Threads Of Destiny(Eastern Fantasy, Sequel to Forge of Destiny)

Voted best in category in the Users' Choice awards.
"Comes back from weekend trip, gets hit in the face with a barrage of new posts."

Man, this voting stuff looks fascinating, but I have no damn idea how any of this works.

I think this (from the front page) and the newest threadmark should help.

Base Progression

Base cultivation, that is physical and spiritual cultivation will from hereon advance based on two things. The first is an XP meter, which will increment based on a fixed amount provided by your cultivation art, as well as bonuses from completing various projects or choosing to perform certain actions in the course of the narrative. At the end of an arc set the number is totalled and multiplied by your talent value.

The second is the completion of Conceptual Projects, which replace Domain XP. Concepts are represented mechanically by a word and a roman numeral. The numeral indicates how integrated and well understood a concept is by Ling Qi, and how much more potent than baseline techniques utilizing that concept are for her. Concepts with a 0 beside them are available, but have not yet been studied.

Certain baselines for concept progress must be reached before you can reach a new stage, even if the XP bar is full. If all other requirements are met XP is increased by 50% until the next stage is achieved.

Concepts may be studied directly through Dao Projects, or leveled up by completing related Art projects. Leveling up concepts will empower, shift and shape the function of your domain. New concepts are acquired through simple and advanced Insights.

Some events may also merge, change, evolve, or grant new concepts. Removing a concept outright requires special events and may be very dangerous, it is suggested that you should seek to evolve or merge unwanted concepts instead.

Cultivation Projects

Projects are the core of the new system. In the planning phase for an arc or arc set, you will be given a menu of projects in cultivation which Ling Qi can pursue, from which you will be able to choose a certain number based on the length of the arcs in question. Progress in a Cultivation progress is typically fixed, when taking a project you receive one success plus any bonuses you may have from Cultivation Traits, Medicines or Sites. Some projects may have a chance of failure, which is determined by a single d100 roll with a target number. The base target number before modifiers will be your Talent Valuex10, or 60% for Ling Qi. Actions and other factors then modify that number. Cultivation projects consist of two categories.

Dao Projects: These are actions focused on advancing Ling Qi's understanding and integration of a Domain Concept. This will offer a change in your domain function, level up a related trait, or give bonus successes to an Art Project taken at the same time.

Art Projects: Rather than levels, arts will now progress through a tree of advancement projects, which provide bonuses, grant or alter techniques, and otherwise empower an Art. Completing a designated number of projects will increase the potency of the Art's techniques by 1 in addition to the completion rewards for the projects

Other Projects

In addition to choosing your cultivation projects, during the planning phase, you will also be able to choose among non cultivation projects, separated into personal and political. In these categories will be a menu of options for character goals to progress, although some will be fixed by the needs of the current plot, the upcoming arc for example will have establishing ties with Bai emissaries as a fixed project.
 
Adhoc vote count started by EternalObserver on Jul 24, 2022 at 2:28 PM, finished with 287 posts and 139 votes.
 
The King of the West
Red was the color of sorrow, of the setting sun and endings. The color of blood draining down into the earth. It was the color of the banners raised over the casket of his grandson, fluttering in the breeze.For the first time in many decades, Sun Shao's gnarled hands shook like the old man he appeared to be as his Great Granddaughter clung to his shaking hand.

To live was war, to war was to sacrifice.

But it always hurt. It always had to hurt, if you were to remember your purpose in the sea of blood. If only Ce had been equal to the task he had been given. Sun Shao had placed so much hope upon his grandson's sturdy shoulders, been so certain that he would be the one able to bear the weight of the Sun family.

He had been wrong.

The blood of the east is not enough. I waste my strength, though the solution is before me, has always been before me.

The sons of his body were gone. The sons borne to him by his wife,whose face he could not remember, only the smear of blood it had become on the walls of his burning manor. Her face was gone, but some splinter of the man he was borne in his chest still insisted its importance.

"Grandpa, why is Papa in the box," His Granddaughter whispered as the shame faced men who carried the palanquin set it down before them and threw themselves on their faces in shame before his judgment.

