Normal fics and stories are obviously a pretty tried and true method, but there's not as much room to be creative with them — obviously you can be, but it doesn't have as many inherent tools to do so with as quests do. Second person (which I'm personally very fond of) is also very odd to read without the framework of a quest around it, and generally frowned upon.
I'd disagree that second person is odd to read without the quest format, though it's certainly unusual. I can't comment on "frowned upon"—certainly it gets complaints, but so do POV changes, present tense, non-chronological storytelling, the use of even mildly complex language, etc., and none of those are problematic. Of course, I'm the sort who'd like to read a story written in future tense first person plural, or second person subjunctive past*, so my tastes don't mean much for the general public.

*Second person subjunctive present (future?), of course, is covered by If You Give a Mouse a Cookie.

The "choices" get to function as a way to show off different lines of thought the MC could have or is having (notably without interrupting the actual text to do so, as would be the case in a normal story), and if I really want to, I can even write asides temporarily showing how the story could have progressed differently if a different choice was made. Flashbacks, profiles, and all sorts of other things that would be difficult to insert into a regular story without completely interrupting its flow are similarly possible to make and add, and I'm utterly free to take advantage of second person (which I'll note I'm very glad I used in this story in particular, as it lets me do something else that I'd like to personally think is quite clever, even if few people are likely to have made particular note of it yet). As long as I don't let reader opinion sway me too much, I get the best of both worlds, while having everything clear to readers from the get go... or, well, most of them at least. It's a new concept, give it time. ^_^;
I've enjoyed the format, and I wholeheartedly approve of taking advantage of format and medium to convey information in nonstandard ways. Encoding meaning in formatting, or using formatting which allows meaning to be conveyed more effectively, is something which I find aesthetically pleasing, in much the same way as good notation or useful neologisms. I think perhaps you underestimate the flexibility of a "regular story" (e.g. have you read Stand on Zanzibar? Not a normal book, but any of the individual techniques it uses could be used in one), or maybe I'm construing the term over-broadly.




This system has been in place for thousands of years; did you think you could break it with a simple Lay On Hands?
For a certain non-trivial reason, she'd at least hoped as much, yes.
Wish: "Then give me the power to help everyone I care about!"
That's fair.

It's complicated. She's not Mami Tomoe anymore, but she's still very much herself. If that makes sense.
I dunno. If you took from me my knowledge—my language and experience—my art and science, my sense of the trivial and beautiful—my little quirks and broad perspectives—if you took all my incidentals and rebuilt around a core, my desire and obsession, to make a creature who sees all the world through the lens of my deepest feelings—I don't think that would be me. Mami, for all her faults, was still a human; a creature of complexity and diverse perspectives—and I am not confident that Candeloro shares enough to identify the two.

Polaris as ever stood its Eternal vigil; guiding all who seek the north with utmost dutifulness as it had in many eons past and would for countless eons to come.
Well, for about a millenium, anyway.

Truly, the nights over Mitakihara were beautiful.

Unfortunately, they were also pretty damn dark when you were hiding up in the sky.​
City that size, I'd expect quite a bit of light pollution. Even from miles away, a city provides better illumination than a full moon.

The Subsumer of Hope​
She got Madoka?!?

"A good magician will never reveal her secrets." the lady in question reposted​
Riposted. (There are plenty of other typos, but this one might be a mistaken belief rather than a mistype, so it's more important.)

a seemingly-kind witch inviting a pair of children into her home and letting them (nay, forcing them) to eat her food
I don't think "seemingly kind" needs a hyphen, and "letting" is usually used without a "to"—either replace it with "allowing" or "permitting", or move the "to" inside the parentheses.

far too reminiscent of Hansel and Gretel for you to not at least make the comparison. You drift a little closer to the building at that thought, keeping your shatterwords at the ready in case Candeloro shows any signs of pulling a Charlotte.
Hey now, the witch—and Mami—were better than that. They cooked their food. Charlotte eats hers raw, the savage.


Not much to say about this chapter. It's clear that Candeloro recognizes Tira and Sayaka and has at least some access to Mami's memories (or her barrier does, anyway), but she hasn't done anything beyond recognizing that known images match the people in front of her, which any facial recognition algorithm can do. I'm glad that the pictures are "surreal and blurry", since that's how real memories are.


