Lex Sedet In Vertice: A Supervillain in the DCU CK2 quest

What sort of tone should I shoot for with this Quest?

  • Go as crack fueled as you can we want Ambush Bug, Snowflame and Duckseid

    Votes: 30 7.7%
  • Go for something silly but keep a little bit of reason

    Votes: 31 7.9%
  • Adam West Camp

    Votes: 27 6.9%
  • Balanced as all things should be

    Votes: 195 50.0%
  • Mostly serious but not self-involvedly so

    Votes: 73 18.7%
  • Dark and brooding but with light at the end of the tunnel

    Votes: 12 3.1%
  • We're evil and we don't want anyone to be happy

    Votes: 22 5.6%

  • Total voters
    390
  • Poll closed .
[X] [Lex] Write a book
[X] [Mercy] Coach Rose on the responsibilities of her position
[X] [Pam] Go out on another date with Katherine
[X] [Roxy] Try to get Nygma's opinion on who Holiday might be
[X] [Cass] Try to get grumpy-mustache man to play black-and-white game (try to play chess with Karl)
[X] [Dahl] Submit scripts to Oswald under a pseudonym
[X] [Cub] Say hello to the man who comes into talk with surprise ambush (pounce on Jarret Parker)
 
[X] [Lex] Talk to Oswald about projections for when you expect the shows to go on air
[X] [Lex] Discuss the history of the Tantu totem with Mari
[X] [Mercy] Coach Rose on the responsibilities of her position
[X] [Mercy] Look into Ivo's complaints about security
[X] [Pam] Teach Katherine about botany
[X] [Pam] Discuss politics with Mari
[X] [Roxy] Visit Carol
[X] [Roxy] Try to get Nygma's opinion on who Holiday might be
[X] [Cass] Have Screen Lady show her more screens like her word screen (Have Felicity tutor Cassandra on computers
[X] [Cass] Try to get grumpy-mustache man to play black-and-white game (try to play chess with Karl)
[X] [Dahl] Ask Carol if she wants any new projects to be marketed
[X] [Dahl] Submit scripts to Oswald under a pseudonym
[X] [Cub] Learn to pretend to be a human (try to copy Mari)
[X] [Cub] Figure out if Not-Human's are multiplying (attempt to spy on Rebecca, Cerise and Mari)
 
Lex Luthor
[X] [Lex] Discuss the history of the Tantu totem with Mari
[X] [Lex] Ask Nygma to pester Cerise and see if she slips up
[X] [Lex] Go to an opera

Mercy Graves
[X] [Mercy] Coach Rose on the responsibilities of her position
[X] [Mercy] Take Rose to the shooting range
[X] [Mercy] Buy a Mozart CD and see if Cassandra can recreate it just by hearing it
[X] [Mercy] Look into Ivo's complaints about security

Pamela Isley
[X] [Pam] Teach Katherine about botany
[X] [Pam] Go out on another date with Katherine

Roxanne Sutton
[X] [Roxy] Try to get people to go sky diving with her

Cassandra Luthor
[X] [Cass] Show New Father applied skills (Make something to impress Lex)
[X] [Cass] Do the numbers and have someone check them (Do some math)
[X] [Cass] Have Screen Lady show her more screens like her word screen (Have Felicity tutor Cassandra on computers
[X] [Cass] Spend time with Flower-Name Girl (Spend time with Rose)
[X] [Cass] Try to get grumpy-mustache man to play black-and-white game (try to play chess with Karl)

Marie Louise Dahl
[X] [Dahl] Talk to Ivo about her dreams

Janus
[X] [Cub] Learn to pretend to be a human (try to copy Mari)
[X] [Cub] Get into secret jungle (get into Isley's lab)
[X] [Cub] Figure out if Not-Human's are multiplying (attempt to spy on Rebecca, Cerise and Mari)
[X] [Cub] Hit all the shiny dots in Up-Down Box (hit all the buttons in the elevator)
[X] [Cub] Say hello to the man who comes into talk with surprise ambush (pounce on Jarret Parker)
 
[X] [Lex] Ask Nygma to pester Cerise and see if she slips up
[X] [Lex] Discuss the history of the Tantu totem with Mari
[X] [Mercy] Coach Rose on the responsibilities of her position
[X] [Pam] Go out on another date with Katherine
[X] [Roxy] Try to get Nygma's opinion on who Holiday might be
[X] [Cass] Have Screen Lady show her more screens like her word screen (Have Felicity tutor Cassandra on computers
[X] [Dahl] Submit scripts to Oswald under a pseudonym
[X] [Cub] Figure out if Not-Human's are multiplying (attempt to spy on Rebecca, Cerise and Mari)
 