Even in defeat, his men, his family were not afraid of him. Failure brought not dodging and avoidance as in the east, but a deep and abiding shame at their own lacking merits. To be of the West was to be strong, and there was no loss heavier than to fail your kin and comrades. They wept for the young lord as if he were their own brother by blood and he their grandfather.

That was the army he had built.

He looked down at Liling, his great granddaughter, and closed his eyes. The quaver in her voice and the set of her shoulders told him that she knew the answer. Even a child in their ninth summer knew death in the west.

She sniffled, and tears welling at the corners of her eyes. "Papa can't die. He was strong."

"Not strong enough," Sun Shao said quietly, squeezing her hand.

She looked up at him, confusion and a hint of betrayal in her eyes. Eyes so like other daughters and grandaughters, sacrificed all. "There is no such thing as strong enough. Your father was strong, and we must be stronger still in his absence," he said gently. "The world is cruel, and we will fight it forever. He fought for you, and I and all of us. As I do. As you will."

She sniffled, not quite comprehending but buried her face in his robes. He gestured to the men on the ground, spoke some words of mourning and sorrow and absolution, but it was a mechanical thing, detached from his mind. They left, renewed fire in their eyes. These men would fight and die like demons.

Was he spending his men poorly? Had he spent his grandson poorly?

Lub-Dub

The heartbeat never went away. It thrummed beneath the streets of Kailasa. It beat in the silence of palace chambers at night. It beat in his own chest and underlaid the war chants of his men. He had closed the temples, shattered the altars, but the heartbeat never ceased. Though it had not been his intention, he had built new temples and new altars, her worship was every shedding of blood. The Goddess of the Sunflower fields was with him always.

Yet he could not take the last step.

Their faces were crimson smears. His wife, his sons and daughters. Even Ce's face would fade in time. A year, a decade or two. There was so little of the man who was Sun Shao left.

He could end these sacrifices, these casualties at any time. The Queen of the Red Jungle, the Goddess of Ceaseless Struggle, longed for her King of Carrion, Devourer of the Dead.

Verdant hair, and crimson eyes, a smile like flensing blades. A lover's breath in his ear, warm and hot, smelling of the carnage of burning cities.

Red smears where faces once were. The marching and songs of men. Kin and family. He could not submit to her. It would destroy an important objective. Even if he couldn't remember what it was. And his army was strong, the Imperial Court still favored him. He did not need her. He did not need her.

They would conquer everything she was, and make it theirs.

He ignored the soft laughter that only he could hear. The smile of knives, and winsome eyes full of teeth that begged him to try.

"Grandpa?"

He blinked, looked down to Liling and crouched down, resting a hand on her head. Her hair was just as bright and red as his had been, all those centuries ago. "I'm sorry little one. I was remembering."

She nodded, still sniffling. And he gathered her into an embrace.

He had promised himself to break the world for his family if need be. When the child in his arms finally broke into sobs, he remembered why he did not want to. Why it was his last plan. Poor child. Her life would only grow harder. Her mother was a soft and petty thing of the court, and would be gone in a fortnight with the marriage broken. Only she could bear their future now. She would need to grow strong indeed. Stronger than he. Stronger than Her.

Such a cruel thing to lay on a child.

"Everything for family," he said quietly, brushing her hair.

"Family is everything," came the muffled reply.

Scooping his great granddaughter up into the crook of his arm, he stood, and with one hand lifted the coffin onto his shoulder. "Let us lay him to rest, little one."
 
Bastion is not particularly relevant to Zeqing - it's largely about bridging the gap in understanding between powerful spirits that lack perspective or inclination to care about humans. Zeqing was very socialised, and did have a very solid perspective on what it meant to be human - as I said before, spirits like her should not be able to restrain themselves or go against their nature like she did, which only happened as a result of her interactions with humans.

We Are Ripples is relevant to FSS+ ultimately because we rejected her understanding of the End and the importance of it, which was the catalyst for her going nuclear. Going off its key words - Endings, Beginnings, Cycles - and Ling Qi's own understanding of Endings ('All things end in time, it is the journey to ending that has meaning'), FSS+ is going to be about the journey in between, the act of striving for meaning and purpose, even if they themselves will eventually end, giving way to new things.

