IWIW RWBY

Ice Queendom C3 A Nightmare Comes New
We skip past awkward things like sleep, and awakening, and redecorating, and arrive directly at the aftermath of bunk bed construction. Team RBY are pretty happy with it. Weiss sounds a bit unsure. "I've never seen a bunk bed before." she says. "This still doesn't look safe." she implies.

Ruby continues to be excited about the next order of business: classes. Weiss doesn't say anything about the time, she just calls Ruby "excitable". They're cutting half the best jokes!



On closer inspection of the titles, each character has their emblem displayed in it somewhere in the main chunk - Teams RWBY and JNPR; Ozpin and Goodwitch; even Shion, assuming that's their emblem. All of JNPR's combat scenes come from the Death Stalker battle last Chapter, and all of RWBY's from bits of C1. Then Shion gets a combat scene, provenance still unknown.

Anyway, the Weiss imagery scene. Weiss kneels in the courtyard, straight out of C1. The black vines develop at bottom of screen, which is totally not going to be trouble later (/s). After a moment, a superimposed shot of a windowsill with two white knight chess pieces on it.

Ice Queendom C3 A Nightmare Comes

Easy mode.​

Remember Professor Port? Here he is, in his natural habitat. The posters of Grimm types behind him on the back wall are so absolutely huge that I've no idea how anybody hung them. Anime scale problems.

Ruby has fallen asleep at her desk as Port drones on. If you turn your head (or the video) upside-down when Weiss' notes are shown, they're perfectly legible and go into greater detail than Port's lecture did, including already having written down (and expanded upon) the sentence he's only just finishing. This shows us that Weiss is academically-minded. The effect is marred by Weiss dragging her pencil across half the blank page as she realises that Ruby's asleep.

We finally get half an explanation for nobody noticing the cage full of Boarbatusk - Port had it hidden behind a curtain. If the Grimm was marginally smart enough to reckon it could get an ambush in if it kept quiet, that would complete the explanation. Also, Port has also had a subjectively bad time moving to this art style. Perhaps it's just the standard male face drawing style that I have trouble with.

Yang lampshades by wondering how Port even captured the Boarbatusk (that's my favourite hypocritical joke in Grimm Eclipse), then she and Blake are taken aback by the enthusiasm with which Weiss volunteers to fight it. Ruby wakes up and realises she missed something.

Cut to Weiss ready for combat. The time required to change into her combat outfit is still not explained. Ruby still shouts helpful advice and Weiss still brushes it off but actually follows it. The Boarbatusk, animated Eastern-style, looks the absolute weirdest mix of terrifying and goofy. Also Weiss' combat scene in the titles might actually be from here instead of C1. In total, Weiss comes off a lot better here than in V01C10. ...I take that back, Ruby tried to congratulate her and she just growled back.



Weiss enters a courtyard at Beacon, and stops in her tracks because on the other side of it is ...herself??? Team RBY are thereby able to appear on a nearby walkway. Weiss turns to wordlessly acknowledge Ruby talking, giving herself??? the opportunity to disappear while nobody's looking at them. I do hope it's not a Weeping Angel, but I'm told those would be more immediately violent.

Anyway, Ruby and Weiss argue over team leadership, in a sunlit courtyard instead of a darkened corridor. Ruby leaves. Yang moves to intervene, but Blake advises against it, saying that Yang propping Ruby up would undermine her in Weiss' eyes and thereby solve nothing. Yang makes the cutest just-ate-a-lemon face in response to this.

Weiss proceeds further out, monologuing about how she deserves to be team leader. Ruby attempts to follow, but the detour necessary to get off the walkway has meant she's completely lost track of Weiss. Clearly Beacon's faculty must have put the fear of the gods into her about Semblance usage on campus, or else she would have Semblanced her way down from the walkway and not lost any time.

Ruby has also decided that she (Ruby)'s not fit for team leadership, which is just as heartbreaking every time it happens. Fortunately, here's Ozpin to tell her otherwise. Meanwhile, Weiss finds Port.

Now back to Ozpin, who still kinda sucks at leadership pep talks. It's because he's burned out on leadership after thousands of years.

Now back to Port, who puts the exact same burn on a well-deserving Weiss. 🔥



Now to a breakneck timeskip into combat class, where Cardin (he does exist!) is definitely winning an official spar with Jaune. Most of the fighting happens off-camera, presumably for animation cost reasons; we mostly see Teams RW and NPR reacting to it. Ruby and Weiss have evidently smoothed things out again, a little.

Cardin is once more prevented from getting a real good hit in by Professor Goodwitch calling an end to the spar, but with less audible buzzer this time. Goodwitch starts on her post-spar analysis. Meanwhile, we get a good look at the developing vine-pattern scar-thing at the back of Jaune's neck. Oh. Oh dear.

That night, Jaune and Pyrrha are practicing on the roof. This is where the writers have moved Pyrrha's speech about what Aura is and why Grimm don't have it, regardless of how little sense it makes to have it this much later in the timeline. It rather reminds me of the time in V2 where Ruby explains Yang's Semblance to Blake, because Sun and Neptune were meant to be in that scene but Monty zoomed and forgot to animate them in. Also we're rapidly ticking boxes on the 'where did this bit of the titles come from' checklist.

Pyrrha draws out Jaune's Aura. He seems unfamiliar with it. Is this a flashback? It must be, we get another zoom on the back of his neck and there's less trouble there, until it grows. So how did he survive initiation?

Uh oh, Weiss is eavesdropping on them. ...It's not a disaster, yet(?), she's taking the opportunity to internalise being a good teammate as a path to high marks, instead of anything short-sighted like reporting him. Not that she could possibly have any idea how short-sighted that would be, but still.

Here are those chess pieces on a windowsill! On second thought, I don't like what that seems to be building to. Anyway, it is Team RWBY's windowsill. This is the part where Ruby fell asleep studying in her bed, making everything since Goodwitch one big flashback. Maybe. Maybe I misread how much vine Jaune had on his neck then and this is all later on. That would be adapting scenes badly out of order without telling anybody, which would be awkward, but the alternative is this giant flashback that's barely any less awkward.