[X] [Lex] Take a tour of Ferris Aerospace
[X] [Lex] Upgrade box opening robot
[X] [Lex] Go to an opera
[X] [Mercy] Coach Rose on the responsibilities of her position
[X] [Mercy] Take Rose to the shooting range
[X] [Pam] Teach Katherine about botany
[X] [Pam] Go out on another date with Katherine
[X] [Roxy] Start a fire with Jinx
[X] [Roxy] Try to get people to go sky diving with her
[X] [Roxy] Try to get Nygma's opinion on who Holiday might be
[X] [Cass] Teach the kitty to catch the red light dot (Play with Janus and a laser pointer)
[X] [Cass] Try to get grumpy-mustache man to play black-and-white game (try to play chess with Karl)
[X] [Dahl] Submit scripts to Oswald under a pseudonym
[X] [Cub] Catch birds
 
[X] [Lex] Upgrade box opening robot
[X] [Mercy] Coach Rose on the responsibilities of her position
[X] [Pam] Teach Katherine about botany
[X] [Roxy] Try to get Nygma's opinion on who Holiday might be
[X] [Cass] Have Screen Lady show her more screens like her word screen (Have Felicity tutor Cassandra on computers
[X] [Dahl] Talk to Ivo about her dreams
[X] [Cub] Learn to pretend to be a human (try to copy Mari)
 
[X] [Lex] Upgrade box opening robot
[X] [Mercy] Coach Rose on the responsibilities of her position
[X] [Pam] Teach Katherine about botany
[X] [Roxy] Try to get Nygma's opinion on who Holiday might be
[X] [Cass] Show New Father applied skills (Make something to impress Lex)
[X] [Dahl] Talk to Ivo about her dreams
[X] [Cub] Learn to pretend to be a human (try to copy Mari)
 
[X] Plan I may be paranoid but that does not mean I'm wrong
-[X] [Lex] Ask Nygma to pester Cerise and see if she slips up
-[X] [Mercy] Look into Ivo's complaints about security
-[X] [Pam] Feed Cassandra snacks
-[X] [Roxy] Try to get Nygma's opinion on who Holiday might be
-[X] [Cass] Put the kitty in metal tunnels (Put Janus in the vents)
-[X] [Dahl] Talk to Ivo about her dreams
-[X] [Cub] Learn to pretend to be a human (try to copy Mari)
 
[X] [Lex] Take a tour of Ferris Aerospace
[X] [Lex] Upgrade box opening robot
[X] [Mercy] Coach Rose on the responsibilities of her position
[X] [Mercy] Take Rose to the shooting range
[X] [Pam] Teach Katherine about botany
[X] [Pam] Go out on another date with Katherine
[X] [Roxy] Try to get people to go sky diving with her
[X] [Roxy] Try to get Nygma's opinion on who Holiday might be
[X] [Cass] Let Father teach new game (Cassandra learns how to play a sport)
[X] [Cass] Show New Father applied skills (Make something to impress Lex)
[X] [Dahl] Submit scripts to Oswald under a pseudonym
[X] [Cub] Figure out if Not-Human's are multiplying (attempt to spy on Rebecca, Cerise and Mari)
 
King crimson talks about sex, gender, sexuality and sexual violence in comics and the quest
So I've been working on this post for a while. It deals with some sensitive issues and while I do think I managed to handle things well it could potentially make some people uncomfortable. Furthermore my words are not the be all end all of the subject. Rather these are my thoughts on the matter. While I think they are relevant to the quest and it is an interesting thing to bring up my view is by no means any more valid then other people's perspective. I hope that you find this post interesting and informative. Lastly I understand that gender and sexuality are different aspects of an individuals identity and that conflating them together does a bit of a disservice to the issues at hand, however there is enough overlap in how I approach the two topics that I feel that putting them together in one post is the most efficient way to go about explaining myself even if it does simplify things a little bit.

King crimson Talks about Sex, Gender, Sexuality, Sexual Violence in Comics and the Quest
So before I get too in depth on the subject I'm going to be doing some term defining. Firstly when I refer to "sex" I am referring to either the act of procreation or the biological gender of an individual at birth. Someone's sex is defined from a purely biological standpoint as I have used the term. While it certainly has an effect on development it is less a component of identity so much as it is physicality. Generally there are arguably three main sexes an individual can have (Male, Female, Hermaphroditic) but with aliens in play it gets a little more complicated.