So I hadn't actually considered Zequing in relation to Bastion, but if anything I think the connection is stronger than anything else that's been brought up as a thematic connection to the art. That's because Zequing represents the goal/end state of the art, how a spirit of cold, want, and endings can be friendly and a teacher. We can reflect on what we desire from communications with wild spirits: Trying to find another mentor? Make new friends/family?

You talk about Zequing being socialized, this art is HOW we socialize spirits. The connection is very strong.
 
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So I hadn't actually consider Zequing in relation to Bastion, but if anything I think the connection is stronger than anything else that's been brought up as a thematic connection to the art. That's because Zequing represents the goal/end state of the art, how a spirit of cold, want, and endings can be friendly and a teacher. We can reflect on what we desire from communications with wild spirits: Trying to find another mentor? Make new friends/family?

You talk about Zequing being socialized, this art is HOW we socialize spirits. The connection is very strong.

Zeqing was socialised via centuries of extended contact with humans, taking a human as a husband and having a child with him. The connection of Raise the Bastion to that is… tenuous at best.
 
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So I hadn't actually consider Zequing in relation to Bastion, but if anything I think the connection is stronger than anything else that's been brought up as a thematic connection to the art. That's because Zequing represents the goal/end state of the art, how a spirit of cold, want, and endings can be friendly and a teacher. We can reflect on what we desire from communications with wild spirits: Trying to find another mentor? Make new friends/family?

You talk about Zequing being socialized, this art is HOW we socialize spirits. The connection is very strong.

I don't really believe Bastion or anything else should be added to FSS+ because the plotline is already full, and extra stuff will mess with established things already, but I bring thee relevant quotes.

Zeqing let out a small laugh. "Such honesty," she mused. "Very well. Once, a small clan ruled this patch of land, though I and my predecessors had been here far longer. My husband was one of three brothers in contention for the seat of the clan's heir. My husband was a scholar and a wanderer at heart, and so he discovered me."

Ling Qi studiously avoided looking at the subject of their conversation but nodded. She already had a feeling where this story was going.

Zeqing turned her empty white eyes upon Ling Qi with a knowing look. "Indeed. Be aware that I had long been alone. Imperial claims in this region are recent, and I - we - were subjects of reverence and placation. The Imperial method of interacting with spirits was quite new to me at the time," she said with a sigh. "... And he did have such a skilled tongue."

Zeqing shook her head, and after a beat of silence, she continued. "He sought to bind me of course. Power such as mine would have been a boon to his claim to the seat. He returned to this mountain again and again to woo me, and in the end, he even convinced me to bear his child as proof of our love so that I would never be lonely again."

Ling Qi's eyes shifted to Hanyi, and she thought of what she knew of history. "Hanyi isn't that old, is she?"

"I kept her within me for the longest time. I was bitter, but I was not willing to destroy a part of myself. We get ahead of ourselves, however. For the better part of a decade did he continue to visit me, and in doing so, he changed me," Zeqing explained wistfully, gazing at the broken, spiritually bleeding thing in the other room. "I am a spirit of darkness, desire, and covetousness. I am the cold that saps the life from a man's bones yet allows him to drift into his final sleep feeling naught but pleasant warmth. Yet for the first time, I came to feel more than a base desire and hunger for warmth, and from the qi I took from him were born the emotions that come so easily to your kind. I fell in love, and I agreed to join my essence to his and create a new life. It was a transgressive thing, not done in all of the memories of my past selves. I am a creature of endings, not beginnings after all," her mentor finished with a bitter laugh.



Anyway, I think this is the first interlude we have from the perspective of a White? Apart from maybe the one with Grandmother Serpent. Not sure about the Zheng explorer's realm too actually. But anyway, this is the first perspective from a White cultivator. I don't know whether that makes him a reliable narrator or not since he fully embodies one Way, but let's see.

I mean yes, he mourns the death of his grandson, but when talking about it, he only mourns that his grandson couldn't live up to the burden Shao put on him, that he led to sacrifice.