The curtain of the dorm room window is white. In the main show, it was red. This is probably some deep thematic thing about who the respective shows are obliquely named after.

Weiss has decided to prop up Ruby's leadership, partly so she can look good when the dust settles. The size of that part will change. "I always wanted bunk beds." she says, which doesn't have to foreshadow her siblings this time because we already know about them. She settles down to rest with the rest of the team, not noticing the developing vine-scarring on the back of her neck. That's gotten so much camera time, both here and in the titles, that it's got to matter somehow.



Meanwhile in Team JNPR's room, complete with privacy screen of sorts between JR's beds and NP's beds, Jaune is still marvelling at the fact that he could one day have a Semblance. That hurts. What hurts even more is when some kind of floating shadowy doppelgänger appears behind him and starts berating him on all the things he already doubts about himself. Wait, Weiss saw a shadowy doppelgänger in the courtyard. Are they related to the vines? How? What's going on? Jaune's case visibly advanced after Pyrrha exercised his Aura, does using Aura accelerate whatever this is?

Oh no oh no oh no, here are the real vines.

Cut to the next morning, whereupon Ren is unable to awaken Jaune. The alarm bells in my head are getting louder. Ren concludes "he must be tired from training", and tries to bodily haul him out of bed. They abandon the effort and stare in shock: Jaune's entire back is envined, and the score is treating this as seriously as they are and I am. Also Jaune is in pain in his sleep.

Cut to later, when Team RWBY, not to mention Ozpin, have also crowded into Team JNPR's dorm room. Next to join the party is Goodwitch, who has brought Shion. Shion appears to be the subject matter expert in whatever the h*ck is going on. "It's here," they declare, "we need to start now.".

I see we've diverged from RWBY V1 now.



In a nameless hall somewhere, Jaune has been laid out on the floor (that doesn't look comfortable) as the other ten convene. I'm guessing this big case contains all of Shion's specialised anti-Aura-vine equipment. Also check off the provenance of their (Shion's) combat-looking scene in the titles.

In narration as Shion does their work (which is where the animation budget went), they introduce themselves as a "nightmare Hunter". Weiss asks what a nightmare ("Nightmare"?) is. "A type of Grimm," Shion answers, "that possesses humans and grows by draining their Aura.". Well, h*ck, that confirms that.

Nightmare Grimm, continues Shion as she wraps Jaune in glowing purple medical bondage filament, nest and breed in the host's dreams (into which the host is locked), and have to be fought and driven out from there, specifically by their "closest friends":
"If a stranger tries, his heart will reject them. Are any of you willing to enter his dream and fight the Grimm?"
Team NPR absolutely are. Shion produces improvised voodoo dolls of Team JNPR from somewhere, lays down the four humans on a bed of no-longer-glowing filament (some of which is used as blindfolds and medical monitors), and suspends the dolls above their heads.

The score, which has been getting steadily more 'stuff is happening now' over the course of this scene, crescendos as the camera plunges into and through Jaune's filament-blindfold to the symbolic black void beneath...



Here's Jaune, stuck in a nightmare. Animate combat equipment shouts at him about his family's history of being warriors that he's letting down, or so they claim. In this closer shot we can see they all have obvious Pumpkin Pete stylings.

The laughing malevolent equipment fades out. Jaune, who from this side-on shot is small and bunny-like, insists he's capable. The Nightmare Grimm watches from a high vantage point nearby. Jaune pleads for Saphron to help him, but instead only gets five different copies of the Nightmare Grimm, and the statue atop which it sits, bearing down on him.

Suddenly, Pyrrha! And Nora and Ren too, but Pyrrha spoke first. And now, the halfway ad break.



A telephone rings. The console visible next to it is labelled "Nightmare" and what I think is Shion's emblem, so we probably haven't cut too far away. Yep, this is part of Shion's kit, deployed in the hall near the spiderweb of purple filament that holds Team JNPR.
"Shion here. Did you find him? ... ... Good. Now you must fight to set him free."
I'm guessing that was a message from Team NPR, and that the message was along the lines of 'yes'. Yep, Shion tells Ozpin as much. Ozpin is impressed at how long this didn't take, to which Shion says:
"They're a good team, who care about each other."
Something tells me that it's going to be a lot rockier once Team RWBY are strung up in purple filament trying to save Weiss before she bursts into a mess of Nightmares. C'mon, you know it's going to happen, this is Chapter 3 of 12.

Pyrrha doesn't have any of this context. Instead, she's living her best life, wiping the floor with possessed statues and Nightmare tendrils inside Jaune's dreamscape.

The Nightmare withdraws from Jaune's suddenly-fortified soul and attempts to physically flee the scene. This is what Shion was waiting for. They catch it: first with their weapon, a dreamcatcher, because of course it is; then in a large holding jar, telling it "it's your turn to be a captive". (The dreamcatcher is the source of all glowing purple filament.)

Apparently Nightmares stuck in holding jars revert to some kind of dormant state. Maybe we'll get more details of that later. Maybe we won't. Who knows? Not me yet.



Welp, here's more details! When Blake asks what that means, Goodwitch elaborates: Most Grimm look like "beasts", but some don't.

Okay, apparently that's all the details we get. I'm a bit disappointed. On the plus side, the Nightmare has gone dormant, Ruby watching its hateful glow going out.

Shion withdraws the bed of filaments. Jaune bolts awake, panicking about oversleeping - which is technically correct, but somebody tell him he's just been through a medical challenge and can therefore be excused. He's a bit confused as his team all have a chuckle from behind him.

(Jaune has been shirtless for this entire mess, ever since it was required for us to see the Nightmare tendril pattern all over his back. I have Concerns™ about how Weiss' status will be communicated to us.)

Teams RWBY and JNPR bond over Jaune's bad morning as Shion and Goodwitch exposit that Jaune has underdeveloped Aura, no Semblance yet, and friends willing to dive into his dreams. Which would be very reassuring if this was a 3-Chapter series and nobody else had a Nightmare gestating in their dreamscape, but maybe half of one of those 5 things applies to Weiss, so the writers are just foreshadowing a greater crisis. It's going to be quite the year at Beacon Academy.

