Lights... Camera... ACTION!!: A Hollywood Quest

IMPORTANT ANNOUNCEMENT
Hi Magoose here one of the guys helping Duke.

So we have some bad news.

The quest has been canceled as duke does not want to write it anymore.

I'm going to ask if I can take over for it, because I like this quest, and it would be a shame to kill it
TBF, Mags, you have been doing a lot of the heavylifting for the quest, so this will be in good hands. :)

To be clear to everyone, this is just me burning out on imagination of the quest, since my muse has been hitting me over the head a lot with so many different ideas that I just can't find myself too interested in this.

I'll still hang out here, though, since this still does have a sepcial place in my heart.

I'd like to thank you all for making this a wonderful experience while it lasted.

I'd also like to thank @Magoose, @Fluffy_serpent, and @Martin Noctis for doing so much to help prepare and write this quest. I couldn't have done it without you all. :D

I'll see you all around.

With so many regards, Duke William Of.
 
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...I have to wonder, if we netted ourselves the rights to Columbo and much later Death Note, if we could make this a reality?
Alternatively, if we've mucked around the timeline enough to cause a character in Death Note to become a Columbo-expy.
@Magoose How does south koreas chaebol's(MegaCorps) view us
Ain't him, but I assume they either don't care or hate us based on our increasing association with the Japanese.

The latter is why I'm personally interested in helping South Korea either set up Hallyuwood or building up a Lucasfilm campus there, in addition to getting stock in their companies and/or Baskin Robins...which, by and by, can anyone explain to me why they're obsessed with Baskin Robins? When I was there, there was like at least two per city block.
 
We really should upgrade our law firm as it would help us with acquisitions and probably drafting laws.

Also, I would like to push for development of LucasLabs and LucasArts.

As to Mary…we probably should get her private tutors.
 
Release the pressure with music
A follow-up omake of the nice unmarked omake "Choosing to be better" written by Xsplora (#18,068, page 723), produced with the kind permission of said Xsplora

the song who inspired this:Wolf in "Sheep's Clothing" by "Set It Off"



Release the pressure with music:
....the TV was tuned off the mocking grin on the set manager's face hidden between frozen moments gone. It would cost him an awkward talk about how Daddy had been tricked into misbehaving. It would involve talking to friends and family and asking for help. It might even include caving to Carrie and, getting an interview coach and suffering seeing her adorable grin that she wore when she won against him.

But it would not involve scaring his wife or children by acting like the monster the media wanted him to be. He could choose to be better.

But that was for tomorrow,right now..."Right now I need to clear some steam, I won't be able to go back to sleep and nothing good will come from sitting there frustrated and angry in the dark "Bruce didn't really know who he was talking to, his reflection in the off TV screen?, the wall just himself?

In any case it was true, he got up, left the TV room and closed the door behing him before walking randomly in the mansion without knowing where he was going, he had to let off steam and after realizing what kind of monstrous and thoughtless brute these bastards had tried to pass him off as, the idea of hitting a punching bag for a few hours seemed... unattractive, like an admission of defeat.
Stupid?, sure yes but the feeling was there, and he didn't really know what to replace his old punching bag with

Advancing silently in the corridors, wondering what he could do instead to get this out of him, write a script? no, went for a run?, it was raining hard and he wasn't going to worry Carry by coming home with a cold ,go drive?,bad idea with his current state of mind,music?...
Why not, it always relaxed him.
Decided Bruce headed towards the music room with a step as discreet as before, passing by the family photos, decorations and trinkets hanging on the walls, he arrived at the said room,entered,closed the door, assured that the room was soundproof so not to disturb anyone.Took an electric quitare.Pluged the audio directly into a set of headphones.stood next to a table with a pen and a stack of blank music paper. And started letting his emotions out.

Several hours later,early dawn:

It is a Bruce a little more tired and a little less angry who puts the pile of scores written during these long hours in order before placing the last of them in front of him, the result of a night of letting off steam over a problem several years old, lots of shouting and more discordant chords than one can count, "not unhappy with the result" one last mumble before clearing his throat and started to sing.