He rebelled against Fuxi because he and his family were sacrificed because of Bai politics, yet here is, doing the same thing with his men and family. At least he's questioning himself about it, even if he still does it.

We also see that he's fully become a person of the Jungle, the King of the West. He refers to his men and himself as the people of the West. He builds temples and supports the goddess, which counters what he originally set out to do. He feeds her blood from sacrifice. Except, instead of blood from ritual sacrifices done in temples, it's blood spilled for endless war Shao fights against anyone who's not considered Family. He hears the goddess and the heart of the forest, and she continuously tempts him to join the Jungle. But what little humanity he has left is fighting that, but even then he forgets that. The only thing keeping him from her is the Imperial support needed to continue his fight. In Welcome to the Jungle, he started losing that support and finally took the plunge.

Then there's how he sees his family. As I said, since he's White, Shao may be an unreliable narrator, and I think that counts in how he sees his army and family. He barely remembers the faces or the people whose death inspired him. He knows who they are, but he recognizes their blood and the sacrifice it embodies. He doesn't recognize how his people have become the next iteration of the previous inhabitants, only that they continue to fight because of support.

And lastly, we see how this affects Liling. He has sacrificed most of his original family, and only she is left. Now, she too has been sacrificed to continue the endless War. He just hopes that she can carry the burden, unlike all the others who died.

I guess this last point is why it was Liling against CRX in the sect, even though the Bai and Sun are the clans with the blood feud. Both of them have immeasurable burdens placed on them by family members. Both of them carry their clan's futures. Funnily enough, both of them have spirits who they're wary of and don't agree with.

Except CRX is just the first sacrifice and broken child and Liling is one of the last. CRX grew in the sect, while Liling stuck to old ways and didn't start growing until later. Even now, there are two parallels. Shenhua put a burden on CRX so that she'll be different from her. Shao put a burden on Liling so that she'll continue his fight. CRX is moving on from the Sect and starting a fief and establish herself. Liling is staying in the Sect to establish her clan and get more support.

It's fun. Can't wait for this to unravel more.
 
Zeqing was socialised via centuries of extended contact with humans, taking a human as a husband and having a child with him.
Raising the Bastion: In the harsh south, under the gaze of Bleak Skies yearning, you received a taste of the casual cruelty which spirits unbound and uncaring of man may display. In the lessons of the Bastion's Melody, you find the lessons needed to mitigate their harm, and even bring understanding of their doings to spirits most inhuman. Alters the Bastion's Melody Art, giving a chance to negate damaging environmental traits of higher spirits. Advances the Community and Protection projects by one step.
... One might suggest that "extended contact and close relationships, having children together, thus bringing the spirit into the community" would be the means of mitigating harm, if we were to use Zeqing as the inspiration for Raising the Bastion.

Now, especially given Ling Qi's specific hangups, I'd rather not go in that direction, and I've already voted for Wherein Lies Meaning accordingly. But that's not a tenuous connection; it's a pretty strong one.
 
I don't really believe Bastion or anything else should be added to FSS+ because the plotline is already full, and extra stuff will mess with established things already, but I bring thee relevant quotes.





Anyway, I think this is the first interlude we have from the perspective of a White? Apart from maybe the one with Grandmother Serpent. Not sure about the Zheng explorer's realm too actually. But anyway, this is the first perspective from a White cultivator. I don't know whether that makes him a reliable narrator or not since he fully embodies one Way, but let's see.

I mean yes, he mourns the death of his grandson, but when talking about it, he only mourns that his grandson couldn't live up to the burden Shao put on him, that he led to sacrifice.

He rebelled against Fuxi because he and his family were sacrificed because of Bai politics, yet here is, doing the same thing with his men and family. At least he's questioning himself about it, even if he still does it.

We also see that he's fully become a person of the Jungle, the King of the West. He refers to his men and himself as the people of the West. He builds temples and supports the goddess, which counters what he originally set out to do. He feeds her blood from sacrifice. Except, instead of blood from ritual sacrifices done in temples, it's blood spilled for endless war Shao fights against anyone who's not considered Family. He hears the goddess and the heart of the forest, and she continuously tempts him to join the Jungle. But what little humanity he has left is fighting that, but even then he forgets that. The only thing keeping him from her is the Imperial support needed to continue his fight. In Welcome to the Jungle, he started losing that support and finally took the plunge.