Shion, in between describing the perfect conditions for Nightmare growth and also Weiss, does know that more Nightmares are about. However, they can't locate them any more specifically than 'were in the Emerald Forest', so the best anyone can do is a public awareness campaign.

At a Team RWBY meeting, Yang suggests doing as Shion recommended. "You must be joking," says Weiss, "I would never let a Grimm possess me like that." I could list everything wrong with that sentence, but this post would double in length. Ruby and Blake brush it off as unlikely anyway (internal screaming), Yang makes a joke that nobody gets and I think I might not want to, and then Weiss brings up the Vytal Festival which is already gearing up.



In Vale the next day, it is indeed. I see the entire Jaunedice arc has been ruthlessly cut. {{I'm told this is common to every retelling of the events of V1.}}

For the sake of narrative economy, the latest Dust shop to be robbed is another From Dust Till Dawn storefront. Shopkeeper really does run everything in this town. Anyway, welcome to V01C15, same as ever except adapted with unwieldy translated-and-back dialogue.

Check off another one on the 'where did this bit of the titles come from' checklist, and here's Sun, complete with "great stowaway" quip and lovingly animated slow-mo wink at Blake on the way by, all extremely true to the original Chapter. Yang calls him a "weirdo" somewhere in there, which is not.

The adaptation of the dialogue has not been kind to Weiss (or Sun, or Blake) here. Rather than any pretence of "observing the competition", because Yang didn't bring that up, Weiss just comes right out and accuses Sun of running off to "commit more crimes". Blake's momentary hesitance to follow the rest of her team in hot pursuit makes a lot more sense.

Exit Sun, pursued by a couple of sailors whom I don't think stuck around this long in the original Chapter (checks solid maybe). Enter Penny by collision with Weiss. Penny here does not have to be prompted to get up off the road, she just takes the opportunity to do a half-front-flip on the way up, because she can and this is anime. Ruby immediately calls her "brand new friend", which rather diminishes the effect of the original scene's 'there but for the grace of Ruby's careless word choice went this ship' aura. It's still there, but not as much.

Later, after making their excuses to Penny, Yang advocates giving up the search for Sun, whose name they don't even know. Weiss insists on continuing, in exactly the terms to raise Blake's hackles. The adaptation really has not been kind to her dialogue. Now Blake retaliates and the argument's really on.

There is no mid-argument cut to night in the Team RWBY dorm room; instead everything happens in daylight on a street in Vale. The metaphorical-record-needle-scratch moment isn't quite the same without the eight seconds of excruciating silence that followed it. I'm not sure if Ruby missed the revelation, or chose to ignore it in service of trying to get Blake to stick around to mend things. Probably the latter. Probably.

Cut to Blake on a rooftop somewhere, bow loose in her hand. Sun still finds her and says "I knew you'd look better without the bow.".

Cut to Team RWY reconvening in some plaza. Weiss is quite unsympathetic to continuing to search for Blake. Ruby makes an excuse and leaves, which gives Yang the opening to inform Weiss in no uncertain terms:
"If you hate her for being a faunus, then you're exactly what she said you were, Weiss."
Weiss starts acknowledging that, then protests about the White Fang. Yang tells her to drop it. They split up. Always a bad idea. Nightmare Weiss lurks, watching, around a different corner to drive that lesson home to us.



We advance to V01C16 as Blake and Sun have their White Fang exposition tea date, now with 100% less animatic.

Sun, after recovering from listening mode, asks if she's perhaps mentioned any of this to her friends. Blake doesn't answer intelligibly. They then plan to stake out the big Dust shipment tonight.

Meanwhile, Ruby is once again in a troubled near-fetal position, this time somewhere else at the docks. (The traffic/pedestrian lights out here are way less fancy than they are deeper into Vale as seen in C1.) Penny teleports next to her with absolutely no explanation given. It's actually great.

Penny explains, patiently as only Penny can, that she saw Blake without her bow (another divergence from V01C16). Ruby asks where, hoping for a lead.

Meanwhile, Weiss and Yang evidently did not split up after all (checks no, plausibly Yang could have signalled Weiss to follow and Weiss done so), and Yang is still trying to change Weiss' mind away from 'all faunus are terrorists'. Yang tries to lever open a different crack in Weiss' psyche by accusing her of faking supporting Ruby as leader, which is actually true but I don't think Yang knows that. It works: Weiss starts trauma-dumping about her team composition and then starts crying. How will Yang handle this? And how much progress has the Nightmare inside her (Weiss) just made?

Yang handles this by asking the camera to give her (Yang) a break. Sympathy will take more character development from Weiss.



It is pitch black. You are likely to be eaten by a shipping container. (Well, actually it's golden hour before sunset, but that ruins the joke.)

Blake and Sun, who have so far escaped ingestion, watch over the docks for signs of the White Fang coming to steal the containers or the contents thereof. Some soon arrive by tiltjet, complete with Torchwick. Blake doesn't know who he is, but isn't having his attitude, and dives in.

Ruby and Penny detect the resulting sounds of gunfire from some distance away.

Meanwhile, Weiss is psychoanalysing Ruby to Yang's face, declaring that Ruby shows off to get Yang's approval because Yang coddles her. Yang acknowledges that that's true and asks Weiss to start trying this friendship thing out. Further useful discussion is averted by police running past towards "another robbery", and of course Weiss and Yang follow. No prizes for guessing which one it is.

Cut back to Torchwick on a tiltjet as it flees for its life. For the purposes of Comedy™, we only see the aftermath of Penny happening to the robbery. Yeah, girls' night! Then she dramatically jetboots her way back to Ruby, Blake, and Sun, who were waiting on the periphery, and comedically declares "Mission complete!".

The credits start even as Weiss and Yang arrive at the scene of the crime. Ruby spills everything to Weiss, who isn't interested, but the rearranging of dialogue means that this is the first time that anybody tells Yang that Blake has "cat ears" so we get a quick background funny out of that.

