Voting is open
Article:
Future Flung Light
Dogs barked.

Flashlights shone.

Mia ran.

Not ten minutes ago, she'd been having supper with her parents on a moonless winter night. A hot, nice fire had warmed the simple but comfortable house she'd lived in in Bludhaven. A city-state across the border from Vic territory, there had been warnings that the barbarians were readying something. The mayor had told them to flee into the city proper, out from the outskirts, but her parents had refused. They would not be frightened into fleeing at the hands of facists.

So they had died instead. It had all been just a terrible instant: one moment, the three of them had been eating some simple venison, and then all hell broke loose. Ten men had burst in through the door, and what had happened next...

Well. It was a familiar story. Facists killed "degenerates" and left orphans. Facists advance on an unarmed girl. With their guns drawn, because they are scared for their life, of course. Further in the town, bullets and shots rang out. Men die, women die, children die; and their murderers will face no justice. Her eyes were hot, stinging, blinded by tears.

Different story towards the end there, as her mom's stories filled her mind and her nails clawed through his face. Shots rang out, her ears were still ringing, but somehow they had missed and so Mia Cirel ran. Through suburb streets she ran, the snow and gravel crunching underfoot. She ran as dirtbikes whirred through the night, as bullets whizzed over head, as the lights grew nearer and nearer.

Finally, she saw it, as she bobbed and weaved through abandoned cars: the Siegel shopping center, a long abandoned mall from before the Collapse. A fallen, dilapidated monument to consumerism, made in a cheaply tacky imitation of classical style.

Not more than forty feet, then twenty, then ten-

She felt a knot of pain scream through her shoulder as she slammed through front window. The brittle glass had shattered into knife like points as she'd jumped herself through, and sliced open her shoulder. She rolled among the glass, new cuts opening on her side and on her hands as she did.

She finally came to a stop when she slammed into the old fountain. She laid there, hearing the soft rnch-rnch-rnch of boots on glass and snow. Biting back the pain she looked up.

Standing above her, there was a gun, and a man. Forty or so, certainly middle aged his face was grizzled and scarred and cruel, his eyes sickly green pits; and he was big, bigger than any man she had ever seen before. There was a contraption stuck to his back, four tubes laced with a radioactive green. "Out of luck, girl."

Time seemed to slow to a crawl as his finger tightened on the trigger.

She closed her eyes, trying to ignore the stinging, prickling pain in her eyes.

She prayed.

Before there could be a world-ending bang, though, a sizzle-scream bzzt rang through the air as a faintly green bolt of fire rained from the skies. "Wha-you?"

A blue and red blur slammed into the ground, turning all eyes towards him even as a burst of stone sent the men inside running to cover. "Me."

He was very blue. That was Mia's first thought.

The second was much more important: he was floating. He was all dressed in blue, wearing a plain red cape and boots, and a dark black belt, almost like something out of one of the old history books.

More important than that, though, was the symbol. A red slice, cut through a black background. Different, yes. But not so different as to not plainly be a symbol not seen in far, far too long: Superman.

The big man rolled his neck. "You really wanna do this again?"

Superman crossed his arms over his chest. "Yeah. Yeah, I do."

Two hands lashed out, crashing together in a mighty blow. A great concussive thud whipped up wind and air and thunder, sent the other men to the ground.

Fist to fist, knuckle to knuckle the two men stood, limbs shaking as they did. For long seconds two stood, sweat pouring down their brows.

Superman flinched first. He drew back, and as he did the big man, with his filed-to-a-point teeth and rotted meat breath, lashed out in a kick.

Superman went flying as the boot slammed into him, before slamming into a pillar. It barely held, even as great chunks were sent flying.

Mia's eyes burned with tears.

The big man leaped at the fallen hero.

Her eyes burned hotter even as tears began to fall... and to steam?

There was a sound like meat being tenderized as fists fell.

Mia held her hand up to her eyes. She could tell it was hot, hotter than a torch, hotter than fire, hotter than anything; but she did not burn. She looked at the big man.

"Burn."

He turned around, only to catch a firestorm no wider than the eye to his back. It sliced through his contraption, burned his flesh. He screamed, felt all the fury of a sun whipping him.

Then a moment later, Superman, half his face turned into a bruise, slammed his shoulder into the man's ribs. They gave, and he fell, even as Superman stood back up and looked at her.

"It is you."

The Victorians were screaming, aiming their guns, even as she turned. Her eyes burned bright red, before someon grabbed her wrist.