Then there's how he sees his family. As I said, since he's White, Shao may be an unreliable narrator, and I think that counts in how he sees his army and family. He barely remembers the faces or the people whose death inspired him. He knows who they are, but he recognizes their blood and the sacrifice it embodies. He doesn't recognize how his people have become the next iteration of the previous inhabitants, only that they continue to fight because of support.

And lastly, we see how this affects Liling. He has sacrificed most of his original family, and only she is left. Now, she too has been sacrificed to continue the endless War. He just hopes that she can carry the burden, unlike all the others who died.

I guess this last point is why it was Liling against CRX in the sect, even though the Bai and Sun are the clans with the blood feud. Both of them have immeasurable burdens placed on them by family members. Both of them carry their clan's futures. Funnily enough, both of them have spirits who they're wary of and don't agree with.

Except CRX is just the first sacrifice and broken child and Liling is one of the last. CRX grew in the sect, while Liling stuck to old ways and didn't start growing until later. Even now, there are two parallels. Shenhua put a burden on CRX so that she'll be different from her. Shao put a burden on Liling so that she'll continue his fight. CRX is moving on from the Sect and starting a fief and establish herself. Liling is staying in the Sect to establish her clan and get more support.

It's fun. Can't wait for this to unravel more.
I think what it comes down to is that he can't think of any solution that does not sacrifice except to destroy. He's dealing with a biome, there is no amount of killing or sacrificing that doesn't make the ecosystem stronger. The Sunflower doesn't care where the blood flows from.
 
Adhoc vote count started by Aloe on Jul 24, 2022 at 10:17 PM, finished with 298 posts and 143 votes.
 
My idea for a SSR+. Basically it emphasizes the wisps and deemphasizes the scry.
Court of Gossamer and Leaves

In the wilderness there are countless tiny spirit courts. They will likely never amount to anything but they see far more than their betters would ever guess

Yin, Moon, Music
Keywords: Mystery, Community, Chaos
Antithesis: Order, Fate, Ignorance
Art Type: Perception

Passive Effects:
+1 to Primary Perception Trait

Active Effects

Spirit Lady's Retinue: G5
Type: Construct, Perception
Duration: Scene

Conjures up to a dozen tiny humanoid wisps from leaves, pebbles, and so on. Expressions of the Lady's curiosity and whims, these wisps seek their lady's interest eagerly. The user's senses extend from the wisp, and when they overlap, the user's perception is improved in the area. The wisps ignore obstacles below their potency rank and, while they can travel a fair distance from their creator, they lose contact with her until they return and quickly run out of qi over the course of a day without additional infusions. Once they return, the user is aware of what the wisp found as though they were there themselves.

Wisps are fragile and may be destroyed easily by the direct actions of peer cultivators if noticed, but are quite subtle and hard to detect.

Respite of Dutiful: G5
Type: Scry, Noncombat
Duration: Stunt

The user may scry any of their wisps' locations, bringing themselves in contact with them and allowing the user to refill the wisp's qi, with the efficiency decreasing as the distance grows. Any peer within line of sight will immediately detect the wisps while this technique is active.