Hahaha, this is about you

Beware, beware, be skeptical
Of their smiles, their smiles of plated gold
Deceit so natural
But a wolf in sheep's clothing is more than a warning


The anger was slowly starting to return, years of having to deal with vulture presenters and jackal paparazis coming back to the forefront...

Baa baa, black sheep, have you any soul?
No sir, by the way, what the hell are morals?
Jack be nimble, Jack be quick
Jill's a little whore, and her alibis are dirty tricks


...horrible accusations based on nothing, each defense, each counter-argument ignored or twisted into a vicious innuendo, the sophistry falling like rains of shells...

So could you
Tell me how you're sleeping easy
How you're only thinking of yourself
Show me how you justify
Telling all your lies like second nature
Listen, mark my words, one day (one day)
You will pay, you will pay
Karma's gonna come collect your debt


...the words violated, broken and emptied of their meaning to be remodeled into so many sneak attacks, so many toxic snakes ready to bite at the slightest misstep...

Aware, aware, you stalk your prey
With criminal mentality
You sink your teeth into the people you depend on
Infecting everyone, you're quite the problem


...trying to maintain control of the car pursued by a chasing pack while you brought a giving birth Carrie to the hospital...

Fee-fi-fo-fum, you better run and hide
I smell the blood of a petty little coward
Jack be lethal, Jack be slick
Jill will leave you lonely, dying in a filthy ditch


...never explicitly say the story they are telling, staying within the legality frightened by the lawsuits and trying to make you look like a violent paranoid person when you react...

So could you
Tell me how you're sleeping easy
How you're only thinking of yourself
Show me how you justify
Telling all your lies like second nature
Listen, mark my words, one day (one day)
You will pay, you will pay
Karma's gonna come collect your debt


...a distraught Arnold realized that he had been manipulated into hating a man who had committed nothing of all that had been said to him as if so much poison had been poured into his ear...

Maybe you'll change
Abandon all your wicked ways
Make amends and start anew again
Maybe you'll see
All the wrongs you did to me
And start all over, start all over again


...the smile of the stage manager having succeeded in making you lose your calm, setting the interview up to capture the image of Bruce as a wild, dangerous beast...

Who am I kidding?
Now, let's not get overzealous here
You've always been a huge piece of shit
If I could kill you, I would
But it's frowned upon in all fifty states
Having said that, burn in hell, yeah


...the tension in his daughter's face when she watches the tape and sees the angry monster the interviewer has made of you, pushing you on edge, insulting question after hateful insinuation...

Oh, oh, oh
So tell me how you're sleeping easy
How you're only thinking of yourself
Show me how you justify
Telling all your lies like second nature
Listen, mark my words, one day (one day)
You will pay, you will pay
Karma's gonna come collect your debt


... and himself who fell for it.

Karma's gonna come collect your debt
Karma's gonna come collect your debt


An appeased Bruce, emptied of his anger, finished the last note, put down the guitar and sat down, exhausted as much in mind as in body.
Before jumping when hearing his wife "nice song".
He turned around and saw her in her bathrobe in front of the closed door "I got up to go to the bathroom and I heard you, did something happen?"

"Mary watched one of the old interview tapes where I got angry, she didn't react well, I...I think I need to re-evaluate my approach to the media"

"Oh Bruce I, no We will be there to help you" she hugged him

"thank you darling, do you still have the number of that coach interview you told me about?"

She responded with her adorable grin.



There you go, I think this is the first omake that I've written with people talking to each other,or people in general, writing an irl person is a bit weird.

I would be happy to hear any constructive critisism or modification suggestion if i missed something or got it wrong.
Hope you like it.
 
An Old Friend Calls
An Old Friend Calls:

Bruce had just finished a long day of negotiations with the Romanian Embassy, and as he settled into the backseat of the company's chartered limo [he hadn't been in the mood to drive by himself since the incident...and this was on company time]. But even as he slouched, loosening his tie, he took a sip of ice cold whiskey from the provided tumbler. While no consensus had yet been reached, as this was in fact the first day of negotiating, he couldn't help but feel a sense of...how one says, good about the pitch, especially after the Amabassador's reaction to his somewhat fluent Romanian.

'Han Solo, speaking to me in mine mother tongue...what wonders have been brought to me today.' they had said, thankful that you actually were a man of action.