Gender will be defined a little more loosely as, the way someone feels about their own self in regards to internal adherence to societal standards with regards to traditional role regarding the sexes. In other words gender is much more about how you feel and self-identify. The base root of gender is defined from a conception of how feeling like the sexes should which is usually derived from some societal standard. While the sexes do not have any inherent qualities beyond the biological they get lots of baggage assigned to them in any culture. That baggage then becomes the basis of gender as individuals can choose to identify with those connotations and implications regardless of their biological gender. Admittedly this is a little more complicated now as we live in a pluralistic world with many different cultures and many different ideas of what makes up gender, making the term somewhat relativistic in a modern sense. However I do think the basic definition is useful for wrapping your head around the conception of gender and how it works at the most fundamental level. Gender can be fluid and is not fixed. Essentially your gender is intrinsically tied to your conception of yourself so it is unique to each individual. Categories are just that, categories and do not encompass everything that makes up that individual. Every individual has at least some slight differences in their own conception of gender from those around them even though we group them together under convenient labels.

The next term to define is sexuality. Sexuality is essentially what a person is attracted to in a partner. Sexuality is a bit more difficult to pin down exactly as it deals with other peoples gender and sex. People can be attracted to someone's sex but not their gender and vice versa. It is a bit of a messy term and because it relies on gender to an extent, sexuality likewise has nearly infinite different variations within it and each individual has their own unique sexuality. The most commonly used groupings for sexuality are straight (Attracted to the opposite sex and gender), gay/lesbian (attracted to the same sex and gender), bisexual (attracted to both sexes and genders) and aesexual (having no attraction to others whatsoever) but there are many more out there which are just as valid.

My disclaimer here is that I am not an expert on either sexuality nor on gender so if someone has what they believe to be a superior definition then I would accept that. While I myself do not fall under many of the smaller categories, I recognize others right to self-identify and hope to be respectful to others with how they view themselves.

The last term I need to define is sexual violence. Sexual violence is tricky to pin down exactly where it ends and sexual harassment starts. While neither are good things and both should be talked about with some severity and respect for the topics, sexual violence is a way more loaded event then sexual harassment. For me the ultimate line between the two is when there is a physical act that involves an exertion of power. Thus I'd define the term as "an exertion of power in a physical manner in order to achieve some goal related to sexuality".

We live in an odd sort of society (granted I'm referring to we as those who live in the United States of America like I do) where sexuality is a loaded topic. Maybe it's because a lot of the foundations of the country were laid down by Puritans but rape (and by extension lesser degrees of sexual violence) is a far touchier subject than murder despite the fact that by most philosophical metrics murder is the worse act of the two due to its finality. That is not to say that this perspective is wrong by any means or an attempt to downplay how terrible rape is but it is interesting to note that we are far more willing to portray murder, mutilation and torture explicitly in media then sexual violence and even to an extent sex itself. It is odd to note but it is still something to pay attention to when thinking of these topics.

My own personal theory as to why this is the case for the most part is that while death is universal these experiences are not. As such it is far easier to write something offensive regarding these aspects of reality as your conception of what it might be like can be radically different from what it actually was like.

Comics generally are not very good at handling these issues. Characters with non straight gender identities and sexualities are traditionally under-represented and sometimes used in an exploitative and tasteless manner. Even more recent attempts to portray these individuals in comics feel like tokenism to an extent as many comic writers become so focused on making a character who stands outside the traditional gender or sexuality mold that they give them very few traits outside of their gender or sexuality. Likewise there is a systemic history of sexism in comics. Some of it is due to the times and who was writing it (white jewish people) but little things like Iceman and Marvel Girl getting different terms applied to them despite ostensibly being the same age, the commonality of female characters to wear skimpy clothing for no reason and the commonality of fridging female characters all point to this being an issue in comics. The less said about the history of sexual violence in comics the better. I do not think that these issues make comics less valid as a whole and you can still enjoy the work even though it has these problems so long as you are aware of them. Dracula and King Kong are basically stories that contain heavy xenophobic and somewhat sexist messages and imagery but they can still be appreciated as classics. Plays like the Taming of the Shrew and The Merchant of Venice, both of which were written by Venice, are downright disturbing if you look at what they actually say but they are still performed and do not take away from Shakespeare's literary achievements. As such so long as you are aware of the problems of comics you can still enjoy them and view them as good despite the problems of the time.