<Could we put some, if not all but one, of them away, perhaps?> Tira inquired over telepathy, still sequestered in her bunker. <I am uncertain just how sane we shall still be upon arrival if we are forced to spend the rest of day with this many bored Sayakas, nor of what state the barrier may be in by that point—>
They could also get something for entertainment from Sengeitsu before they start traveling to Kazamino. A bookstore for some mangas, a sports shop for some balls or other equipment, maybe a tv or a sound system.
Mayhaps they could, but there really are a lot of Sayaka's running around. I slightly doubt that Ashy and Co. have the cash for that.
I think the solution is obvious. Sayaka fancies herself a knight; she can compete in a tournament. You don't even have to worry about seeding, because all the participants are the same.

the present situation seems to have little, if anything to do with you
"If anything" should either have a comma on both sides or have no commas.

She gestures at the ongoing chase — Candeloro seems to be slowly gaining on the Tira-maid, even as the familiar platforms from bridge to bridge and platter to platter in a frantic dance of evasion.
This is, what, the third videogame played in our barrier? Better not let it become a habit; Ashtaroth is already too much of a shut-in. (I do like the use of "platform". It's exactly the sort of neologism I like to see—its meaning is clear from context and construction, it serves a useful purpose (I'm sure there's an existing word for it, which e.g. a free runner would know, but it's not common), and it creates no confusion.)

If you head back over to collect the pair however, rather than making your way back separately like you were going to, you can simply hide both of them in Novella, where Candeloro won't be able to notice or take them back one way or another, then pull them back out of yourself once you get back to your own section of the barrier. Much simpler and tidier to pull off.

...but not to explain in just a few seconds, and the idea seems fairly obvious anyways, so you stick to just relaying the relevant information.
You already know they don't like that. You don't strictly require consent, but you prefer not to override their preferences. Moreover, you're significantly larger and slower than the girls, so if Candeloro sees you as a target you've just made things worse. Also, "I can hide you inside me" is not a long explanation. This is not a good plan.

Missing space.

suddenly screech to a stop

Apparently, even the familiar's method of attack matches Tira's... huh. That's some impressive intelligence for a being that only counts as a "fraction" of a normal witch.
How much intelligence does that really take? Complex tactics, sure, that would indicate intelligence, but it's just throwing ink at a target. Has the Tira-maid done anything that a 1990's video game AI couldn't?

And that's when everything goes wrong.
Things went wrong the moment you embarked on this silly plan.

It plants itself just behind the center of your vision, leaving you unable to see it directly anymore
There are at least three places to hide in here.
Really? Inside Novella, underneath Tome, and... where else?
Under Novella should work, too, but I was thinking of the center of our swirly bits. It's not clear exactly how our vision works, but it seems likely that we have a blind spot at our perceptual center.
Mm.

Oh, that's just not fair!
What in this magic system is?

[-] Renege on your words and request Sayaka's help after all.
"Renege" specifically means breaking a promise or commitment; we made no promises, so this would simply be changing our mind.

I mean, why should one bother explaining their plans to themselves? No real point in that, right? :rolleyes:
The usual reason is that putting a plan into words makes it more concrete and easier to find holes in. It's much easier to gloss over issues with just a vague idea. Explaining to yourself also gives the other voices in your head a chance to chime in, and they can be surprisingly insightful.
 
I dunno. If you took from me my knowledge—my language and experience—my art and science, my sense of the trivial and beautiful—my little quirks and broad perspectives—if you took all my incidentals and rebuilt around a core, my desire and obsession, to make a creature who sees all the world through the lens of my deepest feelings—I don't think that would be me. Mami, for all her faults, was still a human; a creature of complexity and diverse perspectives—and I am not confident that Candeloro shares enough to identify the two.
I think that was Flairina's point. Candeloro is not Mami, but it is pretty much composed of the same things as Mami, while composed in a different way.
 
