Since the difference between the top two leading plans (Chilly Winds of Change and Wherein Lies Meaning) is a single action, let's take a look at both of them in the context of the other available actions:
Starting off with Raise the Bastion (for full disclosure, this is the one I'm not in favour of):
Raising the Bastion: In the harsh south, under the gaze of Bleak Skies yearning, you received a taste of the casual cruelty which spirits unbound and uncaring of man may display. In the lessons of the Bastion's Melody, you find the lessons needed to mitigate their harm, and even bring understanding of their doings to spirits most inhuman. Alters the Bastion's Melody Art, giving a chance to negate damaging environmental traits of higher spirits. Advances the Community and Protection projects by one step.
This action is about bridging the gap between powerful spirits that don't understand humans, and mitigating the detrimental effects that they cause on mortals and cultivators simply by following their nature. While this super useful, and certainly something we want to take in the near future, I'm of the opinion that, in the context of the rest of the plan, it's a bit disjointed. Let me explain why.
In general, when making plans we want to take cultivation actions that can be incorporated by Yrs into the overall narrative structure of the turn, or vice versa with personal/professional actions. This means that cultivation can be woven naturally into the arc structure, rather than demanding its own scene (or scenes) that often end up sticking out like a sore thumb in the greater flow of the turn.
For narrative coherency, Raise the Bastion really wants to be taken with actions where we know that we'll be in the presence of and interacting with high realm environmental spirits, like the Piper in
Cathedral of Winds, or the mistress of the glacier and the infection present in the
Starlit Labyrinth. The arc structure of this is going to broadly be split into
- The creation of FSS+ - heavy philosophical introspection on the nature of Beginnings, Endings, Isolation and the development of Ling Qi and Hanyi since Zeqing's death.
- A delve into the Liminal with Xuan Shi - the primary antagonist here is likely going to be Kongyou, a spirit intimately familiar with humans and their foibles, with themes of Isolation, Connection, and the search for meaning, all of which are persistent in the overall Xuan Shi plotline.
- Political shenanigans with Shu Yue, teaching Ling Qi to examine and interpret negative connections and their impact on society.
- The final Survey action with Xia Lin/Lao Keung.
The only place where Bastion
might naturally fit is the survey action, which is honestly the least important of the lot for the overall tone and themes of the turn. It might come up tangentially in the Xuan Shi adventure, but it's pretty forced and wouldn't do anything about Kongyou, who is precisely the wrong kind of spirit and completely out of its scope. It's not particularly relevant for Zeqing either, as it's about bridging the gap between powerful wild spirits divorced from the human perspective. Zeqing was a spirit was incredibly socialised (hence why she was allowed to stay within the sect), and able to grow and act beyond her base nature because of it - spirits of her type (as seen with BSY) shouldn't be able to restrain or deny themselves like she did.
Now, let's look at We Are But Ripples:
We are but Ripples: In waters deep, under skies far, we bear witness to our own crushing smallness. Where then does meaning rise, in the infinite dark? Advances Isolation and Mystery Projects one step. 40% Chance of acquiring Void concept for your Domain.(0/3)
and a relevant snip from the art text of SNR:
In the Thousand Lakes, the infinite depth of the night sky is reflected from one thousand mirrors, displaying infinite emptiness extending beyond the heavens and into the depths of the earth.
Lacking any experience with Lake Hei itself, Ling Qi is likely to turn to the infinite expanse that she
does know - the empty nothingness between the stars, that final End to which all things will eventually return and the ultimate expression of Isolation. Recall back to one of our earlier conversations with Zeqing:
"All things End," Ling Qi shivered, the final word echoing in her ear like the ringing of a temple gong, layers of meaning skipping across her thoughts. "Heat, warmth, lives, cities, empires, rivers and mountains; none are eternal. The sun and the moon, the heavens and the earth, these things too shall End in time," Zeqing's voice chilled her, and spoke as if from the bottom of a deep pit. "And when the Heavens lie dark and the earth crumbles, even the End will cease. What lies beyond is unknowable."
Ling Qi let out a breath of relief as her dance came to a stop, and the chill faded. "Thank you for answering, teacher."
"You do not understand, my words cannot express the truth without dealing you great harm," Zeqing said as the wind died and her human form spun into existence from snow and wind, floating serenely a few meters from where Ling Qi stood. "But that is fine, you are too young for such understanding yet."
Our final FSS insight was a rejection of this - not of its existence, but of it's importance. More broadly, Ling Qi defines herself by and in opposition to Isolation, inflicting it unto her enemies and shielding her allies from it. Meditations on where meaning arises in the face of this final End is therefore
highly relevant to FSS+ (see, for example, our understanding of Endings - 'All things end in time, it is the journey to ending that has meaning'). There is also a certain resonance with Xuan Shi here - much of his character arc has been defined by Isolation, and his search for meaning. It's precisely this which Kongyou is exploiting, as a spirit of nightmare and discord, seeking to drive him to a noble yet tragic end.
The Void concept, then, is important as a counterpoint, the backdrop against which much of her understanding and development is contrasted. As an artist and musician, Ling Qi acts in direct defiance of Nothingness, filling the void via acts of creation - what I suspect will happen here is insight via antithesis, which is not something that has been explored all too much yet. As a side note, there was also this interesting little titbit revealed in our trip south:
"There are bodiless demons that may take a man's mind in the south," Ilsur said quietly. "They seem rare, but I gather this was not always so. Their possession makes even weak beasts into terrors. They may make men do terrible things in the dark of winter, even to their own kin. And it is said that the Crone does not take sacrifice idly, but to fuel her war with the malice that lies between the stars which births the demons."
"You mean of the stars, I presume," Ling Qi said.
"I do not. The stars are fickle and may be cruel or kind as they wish. It is the darkness between from which malice comes."
Which sounds both incredibly relevant here, and also super interesting.
All in all, it's my opinion that Raise the Bastion is at best tangential and at worst a rather awkward fit in the overall narrative of the turn, and We Are But Ripples is a far more natural fit.