Weiss, having had twelve hours to reflect on the matter, chooses not to care about Blake's former affiliation[s] in favour of insisting that Blake talk to her team next time a problem comes up, "instead of someone else" (Sun shrugs). The gravity of the moment is damaged by the credits music. Ruby declares the team back together and then, offscreen but very audible, goes for the cat ears, because V1 Ruby, I guess. They cut the tuna line, so they had to work something in.



Back in the dorm room, Weiss clarifies to anybody listening, mostly Yang who accused her otherwise earlier, that she was sincere about the bunk beds. (That line wasn't foreshadowing siblings, so instead it got to be picked back up later this Chapter when Weiss and Yang were hashing things out.)

And then the credits music fades right the h*ck out as Nightmare Weiss makes herself audible. Red alert, red alert, all hands to battle stations.

That's a big Nightmare. I feared this, and I was right to.



I should have paid a little more attention to the post-credits art. C1 had I think Ruby trying to pose with Crescent Rose and look awesome, C2 was Team RWBY being silly together, C3 now depicts Shion.

At some point - it's already blurring together a bit - Weiss was shown behind Ruby going "hm" in exactly the same way that Pyrrha did to Jaune to prompt me to call Arkos shipping. So either I'm wrong, or I'm not.



Next time: Fiscal irresponsibility.
 
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We skip past awkward things like sleep,
Sleep is for the weak! XD

Anime scale problems.
Anime strength!
The Boarbatusk, animated Eastern-style, looks the absolute weirdest mix of terrifying and goofy.
Low key I love how Grimm look in this series, very much like animals but also demonic.
I do hope it's not a Weeping Angel, but I'm told those would be more immediately violent.
The Doctor: You can't kill stone.
RWBY (Pulls out their guns) Debatable.
Blake advises against it, saying that Yang propping Ruby up would undermine her in Weiss' eyes and thereby solve nothing. Yang makes the cutest just-ate-a-lemon face in response to this.
They are already so married uwu
Now back to Ozpin, who still kinda sucks at leadership pep talks.
Ozpin: Everything is on you, forever and ever, you can never stop, never rest, never be anything but perfect, forever! :)
Ruby: ... :)
So how did he survive initiation?
Technically did he do anything superhuman?
That would be adapting scenes badly out of order without telling anybody, which would be awkward, but the alternative is this giant flashback that's barely any less awkward.
I am reminded of Netflix's kingdom that just kind of drops flashbacks on the audience whenever and doesn't explains them or establish that they were a flashback XD
That's gotten so much camera time, both here and in the titles, that it's got to matter somehow.
Trragic that this will never be explained ;)
does using Aura accelerate whatever this is?
Excellent insight!
Did not know this was a word, neat!
Also check off the provenance of her combat-looking scene in the titles.
Shion's actually non-binary :3
Well, h*ck, that confirms that.
Yup, you put it together fast, to be expected!
Jaune pleads for Saphron to help him
Low key love this detail.
Apparently Nightmares stuck in holding jars revert to some kind of dormant state. Maybe we'll get more details of that later. Maybe we won't. Who knows? Not me yet.
Nightmares are wonderfully horrific Grimm, unlike others they can seemingly be caught, but the moment you try and engage with them they're liable to g immaterial and try to posses you making study hard. They infest a host, and feed on Aura, while serving as a seed-bed for more Grimm, they are such a good antithesis force for the setting!

I made use of them in a crossover with Nightmares being a big part of why the Grimm population was growing after a portal let Grimm into another world.
In Vale the next day, it is indeed. I see the entire Jaunedice arc has been ruthlessly cut. {{I'm told this is common to every retelling of the events of V1.}}
& there was much rejoicing.
Yang calls him a "weirdo" somewhere in there, which is not.
Yang's dislike for men radiating early, I love to see it XD
Ruby immediately calls her "brand new friend", which rather diminishes the effect of the original scene's 'there but for the grace of Ruby's careless word choice went this ship' aura. It's still there, but not as much.
Is it weird I kind of like this version a bit more, in the sense of feeling its cuter and less ly Ruby got pressed by circumstances into being Penny's friend, making the fact she was so focussed on her later feel less odd?
Yang the opening to inform Weiss in no uncertain terms:
IQ does a really solid job with Yang.
Penny explains, patiently as only Penny can, that she saw Blake without her bow (another divergence from V01C16). Ruby asks where, hoping for a lead.
Low key I am also OK with this too XD
Yang handles this by asking the camera to give her (Yang) a break. Sympathy will take more character development from Weiss.
Reminded again of those insightful takes on tumblr about Yang & Ruby being raised to have emotions flare up and then flare out as quickly as possible, so they find Blake and especially Weiss's penchant to just hang onto negative emotions exasperating and don't know how to deal with it.
It is pitch black. You are likely to be eaten by a shipping container. (Well, actually it's golden hour before sunset, but that ruins the joke.)

Blake and Sun, who have so far escaped ingestion,
Sory can you explain?
Meanwhile, Weiss is psychoanalysing Ruby to Yang's face, declaring that Ruby shows off to get Yang's approval because Yang coddles her.
IQ doing divine work by reiterating who raised Ruby :3c
"Mission complete!".
She's so wholesome!
Back in the dorm room, Weiss clarifies to anybody listening, mostly Yang who accused her otherwise earlier, that she was sincere about the bunk beds. (That line wasn't foreshadowing siblings, so instead it got to be picked back up later this Chapter when Weiss and Yang were hashing things out.)
Another detail I liked :3
At some point - it's already blurring together a bit - Weiss was shown behind Ruby going "hm" in exactly the same way that Pyrrha did to Jaune to prompt me to call Arkos shipping. So either I'm wrong, or I'm not.
I didn't notice this but I love it!
Spoiler: Getting the wires crossed
HAH!

Do you have a link to that by any chance?
 
Sleep is for the weak! XD
Sleep is for a week. Zzzzzzzzzz.

The Doctor: You can't kill stone.
RWBY (Pulls out their guns) Debatable.
Remember the first time Qrow and Winter fought and they killed half the stone in the main courtyard at Beacon? Or when Teams RWBY and JNPR helped smash up those ruins out the back in the forest? Stone is absolutely killable.