It has been a while, so here is a general reminder of the Candeloro situation.
Ashtaroth isn't operating under the same assumptions you are --- she doesn't think Candeloro necessarily wants Sayaka and Tira to stay with her, she thinks she wants them to stay in the house, or rather, in the center of the labyrinth. Most witches aren't known to crave companionship (at least not to Ashtaroth's knowledge), so when she sees Candeloro refusing to let Sayaka and Tira leave, she doesn't think that Candeloro might be lonely, she thinks that the witch doesn't want to release the people/victims it lured there. Sure, Candeloro doesn't seem like she's about to up and try to eat them, but there is no certainty when it comes to witches --- she could still want them there for some other purpose, even it's just to continue the party (as noted). Having what is essentially confirmation that Candeloro doesn't remember being human, a "I just want friends" sort of situation is not the sort of thing that immediately jumps to Ashtaroth's mind.
 
I think that was Flairina's point. Candeloro is not Mami, but it is pretty much composed of the same things as Mami, while composed in a different way.
The big thought problem Ashy seems to have in that regard is that the idea that witches could very well be in some cases people in their own right, even if not the one they were before, does not seem to occur to her.

Charlotte acts very much like a small child. Latches on to the nearest parental figures and follows her instincts. Who´s to say that not all witches are capable of rational thought, if pulled from the well of madness their upbringing of "literally personal hell" plunges them in?
 
So this quest is like a Grief Seed. Even if it vanishes, it just needs to feast on the despair of its readers to come back later!

Er, something like that? Honestly, I'd prefer hope over despair - call me an inverse Kyubey, but it's a much preferable emotion in my books. ☺

Oh wait, Candeloro's got her arms and can play 'stop hitting yourself' long as she likes. Better keep her MG crew on hand. Hope they understand the need to beat the stuffing out of Mami so soon after (or a good while before?) the last thrown down. They probably do, Sayaka was already about to spring into action.

As noted over on ABG, I was very torn as to exactly what Sayaka would theoretically decide to do in this chapter (and, by extension, next chapter). In the end I decided that she would probably, albeit reluctantly attempt to help Ashtaroth, but also wouldn't exactly argue when asked/told not to do so. Not sure if that was the correct characterization given the current situation, but hopefully it doesn't strike anyone as obviously incorrect either.

This actually my favourite among your stories (here on SV, I have no idea if you habe any hidden under a rock).

Quite funny, considering I have never read the source material.

I'm always a little shocked when people tell me they read one of my fics through without any knowledge of the source material. I mean, that's great; I really appreciate it!... I just have no idea how any of this fic would make sense without knowing the original context the events are based off of. Same with most of my other fics, especially since most of them lean pretty darn heavily on the mechanics of the worlds they're set in. ^^;

In any event, I do highly advise checking out the Puella Magi Madoka Magica anime. It's my favorite series, and I'd recommend it to just about anyone... even if you already know all the twists now. :)

Ehh, when most opponents are magical girls, in magical girl costumes, then there ought to be a fairly significant proportion of them with a significant vulnerability.

Ah, but the PMMM universe does not follow general genre convention for magical girl outfits, which makes ribbons rarer than they might be in a more "traditional" MG setting. Not to mention that ribbons being part of one's outfit while facing Candeloro is significantly less crippling than having them for limbs.

Presumably that Lila thing fits in there somewhere, too.

Right you are... though, the problem there is less that I got sidetracked, and more that I don't feel particularly motivated to get around to it. Even though the original one/twoshot is by far one of the most popular things I've ever written (at least going by the amount of work put in vs. the amount of feedback received), I already wrote out the main resolution I was getting to as the second part of the twoshot. Sure, there's stuff to add, a small plot hole to fix, and certainly at least one major plot point to elaborate on, but... I don't know, I just don't feel as invested in it as I am in fics like this. I wrote the original on a whim, and while the side-quel's document has been sitting on my desktop with a finished prologue and a mostly finished first chapter for months, I just... never really feel like working on it. I SHOULD, I just don't... I've got to get a better system in place regarding my writing schedule.

It feels weird to me how long the story has gone - in both versions - without putting any more spotlight on how Ashtaroth's witch transformation affects her mindset beyond the overt level of "witch-mentality interrupts". It's easy to completely miss that aspect of Ashtaroth's character.

