Prince Aladdin Quest (Disney Villains *Almost* Victorious)

[X] Plan: Catch My Breath


- [X][Martial] Create a cadre of swordsmen


- [X][Stewardship] Set up a Trade Agreement with Agrabah independent of any marriage.


- [X][Diplomacy]A Hun in the Hand


- [X][Intrigue] Get the lay of the local underworld


- [X][Learning] What's up Docs?


- [X][Learning]Assign Chiron to assist a Hero


--[X]Will Turner


- [X][Occult] Tomes, Trinkets and Treasures


- [X][Personal] Correspond with Jasmine


-[X][Personal] Get to know a Hero better


--[X]William


- [X][Will Personal] Tangled Tongue
 
The two biggest differences here from 'canon' DVV is that A: the villains did not get an absolute victory/kill all the heroes (see the various 'canon' marked sidestories). And B; all the ISOTs (and thus the 'present' for the quest start) occurred right at the moment events changed to allow the villain's victory.
Actually, B more or less applies to DVV proper.

Barring some exceptions, the game assumes that most parts of the setting did not cross over or have any kind of contact *before* the Chernabog antics begin. Instead of jumping into things right after the crossover starts, the base game has a few years pass (number of years dependent on the region/property/GM preference) so things can settle into a new status quo of villainy.

Prince Aladdin Quest is "softer" in the sense that several total losses for the heroic characters are mitigated or turned into a fighting struggle. The game setting is meant to be a versatile toolbox, so Aladdin surviving his would-be death isn't that far fetched. As an example: In my own campaign drafts, Aladdin would have been banished to the frozen wastes of Arendelle and return to Agrabah years later to get his revenge as the "Prince of Thieves".
 
Fling a Light into the Future (Non-Canon)
Also:

Omake: Fling a Light into the Future

"The foretold day is coming - the day in which darkness will prevail, and the light expire. Everything you care about, and everything you love... will soon fade. But... If you truly possess the powers I think you do, then fate will guide your ship to a safe haven - to where you are meant to be. This is more than an experiment - it's hope, for the future."

------------------------

The first and last solid thing Kairi remembers is floating in the dark, alone. She doesn't know how long she's been there, bereft of even purchase to grasp onto. Many of her memories have slipped away in this unholy place, but somewhere in the fragments that remain is a strange certainty that eventually, she will arrive somewhere. Someone is waiting for her, and she will reach them.

A flicker of blue enters her sight, growing closer, and for a moment an image of an archer in blue flashes through her mind. This is her, the one she's looki-

The blue speck approaches rapidly, and Kairi shakes her head. The large man with golden bracers and the jovial smile is not the one she expected to find... but he is warm, and gentle when he takes her into his arms.

"It's time you got out of this dump, kiddo."

Her purpose. Her destination- No, she can't leave, someone's waiting for her-

"Hey, hey. It's alright, kiddo. I've got things from here."

------------------------

Kairi rummages through the gardens of her new home - Abba-something - and gathers the herbs the apothecaries need to treat the animals in the Menagerie. The city is filled with excited energy, waiting with bated breath for their prince to return home, and everyone - even ones as young as four or five summers like her - are doing everything they can to make the city ready for his triumphant return. She idly wonders if she'll get to see this Princess that was apparently worth... all this.

Something in her heart pangs.

"Kaiiiiirriiii!!!"

She looks up from the flowers to the two boys approaching her. Among the children unfortunate enough to arrive here without parents, Sora and Riku have most readily adapted. The two hungered for adventure, and being taken from their island who-knows-how-far-away to here seems to have been a dream come true.

"You gotta see this! There's this huuuuuge bird in the North Enclosures, and it, and it-"

And of course, they were quick to start dragging anyone they could into whatever misadventures caught their fancy. Kairi smiles as she listens to Sora gush about some kind of horned animal. She shouldn't get involved. The tired but elegant matron at the children's shelter will have stern words for these two if they get in trouble, and she doesn't want to get mixed up in that.

... But this giant peacock certainly sounds amazing.

"... Let me finish up here."

------------------------

Kairi smiles as she finishes her hard work. Meanwhile, the matron (a blue-garbed woman who feels so painfully familiar) looks the letter over. "Very well-written, Kairi. I'm sure the Prince will appreciate it."

Kairi can understand what it's like, to be thrust into a new situation with so many memories missing. That's why she was so quick to ask if the shelter could put together a care package for him. The children got to work quickly, gathering fruits and herbs and missives of encouragement (the matron was especially happy with that - all the better to practice their letters).