Before he could contemplate the matter a bit more, and just as he was about to relax, the car phone buzzed with an incoming call. Curious, Bruce looked picked up the phone.

"This is Bruce O'Brian speaking, how may I–"

"There's no need to be so formal with me, Bruce, but how are you doing? How's Carrie? How's the kids?"

"Hey Elvis," he said, relaxing once more, smiling at it being a friendly voice, "It's been good! New challenges and mountains to climb for me, Carrie's been rocking the free world, and the kids are...the kids are a handful."

"I bet," Elvis chuckled, and they went back and forth for awhile like that, almost the entire car ride like that, talking about everything and nothing, just catching up, until eventually it was time to get to the meat of the matter.

"Listen, Bruce," Elvis started, suddenly a lot more somber, a lot more serious, "the reason that I called, well, the main reason, 'cause it's honestly nice to get back in touch after so long, is that...there's no easy way to put this, but I goofed up."

"I'm sorry, what–"

"See," Elvis continued, ignoring the interruption, "I've been doing a lot of charity work at this hospital in town since the end of my tour- I think you might know it, St. Judes-"

"Kind of," Bruce answered, vaguely aware that the hospital existed and that it was, presumably, named for the Patron Saint of Lost Causes, "I only know it has something to do with kids-"

"Yeah, that's the thing I need to talk to you about. See," and here, Elvis became sheepish, "I might have accidentally, and it was completely a misstep on my part, I understand, but I might have let slip to the kids here that I know Han Solo and they may want to meet you."

"..." Bruce was taken aback, putting down the whiskey and blinking rapidly, "What do you mean they want to meet me?"

"It's kind of a delicate matter, you see Bruce, I-"

"That doesn't answer my question, what-"

"They have cancer, these kids, Bruce," Elvis returned to being somber, "This hospital, they're doing good work, looking to cure childhood cancer, but that's still a ways off Bruce."

"..." Bruce took a moment, unsure of what to do with the gravity of the situation, "...they want to meet me?"

"Yeah, Bruce," came the solemn voice from the other end, "they do."


In the days that followed, Bruce went out of his way to ensure everything was in order, making sure Carrie was going to be comfortable with him gone, and then went so far as to grab Robin, Mark and John in on the action as they flew for Memphis for the weekend (along with their iconic costumes, plus replica toy blasters that were out of the prototype phase). When they finally got to the hospital, it didn't really hit him at first, not until he first saw the kids, feeling a wave of emotions wash over him. The children's faces lit up with joy as they caught sight of their favorite characters (more than one kid was happier to see Mork) walking through the doors. They each greeted each child with a warm smile, taking the time to chat with them, sign autographs, and pose for pictures. Bruce was amazed by the resilience and strength of the children he met, they all were. They faced battles far more significant than any on-screen adventure, yet their spirits remained unbroken. He listened to their stories, shared laughter, and even shed a few tears as he heard about their struggles and triumphs.

The rest of that weekend was a blur, even their staying at Graceland (Bruce liked what Elvis had done to the place, the remodel was a lot less tacky than the last time he was here), but by the end of it they all had agreed, they weren't done helping these children, or this place, not by a longshot.

As they returned home, Bruce couldn't help but look out that window one last time to catch a glimpse of St. Judes as they flew, wondering if Sister Brigid would have...no, she would have been there with him if she could. 'It was happy children smiling,' her diary had read, 'that had made it all worth while' and he couldn't agree more.


A/N: If anything is anachronistic, assume that Bruce is being an unreliable narrator. Otherwise, let me know if anything needs changing from a narrative or grammatical standpoint.

Also, neat tidbit, despite having a very Catholic origin, St. Jude is very much a secular non-profit, and with it being so close to Elvis (twenty minutes by car), I don't see why he (c/w)ouldn't have helped out on his journey to recovery.
 
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I was just thinking that we could be making some kind of big animated rock musical with Elvis and Queen at the very least. Maybe we could bring in Bowie as well. Maybe we could even bury the hatchet with at least some of the moments of the Beatles.

It could be really fun to put this together!
 
I was just thinking that we could be making some kind of big animated rock musical with Elvis and Queen at the very least. Maybe we could bring in Bowie as well. Maybe we could even bury the hatchet with at least some of the moments of the Beatles.