No comment on the witch-mind interrupts and other influences of simply being a witch, but I admit I may not have done the best job spotlighting the effects of Ashtaroth's egocentric nature early on in this fic. It's intended to apply to both the witch and the girl who came before, and I tried to make it evident in certain subtle ways (ex. Ashtaroth not really understanding why Sayaka is freaking out over the whole your-soul-is-now-a-gem thing, since she didn't), but in hindsight I may have gone a little too far in the other direction and ended up just largely obscuring that character trait entirely. I really should have made it more obvious in places - it's just hard to showcase easily without making Ashtaroth seem either stupid, oblivious, or callous, none of which are my actual intention. I may go back and edit a few chapters to try and make that part of her personality slightly clearer sometime soon.

(I should note that Ashtaroth's nature was originally chosen back when she was still just a Witch-sona I'd decided to make for fun, and was thus meant to match my own personality, or at least the specific part thereof that I theorized might ultimately result in a magical girl version of me despairing/turning into a witch (since that is, after all, what witch natures are largely meant to represent). That same nature has always been pretty heavily tied into her design, powers, and general symbolism - even more so now than when she was originally created - so I couldn't really change it when Ashtaroth became a character of her own instead, not did I really want to. However, because of this, I suppose I was counting a little too hard on that trait just naturally bleeding through into my character writing without my having to make it more explicit - apparently I'm a little less egocentric than I'd thought. ^^; )

I wonder what would happen if Ashtaroth actually tried to subsume herself.

She'd evolve into Paradoxaroth, the Ouroboros witch with an ill-advised nature. :V

I think perhaps you underestimate the flexibility of a "regular story" (e.g. have you read Stand on Zanzibar? Not a normal book, but any of the individual techniques it uses could be used in one), or maybe I'm construing the term over-broadly.

Perhaps - though, past a certain point, it ceases to be a "regular" story anyways. Technically a faux-quest like this still IS a "regular story", just styled very differently than most others. :p

I have not read Stand on Zanzibar. Perhaps I'll give that a look when I get the chance.

I don't think "seemingly kind" needs a hyphen, and "letting" is usually used without a "to"—either replace it with "allowing" or "permitting", or move the "to" inside the parentheses.
"If anything" should either have a comma on both sides or have no commas.

Fair enough; fixed.

I think the solution is obvious. Sayaka fancies herself a knight; she can compete in a tournament. You don't even have to worry about seeding, because all the participants are the same.

|The ultimate battle royale game:|
|1000 participants.|

|1 winner.|
|ALL
Sayaka.|
SAYAKADOME
You already know they don't like that. You don't strictly require consent, but you prefer not to override their preferences. Moreover, you're significantly larger and slower than the girls, so if Candeloro sees you as a target you've just made things worse. Also, "I can hide you inside me" is not a long explanation. This is not a good plan.

Hmm... maybe you're right. As previously noted, I struggled writing this chapter, mostly in trying to keep everyone properly in character, and I think a problem I'm really starting to run into is that I've established Ashtaroth as being perhaps more naturally empathetic than originally intended. Thus, whenever her egocentrism chooses to rear its head, it comes off as a rather sudden odd shift in character. I really must do something about that...

How much intelligence does that really take? Complex tactics, sure, that would indicate intelligence, but it's just throwing ink at a target. Has the Tira-maid done anything that a 1990's video game AI couldn't?

It was more meant to refer to the Tira-maid changing strategies to deal with being cornered than the actual act of it using a weapon. Most familiars are, or at least seem to be more... simple, than that. Still, I might go ahead and edit that line; that one was admittedly something of a last minute addition.


A perfect example of of how comments have an effect on this story even outside of "commands". :D
 
As previously noted, I struggled writing this chapter, mostly in trying to keep everyone properly in character, and I think a problem I'm really starting to run into is that I've established Ashtaroth as being perhaps more naturally empathetic than originally intended. Thus, whenever her egocentrism chooses to rear its head, it comes off as a rather sudden odd shift in character. I really must do something about that...
Hm, a tricky problem. One possible approach might be to try shifting from empathy to sympathy. "You're upset and I'd like to help, but you're upset by something that isn't upsetting. Confusing."

The interaction with Sayaka freaking out about the soul thing is a pretty good example. Ashtaroth acts sort of like she's trying to cheer up her pet, who's gotten worked up about some silly pet thing. There there Sayaka, the mailman isn't attacking us, it's OK.
 