"Later! We need to get out of here now! Otherwise they'll just send somebody who can do the job."

She nodded, the fire in her eyes fading as she felt the two lift off. "Excellent. First lesson: how to fly!"


Also extremely non-canon. Probably. Definitely a first draft.

Fun fact: Mia is a canon DC character.

@PoptartProdigy is it alright with you if I post what I do with this as fanfic in the fanfic forum? Because it will be taking a lot of the setting from here, but at the same time it will be a lot of non-canon noise.
Article:
Ooh. Non-canon, of course, but happily accepted!

And yeah, post 'em where you like 'em, it's your work. :)
 
Sten: *Happy T-Doll noises.*
Sara Goldblum: [happy gitchee-goo babytalk noises]

To be honest, an SMG is something that can be made with some piping, wire, sheet metal and an angle grinder. Files if you like not bleeding. It won't be pleasant to shoot, and the barrel won't be rifled, but it'll work.

(Although I do have to wonder what became of all the other small arms in the US if they ended up resorting to that.)
Oh, there were lots of other firearms. Firearms galore. NO shortage of firearms.

What was lacking was a single, specific, automatic weapon that could be issued to several thousand fighters, maintained reliably, and that could be made in larger numbers without needing a big centralized factory the Vicks would fuck up on general principles.

The problem wasn't finding guns, it was standardization, and Goldblum was, in point of fact, trying to standardize her supply issues.
 
Sara Goldblum: [happy gitchee-goo babytalk noises]

Nagant: *Possessively grabs Sten* "Sorry, but this child already has a babushka!"

Sten: *Confused and alarmed T-Doll noises*

M14: *Laughing uproariously*

Ingram: "I guess I'll just stand over there..."

FNC: "Does anyone have chocolate?"

The problem wasn't finding guns, it was standardization, and Goldblum was, in point of fact, trying to standardize her supply issues.

That makes sense.

(I wonder what she'd think of GnK's "Oh yeah we have to autofab five extinct cartridges whenever Echelon One goes out" shenanigans.)
 
Non-Canon Omake: Commonwealth Does Her Best
I come bearing an omake. Warning, second-hand mentions(though no explicit depictions) of naughty acts appear.

From: Mark Guilder
To: Clive Suitier - Manager of International Outreach, Department of State
Re: Report

Previously, I was assigned a report on reporting on the Commonwealth within the international press. This was primarily sourced through the Free City of New York, as it acts as our gateway. In such capacity, I was to buy any and all newspapers, magazines, and books dealing with our situation, and send monthly reports on them. In my reports, I listed a comic book " Commonwealth does her best!" as 'a minor piece of entertainment, which does not need further focus'.

You sent back a note declaring this unacceptable. Reprimanding me for skipping over works, and stating that dismissing works as 'low brow' was foolish and arrogant. You then stated that on the last trip to FCNY you had heard someone mention the title, claiming it was 'the most accurate depiction of what's really going on'. As such you have instructed me to include it.

To that end, I have created a special report focusing on it, as well as the next three volumes now popular series. I have also made contact with the creator of the series and interviewed her about its intent. "Commonwealth does her best!" Is what is known as a Gijinka comic. Gijinka is a Japanese word for anthropomorphization, the loanword is used typically for comics that reflect pre-collapse Japanese comic imports("manga"). These use detailed covers but are printed in black and white on the inside, allowing for quick creation and cheaper distribution. Additionally, it is sexually explicit.

In this case, the Anthropomoization is of post-Collapse states. The primary anthropomorphic entity is Commonwealth, which is depicted as a female. Said female is depicted with large breasts, according to the author, they symbolize her nurturing nature with the basic needs guarantees, as well as large muscles, due to her combat record. Secondarily is the character "Detroit" who is depicted as a similarly endowed black woman, with a broken arm (due to Victoria's abuse) and no muscular frame.

The comic starts with Commonwealth reassuring Detroit that she can and will fight to protect her from Victoria. Commonwealth then goes off to prepare, and in contrast to her earlier confidence, is shown as far more scared than she appears. As she prepares for battle, she goes to sleep. She then has a dream where Victoria appears. Victoria is depicted as what is known as a 'tentacle monster', a beast that bears resemblance to an Octopus, though the creator has noted that it has 13 tentacles for the 13 divisions and a single eye for the CMC.