It could be really fun to put this together!
and don't forget little jackson,also maybe carrie she did some pretty sucesfull music after all
 
So I know that the current mindset is for us to recruit John Hughes into the family, but can we please for the love of God not have Sixteen Candles be a Lucasfilms movie? I just watched it for the first time and I swear I have not witnessed a more horribly aged and awful movie since Gone with the Wind. It's just mind boggling how this movie has fans when it's just trash in just about every aspect and is problematic as hell. The two main OOFs are the racist caricature of "Long Duk Dong" who embodies lots of Asian stereotypes and makes Asians look stupid and goofy, literally reversing all the work Lucasfilms has done in fighting for diversity. There's also the normalization of misogyny and the infamous date rape scene where the love interest gives permission to the nerdy character to have sex with his intoxicated girlfriend and it's implied that they did have sex.

Even leaving aside these awful problematic elements that aged as gracefully as milk a month after its expiration date, it's still just a shit movie. The script is boring and the second half goes from slice of life to a raunchy anthology mess over nothing. Almost all the characters are awful people and just plain unlikable. All the subplots besides the romance go nowhere. It's poorly directed and edited. Almost everyone save for Molly Ringwald and Anthony Michael Hall are just bad actors. The humor is cringe. It's severely out of touch with the teen experience and hypersexualizes everything. It's just a shit movie.

I honestly can't fathom how Bruce, who is a pretty damn good filmmaker and has modern-ish ethics and morals take a look at this trashy film and be like "Yeah, this is what I want to be representative of Lucasfilms" or even if Sixteen Candles was made by another studio, I can't think how he would look at John Hughes and think the guy was a good filmmaker. It's just BLEGH.

I would rather just erase this film from existence entirely and go straight to Breakfast Club if people still want John Hughes. If this movie is made at all then it would have to get a severe rewrite that chucks out 90% of the plot.
 
I haven't seen 16 Candles, but considering that even now it still retains a good following as well as good reception score, then I'm ambivalent as to whether we should do produce it or not.
 
I haven't seen 16 Candles, but considering that even now it still retains a good following as well as good reception score, then I'm ambivalent as to whether we should do produce it or not.

I wouldn't have posted that if I simply disliked it out of personal taste. I watched Raging Bull before we worked on the movie, and I wasn't too much of a fan as the pacing and editing felt off to me while there wasn't much compelling, but I could respect Scorsese's vision and understand why lots of people like it and it's considered a classic. Here though it was literally one of the worst movies I've ever seen and contains so many problematic stuff that would make it a black mark on Lucasfilms on modern day.

I was also hella confused by the 80's in critic and audience on rotten tomatoes. I went into the user reviews and watched some Youtube clips on the movie to get an idea of why people like it, and my take is that people who grew up with the film, basically Boomers and early Millennials fell in love of it because it was a raunchy and funny teen comedy that related to them somehow but late Millennials and Zoomers were pretty much disgusted by it and view it as a horrible movie that aged terribly in all the worst ways.

So I guess we can get away with a successful contemporary release but it would age terribly and I don't want to give it the Lucasfilms treatment of mega success. Even if the date rape and sex stuff can be handwaved away as contemporary attitudes, the racist garbage of Long Duk Dong and how it turned perception of Asians from cool like Bruce Lee into losers is something that I think would backfire hugely and erase everything that Bruce has done with Project Lighthouse, Obi-wan and Kung Fu Kid.

I really reccomend you see it when you have the chance Overmind. It's really just amazing how night and day this is of quality when compared to the greatness of Breakfast Club.

...Since when was this discussed? I don't recall this ever being brought up, even if only tangentially with Overmind's Breakfast Club pitch.

I'm kind of referring to when Overmind posted it and there seemed to be a general consensus that John Hughes was a must have. All the other films I've seen with him are amazing but this one was awful.
 
I would rather just erase this film from existence entirely and go straight to Breakfast Club if people still want John Hughes. If this movie is made at all then it would have to get a severe rewrite that chucks out 90% of the plot.
He wouldn't be opposed, he wanted Breakfast Club as his directorial review, but it looks like he was constantly fighting the investors and had to push it back.

