempts they fall in love.
 
Adhoc vote count started by Magoose on Jul 18, 2022 at 5:51 PM, finished with 63 posts and 36 votes.

  • [X]MASH: You were given a call from Brooks about a young man being needed for a TV show. And you of course listened to him, how one producer Larry Gelbert actually saw your Vegas performances last month and thought you were a riot act and wanted to call you in, but no one knew who you were, and he was flashing around a picture of you everywhere in Hollywood. It wasn't until Brooks saw the photo that the two men finally talked to you. Gelbert wanted you on the show he was developing, as a character from the Novel. Corporal Walter Eugene O'Reilly, or known as Radar O'Reilly in the script. (You have been offered the Role of Radar O'Reilly on MASH)
    [X]Colombo: You have been given a job as a heavy of Colombo, a murderer that has an ingenious scheme, of hiding his involvement. Not only hiding out in a public place with dozens of witnesses around, but also destroying the murder weapon by burning it. Its a job that requires sophistication, class and charm, something you have abundence of. (Be a TV Heavy for Peter Falk's Colombo)
    [X]MASH
    [X]Colombo
    [x]Mcloud
    [X] MASH and Colombo, Bruce found both of those options very appealing and will try to apply to those two choices, provided that the the timing doesn't conflict with each other
 
Dropping this here for trivia, since I see John Wick keep being mentioned.
variety.com

John Wick Was Originally a 75-Year-Old Man, but Keanu Reeves Took the Script and ‘Made It His Own’

Keanu Reeves took over John Wick, changing the character's age from 75 to 35 years old.
Franchise producer Basil Iwanyk confirms in the new book "They Shouldn't Have Killed His Dog: The Complete Uncensored Ass-Kicking Oral History of John Wick, Gun Fu, and the New Age of Action," that the title character was a 75-year-old man in the original script.

"The lead was a 75-year-old man, 25 years after being retired. It was the fun of watching Clint Eastwood kick ass. I thought, 'Okay, there's probably one or two names you could do this with: Clint Eastwood, Harrison Ford.'"
 
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