In the dream, she is defeated, and a several-page-long scene of being stripped and forced into non-consensual sex acts follows, then moving on to similar for Detroit. At the end, they are both depicted as broken. Commonwealth wakes up from the nightmare as Detroit informs her the Victorians are almost here. She resolves she won't let that nightmare happen. The scene then skips to the Commonwealth, posing atop a defeated Victoria, the final scene of the book is Commonwealth and Detroit sitting together, eating calamari.

According to the author, the first book sold only mildly well. However, there was a lack of enthusiasm for the focus on Victoria winning. Which surprised her, as such scenes were usually considered mandatory within the genre and conventional wisdom said it was impossible to sell without it. Still, she thought about it, and decided to, in her own words, take a gamble.

"Commonwealth does its best! Vol 2" follows the invasion of Victoria. In this, we are introduced to a new character, Toledo. Toledo is depicted as short and less well endowed, representing it's "worse economy", but has high muscle definition. The story starts with Toledo soliciting Commonwealth, which makes Detroit angry, as she has been with Commonwealth longer, as both insist they should join. Commonwealth says she can take both of them, and a sexually explicit scene follows.

The scene then shifts to the Commonwealth angrily walking out of a building labeled "New York" and saying that VIctoria was being unreasonable. She states that "All I wanted was Victoria to admit it's his fault. Return the stuff he stole from me. Let people go. Let me into the beach for swimming. Keep his tentacles out of our pool. Remove all his creepy parasites from everyone else (at this a picture of anthropomorphized counties walking like zombies with little brain parasites is shown, the parasites are labeled 'Aid workers'), let me sell whatever I want. Give me their snack money. And give me the liberty bell, it's the ultimate bell."

At this Toledo does note it was a lot, but Commonwealth dismissed her, stating that it was more than fair. After all, she didn't take Victoria's lunch money and even offered to return one of the tentacles. Detroit says it is a shame, but they have to move on. At which point Commonwealth states that they are not moving on. After all, she wants the liberty bell. As she states this she looks on in desire and Toledo and Detroit comment that she's really revivalist. She then declares that they are going to war.

The scene switches to a replica of the front page. All three are in long black dresses, with cloth masks over their faces and baseball bats, Commonwealth wears a leather jacket, and in the color front illustration, her bat is red. They then declare to Victoria that they will make it submit. However, while the first swing breaks away several tentacles, more replace it as VIctoria explains it has all the militia it could ever need, they will never be able to kill them all.

Commonwealth then says she can make it submit, using her ultimate weapon, the Big Red One. She orders Detroit and Toledo to hold Victoria down and reveals that the bat she had been carrying is actually a giant strap-on. After an explicit scene that acts as the climax of the volume, Victoria surrenders. We are then shown Toledo gleefully burning Victoria's treaties and throwing coins up in the air. Detroit drooling over the papers she has saying 'Free Trade' and 'Seaway Clause'. However, Commonwealth is looking at the Liberty bell sadly. When asked what is wrong, she says that she had thought that the Liberty Bell was the ultimate dumbbell, and could be used in her workout. But it turns out it's a cracked bell. Toledo and Detroit fall to the ground in shock.

According to the creator, the second volume was much more work than the first and was a gamble. But she was really excited it paid off very well, forcing several re-printings and even 3D-printer commissions of the characters. She says that the first one was okay but would have passed by, but the second put it on the map. It makes her very hopeful because conventional wisdom says that aggressive females don't sell, which makes her feel awkward because while explicitly comics pay the bills, they feel like she is contributing to misogyny.

The third Volume centers around the conference. At it, Commonwealth is celebrating the party, enjoying the attention of several other girls who are hanging on her. At one point semi-literally, as she eagerly shows how many she can deadlift. The major downer is Shawnee, who is depicted as a haughty, aristocratic blonde who sneers at others. Around her are a gang of girls. While some other states are depicted, it is the most notable one.

Still, Commonwealth is only truly phased when Russia, depicted with remarkable similarity to Princess Katarine, shows up. She takes control of the conference and demands Commonwealth meet her alone. What follows is a lengthy explicit encounter which starts with Russia in control, before Commonwealth turns the tables by showing enthusiastic participation Russia was unprepared for. After it ends, the scene turns back to the conference, where a recreation of the announcement happens, leaving Shawnee running away in tears. (According to the author, she saw the announcement and diplomatic humiliation of Shawnee on the news, and knew she had to include it).

