I'd disagree that second person is odd to read without the quest format, though it's certainly unusual. I can't comment on "frowned upon"—certainly it gets complaints, but so do POV changes, present tense, non-chronological storytelling, the use of even mildly complex language, etc., and none of those are problematic. Of course, I'm the sort who'd like to read a story written in future tense first person plural, or second person subjunctive past*, so my tastes don't mean much for the general public.Normal fics and stories are obviously a pretty tried and true method, but there's not as much room to be creative with them — obviously you can be, but it doesn't have as many inherent tools to do so with as quests do. Second person (which I'm personally very fond of) is also very odd to read without the framework of a quest around it, and generally frowned upon.
*Second person subjunctive present (future?), of course, is covered by If You Give a Mouse a Cookie.
I've enjoyed the format, and I wholeheartedly approve of taking advantage of format and medium to convey information in nonstandard ways. Encoding meaning in formatting, or using formatting which allows meaning to be conveyed more effectively, is something which I find aesthetically pleasing, in much the same way as good notation or useful neologisms. I think perhaps you underestimate the flexibility of a "regular story" (e.g. have you read Stand on Zanzibar? Not a normal book, but any of the individual techniques it uses could be used in one), or maybe I'm construing the term over-broadly.The "choices" get to function as a way to show off different lines of thought the MC could have or is having (notably without interrupting the actual text to do so, as would be the case in a normal story), and if I really want to, I can even write asides temporarily showing how the story could have progressed differently if a different choice was made. Flashbacks, profiles, and all sorts of other things that would be difficult to insert into a regular story without completely interrupting its flow are similarly possible to make and add, and I'm utterly free to take advantage of second person (which I'll note I'm very glad I used in this story in particular, as it lets me do something else that I'd like to personally think is quite clever, even if few people are likely to have made particular note of it yet). As long as I don't let reader opinion sway me too much, I get the best of both worlds, while having everything clear to readers from the get go... or, well, most of them at least. It's a new concept, give it time. ^_^;
For a certain non-trivial reason, she'd at least hoped as much, yes.This system has been in place for thousands of years; did you think you could break it with a simple Lay On Hands?
That's fair.
I dunno. If you took from me my knowledge—my language and experience—my art and science, my sense of the trivial and beautiful—my little quirks and broad perspectives—if you took all my incidentals and rebuilt around a core, my desire and obsession, to make a creature who sees all the world through the lens of my deepest feelings—I don't think that would be me. Mami, for all her faults, was still a human; a creature of complexity and diverse perspectives—and I am not confident that Candeloro shares enough to identify the two.It's complicated. She's not Mami Tomoe anymore, but she's still very much herself. If that makes sense.
Well, for about a millenium, anyway.Polaris as ever stood its Eternal vigil; guiding all who seek the north with utmost dutifulness as it had in many eons past and would for countless eons to come.
City that size, I'd expect quite a bit of light pollution. Even from miles away, a city provides better illumination than a full moon.Truly, the nights over Mitakihara were beautiful.
Unfortunately, they were also pretty damn dark when you were hiding up in the sky.
She got Madoka?!?
Riposted. (There are plenty of other typos, but this one might be a mistaken belief rather than a mistype, so it's more important.)"A good magician will never reveal her secrets." the lady in question reposted
I don't think "seemingly kind" needs a hyphen, and "letting" is usually used without a "to"—either replace it with "allowing" or "permitting", or move the "to" inside the parentheses.a seemingly-kind witch inviting a pair of children into her home and letting them (nay, forcing them) to eat her food
Hey now, the witch—and Mami—were better than that. They cooked their food. Charlotte eats hers raw, the savage.far too reminiscent of Hansel and Gretel for you to not at least make the comparison. You drift a little closer to the building at that thought, keeping your shatterwords at the ready in case Candeloro shows any signs of pulling a Charlotte.
Not much to say about this chapter. It's clear that Candeloro recognizes Tira and Sayaka and has at least some access to Mami's memories (or her barrier does, anyway), but she hasn't done anything beyond recognizing that known images match the people in front of her, which any facial recognition algorithm can do. I'm glad that the pictures are "surreal and blurry", since that's how real memories are.
I think the solution is obvious. Sayaka fancies herself a knight; she can compete in a tournament. You don't even have to worry about seeding, because all the participants are the same.Mayhaps they could, but there really are a lot of Sayaka's running around. I slightly doubt that Ashy and Co. have the cash for that.They could also get something for entertainment from Sengeitsu before they start traveling to Kazamino. A bookstore for some mangas, a sports shop for some balls or other equipment, maybe a tv or a sound system.<Could we put some, if not all but one, of them away, perhaps?> Tira inquired over telepathy, still sequestered in her bunker. <I am uncertain just how sane we shall still be upon arrival if we are forced to spend the rest of day with this many bored Sayakas, nor of what state the barrier may be in by that point—>
"If anything" should either have a comma on both sides or have no commas.the present situation seems to have little, if anything to do with you
This is, what, the third videogame played in our barrier? Better not let it become a habit; Ashtaroth is already too much of a shut-in. (I do like the use of "platform". It's exactly the sort of neologism I like to see—its meaning is clear from context and construction, it serves a useful purpose (I'm sure there's an existing word for it, which e.g. a free runner would know, but it's not common), and it creates no confusion.)She gestures at the ongoing chase — Candeloro seems to be slowly gaining on the Tira-maid, even as the familiar platforms from bridge to bridge and platter to platter in a frantic dance of evasion.
You already know they don't like that. You don't strictly require consent, but you prefer not to override their preferences. Moreover, you're significantly larger and slower than the girls, so if Candeloro sees you as a target you've just made things worse. Also, "I can hide you inside me" is not a long explanation. This is not a good plan.If you head back over to collect the pair however, rather than making your way back separately like you were going to, you can simply hide both of them in Novella, where Candeloro won't be able to notice or take them back one way or another, then pull them back out of yourself once you get back to your own section of the barrier. Much simpler and tidier to pull off.
...but not to explain in just a few seconds, and the idea seems fairly obvious anyways, so you stick to just relaying the relevant information.
Missing space.
How much intelligence does that really take? Complex tactics, sure, that would indicate intelligence, but it's just throwing ink at a target. Has the Tira-maid done anything that a 1990's video game AI couldn't?Apparently, even the familiar's method of attack matches Tira's... huh. That's some impressive intelligence for a being that only counts as a "fraction" of a normal witch.
Things went wrong the moment you embarked on this silly plan.
It plants itself just behind the center of your vision, leaving you unable to see it directly anymore
Mm.Under Novella should work, too, but I was thinking of the center of our swirly bits. It's not clear exactly how our vision works, but it seems likely that we have a blind spot at our perceptual center.Really? Inside Novella, underneath Tome, and... where else?
What in this magic system is?
"Renege" specifically means breaking a promise or commitment; we made no promises, so this would simply be changing our mind.
The usual reason is that putting a plan into words makes it more concrete and easier to find holes in. It's much easier to gloss over issues with just a vague idea. Explaining to yourself also gives the other voices in your head a chance to chime in, and they can be surprisingly insightful.I mean, why should one bother explaining their plans to themselves? No real point in that, right?