However acknowledging the flaws is not an excuse to continue perpetuating them. I'd like to think that we have gotten better about understanding our fellow man as time has gone on and as such we can better deal with the issues of representation of these elements in comics and related media.

So how do we solve this problem? The most common answer I have heard is to write characters devoid of traits like sexuality and gender and merely tack on those traits afterwards. That way you have ensured that you have a good character regardless of whatever traits you assign them. This is, in my opinion, not the solution. While it might work to an extent in television or movies where you can cast people to fill the role, in literature or comics this doesn't work. It reduces everyone to being fundamentally the same, which is incorrect and trivializes the differences between them. The experiences and life of a gay person and a straight person are not the same at all and equating the two together is a disservice. Yes they are both human beings and thus deserving of respect and understanding but they are not at all equivalent. There is a major difference between writing a gay character and a character who happens to be gay. Neither is inherently wrong but ignoring the unique positions that occur due to this is almost revisionist history. It is like pretending that anti-Semitism stopped after the Holocaust or that there is no racial tension in the United States to this very day. I personally want to try and represent these groups in my writing if I am going to be doing it.

The other main trap I have seen people do is that they are afraid to give characters who are meant to be representative of some minority group flaws. I think this is counterintuitive. By portraying the minority as perfect you end up unintentionally making them "other" and non-human. People with different sexualities or genders are people to. They have flaws and positive traits just like all the rest of us. As such it is perfectly fine to have these characters be flawed heroes or villains or whatever else. The important thing is to not let them become defined by the thing that makes them a minority since in repeatedly highlighting what makes them different and solely focusing on that you end up unintentionally separating them from the majority and making them into an "other" which you want to avoid.

So I've harped on and on about the various angles this has and I still haven't really talked too much about what I actually do when trying to portray these things in my own works. The first step I take is I determine how important the trait is to a character. The important thing to remember is that it is not a binary and is instead a sliding scale. For example the sexuality of Luthor is completely irrelevant to his character, it is fairly important to Poison Ivy, is a major part of the character for Catwoman and is fairly integral to the character of Katherine Kane. However even with Katherine Kane her sexuality is not the be all end all of her characterization. Her love of children, awkwardness pursuing romantic attachments, pragmatism and isolation from her own family are all traits that while her own sexuality influences them to some degree or another, still can exist separate to it.

Once I have determined how important the trait is to a character I then go on to try and incorporate it into their overall worldview while not making it dominate who they are entirely. It is a difficult balancing act and you constantly have to be careful to make sure you aren't unintentionally stepping on a landmine. However I have found that generally subtly easing into a hard confirmation is the best way to do these things as it allows you to develop and explore the character more and let your readers get to know who they are beyond just the initial first impressions.

Sexuality tends to be significantly easier to explore than gender. I know that personally I am exposed to more people with obviously different sexualities from me as opposed to gender (which usually requires a way more in depth examination to understand). Furthermore comics do not have nearly as many characters who are in a minority gender to pull from. Trans-people (there probably is a better term but I am unfamiliar with it) are not well represented in comics and I personally feel as though I lack an in-depth understanding of that position. I could certainly try to write one and I will probably attempt to do so eventually but it will take a lot more working of the nuance for me because I have less material to draw from.

Like with politics sexuality and gender works best when you can put a lot of characters on a spectrum. By having no one character be representative of everyone in a group you can create a more nuanced and compelling world that retains diversity but doesn't fall into the traps of tokenism.

Now I ought to move onto how I portray sexual violence. I am not comfortable portraying it. As I have mentioned most people in media are more comfortable showing death and torture rather than sex or sexual violence and I am one of those people. While I can write sex (not that I intend to) but I will almost never explicitly state it and am far more comfortable keeping things tasteful and leaving these things to the readers imagination. Sexual violence is an absolute landmine. Once you let that genie out of the bottle you can't put it back in and unlike death it is an intensely polarizing thing. I will generally reserve sexual violence even more than death and will never use it to emphasize a point. I do think that there is a place for it in the medium of comics if it is handled well but that you have to be incredibly careful about it. Sexual violence will never be described in depth, never be romanticized and I will attempt to treat it with as much respect as possible. If such an event occurs it will not be glossed over and forgotten but it will have a specific purpose to explore the ideas fundamentally related to that intense violation that sexual violence tends to be. As of right now there is only a single story that I would even consider exploring that explicitly has sexual violence as a part of it and even then I am not sure if I want to go through with it. Generally sexual violence and the themes therein are much safer to explore through allegorical elements. It's no that there is no place for the subject but you better be damn sure you want to talk about these things.