The fourth volume explores the Commonwealth's attempts to find a patron. The author admits this is more speculation, but she needed to put out something. In it, Commonwealth is attempting to find a patron and decides to talk to New York. New York is far more endowed than Commonwealth, and it is explained that this is because her economy is helped by her patrons in Europe, who were willing to lend her 'economic aid'. Toledo, looking on, then depressedly pokes at her own chest, while even Commonwealth and Detroit comment that they could use a bigger economy.

New York then offers to help the Commonwealth meet some. A series of dates then follow with generic figures, in them, Commonwealth always ends up scaring off the patron by being too aggressive or unsophisticated. After sulking about it, New York tells them they need to be coyer and offers to show her. They then go on a 'fake date' where every time Commonwealth acts such, New York reminds her to be more controlled. As Commonwealth starts to get the hang of it, they then move to the bedroom. There, an explicit scene with New York taking a commanding role takes place.

According to the Author, she opted away from doing more speculative works. Her next project is to redo the first volume into a multi-part series, more accurately depicting the Erie war. She has even shown a number of designs for anthropomorphization of each part of the armed forces. She was really happy to meet someone from the actual Commonwealth government, as she's trying to get it as accurate as possible. To that end, I have given her your correspondence so that you can coordinate with her so that we can better depict ourselves to the common man.

Humbly,

Mark Guilder
 
I come bearing an omake. Warning, second-hand mentions(though no explicit depictions) of naughty acts appear.

From: Mark Guilder
To: Clive Suitier - Manager of International Outreach, Department of State
Re: Report

Previously, I was assigned a report on reporting on the Commonwealth within the international press. This was primarily sourced through the Free City of New York, as it acts as our gateway. In such capacity, I was to buy any and all newspapers, magazines, and books dealing with our situation, and send monthly reports on them. In my reports, I listed a comic book " Commonwealth does her best!" as 'a minor piece of entertainment, which does not need further focus'.

You sent back a note declaring this unacceptable. Reprimanding me for skipping over works, and stating that dismissing works as 'low brow' was foolish and arrogant. You then stated that on the last trip to FCNY you had heard someone mention the title, claiming it was 'the most accurate depiction of what's really going on'. As such you have instructed me to include it.

To that end, I have created a special report focusing on it, as well as the next three volumes now popular series. I have also made contact with the creator of the series and interviewed her about its intent. "Commonwealth does her best!" Is what is known as a Gijinka comic. Gijinka is a Japanese word for anthropomorphization, the loanword is used typically for comics that reflect pre-collapse Japanese comic imports("manga"). These use detailed covers but are printed in black and white on the inside, allowing for quick creation and cheaper distribution.

Additionally, it is sexually explicit.
And this was the exact moment when Clive Suitier realized he fucked up.

According to the Author, she opted away from doing more speculative works. Her next project is to redo the first volume into a multi-part series, more accurately depicting the Erie war. She has even shown a number of designs for anthropomorphization of each part of the armed forces. She was really happy to meet someone from the actual Commonwealth government, as she's trying to get it as accurate as possible. To that end, I have given her your correspondence so that you can coordinate with her so that we can better depict ourselves to the common man.

Humbly,

Mark Guilder
And this was the exact moment when Clive Suitier realized how badly he fucked up.
 
According to the author, the first book sold only mildly well. However, there was a lack of enthusiasm for the focus on Victoria winning. Which surprised her, as such scenes were usually considered mandatory within the genre and conventional wisdom said it was impossible to sell without it. Still, she thought about it, and decided to, in her own words, take a gamble.
According to the creator, the second volume was much more work than the first and was a gamble. But she was really excited it paid off very well, forcing several re-printings and even 3D-printer commissions of the characters. She says that the first one was okay but would have passed by, but the second put it on the map. It makes her very hopeful because conventional wisdom says that aggressive females don't sell, which makes her feel awkward because while explicitly comics pay the bills, they feel like she is contributing to misogyny.
Truly, the greatest benefit of the Commonwealth pushback against Victorian influence is the expansion of what's acceptable in weird porn.

*sniffs, wipes away tear*
 
Last edited:
Commonwealth then says she can make it submit, using her ultimate weapon, the Big Red One
I can only presume that, in this context, it's going to be a strap-on.

She orders Detroit and Toledo to hold Victoria down and reveals that the bat she had been carrying is actually a giant strap-on
called it. :V

I have to be honest though: I'd read it.


