A great deal of black screen. The sound of what could be distant thunder, but is much more likely to be distant explosions, jolts Qrow awake. Robyn commiserates about not sleeping. It is dusk outside now, isn't it. Soon the increasing noise of a jet engine joins it, and Qrow realises so in literally just enough time, shouting "Get down!" literally as the wall caves in to let in a fireball. When the dust settles, half the cells are toast and the fireball has left again. I reckon that was Cinder recovering Watts.
A Nevermore is now in the room The subtitles state "(crow cawing)", leading me to believe it's actually Qrow. Robyn has more immediate problems, like the ceiling caving in on her. Uh oh.
A great deal more black screen, accompanied by what sounds like a frantic drumbeat but turns out to be Nora's heart because this is Nora's first-person view as she awakens to Klein. (Remember all the way back in V01C04 when we got Ren's first-person view awakening to Nora?) They are not alone for long, as this is where Team RSB are bringing Penny. It seems like Klein is going to try to look her over as well.
Klein is out of his depth, but surface similarities mean he can at least attempt surface care, like stopping her from losing any more of that green stuff I'm not going to think about too hard.
Ruby, Weiss, and Whitley, all stained with concerning amounts of Penny's inner green, are taken aback by a major explosion some distance away that notably brightens the room. The room soon darkens as the power goes out. May, leaving by air, immediately calls them to check on them. Everyone's
fine no worse off for now, except for the power failure, but Ruby struggles not to be affected by May's increasing pessimism.
It is left to Klein to give practical advice like 'solve one problem at a time'. He suggests restoring the power first, because that would help him solve the problems in his domain. As for how to do that, cue Willow to show up at the door - at least somewhat drunk, unsurprisingly - and inform them about the emergency generator, that for reasons that doubtless made sense at the time is in an outlying building.
Weiss muses on the unfairness of SDC executives having emergency generators, and how it isn't really the time to question that unfairness. This spurs Whitley to realising that with Jacques in lockup, he is effectively in charge of the SDC. Which has a lot of parked assets, like cargo ships that could fit a lot of people if you were desperate, and drones to fly them. This would allow the population of the Crater to be evacuated into Atlas while the armed forces do their job of holding off the Grimm. The major problem with this is that ordering the drones into action has a prerequisite of restoring the power; so that's the new primary objective.
Ruby and Blake head to the emergency generator building. I question the wisdom of having this building completely separate to the main habitable areas - it considerably increases the required defence perimeter.
As the generator starts, Ruby remains pessimistic. Blake does not disappoint, launching into a reassuring speech. It would be more reassuring if I couldn't see the generator's progress bar stalling in the background. ...Correction, nothing could possibly detract from Blake saying she's always looked up to Ruby. Ruby regains hope, then the place regains power. I'm too pessimistic for this, and I can't describe how I feel about all those 'candles' that are actually electric lights.
Weiss and Whitley had already prepared by moving to Jacques' study, and Whitley starts work on the computer immediately. Meanwhile at the generator, Blake is staring over Ruby's head in shock. "What?", says Ruby, as behind her a flash of lightning silhouettes what I'm pretty sure is the Hound just outside the door. Bad. Bad! They split the party and everything!
Willow, who earlier said she was above drinking in the dark, is so scared by the sounds of the fight starting that she goes for the bottle again. Klein does not stop her. In the study, Weiss immediately starts running for the door to go help.
It looks like the help will be needed. This
is the Hound, and it's knocking Ruby around pretty easily and shrugging off whatever Blake tries to do to it. "It's just a Grimm," Blake assures us, Ruby, and/or herself, to absolutely no avail in any case. Soon it's happened again: "Take the girl," the Hound recites to itself as it knocks Ruby out without breaking her Aura (though said Aura is getting thin). It then flies away with her except for Blake managing to tether it to the ground. It is to this mess that Weiss arrives, and wastes several valuable seconds telling Klein what's happening in long form instead of
doing something.
Willow, scared nearly petrified, tries to pour herself a drink, but fumbles both bottle and glass to shatter on the floor. Klein urges her to "calm yourself"; I'm not sure how he wants her to accomplish that. In the other corner of the room, Penny awakens with red eyes (to a musical sting). Willow flees the room. Klein calls after her as Penny gets up behind him; he does notice Penny, but having never seen her eyes before, he doesn't realise anything's wrong before she violently shoves him aside. Then the real Penny regains control and starts having a Maiden-boosted panic attack.