"That's not the only thing," she hastily adds, producing her handiwork. Sora and Riku had told her that back on their island, good luck charms were made with seashells, woven with seaweed twine. This was neither, but she supposed the hand-carved wooden star held together with woven flowerstems and well wishes would have to suffice.

The matron gasps as Kairi hands it over, her looks of shock softening into an all-too-rare fond smile as she looks it over. "Oh, Kairi, it's beautiful. I'm sure he'll love it."

"You think so?"

"I know so. Now, let's go make sure the others have finished their gifts."

Kairi follows her caretaker, a hand on the woman's skirt, and closes her eyes. This is...

Yes. Where she is meant to be.
 
Very nicely done man. Sadly Kingdom Hearts is not part of DVV so I can't really grant it canon status. Going to give you 3 XP though!
 
Still Have A Job (Non-Canon)
Still Have A Job

Somewhere in the Caribbean, underneath the sea...

On the sea floor, at certain depths, light doesn't reach. Water crushes all things, no exceptions should exist. If such an exception exists, that can only be magic.

A male figure with blue fire for hair, a black robe, and a monkey trapped a death grip with his left hand. Death walks on the floor of the ocean at a steady pace. Blue light shining into the surrounding darkness. The monkey swings arms, legs, and tail, wildly around. Grey right hand grips a monkey's leg bone, then releases the left.

"Here?" the voice of the grave asks the captive.

"Yes, here, ya blier bilge! The gold calls out." Jack, the monkey, responds. If his captor hadn't already proven Jack cannot break from them. Jack would tear his captor apart. Only the crazy would accept their inevitable fate, normal people fight with everything they have.

*Snap* Jack's captor snapped with his left hand. Globes of blue fire scatter into a octagon around captive and captor. Illuminating the scattered coins of cursed aztec gold. One of which Jack stole, which had granted him immortality as an undead monkey. Jack watched his captor, fearing what would come, death.

"No." the grave spoke with finality. The globes of blue fire dove into the gold, and the gold began to melt. Sounds in a rhythm, begun from nowhere, became a drum beat with lyrical accompaniment. Then the ghosts arrived.

Bare chested, with ghostly leaves on their ankles, ghostly circlets, ghostly rectangle clubs of wood and metal jutting from two sides of the wooden rectangle in a pattern, ghostly cloth covering their waists.

"Rest." Commands the grave. In death, all are equal. All know the language of death, thus death knows all languages.

"No, this is ours. We lost everything!" Jack hears one of the ghosts say, and Jack knows. Now, he is truly dead. Immortality will be lost when the curse is completely broken.

The ghosts struggle to raise their clubs, to move, to do much more than speak. None can defeat death, merely speak against. Everything eventually dies.

Beneath the waves, the grudge of the betrayed fought the will of the dead. Blue flames burned at the gold, no longer just melting, but turning the gold a different color completely. Dull grey, like stone.

Soon, Jack died. The ghosts of the Aztecs vanished. Leaving Hades holding a monkey's ghost on the ocean floor.

A ghostly monkey is held by Hades grip.

"Enter." With the command. Jack vanished from the world. Hades did not vanish. Hades kicked against the water, rising with each kick to the surface where his chariot glided.

"Why not stay? There's much to talk of." A female voice. Enchanting, captivating, chilling. Globes of blue fire surrounded Hades at a vast distance at points in the shape of a constellation. Increasing in intensity, rapidly evaporating the water closest to their flame. Hades continued to climb for the surface.

"I heard your story." Pictures in the water appear, a replica of Hades standing proud on a mountaintop with his family in chains.

"I thought you would avoid the world. Sealed in your mountain, satisfied, like a great, fat, whale." Siren song dripped honey words across the water. Hades continued the climb for the surface.

"So many fight, for what? A return to yesterday? You don't fight. You trade, like a merchant." Words around the water haunt Hades journey to the surface. "We can make deals. You know what we are."

Hades gave no reply to the voice.

"Humph, men are always running off. Leaving us in the dark." A new voice, still female, enters the ocean. Loud, boastful, and noble.

"Not always," faintly speaks the first female voice.

"That's what I love about you. You made the man. A marvelous twist on the tale of the love-struck. Even he was unfaithful. Unwilling to know you," says the voice of female nobility.

The first female voice is silent. Hades peacefully continues his ascent through the water. Globes of fire following him in the dark.

"We're practically family granduncle. Won't you help a poor sinning relative out?" The voice of nobility asks of Hades.

Hades remained silent, the waters he climbed became brighter. His ascent faster, as the water itself aided him to the surface.

"That brat, why can't you do something about her, Calypso?" Ursula, the voice of nobility, asks.