She was really happy to meet someone from the actual Commonwealth government, as she's trying to get it as accurate as possible. To that end, I have given her your correspondence so that you can coordinate with her so that we can better depict ourselves to the common man.

how to get your revenge on your boss :rofl:


Ok, I have only one question: can we send a copy to Blackwell? :whistle:
 
So on a more serious note, do you think that if we win and we decide to try to ship the surviving Victorians to the Hague, do you think Alexander will decide it's not worth the trouble to bail them out? Second, I don't want to have to be lenient on former Victorians for support, so maybe we could partition the EU to set up a reverse Marshall Plan to provide funds and personnel to help in reconstruction. Third, I kind of imagine that left to its own devices, Victoria might Ironically resemble one of the more well off theocratic middle eastern nations like Dubai, a rich oligarchy that uses modern technology but rejects social progress in favor of adherence to archaic religious codes and widely uses various forms of slavery.
 
I come bearing an omake. Warning, second-hand mentions(though no explicit depictions) of naughty acts appear.

From: Mark Guilder
To: Clive Suitier - Manager of International Outreach, Department of State
Re: Report

Previously, I was assigned a report on reporting on the Commonwealth within the international press. This was primarily sourced through the Free City of New York, as it acts as our gateway. In such capacity, I was to buy any and all newspapers, magazines, and books dealing with our situation, and send monthly reports on them. In my reports, I listed a comic book " Commonwealth does her best!" as 'a minor piece of entertainment, which does not need further focus'.

You sent back a note declaring this unacceptable. Reprimanding me for skipping over works, and stating that dismissing works as 'low brow' was foolish and arrogant. You then stated that on the last trip to FCNY you had heard someone mention the title, claiming it was 'the most accurate depiction of what's really going on'. As such you have instructed me to include it.

To that end, I have created a special report focusing on it, as well as the next three volumes now popular series. I have also made contact with the creator of the series and interviewed her about its intent. "Commonwealth does her best!" Is what is known as a Gijinka comic. Gijinka is a Japanese word for anthropomorphization, the loanword is used typically for comics that reflect pre-collapse Japanese comic imports("manga"). These use detailed covers but are printed in black and white on the inside, allowing for quick creation and cheaper distribution. Additionally, it is sexually explicit.

In this case, the Anthropomoization is of post-Collapse states. The primary anthropomorphic entity is Commonwealth, which is depicted as a female. Said female is depicted with large breasts, according to the author, they symbolize her nurturing nature with the basic needs guarantees, as well as large muscles, due to her combat record. Secondarily is the character "Detroit" who is depicted as a similarly endowed black woman, with a broken arm (due to Victoria's abuse) and no muscular frame.

The comic starts with Commonwealth reassuring Detroit that she can and will fight to protect her from Victoria. Commonwealth then goes off to prepare, and in contrast to her earlier confidence, is shown as far more scared than she appears. As she prepares for battle, she goes to sleep. She then has a dream where Victoria appears. Victoria is depicted as what is known as a 'tentacle monster', a beast that bears resemblance to an Octopus, though the creator has noted that it has 13 tentacles for the 13 divisions and a single eye for the CMC.

In the dream, she is defeated, and a several-page-long scene of being stripped and forced into non-consensual sex acts follows, then moving on to similar for Detroit. At the end, they are both depicted as broken. Commonwealth wakes up from the nightmare as Detroit informs her the Victorians are almost here. She resolves she won't let that nightmare happen. The scene then skips to the Commonwealth, posing atop a defeated Victoria, the final scene of the book is Commonwealth and Detroit sitting together, eating calamari.

According to the author, the first book sold only mildly well. However, there was a lack of enthusiasm for the focus on Victoria winning. Which surprised her, as such scenes were usually considered mandatory within the genre and conventional wisdom said it was impossible to sell without it. Still, she thought about it, and decided to, in her own words, take a gamble.

"Commonwealth does its best! Vol 2" follows the invasion of Victoria. In this, we are introduced to a new character, Toledo. Toledo is depicted as short and less well endowed, representing it's "worse economy", but has high muscle definition. The story starts with Toledo soliciting Commonwealth, which makes Detroit angry, as she has been with Commonwealth longer, as both insist they should join. Commonwealth says she can take both of them, and a sexually explicit scene follows.