I hope this post helped explain my opinions on the matter. Let me know if you have any questions or would like some specific examples. This was immensely difficult for me to write out and I'm still not completely happy with the final project even if I think it is serviceable. There is plenty of room to talk about any one of these subjects more in-depth rather than doing the broad overview like I did. I'm curious to here people's thoughts on the matter.
 
@King crimson: Regarding "Iceman" and "Marvel Girl" as examples, I think part of that is the reverse doesn't sound as... Well? Like Batgirl and Batwoman equally sound good, but Iceboy just sounds stupid compared to Iceman.

Though yeah, skimpy outfits being common for female characters is weird. Sure Wonder Woman and Power Girl are nigh-unkillable demigoddesses, but Black Canary and Poison Ivy among others aren't bulletproof regenators.

Though really, most characters wear surprisingly impractical outfits, since they seem to wear normal stuff. Very least, you won't find many examples who confirm they're wearing durable supersuits.

Overall though, I think you got things sorted out well. People are unique and complicated, no matter how much people wanna pretend otherwise. So I would say don't worry about outright avoiding stereotypes, as long as you acknowledge that as their unique self.
 
@King crimson: Regarding "Iceman" and "Marvel Girl" as examples, I think part of that is the reverse doesn't sound as... Well? Like Batgirl and Batwoman equally sound good, but Iceboy just sounds stupid compared to Iceman.

Though yeah, skimpy outfits being common for female characters is weird. Sure Wonder Woman and Power Girl are nigh-unkillable demigoddesses, but Black Canary and Poison Ivy among others aren't bulletproof regenators.

Though really, most characters wear surprisingly impractical outfits, since they seem to wear normal stuff. Very least, you won't find many examples who confirm they're wearing durable supersuits.

Overall though, I think you got things sorted out well. People are unique and complicated, no matter how much people wanna pretend otherwise. So I would say don't worry about outright avoiding stereotypes, as long as you acknowledge that as their unique self.
I don't know I kind of dig Iceboy. The point though is about the weird double standard. Like there are tons of superheroines with the girl suffix but almost none with the boy suffix and it's weird. There is other stuff like how rogues galleries tend to have token females (Batman is the exception to the rule). With costumes yes they are impractical but it's more than just the design it's also the poses as well. You look at any relatively modern comic and you can see that there is a difference between how the men and women are generally posed (the Hawkeye initiative was an interesting experiment to see just how weird some of the things that have been normalized are). There is a very different emphasis with how male costumes are impractical and female costumes are impractical.

I try to avoid stereotypes in my writing because stereotypes are inherently reductive. If a character holds a position I ought to be able to explain why the character is the way they are besides claiming it as their base nature. If you are writing characters with well reasoned motivations then you will almost never write a stereotype assuming you do your job properly since the character will have some depth iny opinion
 
@King crimson: Regarding "Iceman" and "Marvel Girl" as examples, I think part of that is the reverse doesn't sound as... Well? Like Batgirl and Batwoman equally sound good, but Iceboy just sounds stupid compared to Iceman.

Though yeah, skimpy outfits being common for female characters is weird. Sure Wonder Woman and Power Girl are nigh-unkillable demigoddesses, but Black Canary and Poison Ivy among others aren't bulletproof regenators.

Though really, most characters wear surprisingly impractical outfits, since they seem to wear normal stuff. Very least, you won't find many examples who confirm they're wearing durable supersuits.

Overall though, I think you got things sorted out well. People are unique and complicated, no matter how much people wanna pretend otherwise. So I would say don't worry about outright avoiding stereotypes, as long as you acknowledge that as their unique self.
Female characters in superhero comic books having skimpy outfits makes sense when you consider who the main consumers of superhero comic books are: unmarried men. A female character that can kick ass wearing nothing but a bikini gives the young men who read the comics a hit of dopamine both in how she does violence (satisfying our sadism) and what she's wearing (satisfying our lust). But that's the hindbrain, and if you only have that, then your forebrain cannot rationalize just feeding the chimp hindbrain. Fortunately, superhero comic books that provide an engaging plot (or at least, a sufficiently complex plot) full of rich archetypes and a long in-universe history to justify the forebrain's enjoyment of the comic book.