Weiss fires ice volleys at the Hound, which ignores it. She tries to summon something large and winged, but the summoning is interrupted by several Centinels arriving. One goes for Blake, who is unarmed because her weapon is busy tethering the Hound. Speaking of which, it's escaped the tether, but is now transfixed by the green glow of Penny's Maiden vortex. Ruby, conscious again, manages to tell Weiss and Blake that "it's here for Penny!" before it drops her and heads directly for Penny. Great. That's so much better. /s
The reason the writers had Ruby still have some Aura was so it could break when she hit the ground. Blake tells Weiss to go after the Hound, then has her path to Ruby blocked by another Centinel that gets particular camera focus. I think that might be a bigger, evolved one.
Klein is reduced to shouting encouragement from outside the vortex, which isn't helping Penny not be hacked. What does seem to help is Nora grabbing her hand. Did you forget Nora was here? I did! Nora has been woken up to pass on Blake's sage advice to her from shortly before Penny got one of her swords stolen and Nora got these scars: Penny is her own person and only
part of her is making her do hacked things. The vortex dissipates.
Weiss, who has not heard the Hound talk yet, gets back on comms to warn Klein of the incoming Grimm. Klein reports in turn that Whitley and Willow remain unaccounted-for. Weiss was expecting (if warily) Whitley to be elsewhere, but is dismayed to hear that Willow is.
Willow has fled to the alcohol stash in what's possibly her room. She reaches for it, but startles and reconsiders at the sound of a distant window breaking: the Hound is in the foyer, and it has Penny's scent from this distressing green puddle.
Weiss soon enters the foyer to find no trace of anything: the Hound's entry window is on a mezzanine behind her, where she doesn't look, and even if she did the Hound is gone from there. Nothing continues to happen until there is a sudden panicked shout on the comms, which I think is Willow: "ABOVE YOU!" This is not enough warning for Weiss to do anything about the Hound dropping on her.
Nobody ever looks up!
The Hound has a go at Weiss, but she proves a bit prickly (i.e. more ice volleys), so it decides to move on, which Weiss is unable to prevent it doing.
How did Willow see it? She's in her room, with full access to the cameras. (This alcohol stash has also been dropped and shattered.) The Schnees attempt to figure out what the Hound is doing; Weiss is talking rather than pursuing,
again.
Cut from Willow seeming to realise where the Hound is going, to Whitley, still greenstained. Oh dear, it must have picked up the scent coming off him. He's not pleased to be interrupted close to finishing his assigned task, but reprioritises very quickly when a Grimm opens the door, using the doorknob, like a human would.
Whitley hides behind the desk. It's concealment, and maybe even cover from a hypothetical attacker doing a walk-by with a machinegun, but I'm sadly confident that the Hound can hear and/or smell him. This is about the worst possible time for the computer to audibly prompt for confirmation. No urgency or anything, but it makes clear to a smart intruder that someone was there recently and couldn't have left any other way (because there aren't any). And the Hound is clearly a smart intruder, because it now announces "I know you're there.", which is probably going to scare Whitley enough that standard Grimm fear-sense will detect him if it somehow hasn't already.
A spectral Boarbatusk tackles the Hound. Just like old times! This is implied to be
Willow's summon, because it's just her at the door screaming at Whitley to run. Go Willow! Whitley pauses just long enough to press the key that tells the computer to do the thing. It does it.
Willow and Whitley flee the study. The Hound is not far behind once it throws off the Boarbatusk like last week's jacket. Whitley loses some time shutting a fairly heavy door in its face, which turns out to have been counterproductive because it just rams straight through, barely slowed at all. They are saved in the nick of time by an ice wall it can't ram straight through, courtesy of Weiss. Of course, it's still not going to hold long, so Weiss orders them to keep running and herself starts summoning.
"Why did it get
more disgusting?!" Blake protests. Clearly an alpha Centinel, then.
It is just not Blake's evening - the alpha Centinel presses her to the limits of her skills. After a while she makes an ice clone to dodge certain death once again, and then the big Centinel uses the ice clone still stuck on its pincers as a baseball bat to repel Blake's next attack. Blake is knocked into the generator building's wall (a part not already destroyed by the Hound); she's dazed and her Aura flickers. The big Centinel picks her up in one pincer to let her marinate in her negativity for a few moments more before it kills her, which is its mistake, because Blake was pleading for Ruby to assist the entire time and Ruby now delivers, slicing the thing in half.