Predecessor Art: Silent Songseeker's Regard
 
So I went looking at the concepts LQ has.....
  • Community IV (1/8): Family is only a knot of strong bonds, it is the small connections between people which build community. There was no line between love and obligation, not if both were true.
  • Isolation IV 1/8): As starvation is privation of the body, isolation is privation of the soul. Thus is born suffering. But, one has only two hands with which to reach out. Yet, others have two hands as well. The cold, sad street cannot be unmade by the efforts of one.
These match each other, no place for void.
Want III (0/5): Want is the soul reaching out, the impetus of connection, the abrogation of Isolation, the seed of Community and Home.
The core of LQ's drive, even if the first thing she integrated in her domain was loneliness from Forgotten Vale Melody. Sure, it's not Void related, but again, Void as the core of LQ? That's just throwing out her character so far.
Creation II (2/3): Abundance begets creation. Creation denies Isolation.
It was said that we can contrast Void by denying it right? Too bad, Isolation filled that nitche already.
Mystery II (1/3): Hunger is privation of the body, loneliness privation of the heart, Ignorance privation of the mind.
"But the mind!"
... nope, isolation is there as well.
Persistence II (1/3): The world is in flux and things last only due to the exertion of will.
"Everything came from the void, and to the Void shall everything return!"
Except, Persistence states things will only last if you work on them.
Sure, it's not denial, but acceptable. Which, again, makes Void kinda pointless.
Endings I (1/2): All things end in time, it is the journey to ending that has meaning.
"But the heat dead if the universe!"
That would be cold, which is a lot more central to LQ, except it's not a concept LQ has.....
  • Courage (0/1)-?
  • Protection (0/1)-?
  • Cycles (0/1)-?
Then we have these, and Bastion would elevate Protection to have, at least a sentence.
Not to mention, again, we don't have anything aside from SNR that has void....

"But narrative concept gains!" I hear you say....
Except we had nothing for those three of that so far and I kinda doubt we will going forward, because they are on the edge of LQ's perception and more developed concepts fill the narrative better.

That's my reasoning of why you shouldn't vote for Ripples, thank you for reading.
 
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@yrsillar So I noticed some discrepancies between this plan post and the google sheets page I use to keep track of things, and I figured I'd go back and see what's up.

  • Power III(0/5): Power is absolute, but comes in different forms. What is strength in one context may be weakness in another.
  • Want III (0/5): Want is the soul reaching out, the impetus of connection, the abrogation of Isolation, the seed of Community and Home.
These two were at (2/5) and (1/5) respectively in my notes.

Want III (0/5): Want is the soul reaching out, the impetus of connection, the abrogation of Isolation, the seed of Community and Home.
Want was at 0 last turn, but we gained 1 xp from taking Suyin's action.
Little Workshop of Wonders: You've drifted apart from Suyin a little and your time at the Sect is coming to a close. Now you have a gift to give and an excuse. Spend some time with one of your oldest friends, and look on what she has achieved. The Elixir recipe you discovered is a good place to begin the conversation. {+1 XP to Creation Mystery and Want Projects. Characters Li Suyin, Bao Qingling)

Power III (2/5) Power is absolute, but comes in different forms. What is strength in one context may be weakness in another.
And power was at (2/5) for turn 14's planning session, but it's showed up as 0 since then so I'm not sure if that was the mistake.

Edit: Taking Suyin's mission also should've given us an extra Mystery xp. Our Creation xp seems correct tho at least
 
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[X] Plan Chilly Winds of Change

Gave it a fair bit of thought, but Qi's confrontations of higher spirits have been some of her best moments, and I want to elevate that part of her.
 
Zeqing was socialised via centuries of extended contact with humans, taking a human as a husband and having a child with him. The connection of Raise the Bastion to that is… tenuous at best.

Sorry if I wasn't clear. My point wasn't the Zequing was socialized using Raise the Bastion, or any art at all. Just that she was socialized, and raise the bastion is an art for socializing spirits (hopefully in less than several centuries). A connection to the desired outcome is just as useful as finding a starting point for developing an art, at least from my perspective. Is a corpse not related to death, just because it already died?

I don't really believe Bastion or anything else should be added to FSS+ because the plotline is already full, and extra stuff will mess with established things already, but I bring thee relevant quotes.

Huh, so it was more whirlwind romance than centuries of exposure (but then he betrayed her, which didn't really help matters).

I don't think it would be part of the FSS+ process at all. It would either be after or before, giving some build up or wind down as Ling Qi thinks about Zequing. After all, I don't think Ling Qi is just only going to think about Zequing on the mountain, then immediately forget as soon as she leaves. Having a related action allows those emotions to linger and be explored more. (Obviously Ling Qi would be thinking about it regardless, but this allows Yrsillar to naturally show it).

I've always been pro FSS+ purity. No soul of ice in MY votes 😤. This shouldn't get involved in the process at all.
 
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