That's my explanation of why female superheroes wear skimpy outfits.
 
Female characters in superhero comic books having skimpy outfits makes sense when you consider who the main consumers of superhero comic books are: unmarried men. A female character that can kick ass wearing nothing but a bikini gives the young men who read the comics a hit of dopamine both in how she does violence (satisfying our sadism) and what she's wearing (satisfying our lust). But that's the hindbrain, and if you only have that, then your forebrain cannot rationalize just feeding the chimp hindbrain. Fortunately, superhero comic books that provide an engaging plot (or at least, a sufficiently complex plot) full of rich archetypes and a long in-universe history to justify the forebrain's enjoyment of the comic book.

That's my explanation of why female superheroes wear skimpy outfits.
For the vast majority of comics run the main demographic was children. Only relatively recently has the shift been towards unmarried men (I'd pin the shift to happen at some point in the 90s).

Your answer is a doylist answer which doesn't actually address the problem. The problem requires a watsonian explanation. Saying something sexy will sell well misses the point I was trying to make I feel.

I know why the designs were chosen out of universe but frankly it's gotten so over the top it's almost off putting. Like the fact that drawing female characters so that both their boobs and butt are visible in the same panel in a psyiological impossibility is common practice in the industry. The fact that the overwhelming majority of female characters are drawn with costumes designed to titilate the male fanbase rather than convey something about the character is problematic and is something I hope comics get better at soon (costumes should tell you something about the character rather than be designed to turn you on).
 
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@King crimson: Eh, by stereotypes I kind of just meant in-general weird assumptions. Like technically me liking Fried Chicken could be considered accepting a stereotype (quarter black), but I'm not gonna deny myself fried chicken because of it.

Like, there should always be a reason for why a character seems to fit a stereotype. Really, there should always be a reason for anything relating to a character's personality, since nobody just has inexplicable behaviors.
 
It's actually an interesting point that superhero comics really do the skimpy costume thing. There are and were other comic genres, cowboy and horror comics used to be very popular and today you have occult/drama comics, you have always had humorous comics like Archie etc. There are a few genres that did similar things- 'adventure' comics like Conan or Tarzan.

But yeah, superhero genre and in particular DC and Marvel went that route. Not so much civilians, but villains and heroes.
 
Personally I find rape particularly disturbing because, like torture, it is a pointlessly evil act that is about having power over someone, and in enjoying hurting someone. Nothing but sadism. Murder is over relatively quickly in comparison and is usually about eliminating a threat or achieving a goal rather than tormenting the person - when tormenting someone is involved it falls under the category of torture IMO. Killing is sometimes justifiable, which is why we have more than one term (murder, killing, manslaughter, etc.) for causing death. You can argue that you can sometimes prevent a greater evil by killing someone, such as by killing Hitler or Stalin. But there's no justification for rape or torture.

Hollywood does treat torture lightly, and I think in part that is because Hollywood writers have a misconceived idea that torture is effective in getting information from people when in reality people will just say whatever they think the interrogator wants to hear. Even Napoleon, who caused hundreds of thousands of people to die for his ambitions, thought torture was barbaric and ineffective.

Hollywood writers also tend to use torture as a convenient plot device intended to move things along quickly. The bad guys have an evil plan that the heroes don't know about, so what do the "heroes" do? Beat up some henchman until they tell them what's going on.

I find it disturbing when so-called heroes torture people. I can't respect Batman at all because his morally bankrupt code stops him from killing people who are about to murder others, but he is perfectly okay with beating people up and bungie roping them over buildings to get information.

In fiction the hero torturing villains is just him reacting to the villains' provocation and is almost portrayed as "badass" and the villains of course have it coming. Then people are surprised when soldiers commit atrocities in real life wars. If we can't even imagine our ideal heroes to have the self-control to not be barbaric and evil when things get tough, we can't expect the average Joe to do the same.
 
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Hello @King crimson and good morning. Thanks for this informative post, it has given me a lot to think about. Yes, I agree that much of the comics industry has some problems with sexuality and drawing of women, even if I do myself enjoy the comics that I did read, including the desings of women.
I don't really have acess to comic book stores, so I have no idea about anything you mentioned about in modern comics. May I have some examples from people here who do?

Anyway, I appreciate the post very much.
 
