Carrie of Books and Brien O'Goose, The Italian Play
Since the creation and wide-spread movement towards literacy for all Italian people, the Authors and Scriptwriters who often complained of less customers compared to other industries, begin enjoying a new era where people of all ages are able to read books and buy more books for their money and ability to continue creating stories.
One of these script writers/authors is by the name of Pietro Bembo, who'd just left service of the Pope after the Italian Unification under King Luciano of Italy. With the possibilities of travel safer, he went ahead and signed up to join Leonardo Da Vinci's Maintenance of the road as a scribe to record documents and orders. This gives him enough justification to be able to visit every City in Italy, writing down prompts to think about.
It was when arriving back home that he wondered of the possibilities of writing beyond his created treatise based on poetry writing structures, and persuasion of utilising Tuscan as the main form of linguistic Italian Language. Which made him inspired to begin writing prompts and reading other works that are now available with the unification making it possible.
While reading different books on the genre of romance, a sudden inspiration hits him. He stopped reading as he began remembering a certain concept that brought his attention in addition to how the Ancient Greeks wrote their passages: Plays. With this new idea, he begins pouring through Greek Plays and stories of how they were written from their dialogues, to actions, and the masks the performers have to wear for certain parts of the plays.
After finishing Children of Heracles by Euripides, Pietro begins the creation of a new extension to his persuasion utilising Poetry and other literary lines..towards a restored concept of playwriting, while writing it in the context of the Tuscan language. Alongside this piece of writing, he begins creating his own story in the style of a play with changes placed into them.
The first focus of this add-on piece of writing (The Play) would be the story. Not wanting to cause anymore strife in the Italian nation by using names or locations from Italy, he decided to base it on the British Isles.
While reading a piece of news from The Times New Roman on the Irish-English relations, a sudden burst of inspiration makes him decide to create a romance-esque story with the real theme being a creation as thought experiments of Irish-English romantic relations between individuals whom families disliked the other because of their long history. What also inspired the Tragedy are the Greek Plays he remembered to have them.
Thus, when it all came together, the "Fisher Family" and the "O'Goose" Family being a long-standing feud since the England's arrival in the Port of Dublin, with the star-crossed lovers being separate family members of the two families (Carrie "of Books" Fisher and Brien O'Goose). With creativity, it spurred him to utilise inspiration from places and buildings he's seen in Italy to manifest with some clear changes to develop a Italian-esque version of Dublin. With Canal Routes being a way of transportation in the fictional Dublin, the common people reading Newspapers of The New Dublin Times, and other ideas.
He later expands the worldbuilding with little segments of the story showcasing their bonding and..forbidden acts (in the eyes of the families) being performed with witty innuendos and making suggestive scenes up to the imagination. Then to add in more tension, he creates a City plot using The Head Guard of Dublin as a point of interest with his ultimatum to demand for the families to put an end to their feud.
The latter "chapters" of the story would see an on-going struggle for Carrie and Brian to keep their love unknown, with hits being performed by the families against each other, Brian discusses the possibilities of elopement with her to flee from Dublin to the Canal City of Venice, the Busy streets of Rome, or even to Mountainous regions of Greece. The plan was about to be done..until a friend of his was fatally wounded by a member of the Fisher Family (beforehand he pleaded to make peace with him) that results in him putting an end to him out of revenge..although he deeply regrets doing so as he puts himself and was forced to be exiled to the Irish Fields (a clause of the Head of the Guards to stop more atrocities from happening by both families.)
Carrie, who was in grief with the banishment, runs to the Church Father, who sympathises with the duo and even handles their secret marriage, where he convinces her of a plan to allow her to escape to the Irish fields with Brian. She gives a letter to a good friend of the both of them, Lucas the Earthworker, to quickly send the letter to Brian that she'll be coming to live with him after finishing some business. Unknown to the both of them, Brian missed her too much to the point of quickly leaving to see her again.
The next few scenes become increasingly intense, with the showcase of both thoughts back-to-back with the stage being "cut in half" that all accumulates to Brian finding her in the Church, heartbroken, as he sees Carrie's unconcious Body. Saddened, he stabs himself with the knife he brought..ending himself before Carrie wakes up to find her beloved gone.
Losing the will to live, she uses the same knife. Together, the two lovers are dead in the Church.
The families, in their grief and anger, blame the other..before the Head Guard arrives and scolds each one of them. He teaches them a lesson as he points out the fact that none of the tragedies would happen if the two families buried the hatchet and ended up embracing each other as fellow people instead of fellow pitchforks.
After more editing in the directions a performer has to wear (in addition to removing masks altogether after seeing its impracticality and instead focused on clothing and other cosmetic/accessories as 'Costumes'), he publishes the work in addition of vignettes of short poetries alongside the Playwriting Restoration Pamphlet.
The Story would be titled as: Carrie of Books and Brien O'Goose.