Did not know this was a word, neat!
(checks) It wasn't. It is now.

Shion's actually non-binary :3
Ah h*ck me, you found the one place I slipped up and didn't catch in copyediting. Fixed. Sorry Shion!

Is it weird I kind of like this version a bit more, in the sense of feeling its cuter and less ly Ruby got pressed by circumstances into being Penny's friend, making the fact she was so focussed on her later feel less odd?
It's not my opinion and I don't really get it, but I don't think it rises to the level of 'weird'.

Sory can you explain?
"It is pitch black. You are likely to be eaten by a grue."

I'd probably better link that in the post.
 
Sleep is for a week. Zzzzzzzzzz.
Mood XD
Stone is absolutely killable.
Exactly >;3c
(checks) It wasn't. It is now.
Yay!
Happy to help!
It's not my opinion and I don't really get it, but I don't think it rises to the level of 'weird'.
Fair enough but good to know XD
"It is pitch black. You are likely to be eaten by a grue."
Huh, neat, thanks!
 
Ice Queendom C4 Ice Queendom New
Something that looks like Weiss' emblem but projected into 3D and also subtly wrong dominates the screen in silence. After a bit of whatever that means, the screen turns to ice-or-maybe-glass, which breaks in a couple of loud steps. I assume this will make sense later.

Fade through white to Ruby awakening, her face taking up the entire screen. Once she finally manages to look around, so do we. It is a snowy forest. The sky is a weird shade of purple and is tiled with not-quite-Weiss'-emblem. It's all a little ominous. To make it moreso, some palm-sized snowflakes (that look a fair bit like Weiss' emblem) drift gently to the ground, with the implied threat that they could come down much faster, shuriken-style.

Ruby stands at the edge of an icy lake and tries to work out what the h*ck is going on. "There's nothing here," she says, and then realises she has a snowboard strapped to her back. 100% chance that's Crescent Rose. ...Called it. Ruby thinks that's very cool, pun probably not intended.



Ice Queendom C4 Ice Queendom

Fiscal irresponsibility.​

Let's take a moment to bask in the audacity of the Chapter title.

Ruby mechashifts Crescent Rose back into a snowboard and starts with the snowboarding. How does she know how to snowboard? If this is Weiss' dreamscape, she probably just knew. Heh, her beanie says ‹RWBY›.

On the way downhill, Ruby sees something that looks out of place in the treeline, and goes over to have a closer look. On closer look, it looks like a Nightmare's rendition of a signpost. ...I thought I was joking, but she isn't.
"There are too many directions here! Which one am I supposed to follow? ...This reminds me of Weiss."
Characterisation! Staring off a cliff just beyond, she decides she doesn't have any great plans and opens her palms to reveal a collection of ten coins. (No, no jumping-off-the-cliff jokes. V9 wasn't out yet.) She flicks one into midair, and a parking meter rises out of the snow to accept it. I assume this will make sense in a moment. Yep, it has morphed into a telephone which is about to connect her to Shion.

Shion, asked for guidance, asks what Ruby sees. Ruby reports that it's just snow, the nightmarish signpost, and some train tracks below the cliff; I'd seen the tracks but hadn't been able to identify them. Right on cue, here's a train, just like the one from C1 but snow-coloured (or -covered, or both). Right on cue, here's some White Fang to attack it. I'd take this as a clue, Ruby.

Ruby, a notable distance away, initially misidentifies the attackers as Grimm before realising they're White Fang. The train has deployed robots as turrets and seems to be doing an okay job at fighting them off for now. Ruby moves to intervene, but Shion orders her not to, having some sense that it's not time yet. How do they know?

Ruby protests, even as the train derails courtesy of White Fang minions causing a small avalanche onto the tracks. Shion tells her to follow the tracks, "but be sure to leave breadcrumbs along the way". Meanwhile the camera tilts along to show us more track, eventually ending up at some kind of fort in the distance. Shion gives some more general advice and then hangs up; this general advice still seems to take Ruby by surprise. This is how we know it's V1 Ruby.

I swear this anime has about two score tracks for action scenes. Ruby descends to track level, then uses a coin for some kind of trick to bypass the White Fang looting the crashed train. A door appears in the nearby cliff face.

Cut to later. First a view down a frozen river, then Ruby walking along the tracks having arrived outside the fort. I assume the door will make sense later. Maybe. Speaking of doors, the fort entrance is extremely imposing, not to mention the higher concentration of faux-emblems in the sky behind it, and also the exterior walls are covered in outward-facing spikes which has me convinced that this is a symbol in Weiss' dreamscape. Fortunately there is some sort of alcove above the door separated from the outside only by bars, so Ruby Semblances up there.

Travel montage through the interior. It's cold and empty in here. just like Weiss

Ruby determines that she is being made to walk through a maze, and Semblances into the air to bypass it. The maze is the second line of defence of an enormous fortified city. Have fun with that.



Fade through white - they like doing that - to Shion's base in the nameless hall, where Weiss and Ruby are both laid out on dream-filament. On the one hand, Weiss looks much the worse for Nightmare that we can see. On the other hand, we can't see much because she has her combat outfit on. On the extra hand, she's fully clothed, Concerns™ averted.

Shion answers the phone. Ruby reports finding "a huge city". (The camera shows us that Goodwitch, Ozpin, Yang, and Blake are anxiously cluttering the room.) Shion reckons she probably did pass "through" the gate by passing over it, then warns her to "keep leaving breadcrumbs", be careful, and watch the coins: they're irreplaceable and drain Shion's Aura. This retroactively makes it a much worse choice for Ruby to have called Shion about the train line instead of just, y'know, following it to the visible city at the end of the line.

Ruby gets around to asking Shion why her outfit and equipment are different. Shion says that's how Weiss views her, so there's also another Ruby about, but Ruby has basically replaced them. Remember that "heart will reject them" bit? This is the mechanism by which friends don't get rejected. Ruby acknowledges and hangs up.