Personally I find rape particularly disturbing because, like torture, it is a pointlessly evil act that is about having power over someone, and in enjoying hurting someone. Nothing but sadism. Murder is over relatively quickly in comparison and is usually about eliminating a threat or achieving a goal rather than tormenting the person - when tormenting someone is involved it falls under the category of torture IMO. Killing is sometimes justifiable, which is why we have more than one term (murder, killing, manslaughter, etc.) for causing death. You can argue that you can sometimes prevent a greater evil by killing someone, such as by killing Hitler or Stalin. But there's no justification for rape or torture.

Hollywood does treat torture lightly, and I think in part that is because Hollywood writers have a misconceived idea that torture is effective in getting information from people when in reality people will just say whatever they think the interrogator wants to hear. Even Napoleon, who caused hundreds of thousands of people to die for his ambitions, thought torture was barbaric and ineffective.

Hollywood writers also tend to use torture as a convenient plot device intended to move things along quickly. The bad guys have an evil plan that the heroes don't know about, so what do the "heroes" do? Beat up some henchman until they tell them what's going on.

I find it disturbing when so-called heroes torture people. I can't respect Batman at all because his morally bankrupt code stops him from killing people who are about to murder others, but he is perfectly okay with beating people up and bungie roping them over buildings to get information.

In fiction the hero torturing villains is just him reacting to the villains' provocation and is almost portrayed as "badass" and the villains of course have it coming. Then people are surprised when soldiers commit atrocities in real life wars. If we can't even imagine our ideal heroes to have the self-control to not be barbaric and evil when things get tough, we can't expect the average Joe to do the same.

The thing batman is skilled enought to make it work and actually get the info less with torture and more with terror.
 
For the vast majority of comics run the main demographic was children. Only relatively recently has the shift been towards unmarried men (I'd pin the shift to happen at some point in the 90s).

Your answer is a doylist answer which doesn't actually address the problem. The problem requires a watsonian explanation. Saying something sexy will sell well misses the point I was trying to make I feel.

I know why the designs were chosen out of universe but frankly it's gotten so over the top it's almost off putting. Like the fact that drawing female characters so that both their boobs and butt are visible in the same panel in a psyiological impossibility is common practice in the industry. The fact that the overwhelming majority of female characters are drawn with costumes designed to titilate the male fanbase rather than convey something about the character is problematic and is something I hope comics get better at soon (costumes should tell you something about the character rather than be designed to turn you on).
For a good example of over the top outfit, look at wonder woman. She comes from a warrior culture but does she wear actual armor? No more like something that is a swimsuit. Also you talked about the man v boy and woman v girl and often when you have a hero ending in boy it is due to having a man hero already (so since you have a Batman or Spiderman you would add a Batboy or Spiderboy) while on the flip side that doesnt seem to factor in for female heroes.
 
Hrm.
One possible reason for the much greater occurrence of girl than lady in a Cape's name could be the length.
Girl is one Syllable, lady and woman are two, while both man and boy are at one; Your character surviving to become known is greatly aided if the name rolls off the tongue easier.
I must admit that I don't read a lot of superhero comics, so I don't know enough names to check the validity of this.
 
Hello @King crimson and good morning. Thanks for this informative post, it has given me a lot to think about. Yes, I agree that much of the comics industry has some problems with sexuality and drawing of women, even if I do myself enjoy the comics that I did read, including the desings of women.
I don't really have acess to comic book stores, so I have no idea about anything you mentioned about in modern comics. May I have some examples from people here who do?
@King crimson is referring primarily to things like the "boobs and butt" pose, though there's a pretty good general pattern of which that is a part. 'Modern' comics can here be interpreted to mean pretty much anything in the last 30-40 years or so, I think.

Though yeah, skimpy outfits being common for female characters is weird. Sure Wonder Woman and Power Girl are nigh-unkillable demigoddesses, but Black Canary and Poison Ivy among others aren't bulletproof regenators.

Though really, most characters wear surprisingly impractical outfits, since they seem to wear normal stuff. Very least, you won't find many examples who confirm they're wearing durable supersuits.
Yeah, but most male costumes at least mean you won't constantly have bits of rubble scraping your bare skin.

Consider the Golden Age magician Zatara, who adventured in a top hat and suit. Impractical for rough travels and combat, perhaps, but it'd keep the weather off, at least.

By contrast, his daughter Zatanna tends to adventure in literally a Las Vegas showgirl costume. Fishnet stockings were never meant as all-weather clothing.