"Ha, chain the sea? Again!? Your chains are broken, have some kindness for those who were never bound!" the first female voice, Calypso, replied with venom.

All things die, even the oceans. Nothing can stop death. The oceans have nothing Hades will not eventually grasp, as long as they are alive. Even the ocean that aided Hades has nothing that he can't get eventually. Given enough time, he would leave the domain of the sea on his own.

Hades finally broke through the surface. The globes of fire winking out behind him. With a final kick against the waves, he launched into the air and onto his chariot. A black winged beast with red eyes pulls Hades' black smiling chariot through the air. Below, the water moves in waves. In other parts of the world the seas cut and tear at those inside, upon, and outside the water. Lightning blasts strike unsuspecting vessels, while somewhere else the voice of a mer move the world to cry with her. Lakes boil, pop, and host asylum. Destruction is everywhere on the waters of the world, except in the Caribbean. A black cloud of ominous doom covers the sea, scaring all who approach. As Hades' chariot moves across the sky, the cloud follows the chariot.

Hades rides across the Caribbean sky. Into the Mediterranean sky, to Greece's sky, and to Olympus. Not much changed in Greece with Hades in charge. Rebels rose up, rebels failed to succeed. The people's only mercy was Hades did not need to hunt the rebels down himself to ensure his rule, when the fates decreed his win. Farmers farm, merchants struggle, people still live.

The black beast and Hades's chariot are at the foot of Hades home on Olympus. Before Hades can rest, a girl throws herself at him. Barely catching her into a hug. Hades smiles at the woman latched onto his embrace,"Persephone".

"Are we dating Maleficent?" Persephone, the embodiment of spring youth and courage, questioned her bad boy with a perverse grin. Death didn't know what to say.

Word Count: 1074

AN: As the Lord of dead I don't see Hades just ignoring the multiple undead wandering the world. But, whatever, QM choice.
 
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Very nicely done! I really liked the interactions here, and the voices you gave Calypso and Ursula. Calypso's especially fit. One minor quibble that my inner mythology nerd won't let go though is that Hades is God of the Dead. Not Death. That was Thanatos, who we got the imagery of death carrying a scythe from.

I also like how you included the Ocean from Moana in here too; very subtly done.

And that question from Persephone there at the end honestly kind of blue-screened me as much as I imagine it did Hades.

Take 4 XP man!
 
Very nicely done! I really liked the interactions here, and the voices you gave Calypso and Ursula. Calypso's especially fit. One minor quibble that my inner mythology nerd won't let go though is that Hades is God of the Dead. Not Death. That was Thanatos, who we got the imagery of death carrying a scythe from.

I also like how you included the Ocean from Moana in here too; very subtly done.

And that question from Persephone there at the end honestly kind of blue-screened me as much as I imagine it did Hades.

Take 4 XP man!
My mistake. I'll fix that Death vs Dead bit.

Edit: I can't do it. Death is the proper wording! Dead, just doesn't flow right.
 
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I gotta ask, what prompted Persephone to ask that question anyway?
 
I gotta ask, what prompted Persephone to ask that question anyway?
Multiple reasons, word count (I want 1,000 plus words). I really didn't want to do another gloom moment or a Hades taunt Zeus bit. Not when I was running with the idea of Hades doing a job, even though the world is supposed to now be his. What would being god of the Dead be like? You're a god with a task, and actually doing the task. Instead of making the task something silly for a majority opinion, like making everyone use necromancy. Would you talk, and talk, and talk, with the person who is undead that you are likely to move into an underworld?

But the main reason was mostly how I wanted to end the omake. With something sweet and fun, inspired by a tiny bit of the Olympian reputation of promiscuity, reference to "Descendents", by pushing the crack ship of HadesxMaleficient. I don`t see the question as invalid, as my thought process was that Hades is out wandering, everyone knows the greek god reputation, Persephone can be her own person, Maleficient threesome?
 
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Multiple reasons, word count (I want 1,000 plus words). I really didn't want to do another gloom moment or a Hades taunt Zeus bit. Not when I was running with the idea of Hades doing a job, even though the world is supposed to now be his. What would being god of the Dead be like? You're a god with a task, and actually doing the task. Instead of making the task something silly for a majority opinion, like making everyone use necromancy. Would you talk, and talk, and talk, with the person who is undead that you are likely to move into an underworld?