I even think there was an urban legend that the parts of 16 Candles that were good were part of some of the character's backstory that he cut out and made into the film as a way to get the funding he needed for Breakfast Club.
...Since when was this discussed? I don't recall this ever being brought up, even if only tangentially with Overmind's Breakfast Club pitch.
It got brought up once, I think 300 or so pages back. Honestly was ambivalent except for Breakfast Club, Ferris Bueller's Day Off, Planes, Trains and Automobiles and Home Alone, which are the only movies I actually liked from him, since the rest felt like cookie cutter trash (with the very problematic humor) that everyone was making in the '80s...which is fair, 'cause everyone ripped from his scripts a lot.
 
I really reccomend you see it when you have the chance Overmind. It's really just amazing how night and day this is of quality when compared to the greatness of Breakfast Club.
Hmmm, alright, I'll try and find a place that has it so that I can see it and judge for myself. In the meantime, some suggestions since if we are the producers we can perhaps make some changes to alliviate some of the worst parts. For example, we can make it so that those scenes depicting sex and Date r*** could be recontextualized into criticisms of it, perhaps even showing the consequences when attmepted and having it fail. For Long Duk Dong, the only thing that comes to mind is that instead of showing or even hinting that this is how all Asians are, we put a light into him just being kind of a nerd, and that its not something that's exclusive to Asians.

Now, these are just my thoughts without having seen the movie, so I may change my mind later on once I've seen it.
 
He wouldn't be opposed, he wanted Breakfast Club as his directorial review, but it looks like he was constantly fighting the investors and had to push it back.

I even think there was an urban legend that the parts of 16 Candles that were good were part of some of the character's backstory that he cut out and made into the film as a way to get the funding he needed for Breakfast Club.

That's a relief. If Sixteen Candles still has to get made I would rather it be done as part of UA's million dollar factory considering that's what it originally was supposed to be, a low budget Indie film for a third party studio before John arrived at Universal with a contract deal. I would much rather get him with Breakfast Club first than doing Sixteen Candles.

Hmmm, alright, I'll try and find a place that has it so that I can see it and judge for myself. In the meantime, some suggestions since if we are the producers we can perhaps make some changes to alliviate some of the worst parts. For example, we can make it so that those scenes depicting sex and Date r*** could be recontextualized into criticisms of it, perhaps even showing the consequences when attmepted and having it fail. For Long Duk Dong, the only thing that comes to mind is that instead of showing or even hinting that this is how all Asians are, we put a light into him just being kind of a nerd, and that its not something that's exclusive to Asians.

Now, these are just my thoughts without having seen the movie, so I may change my mind later on once I've seen it.

Honestly they could have done a smart route of criticizing sex culture because that scene where the love interest offers his girlfriend had some smart dialogue right after where the love interest complains that he wants to have an intimate and loving relationship with a girl but he can't because all girls see him as is a hunky jock and just want to have sex with him, while the Geek character laments that he has to act sex crazy and be active in trying to sleep with a girl because that's seen as cool to his friends and the only thing that'll get him respect with the rest of the school when he's a dork, and all he wants to do is get dates.

That could be a really interesting movie. Explore the messiness of teen relationships and how everyone is obsessed with sex and the status of being active and getting laid when most people just want companionship and affection but have to perform and put on a cool image like how the Ken plot was dealt with in the Barbie movie. Only when the movie has a brief glimpse of intelligence, it delves back to 80s raunchiness.

Really even aside the problematic stuff, the movie is a mess. Like how both halves are just two completely different movies with the premise of Molly Ringwald's character turning 16 just being irrelevant and it could have happened on any other day of her life and nothing would change, while Ringwald herself transitions from the protagonist to a minor character in the second and third acts and she's stuck with a bland as hell relationship with a guy whose got the personality of cardboard.

I really don't think that Long Duk Dong is salvageable in any way. Dude literally has a running gag where everytime he pops up on camera, a gong sound effect happens and the oriental riff plays. Family Guy race jokes have more class and intelligence than this.
 