Er, something like that? Honestly, I'd prefer hope over despair - call me an inverse Kyubey, but it's a much preferable emotion in my books. ☺

He stood once more, stumbling forward on the plane. Nothing had changed. The same thin sands drifting over the smooth obsidian-like surface, the sun straight overhead. The only recognizable feature on this seemingly infinite plane the bodies he had just left behind, creating a trail behind him.

Another stumbling step.

The thirst was burning in his throat once more. His legs bled as the sand tore through the upper layers of skin.

A step and a tumble. Almost four meters. More than most attempts.

As he slowly, ever so slowly breathed his last, he looked in the distance. The direction the little plushy had told him was home.

No, it would not end like this. He would make it back.

And he stood once more, the line one body longer.

—————-

Yes, yes you are right. Hope is so much better.

I just have no idea how any of this fic would make sense without knowing the original context the events are based off of. Same with most of my other fics, especially since most of them lean pretty darn heavily on the mechanics of the worlds they're set in. ^^;

It's rather easy to put together from context clues.

. I really should have made it more obvious in places - it's just hard to showcase easily without making Ashtaroth seem either stupid, oblivious, or callous, none of which are my actual intention. I may go back and edit a few chapters to try and make that part of her personality slightly clearer sometime soon.

It is already rather on the nose, don't you think? Her PoV shows all the signs.
 
As noted over on ABG, I was very torn as to exactly what Sayaka would theoretically decide to do in this chapter (and, by extension, next chapter). In the end I decided that she would probably, albeit reluctantly attempt to help Ashtaroth, but also wouldn't exactly argue when asked/told not to do so. Not sure if that was the correct characterization given the current situation, but hopefully it doesn't strike anyone as obviously incorrect either.
Sayaka and Ashtaroth have a difficult relationship, but Sayaka is a simple soul. She see's someone in trouble, her first thought is to help. Ashtaroth drives her up the wall a bit, but she's figure out the witch means well, even if she's mostly bad at doing well. So it ya, her actions make sense here.
 
...Ashtaroth's egocentric nature...
I've been noticing it super hard in, like, every chapter, if that helps? Though I might not be the best indication of how well you're getting it across; I'm pretty sure my Witch Nature would be like... whatever the opposite of egocentric is. So of course I'd notice it. 😅
Presumably that Lila thing fits in there somewhere, too.
Right you are...
Ooh, what Lila Thing is this?
 
I just have no idea how any of this fic would make sense without knowing the original context the events are based off of.
Your writing style gives enough clue about the context that, along with wikiwalking and reading some of the readers' posts, is enough for me not to feel lost as the plot progresses.
And I say this as someone who has never played any of the games in the Nonary Game series (and didn't even know they existed, honestly) but has greatly enjoyed No-Leaf Clover.
Ashtaroth acts sort of like she's trying to cheer up her pet, who's gotten worked up about some silly pet thing. There there Sayaka, the mailman isn't attacking us, it's OK.
Let's see, Ash provides Sayaka with food, shelter and (kind of) security, while Sayaka provides extra security for Ash's home, as well as (kind of) emotional support. Yeah, I can see the pet-owner relationship.

So, how long until Sayaka is wearing a dog ears headband?
 
...looking through your AO3 page, it looks like this isn't the first fic I've read by you before, actually. I recognize a couple of your older Homestuck ones from back when I was super into Homestuck around 2013-2014ish. Funny, that. But a pleasant surprise nonetheless.
 
Let's see, Ash provides Sayaka with food, shelter and (kind of) security, while Sayaka provides extra security for Ash's home, as well as (kind of) emotional support. Yeah, I can see the pet-owner relationship.

So, how long until Sayaka is wearing a dog ears headband?
Egocentric could handle a pet as an extension of themselves maybe
 
I just have no idea how any of this fic would make sense without knowing the original context the events are based off of.
Funnily enough, before reading this I knew next to nothing about PMMM - I knew it was of the magical girl genre and my knowledge of the rest was nada. Then I read your story and started soaking up the plot points and background knowledge like a sponge, which has led to me watching it.

Still haven't finished, but I'm getting there!
 