The scene then shifts to the Commonwealth angrily walking out of a building labeled "New York" and saying that VIctoria was being unreasonable. She states that "All I wanted was Victoria to admit it's his fault. Return the stuff he stole from me. Let people go. Let me into the beach for swimming. Keep his tentacles out of our pool. Remove all his creepy parasites from everyone else (at this a picture of anthropomorphized counties walking like zombies with little brain parasites is shown, the parasites are labeled 'Aid workers'), let me sell whatever I want. Give me their snack money. And give me the liberty bell, it's the ultimate bell."

At this Toledo does note it was a lot, but Commonwealth dismissed her, stating that it was more than fair. After all, she didn't take Victoria's lunch money and even offered to return one of the tentacles. Detroit says it is a shame, but they have to move on. At which point Commonwealth states that they are not moving on. After all, she wants the liberty bell. As she states this she looks on in desire and Toledo and Detroit comment that she's really revivalist. She then declares that they are going to war.

The scene switches to a replica of the front page. All three are in long black dresses, with cloth masks over their faces and baseball bats, Commonwealth wears a leather jacket, and in the color front illustration, her bat is red. They then declare to Victoria that they will make it submit. However, while the first swing breaks away several tentacles, more replace it as VIctoria explains it has all the militia it could ever need, they will never be able to kill them all.

Commonwealth then says she can make it submit, using her ultimate weapon, the Big Red One. She orders Detroit and Toledo to hold Victoria down and reveals that the bat she had been carrying is actually a giant strap-on. After an explicit scene that acts as the climax of the volume, Victoria surrenders. We are then shown Toledo gleefully burning Victoria's treaties and throwing coins up in the air. Detroit drooling over the papers she has saying 'Free Trade' and 'Seaway Clause'. However, Commonwealth is looking at the Liberty bell sadly. When asked what is wrong, she says that she had thought that the Liberty Bell was the ultimate dumbbell, and could be used in her workout. But it turns out it's a cracked bell. Toledo and Detroit fall to the ground in shock.

According to the creator, the second volume was much more work than the first and was a gamble. But she was really excited it paid off very well, forcing several re-printings and even 3D-printer commissions of the characters. She says that the first one was okay but would have passed by, but the second put it on the map. It makes her very hopeful because conventional wisdom says that aggressive females don't sell, which makes her feel awkward because while explicitly comics pay the bills, they feel like she is contributing to misogyny.

The third Volume centers around the conference. At it, Commonwealth is celebrating the party, enjoying the attention of several other girls who are hanging on her. At one point semi-literally, as she eagerly shows how many she can deadlift. The major downer is Shawnee, who is depicted as a haughty, aristocratic blonde who sneers at others. Around her are a gang of girls. While some other states are depicted, it is the most notable one.

Still, Commonwealth is only truly phased when Russia, depicted with remarkable similarity to Princess Katarine, shows up. She takes control of the conference and demands Commonwealth meet her alone. What follows is a lengthy explicit encounter which starts with Russia in control, before Commonwealth turns the tables by showing enthusiastic participation Russia was unprepared for. After it ends, the scene turns back to the conference, where a recreation of the announcement happens, leaving Shawnee running away in tears. (According to the author, she saw the announcement and diplomatic humiliation of Shawnee on the news, and knew she had to include it).

The fourth volume explores the Commonwealth's attempts to find a patron. The author admits this is more speculation, but she needed to put out something. In it, Commonwealth is attempting to find a patron and decides to talk to New York. New York is far more endowed than Commonwealth, and it is explained that this is because her economy is helped by her patrons in Europe, who were willing to lend her 'economic aid'. Toledo, looking on, then depressedly pokes at her own chest, while even Commonwealth and Detroit comment that they could use a bigger economy.

New York then offers to help the Commonwealth meet some. A series of dates then follow with generic figures, in them, Commonwealth always ends up scaring off the patron by being too aggressive or unsophisticated. After sulking about it, New York tells them they need to be coyer and offers to show her. They then go on a 'fake date' where every time Commonwealth acts such, New York reminds her to be more controlled. As Commonwealth starts to get the hang of it, they then move to the bedroom. There, an explicit scene with New York taking a commanding role takes place.

According to the Author, she opted away from doing more speculative works. Her next project is to redo the first volume into a multi-part series, more accurately depicting the Erie war. She has even shown a number of designs for anthropomorphization of each part of the armed forces. She was really happy to meet someone from the actual Commonwealth government, as she's trying to get it as accurate as possible. To that end, I have given her your correspondence so that you can coordinate with her so that we can better depict ourselves to the common man.