Like how both halves are just two completely different movies with the premise of Molly Ringwald's character turning 16 just being irrelevant and it could have happened on any other day of her life and nothing would change, while Ringwald herself transitions from the protagonist to a minor character in the second and third acts and she's stuck with a bland as hell relationship with a guy whose got the personality of cardboard.
Like I said, the urban legend is that most of Sam's story that we see in 16 Candles was supposed to be part of (I wanna say) Claire's backstory in Breakfast Club, since Hues was scrambling for a script that, and this is absolutely the part that I cannot verify in any capacity, had the producers interfering on a lot.

Looking back, it wouldn't have surprised me to find out that Dan Schneider, or at least one of his ilk, was somehow involved.
I really don't think that Long Duk Dong is salvageable in any way. Dude literally has a running gag where everytime he pops up on camera, a gong sound effect happens and the oriental riff plays.
I think its safe to say that we can trim the fat down to a solid sixty minutes if we absolutely wanted, which I honestly don't. Movie was mid, we have better scripts buried in Apocrypha, and if we really wanted to make a teen romance film then we can borrow from OTL.

If we had to choose, then either 1985's Better Off Dead, about how world-shattering a first love ending feels and the recovery thereof [whose worst part was the eight-year-old boy using pickup tactics on women almost triple his age...and succeeding*], or 1987's Can't Buy Me Love, which wasn't anything special, but it had a solid narrative with barely any hiccups.

*Think it was supposed to have been played off as one of the MC's hallucinations, but just...no. All the no, remove that subplot.
 
So…spicy idea,

Who wants to use our cred with Japan to make a film about American internment in the USA?

I want to do it, just to hold Regan over some coals so he can get some…legislation passed.
 
So…spicy idea,

Who wants to use our cred with Japan to make a film about American internment in the USA?

I want to do it, just to hold Regan over some coals so he can get some…legislation passed.
Reagan's been good to us (so far), so I'd rather not burn up any and all goodwill we've accumulated. As for Japan, and increasing our relationship with them...not like that, especially since they barely teach what their own involvement was in WWII and just gloss over it, like America's public school system does with the Korean and Vietnam War.

For now, we're better off just re-releasing their classics to American audiences and introducing people to their Shogunate era, as an alternative to the real heavy angloboo we're gonna be releasing soon (Excalibur, Lord of the Rings, Narnia, etc.).
 
Absolutely want to see this, but I'm also still trying to see what actions Bruce can take to become Jeet Kun Do Grandmaster, partly to elevate the martial art's popularity and partly because we can prevent it from fracturing into two schools as OTL.

The thing about the fracturing as I understood in a gross simplification; is that Bruce had this a guiding set of principles to which a student can follow to progress his art.

The main split was caused because the students differed on how to teach those JKD principles going forward:

1. Were Bruce Lee's original principles the only thing needed for a student going forward in building his JKD style?
This is essentially the path taken by Taky Kimura, James Lee, Jerry Poteet, and Ted Wong

2. Or can those same principles be influenced by the different martial arts one comes across and be taught accordingly?
The path taken by: Dan Inosanto, Richard Bustillo and Larry Hartshell

I think the split will happen regardless of anything we do: Some people would like to preserve JKD as it is taught while others would see JKD's concepts grow beyond its current forms to adapt.

However that doesn't mean everyone has to be salty about it. Constant get togethers, maybe a barbeque or two to meet up and discuss training will go a long way into smoothing things along.

As for
what actions Bruce can take to become Jeet Kun Do Grandmaster, partly to elevate the martial art's popularity

That's actually easy, something we've actually done: fight. In the Ali fight, we're boxing differently than what most pro boxers of the age are used to seeing and that's stirring up interest in JKD. It may not be that obvious to some, but to those used to seeing boxers, those minute differences are very evident.

To advance within the JKD circles? Without the master, the only thing one can do to elevate in the arts is through his peers. Steel sharpens steel, and I think a tournament/sparring between masters to test each others' capabilities is a good way of establishing how much competence everyone has in adapting Bruce's teachings.

As to grow as an Martial artist and elevate the art's popularity? Studying other martial arts tend to give someone deeper insights and appreciation into the other aspects of combat fighting. Also, meeting new people in said classes that'll further boost JKD popularity set from the Goose's example.

Also: Action/Martial Arts movies, beat Hong Kong in that genre.
And maybe formalise MMA before the UFC gets too big
 
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