Hrm.
One possible reason for the much greater occurrence of girl than lady in a Cape's name could be the length.
Girl is one Syllable, lady and woman are two, while both man and boy are at one; Your character surviving to become known is greatly aided if the name rolls off the tongue easier.
I must admit that I don't read a lot of superhero comics, so I don't know enough names to check the validity of this.
@King crimson: Regarding "Iceman" and "Marvel Girl" as examples, I think part of that is the reverse doesn't sound as... Well? Like Batgirl and Batwoman equally sound good, but Iceboy just sounds stupid compared to Iceman.
I mean. We can come up with justifications for this after the fact.

But it's kind of... interesting... that our default language is fine with calling an adult female "girl" and this supposedly doesn't sound 'stupid' or demeaning, but not fine with calling an adult male "boy."

[Also, 'girl' is definitely not pronounced as one syllable in all English dialects; where I come from we say "gur-uhl" with a pretty distinct split between the two syllables.]

Female characters in superhero comic books having skimpy outfits makes sense when you consider who the main consumers of superhero comic books are: unmarried men. A female character that can kick ass wearing nothing but a bikini gives the young men who read the comics a hit of dopamine both in how she does violence (satisfying our sadism) and what she's wearing (satisfying our lust). But that's the hindbrain, and if you only have that, then your forebrain cannot rationalize just feeding the chimp hindbrain. Fortunately, superhero comic books that provide an engaging plot (or at least, a sufficiently complex plot) full of rich archetypes and a long in-universe history to justify the forebrain's enjoyment of the comic book.

That's my explanation of why female superheroes wear skimpy outfits.
Except that this starts from the underlying premise "superhero comics are and ought to be marketed to unmarried men." Firstly, as @King crimson pointed out, that wasn't always the case. Decades ago they were heavily marketed to children, including prepubescent children. Secondly, why should they be marketed primarily to unmarried men, by the mechanism of providing sexual gratification? Comic books aren't exactly too expensive for a married person to buy, and in the modern era, women make up a large fraction of the potential market for any commercial product.

What it comes down to is that we've got this fancy combination of legacy social mechanisms and justifications for why it's okay to put female characters in bikinis and stick them up on stage because of deep-seated male drives, but where doing the opposite and putting men in Speedos and putting them up on stage as fanservice for women is seen as, well, kind of weird. Oh, and maybe it'd be evidence that the artist (implicitly assumed to be male because men are the default gender, right?) is kind of gay (which would be appalling).

The thing batman is skilled enought to make it work and actually get the info less with torture and more with terror.
Terror is always a big element in any kind of torture (note that 'stage one' of the Inquisition's torture tactics was always just to drag the victim in to the chamber and show them the instruments). It doesn't really sidestep the point that it seems kind of hypocritical that Batman will break someone's bones by beating them up, or dangle someone off a building just for information, but won't kill the Joker when he kills 30 people, and then goes to jail and escapes and kills 20 more, and repeats this process several times.
 
@King crimson I thought it was great and I agree with alot of what you said about repisentation perticully what you said about making charicters too perfect. As I have said, an angel is just another sort of monster.
Also SV has a large trans and non-binary community, so you could try to ask for help if you end up writing a trans charicter, though it is important to make sure to people you are asking are willing and eager to give advice.
 
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Hello @King crimson and good morning. Thanks for this informative post, it has given me a lot to think about. Yes, I agree that much of the comics industry has some problems with sexuality and drawing of women, even if I do myself enjoy the comics that I did read, including the desings of women.
I don't really have acess to comic book stores, so I have no idea about anything you mentioned about in modern comics. May I have some examples from people here who do?

Anyway, I appreciate the post very much.
I primarily refered to the boobs and but pose as a distinct example but if you want more examples you can just Google the Hawkeye initiative and you'll find plenty of examples of bizarre poses and see just how weird they are when you give them to male characters.
'Modern' comics can here be interpreted to mean pretty much anything in the last 30-40 years or so, I think
I tend to refer to modern comics by the "modern age" of comics which starts in the mid 80s. I hope that clarifies my use of the term.
@King crimson I thought it was great and I agree with alot of what you said about repisentation perticully what you said about making charicters too perfect. As I have said, an angel is just another sort of monster.
Also SV has a large trans and non-binary community, so you could try to ask for help if you end up writing a trans charicter, though it is important to make sure to people you are asking are willing and eager to give advice.
I'll take that into consideration. I'm not quite sure how to ask for what I want to get at (I can't just go "tell me everything important about how you developed before coming to the conclusion of your current identity" as that will miss nuances) but I will certainly consider using the site as a resource to gather information on people's experience
 
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