Ozpin asks Shion for a progress report; Shion reports that Ruby "is deeper in the dream than I expected", which apparently could be trouble. Either they mean Ruby's ahead of schedule, in which case I'm not sure how that could be trouble; or they mean replaced!Ruby was unexpectedly prominent, which could easily be a double-edged sword. Yang asks about going in to help; Shion says that the Nightmare needs to be rooted out of its burrow first and that has to be up to Ruby.

Blake is just beating herself up over not seeing any hint of this coming, in a very Beacon-arc-Blake kind of way. Yang also has things to beat herself up over. Ozpin and Goodwitch tell them, but not in as many words, that only Ruby has enough of Weiss' trust to infiltrate her dream-city; Blake and Yang are the next most trusted, the only other ones who can drop in at all, will drop in later for the outright combat phase, and had better be fresh for that. At least that's the most sense I could get out of this dialogue.



Ruby reckons she can use "just one more" coin seeing as she has this many left. That looks like a lot more than we first saw. Either we didn't see them all in that first scene, or something's playing tricks. Seeing as this is Chapter 4 of 12, more likely the latter. Although that's me assuming the Nightmare is almost the entire substance of the story. We'll see. No, if I look carefully at the parking meter it has a gauge on it that more closely reflects the number of coins first seen. Tricks are afoot, I'm calling it now. Anyway, Ruby uses the coin to summon a door and asks it to connect to "the train tracks from before". The doors are a portal network!

Portals established, Ruby Semblances into the city. This lowest tier looks mostly industrial.

That is the creepiest statue of Jacques you've ever seen. There are portraits, statues, and other depictions of him everywhere, and they are all watching. Symbolism! Ruby picks up that they might be "sentries", but probably not on the symbolism.

Jacques is also the newsreader on the PA, in classic angry-authoritarian-regime style.

There are robot patrols. This place just gets worse and worse. (Now remember that it's the inside of Weiss' head.) Ruby is thoroughly confused by their programmed salute of "Big Nicholas!". That is, if I recall correctly, Weiss' grandfather and the founder of the SDC.

Ruby turns away from watching that robot leave and immediately encounters a second one, which identifies her as an intruder. She takes it down instantly, and then apologises. Ruby, are you Pyrrha? Or does Weiss just think you're that competent? Anyway, instant robot reinforcements, but in black where the others were in white. A black robot fires past Ruby and fells a white one. Let me guess, white are Weiss' and black are Nightmare's. No, I'm mistaken: none of them are actually black, some of them just looked that way because they were in shadow when I first saw them. No, I'm ultra-mistaken about everything (normal programming now resumes): that was Ruby firing, because the barrel of this Crescent Rose variant is where Ruby expected the haft to be. That would be funny if the situation were less tense. Ruby takes a moment to complain to the absent Weiss (who unconsciously designed this Crescent Rose variant) about it, then has to flee. On the way out she burns a coin to create an animate doll of herself as a distraction to cover her retreat.

(I'd better start counting coins. I saw 10 initially, and I think the parking meter had that many notches. She called Shion above the tracks, created a door at the tracks, called Shion just outside the city, created a door there, and has now spent a 5th coin to distract some robots.)

Ruby mutters to herself that she'll have to teach Weiss about guns again, then theorises that Weiss is being imprisoned at the top of the city by the Nightmare. It's a long way up. She roof-hops to the base of the wall between city tiers, then attempts to climb it by running up it, which works quite well with the assistance of her Semblance. The problem is the Nightmare tendrils that get in the way some way up. "It's prickly, just like Weiss!" she declares. That would be funny if the situation were less tense.

The tendrils soon morph into loudspeakers that declare, in what I think is Winter's voice:
"Unauthorized use of Semblances is prohibited. All citizens of the Empire must travel the true path."
There's a lot to unpack there, and I've probably overused the joke you were expecting here so let's try:
  • Winter probably insisted that Weiss have some combat capability without her Semblance and that's left its mark.
  • Calling this place an empire is of course the trite descriptor for any large polity because it sounds cool, but also implies a certain amount of aggression: academically, an empire is a state where one set of people (the core) extract resources, typically by force, from another set of people (the periphery). That the White Fang are the periphery tells us that Weiss has some progress left to make in unlearning Jacques' views on the matter. Speaking of which, the train incident still clearly weighs on Weiss (who alluded to it in V01C15) nearly as much as on Blake.
  • There is a "true path", implying some centrally-pushed ideology/religion. Firstly, obviously meant to signal to us that there's some approved way up the tiers. Secondly, classic modern authoritarianism; not necessarily incompatible with the idea of empire (read that link some more), and indeed nightmare!Winter only mentions "citizens", implying residents of the core. The periphery just gets to shut up, stay out there, and not cause trouble; that's how empire works, and also the Schnee family.
Ruby, who has not had the opportunity to read all this neat scholarship on empire because Atlas doesn't want its relationship with Mantle categorised that way, has no idea what a "true path" might be (I'm thinking it's on/in the ramp-like spurs between tiers), searches the base of the wall in one location, gives up, spends a coin (6 spent) on a map that she is dismayed to discover only shows her places she already knew, scrambles to take a photo of it before it melts into nothingness (she has her Scroll! - does that do phone calls, or...?), and realises that the centerpiece building shown on (the photo of) the map might be a good next stop - it's "important to Weiss", which Shion said would be the next step. I've forgotten whether Shion actually said those words because I got distracted reading the link about empire and now my head is full of body armour design facts.

A klaxon announces the end of curfew or something - extras pour out onto the streets and march off to workplaces in eerie precision as the voice of Jacques emanates SDC propaganda from every statue, incidentally referring to "Lord Nicholas". (Maybe that's what the robot was saying during salute earlier. I miss subtitles.) Did I mention that Weiss' mind is a Concerning™ place? Ruby blends in with a column of workers, recognises Jacques Schnee's name, and decides he "doesn't seem very nice". Mood, Ruby.