But the main reason was mostly how I wanted to end the omake. With something sweet and fun, inspired by a tiny bit of the Olympian reputation of promiscuity, reference to "Descendents", by pushing the crack ship of HadesxMaleficient. I don`t see the question as invalid, as my thought process was that Hades is out wandering, everyone knows the greek god reputation, Persephone can be her own person, Maleficient threesome?
Well now, those are certainly ideas. *begins scribbling in a notebook labeled 'twisted potential plots'*
 
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Aren't the Greek gods by all accounts faithful in terms of romance, so far as the Disney canon considers them? For one, Zeus isn't... Zeus, in that he does some absolutely horrid things, and has a rather wholesome relationship with Hera.
 
Aren't the Greek gods by all accounts faithful in terms of romance, so far as the Disney canon considers them? For one, Zeus isn't... Zeus, in that he does some absolutely horrid things, and has a rather wholesome relationship with Hera.
The Disney Greek Gods are and they aren't. The disney canon very subtly stayed numb about the amorous advances of Zeus. Phil confirmed that he trained multiple kids of Zeus in the disney Hercules film, meaning mortals. Greek Myth canon has Hera be Zeus's sister, which the film neither confirmed nor denied. Yet, Hades is Zeus's brother.

There's some other stuff in the film itself, like one of the muses saying "I'd like to make some sweet music with him". A goddess kissing Phil.
 
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"I'd like to make some sweet music with him".
She was referring to Hercules, not Zeus.
A goddess kissing Phil.
That was Aphrodite.

The way I may (or may not) flavor it is Persephone being very adventurous and kinky and bringing various ladies to her and Hades' bed (Springtime is sexytime after all...). Hades rolls with it because underneath the ego and sleeze is a guy who dearly loves his wife and would literally move heaven and earth for her. And it's not exactly a hardship for him either. Zagreus is just thankful his rooms are on the opposite end of the Underworld from his parent's bedroom. They only have problems when someone gets a bit too clingy. That's what happened with Minthe.

(You ever notice that for all his blustering and explosions, even when he was absolutely enraged, Hades never actually hurt Meg? Manipulated? Oh yes of course. But never actually harmed physically, and he kept his deals with her even when he didn't actually have incentive to do so and he held all the cards.)
 
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The way I may (or may not) flavor it is Persephone being very adventurous and kinky and bringing various ladies to her and Hades' bed (Springtime is sexytime after all...). Hades rolls with it because underneath the ego and sleeze is a guy who dearly loves his wife and would literally move heaven and earth for her. And it's not exactly a hardship for him either.
Of course if one looks at Disney!Hades's realm, one can surmise that Persephone wasn't exactly unwilling to remain by her husbands side despite her attack helicopter mom's wishes. After all, it's a barren and lifeless realm of the dead down there; so where did the pomegranate trees (to makes the seeds that she ate) come from? :evil:
 
She was referring to Hercules, not Zeus.
She was, but I put it in there as an example that broke the idea the Disney Greek gods kept faithful to romance, without cheating, or being a generic RL greek god. Might have been a bad example. Then again, the muse said that line in the story at some point after Hercules met Meg in the timeline of events.
 
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Might have been a bad example.
Kind of was, yeah. It was said in the nature of a woman admiring an attractive man.
The again, the muse said that line in the story at some point after Hercules met Meg in the timeline of events.
That's... not really a great justification. She was basically "window shopping". She can look all she likes, but she ain't touching the merchandise.
 
Point of information: The Hercules TV show did not get around to depicting Persephone, but the showrunners considered a few things for her. One thing they toyed around with was an episode in which Persephone (here the daughter of Hades and Demeter) was stuck in the middle of a custody battle between her divine parents. The "she spends the Winter in the Underworld" thing was probably gonna be the end of said trial.

EDIT: Another thing they considered was having her be a teacher at Prometheus High, but ultimately they shelved anything for her.
 
Okay, yeah; with the overwhelming disparity between votes, I'll end the vote earlier than initially planned.
 
Point of information: The Hercules TV show did not get around to depicting Persephone, but the showrunners considered a few things for her. One thing they toyed around with was an episode in which Persephone (here the daughter of Hades and Demeter) was stuck in the middle of a custody battle between her divine parents. The "she spends the Winter in the Underworld" thing was probably gonna be the end of said trial.

EDIT: Another thing they considered was having her be a teacher at Prometheus High, but ultimately they shelved anything for her.
Ngl, that could be a lot of fun in that it means Zagreus could have a sister he argues and bickers with.
 
Ngl, that could be a lot of fun in that it means Zagreus could have a sister he argues and bickers with.
Well, according to some, he does. Two in fact:
Makaria is the goddess of blessed death.

Melinoe is the goddess of nightmares.

Also, a brother:
Plutus is the god of wealth in mythology.

But, like Zagreus, they are minor and tend to be forgotten/folded into better known gods/goddesses
 
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