Omake: Down, Girl
The interaction with Sayaka freaking out about the soul thing is a pretty good example. Ashtaroth acts sort of like she's trying to cheer up her pet, who's gotten worked up about some silly pet thing. There there Sayaka, the mailman isn't attacking us, it's OK.
You're working on figuring out the grammar of witch language when you feel the entrance portal tearing open. You pause for a moment, taken aback—you thought you were too far out of the way for any magical girl to find. You quickly look outside, but it seems that your moment of surprise was enough for whoever opened your barrier to get in. Sayaka is in your outer barrier—that is, the outer portion of your original barrier—so you switch your attention to her view, and notify—no, it seems she's noticed on her own.

<Looks like we've been found again. I guess I'll go warn them off.>

At least she's being proactive about it. But you can see your visitor now, and you don't want to scare them off, so—<Down, Sayaka.>

She's already jogging towards the entrance. <What? After what happened last time, I'm not going to just ignore them.> Through her eyes you can see Shemesh—currently a swirling blue ball orbited by several rocks—floating toward your visitor.

Now in shouting range, Sayaka starts yelling. "Hey! I got here first; go find another witch!"

<Down, girl. It's just the mail.>

<What?> Well, at least she's stopped shouting.

<The mail. The post. Delivery of letters and small packages.>

Sayaka has gotten close enough now to make out the intruder's features in more detail. It's a tall woman, with black hair tied up in a bun, wearing a postal worker's uniform. She's carrying something under her arm—it looks like a couple of boxes and some papers, but her body is blocking the view so you can't tell for certain. She's looking around the barrier; her posture seems a little wary, but mostly uncertain.

<That makes no sense at all. Is this a prank? Does she have some kind of magic disguise that makes you—>

*OOOOOONG*

Shemesh interrupts her with a rising tone that manages to sound like a question.

The postwoman says something in response—Sayaka's still too far away to hear, and has now stopped moving entirely—and holds out her parcels. They float upward and settle into orbit around Shemesh, on a somewhat more elliptical path than his existing satellites. He gongs out what you assume is a "thank you", and the postwoman turns around and starts back toward the barrier entrance.

<Those boxes should be the phones Tira ordered for us. I'm not sure what the rest is; I didn't—> but Sayaka isn't listening. The postwoman's departure seems to have broken her from her trance, and she's resumed running towards the entrance.

<Sayaka, wait—>

<If you won't tell me who she is, I'll just ask her!>

<Seriously, Sayaka, she's just the postwoman. And don't leave the barrier, we're—>


Sayaka reaches the exit portal and leaps through without slowing down.

<—800 meters in the air.>



Unpolished, but I don't want to spend too much time on this. The papers which came with the phones are junk mail, of course; there's no escaping it. Don't ask me how the postwoman got to the barrier or what address Tira gave for the delivery that sent her there. Maybe someone wished for the mail to always be delivered on time or something.
 
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To be honest, I'm not 100% sure he was actually killed.

Sure, he seems to have been blown up a bit, but he's themed after a planetoid; those things have been known to shatter and eventually pull themselves back together if the chunks don't go too far. Plus, he tends to keep to himself when nothing of note is going on, so for all we know he could have already pulled himself together and just be hiding wherever it is he lives when he's not 'Gong-ing' at someone.

Also, I seem to recall one of my Omakes apparently predicting something, and I'm still not 100% sure on what it was, but best-planetoid did turn up near the end of that one…
 
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Apparently Magia Record is shutting down in North America. I remember there were plans to have the Subsumption story interact with Magia Record elements. How does the shutdown affect those plans?
 
Hm, a tricky problem. One possible approach might be to try shifting from empathy to sympathy. "You're upset and I'd like to help, but you're upset by something that isn't upsetting. Confusing."

That is closer to what I'm trying to get across... I'll keep that in mind.

Yes, yes you are right. Hope is so much better.

I'm not entirely sure what that scene was even meant to be, but I love the imagery you have going on in it. Threadmarked!

It is already rather on the nose, don't you think? Her PoV shows all the signs.
I've been noticing it super hard in, like, every chapter, if that helps?

Glad to know I'm not totally off the mark then, at least. :)

Sayaka and Ashtaroth have a difficult relationship, but Sayaka is a simple soul. She see's someone in trouble, her first thought is to help. Ashtaroth drives her up the wall a bit, but she's figure out the witch means well, even if she's mostly bad at doing well. So it ya, her actions make sense here.