Humbly,

Mark Guilder
My eyes.

I do appreciate the passive-aggressive revenge, here. I'd probably do something like this. :rofl: Non-canon.
 
... Did you do this because they announced Hetalia was coming back?
Ironically no, pure coincidence.

My eyes.

I do appreciate the passive-aggressive revenge, here. I'd probably do something like this. :rofl: Non-canon.

I knew I could beat out "Revival of the United States" if I tried. That still got in-universe fiction status.

Truly, the greatest benefit of the Commonwealth pushback against Victorian influence back is the expansion of what's acceptable in weird porn.

*sniffs, wipes away tear*

Finally, someone understands. Ironically proving I cannot write anything without overthinking it, I have en entire headcanon for her. The artist is a 25-35ish year-old woman. She didn't exactly set out to make fetish porn, and actually has aspirations of historical or political content, but has to deal with a tough market there and that fetish porn pays well. Making cheap, quickly done stuff is part of how she pays the bills, but it's really her passion and the original was a quick cash-in on the war overlayed on a fairly generic tentacle porn. The second, as she notes, was actually trying something new, but was approached with a sort of workmanlike "let's write something new" rather than serious hornyness.

The third Ironically is probably the personally horniest, as sophisticated, aristocratic women with a commanding presence turn all her buttons, and she figured why not. The fourth was more of a cash-in as she needed something but was sort of out of ideas, plus a lot of readers had been like 'omg I want to see New York'. The reboot was her figuring, 'heck this is the most popular thing I've done' so why not sneak in her actual aspirations. Sure, it wasn't how she saw breaking into it, but you have to strike with what you can, right?

Thus showing, I think way, way too much about dumb jokes. At least I managed not to turn this one into another epic journey of a person dealing with an abusive system that causes on to blame oneself for their own abuse while stealing any ability to feel safety and leaving them with a constant feeling of sin. Like being trans and growing up Catholic.
 
And this was the exact moment when Clive Suitier realized how badly he fucked up.

From: Clive Suitier
To: Mark Guilder
Re: Re: Report

Mark,

Thank you very much for the more through report. I especially like your attention to detail in tracking the author down. Based on your recommendations, I started a correspondence with the author, and agreed to meet her on my next New York trip. We discussed her upcoming plans, and I must say she had some really interesting idea's on anthropomorphizing the various armed forces (I've attached her Navy design, which I think is particularly inspired).

However, the most productive part of our meeting came when she talked about her passion for history and political cartoons. To that end, I suggested that while her more explicit material may be a hindrance there. While it pays the bills, it can often prevent more series work. After discussion she discussed making non-explicit material that used the designs that had proved popular. It is here I saw a golden opportunity for a mutually beneficial relationship.

Over the next few months, she will be launching "Commonwealth-Chan Comics" (chan being a comic term as I understand it), a non-explicit look at the Commonwealth's history through an anthropomorphized lens. Her popularity comes from both strong designs, and an attention to detail that most sources ignore, providing readers entertaining information on an area they are unfamiliar with. By corresponding with us directly she can have detailed sources of information, while we can present ourselves in a way to the average person in a manner besides dry press releases from official government spokespersons.

To that end, we will be supporting her in this endeavor. Unfortunately, I am rarely in New York, and the delay on mail between our cities, I cannot support her directly. As you are staying in New York, part of your assignment will now be to support her in my stead. Additionally, while we both hope she can transition fully to the non-explicit comics, she has noted that she needs to keep up the income for now (despite its riches, FCNY social system is, it seems, sadly lacking compared to ours). As such she will be continuing her explicit comics. I expect you to support her in whatever she needs to become successful.

Fantastic work Mark,

Clive Suitier
 
Just wanted to share some history on the BRO PoptartProdigy posted on Discord :)
edit put it in spoilers
can we have a parade for our returning heroes?
Kiarael Bit late for that, since the troops were making it out as of the first snows and the next turn starts in April. But yes, you did. :)
I can't imagine how fucking pleasing it would be to be able to openly march in Victory
Kiarael And yes, this, absolutely. Honestly, wide open for the omake squad. Burns promising the BRO a home was one of those moments that sends chills down the spine. Them getting a home has always been, like, the energizing myth. They kinda almost never actually thought it would happen.
Not that up on USA Unit history but isn't the Big Red One on of the oldest continually serving divisions in the United States? Shouldn't the facted they are still around and in our forces (unless they are a successor unit) is a good thing.
kelgar04 IRL, it is the oldest. In its present incarnation it has given continuous service since 1917. In quest canon, wildly and incontestably the oldest, having survived all the way to now.
[16:53]
Hey, serious question. How old are the soldiers in the Big Red One?
Genon Service age. Burns kept the ranks filled with new recruits. Soldiers mustering out he put in the supply train to help with training. The officer and NCO complements, now, those fuckers are old.