...has this Chapter contained the mythical Ruby-Blake conversation?
Ruby helps Blake off the ground; eventually a scream from the manor draws their attention.
The Hound makes just enough of a hole is the ice wall to poke its head through and confirm that Willow and Whitley have fled and Weiss is waiting with Trailer Knight. Faced with this, it turns and advances in the other direction, which isn't even a euphemism: Penny is that way. Weiss, having blocked her own path, can only warn them by comms.
Penny has finally lost her fight with the hack again. It takes her over, shoves Klein to the floor again, and heads for the door.
Willow and Whitley reach the foyer and finally stop to catch their breath. At this point Penny walks past them. "What are you doing?!" Whitley half-shouts at her. He might not have been expecting a response, but he gets one, in perfect monotone as the hack continues down the stairs:
"I must open the vault. And then self-terminate."
...I have never sworn by anybody's lord and/or saviour. I almost started.
The good news is that the Hound and the hack are working at cross-purposes. The bad news is that the Hound wins. The hack isn't capable of working with Penny's swords, so it intercepts the Hound's hands with hers, which works fine because this is Penny we're talking about; but the hack is utterly blindsided when the Hound manifests a third arm and hand to grab Penny by the head - so blindsided that Penny's eyes briefly flicker to green. "Take the girl!" the Hound recites again while repeatedly bouncing Penny off the floor, knocking her out.
It is at this moment that Team RSB arrive at the bottom of the foyer stairs that the Hound is on the landing halfway down. The Hound appears to recognise and point at Ruby, but makes no move to change goals. "That's enough," says what must be Ruby but Done enough with the situation to sounds nothing like her, and unleashes the Silver Eyes. The Hound drops Penny and backflips through the window behind it to flee the burning light.
Penny rolls bonelessly to the bottom of the stairs, where Team RSB rush forward to check on her. The camera keeps looking over their collective shoulders to the landing and the music is still suspenseful, so I'm guessing the Hound isn't gone yet. Yep, here it is again. ...Oh gods it's somehow worse. "Take the girl!" recites not the Hound's voice but the voice beneath, because the Hound's head has been burned away to reveal the
faunus head beneath. Whoever the h*ck this is keeps chanting that one order as they stagger the Hound down the stairs. Team RSB take Penny with them as they move aside, but the Hound('s substrate, whose functioning eye looks silver...!) retains enough mental acuity to turn after them.
Team RSB are too shocked, distressed, and exhausted to meaningfully oppose the Hound any further. It is left to Willow and Whitley to do it, pushing over one of the statues that flank the stairs. I've no idea how said statue stayed in place this long if two people, neither at their physical peak, could push it over by trying hard, but it falls on the Hound and flattens it completely.
The Hound finally dies, confirmed by a visible arm dissolving away. Team RSB can now grapple with the revelations of the last thirty seconds. Ruby puts it into words for them: "It was... a
person." The dissolving finishes to reveal a skeletal human/faunus arm. I'm going to lie down for a minute.
...Salem made the Hound out of some captured silver-eyed warrior, who I'm noting was a male faunus just because of my next point. Salem has met Summer, and Summer is missing. Let's all
not think about the implications. If we're lucky, nobody looked this one in the eye and they might not have to think about it either.
Yet another first-person awakening, this time to Cinder's hateful mug. Sure enough, it's Watts. He tries to ask something, but Cinder has none of it: "It's my turn to ask for something," she says, then picks him up in a fireman's carry. (I
think that's a fireman's carry. I don't actually know much about carries; all I'm sure about is that that sure isn't a bridal carry.)
Three guards enter the passageway. "It's her!" says one of them, and they all aim guns. Cinder scoffs, activates jets, and leaves. If they'd just
fired, they wouldn't have accomplished squat against Cinder and would probably have been murdered (as it is, she didn't murder them, which is uncharacteristic nowadays), but they might have killed Watts, who really ought to have reached the expiry of his free trial of life by now and is in bad enough physical condition right now that it might have stuck. The middle one fires (too late) an actual RPG, which is a bold move in a hallway.
What a 100th Chapter we've had.
Credits: I am in need of something positive and the Ruby scale indicators aren't cutting it, so I shall say that
there is concept art of the mythical Ruby-Blake conversation back here and it is absolutely 100% straight out of a spy AU that ships Ladybug.
Next time: The abyss punches back.