Elsewhere, two robots have finally restrained the distractor-Ruby. A bat flies along and is curious about it with Whitley's voice. It (distractor-Ruby) vanishes into nothing, leaving the robots quite confused. Bat!Whitley, on the other hand, twigs that the non-duplicate Ruby is an imposter. He doesn't seem to raise a general alert, only explicitly giving orders to those two robots, but that could change over the halfway ad break...



The voice of Jacques sings horrifying songs inside some kind of Dust product factory. The stickers being applied to packaging have the not-quite-emblem on them. I shall call it Nightmare Weiss' emblem until I get any further evidence.

Winter's propaganda broadcasts are barely any less concerning in their second-order implications.

"This is the most boring job ever... They all seem like slaves."
Look, all I'm saying is that Ruby's probably on to something there, just like Yang was back in C2. And that her heart is dying pretending to be employed with them. She Semblances away. Unfortunately, a Jacques statue notices.

Ruby enters a back area of some kind and almost immediately encounters another robot of unclear design and purpose, which clearly greets her with "Big Nicholas!" (so I was right the first time) in the kind of way that we might greet each other with "Hello!". This probably also says bad things about Weiss' state of mind. No, I'm mistaken as usual, this sounds like a Klein-bot. Yes, it is, they introduce themselves as "Happy Klein" in between dropping words with worrying implications.

Following the directions Happy Klein obliquely left her with does indeed get Ruby to an open-air jail. The cell door introduces itself as Dopey Klein and the occupants as "sillies". The first group of them look passingly familiar, probably as background extras. The second group are outright Team JNR, although deprived of intelligible speech. I have questions that will probably never be answered. So does Ruby.

"Because if you act like a dummy, you can't be a Schnee!"
Dopey Klein waits until his last line to drop his biggest bomb.



Ruby enters the Dust shop next door, the other place Happy Klein mentioned, and is met with the sight of shadow people (one with Winter's voice, the other more difficult to place Weiss) discussing the train attack and faunus being terrible. Just imperial core things. They leave, eerily, as Ruby passes by. She opens a door on the other side of the building and discovers a completely different plaza full of shadow people, which I'm fairly sure is in the second tier due to the completely different décor. Is it wise to place a jail so close to a security boundary? Who knows, it's a dreamscape.

Ruby summons a portal-door on this rooftop with another coin (7 spent) as she mulls her next step. Bat!Whitley sees her on his aerial way to the top.



Something lights on fire.

It's a fireplace, in a room that's just like the main dining room at the Schnee live-in trophy cabinet except infested with Nightmare tendrils. I assume bat!Whitley is coming to report on the intruder.

Nightmare Weiss, I assume, enters the room with a robot dog (huh?), and is greeted by a Klein-face in a candle flame (don't ask, it's a dreamscape) as she is divested of the imperial outer layers of her wardrobe. She asks for a report. Klein delivers one, with the aid of a big screen installed at the far end of the room, which displays her emblem for just a moment as it powers on: another train intercepted by the White Fang, who continually grow stronger. Weiss mulls this over as a shadowy Willow prances drunkenly about being a distraction.

Klein makes mention of recurring appearances by "the girl in the black garments", which probably isn't Ruby because she's still red-clad, but could be a figment of Blake given the juxtaposition with a report of the core being faunus-free.

Here's Whitley to first be admonished for "flying without permission" (this place just gets scarier!), then to emit standard Whitley dialogue, and then to report Ruby's presence - not by name, he doesn't know that (thankfully), but as a "dummy".

If you thought this place was scary already, here's a giant holographic Jacques head to drop in on a ceiling-mounted projector and make everyone exchange "Big Nicholas"es. Truly, nowhere is safe from him, in dreamscape as out. There might have been more to say about that, but Weiss now spots Ruby on the camera feeds on the big screen, giving Jacques and Whitley the opportunity to berate her for making a friend (and continue to conflate 'imperial core' with 'empire'). They know. That's bad.

Weiss wanders over the the fireplace, opens the book above it, and communes with the Nightmare tendrils within as she firms her imperial resolve. That's probably worse.



There's a snowstorm in the residential tier (I call Fisher King) as more Winter-y propaganda broadcasts reflect Weiss' increasing need to control the situation. Down an alley, Ruby is on the phone with Shion for moral support (8 coins spent), dropping some backstory that she nearly drowned in a river when she was small. Shion, who prompted that lore, uses it as an analogy: like the river, Weiss' dreamscape isn't trying to hurt Ruby, it's just being.

Shion then moves on to some deeper symbolism and suchlike in an attempt to motivate Ruby to press on, accompanied by Ruby rendering visuals of a dream within the dream. Ruby also appears to have summoned the map again (9 coins spent).

Studying her map, which has updated, Ruby decides on a next direction to go, emerges from the alley, and immediately finds herself on Wanted posters. I knew that would be bad.

Even in highest quality, I can't read most of the text on the posters. The good news is that Ruby's specifically wanted alive. The bad news is that a couple of shadow people - one Willow, one Yang (I think) - immediately spot her and call in Grumpy Klein and some robots. The odd news is that Grumpy Klein demands she "return to the tower". The tower? At the top tier? That makes little sense.

It starts making sense when Weiss walks into the picture (with robot dog). Ruby is initially pleased, of course, but Weiss then starts with the verbal takedown, because this is Nightmare Weiss we're talking about. Not that Ruby knows that. Meanwhile, what seems to be fight music is building.

Ruby has a little eureka moment, based on Weiss calling her an "embarrassment", that Weiss is still embarrassed deep down at not being team leader. Weiss bids her shut up and opens the Nightmare Book, calling for Winter's "verdict". A white silhouette of Winter - likely actually backed by the Nightmare - appears in the book and informs Weiss:
"The powerless return to dust. The wicked will wander the void. Punish this traitor (colours invert) and imprison them for eternity."
Which is pretty chilling. Yes, pun intended, it's that or go numb from the horror. Winter's background is what looks like that signpost from the start of the Chapter in the style of Nightmare Weiss' emblem, soon joined by a moving tiling of the emblem more directly.

Weiss returns the book to the robot dog, whose purpose seems to be to carry it around outside secure locations, and draws her weapon. Ruby accuses her of lying about everything (including the bunk beds :( ), which is probably counterproductive: psychology is hard and complicated. Unless she's playing chess a dimension above me. Ruby denounces her and basically cues the fight. Let's hope she remembered the weird gun barrel placement.