That's a relief then - hopefully the same can be said about next chapter, as plans currently stand.

Your writing style gives enough clue about the context that, along with wikiwalking and reading some of the readers' posts, is enough for me not to feel lost as the plot progresses.
And I say this as someone who has never played any of the games in the Nonary Game series (and didn't even know they existed, honestly) but has greatly enjoyed No-Leaf Clover.

Heh, well, at least there's some advantage to being so fixated on the details when trying to explain a character's thought processes. ^^;

...looking through your AO3 page, it looks like this isn't the first fic I've read by you before, actually. I recognize a couple of your older Homestuck ones from back when I was super into Homestuck around 2013-2014ish. Funny, that. But a pleasant surprise nonetheless.

Oh wow, really? Cool! I wish I was still into Homestuck as much as I used to be - it certainly had a lasting impact on me, as is partially proven by the very narrative style of this fic. ^_^; If the comic hadn't basically faceplanted at the ending, leaving about a thousand different dangling plot threads and unanswered questions behind (along with the forums closing forever for no apparent reason), I'd probably still be involved in the fandom even today. The comic remains incredibly interesting and well-plotted, at least for the first five acts, but nowadays I'd be less likely to outright recommend it to someone... though, I would recommend Problem Sleuth, which is also pretty fun, along with being way shorter and wrapping up in a significantly more satisfying manner.

Funnily enough, before reading this I knew next to nothing about PMMM - I knew it was of the magical girl genre and my knowledge of the rest was nada. Then I read your story and started soaking up the plot points and background knowledge like a sponge, which has led to me watching it.

Still haven't finished, but I'm getting there!

Awesome! I'm glad I could get you interested in something that I personally love. 🥰

You're working on figuring out the grammar of witch language when you feel the entrance portal tearing open.

Hah, that was great! Threadmarked - hope you don't mind I used a line from the text itself as the title; it just seemed to fit too well not to, especially given the ending line. :p

I'm not going to be just ignore them

Extra word here, but that's it for typos so far as I can tell. Also, I appreciate the amount of effort you went through to format all the telepathy text correctly; I know firsthand just how frustrating that can get.

Big ball is never truly gone. He will return when his spherical-ness is needed most.

As all great heroes do.

Apparently Magia Record is shutting down in North America. I remember there were plans to have the Subsumption story interact with Magia Record elements. How does the shutdown affect those plans?

Shouldn't make too much difference - there probably won't be any elements from Arc 2 unless I get around to looking up the translated videos, but I already know everything I wanted to involve from Arc 1, and the second season of the anime will still happen eventually anyways. It's certainly going to be more difficult to cross-reference and check game-specific information without access to the game itself (and might I just say I'm QUITE annoyed about it being shut down like this), but the wiki still exists, and there are youtube videos with most of the relevant information I'd want, so my future plans for this fic will not be changing. :)


What Quine said. It also got an anime, the first season of which only goes about halfway through the first arc, but there's bound to be a season 2 to complete it eventually.
 
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Yeah, Sayaka comes across as someone who doesn't want to fight Candeloro (even nonlethally) nor not help out Ashtaroth if she needs it. Which makes Ashtaroth insistence that she doesn't need any help yet a relief for her, though it's underlined by concern for both Candeloro and Ashtaroth, because she sees this situation as volatile and potentially dangerous for one or both parties.

Though the fact that Ashtaroth is clearly trying her best to resolve this situation without hurting anyone--even if it puts herself at risk--is probably improving Sayaka's opinion/feelings towards Ashtaroth.

Which is definitely a good thing, because Sayaka will need all the friends and as positive a life situation as she can get when she learns that she's travelled back in time and there's now a normal, "human" Sayaka in her place.

Of course, in the long term, it still leaves the absolute clusterfuck/minefield of Mami, who would be dangerously fragile to revelations about Witches and Soul Gems (and Kyubey, by extension) without a good friend who stays by her side there beforehand (which is obviously difficult for Ashtaroth or familiar!Sayaka), and Homura, who will remember Ashtaroth as the Witch that almost killed her and can either corrupt or subsume magical girls (and is deadly as all hell).
 
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