VoidTemplar200022.10.2020
One of the Regiments, the 16th can trace its lineage all the way back to the Civil War(redigeret)

Clockworkchaos22.10.2020
Wonder if any of the NCO insisted on picking up the gun one last time for Buffalo, probably too professional, but man, must have been tempting

VoidTemplar200022.10.2020
Unfortunately, the colonial-age regiments were probably lost

Unless they were transferred into the BRO

Lightwhispers22.10.2020
I imagine there are a few members of the BRO who grew up with the unit, as children/grandchildren of the cadre.

That would be an interesting story to tell.

PoptartProdigy22.10.2020
Fascinatingly, the 16th regiment actually now belongs not just to the BRO, but the Devil Brigade itself.

PoptartProdigy22.10.2020
I imagine there are a few members of the BRO who grew up with the unit, as children/grandchildren of the cadre.
@Lightwhispers Oh yes. The Devils have a culture all their own now.

PoptartProdigy22.10.2020
But, anyway, yes, the BRO is the oldest continuously-serving division in the Army, especially by quest modern day, and is comprised of several units arguably older still.(redigeret)

Candlejack22.10.2020
The BRO is basically a walking museum of American Army history isnt it.

Shadowsaint00722.10.2020
heh

a Marine renegade brought about America's downfall, and now an old Army unit starts turning back the tide at last

Candlejack22.10.2020
And we have them all. We inherited what is effectively the last, oldest, most decorated vestige of the US Army.(redigeret)

PoptartProdigy22.10.2020
(Of course, some argue that the division became defunct in the fall of the Pacific Republic on account of only the Devils making it out; however, with Burns having been divisional commander at the time, even if only technically, the rank structure having remained intact, and with them maintaining plans for the division's replenishment if ever able, people generally concede to the Devils' assertion that the BRO still claims continuous service.)(redigeret)

VoidTemplar200022.10.2020
I mean, I seriously doubt that anyone in the CFC are sweating the details right now

Adronio22.10.2020
... Does this give us legitimacy?

PoptartProdigy22.10.2020
... Does this give us legitimacy?
Adronio It was part of the Legitimacy dump you got after the Erie War.

Adronio22.10.2020
Cool

PoptartProdigy22.10.2020
Burns has helped lots of states before. After the War, it was clear that he was sticking around.

Candlejack22.10.2020
Big Red One "Just try and kick us out of our house now

Edit removed the @ sorry for the inconvenience Lightwhispers :oops:
 
Last edited:
???

Like I get the frustration with being tagged unnecessarily but cross-posting Discord info to the thread is actively desirable & has been encouraged directly by Poptart IIRC.
My frustration is with doing direct copypasta, rather than cutting out irrelevant remarks and distilling it down to actually relevant information. And, of course, with not bothering to remove the user tags, which clogs up alerts.
 
I've written up the next negaverse, but honestly, I think we all know the most fun part of the negaverse is the comments, which are still rather sparse.

So I invite you all to delve deep into your right-wing assholesona, and put your own comments at the bottom, it should be editable by anyone who wants.

docs.google.com

Negaverse

 
I've written up the next negaverse, but honestly, I think we all know the most fun part of the negaverse is the comments, which are still rather sparse.

So I invite you all to delve deep into your right-wing assholesona, and put your own comments at the bottom, it should be editable by anyone who wants.

docs.google.com

Negaverse

Wondering if we can get << Previous | Next >> links edited into the various negaverse omakes, as they;re rather spread out in the very large number of omakes we have. Having mini-links like that to keep continuity might be useful.
 
Wondering if we can get << Previous | Next >> links edited into the various negaverse omakes, as they;re rather spread out in the very large number of omakes we have. Having mini-links like that to keep continuity might be useful.
None of the others are mine, so I can't do it. Only writing this one cause peeps said they have stuff for post-war but were stuck on this. I'll edit it in when this goes live for this one, but long term this isn't going to be one of my projects.
 
Voting is open
Back
Top