Weiss' attacks are naturally extremely powerful in her own dreamscape with Nightmare assistance. Ruby recovers and attempts to flee, which doesn't work, because Weiss' pursuit is also extremely powerful. Magic multimissiles bomb the living daylights out of the urban landscape to blow Ruby into the air where she can be doom-lasered. Or something like that; it's a very anime fight scene and I've lost track of half the details already.

Ruby, who does not have a doom laser, loses the doom-laser battle and ends up in a snowdrift across town, then uses two coins (11 spent) to create a distractor and a portal-door to escape. Weiss kills the distractor easily while declaring that Ruby "won't escape my judgment". Cut to Ruby, who has effectively escaped, having returned to the rooftop portal-door; she looks at her last coin. So there were 12. Tricks were not afoot.

Ruby resolves to use her last coin to leave, but not yet: "I still have to help Weiss.". As if summoned (which is plausible), Weiss finds her. I think it might be a good idea to instead leave and come back with a better plan. Ruby does not; instead she stands there, metaphorically frozen, as Weiss jumps into melee. Cut to credits.

So this is going Just Fine™.



I've no idea whether the credits are all using the same music; I wasn't paying much attention last Chapter since the Chapter was effectively still going over them. I think I'll leave it aside.

The credits slideshows are definitely different. This one wanders through showing:
  • Weiss and Blake not looking at the camera on stormy backgrounds.
  • Ruby and Yang looking unhappy through cutouts the shape of their emblems. I infer that Weiss and Blake weren't happy either.
  • Zooming into coloured silhouettes of them: Ruby in the dorm room, Weiss in a lecture theatre, Yang at the docks, Blake at that café where she had tea with Sun.
  • Speed round! Three stills from Weiss' sad past.
  • Extreme closeup of what I think is a rose, each bud displaying a Team WBY headshot in reverse team name order, the flower displaying one of Ruby.
  • You know what? I've run out of energy for interpreting what the h*ck is going on here. Team RWBY are all in school uniforms, onto which a partly-cloudy sky is green-screened.
  • Art of each of Team RWBY in their dreamscape outfits, foreshadowing very heavily that Blake and Yang will have them. Now Weiss defends the outer wall of the city, and Team RBY face her.
I think this was the same credits music as C2 - it had the same sudden cutoff. C3 is still up in the air.

Apparently the shadows all had the voice of either Willow or Winter. Apparently I remain half-voice-blind.

Today's post-credits art (seemingly apropos of not much) is Nightmare Weiss looking very small and vulnerable relative to the number of sharp angles on her outfit.



Next time: Breadcrumbs.
 
Ruby thinks that's very cool,
& she's right!
Let's take a moment to bask in the audacity of the Chapter title.
Hahaha, shall do XD
Apt XD
Ruby, a notable distance away, initially misidentifies the attackers as Grimm before realising they're White Fang
I actually liked this design so much I did a 3D model of a Ruby-fied version of these beings.
Concerns™ averted.
& thank goodness for that.
Ruby to have called Shion about the train line instead of just, y'know, following it to the visible city at the end of the line.
She's still growing into her role.
This is the mechanism by which friends don't get rejected.
... I somehow did not actually register this when watching it but that makes so much sense XD
Beacon-arc-Blake kind of way.
Good insights!
:D
That is, if I recall correctly, Weiss' grandfather and the founder of the SDC.
Correct! Also thaat salute is so... Hm XD
That would be funny if the situation were less tense. Ruby takes a moment to complain to the absent Weiss (who unconsciously designed this Crescent Rose variant) about it, then has to flee.
I love all of this commentary so much XD
That would be funny if the situation were less tense.
I am glad it is feeling tense!

There's a lot to unpack there, and I've probably overused the joke you were expecting here so let's try:
Really good insights all around here, kudos!
Did I mention that Weiss' mind is a Concerning™
It really is, she's such a mess.
Batley is so cute!!!
Dopey Klein waits until his last line to drop his biggest bomb.
I love it XD

Also yeah Ruby is definitely onto something there.

Ruby: I worked a minimum wage jo for five minutes and wanted to escape more than I wanted oxygen.
That's probably worse.
I loved this whole section, Weiss's family setup and dynamic and vibes are all so fucked here its greats.
Nice
like the river, Weiss' dreamscape isn't trying to hurt Ruby, it's just being.
Yang: I remember that, it was traumatizing.

Also I loved Shion's analogy.
one Willow, one Yang (I think)
If so that is very funny.
it's that or go numb from the horror.
That line did indeed go hard.
So this is going Just Fine™.
Ruby lacking in a doom lazer is her greatest weakness.
Today's post-credits art (seemingly apropos of not much) is Nightmare Weiss looking very small and vulnerable relative to the number of sharp angles on her outfit.
I love it!
 
I think this is the last episode I've seen in full, so from here on out it's all new stuff. Despite my apparent inability to watch it for no good reason, I genuinely really like the premise, and how this dreamscape reflects Early Weiss's mindset. Very Madoka Magica by way of Inception, but in RWBY, which is such a fun spicy recipe.
 
Ruby: I worked a minimum wage jo for five minutes and wanted to escape more than I wanted oxygen.
All hail industrial automation.

If so that is very funny.
Unfortunately, I found out from the credits that it was probably the voice actors of Willow and Winter.

Ruby lacking in a doom lazer is her greatest weakness.
Most people who lack doom lasers find that to be their greatest weakness.

Despite my apparent inability to watch it for no good reason,
Since last time, I found the Tumblr post for this kind of thing. Maybe. Apologies if I've misread the situation.

View: https://www.tumblr.com/frogpronouns/683566851244064768
what you need to understand about recommending a show to me is that no matter how much we both know I'll like it, I can't watch it until the Neurodivergence Department in my brain approves it. I don't know when that will be, and I don't have any more control over it than you do.
tags
#what can you do though? red tape :/ #adhd #autism #nd
 
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