IWIW RWBY

It's neat seeing the thoughts of another person as they go through RWBY. I don't think I was anywhere near this contemplative when watching the series myself.
I figured that if I was going to be contemplating it anyway, I might as well practice this 'writing' thing at the same time, because there are words in my head and they want out! (he says, while more words accumulate [seriously, I've been attacked by two plot bunnies over the course of this thread, send help])

Well, if one's allies are in danger, and you already have people in the area, the logical thing to do would be to help them...
On the other hand, the last thing anybody not in Vale (and plenty in Vale) saw Atlas doing was randomly starting to shoot Vale in the back. And there's a big hole in global communications, which is why nobody outside Vale has heard much since. If the Atlesian army turns up somewhere, plenty of folks are going to panic, turning its purpose into a self-fulfilling prophecy.

What are the odds it was waiting for them all to get together once it noticed them being in different directions?
And give up the chance at a perfect ambush of Nora and Ren, followed by an even more perfect ambush of Ruby and Jaune? I have my doubts.
 
On the other hand, the last thing anybody not in Vale (and plenty in Vale) saw Atlas doing was randomly starting to shoot Vale in the back. And there's a big hole in global communications, which is why nobody outside Vale has heard much since. If the Atlesian army turns up somewhere, plenty of folks are going to panic, turning its purpose into a self-fulfilling prophecy.

True, but specialists like Winter, openly offering their services to Haven Academy during a time of trouble? Perfect PR material to help repair the damage Cinder did. But at this point, Ironwood isn't thinking of trying to improve international relations or help allies. He's in full paranoid fear mode, turtling up, not talking to anyone, making EVERYONE paranoid about what the army that's not talking is planning and encouraging everyone to think the worst of Atlas. Exactly as Salem wants him to do.

There's also a train line linking Mistral directly to a joint Mistral/Atlas run port that would be PERFECT for trying to maintain communications.
 
While I think an expeditionary force would be received poorly, I also think things are not at all helped by the fact that shortly shortly after the Vale attack, Ironwood has sealed Atlas' borders, including stopping all outgoing Dust shipments (hence why Jaccques is mad). That's like if one country that was already suspected of treacherous warmongering suddenly cut off everyone's flow of both oil and gunpowder!
 
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And, don't forget, shortly afterwards, Ironwood has sealed their borders, including stopping all outgoing Dust shipments, which is like if one country that was already suspected of stabbing another in the back suddenly cut off everyone's flow of both oil and gunpowder!

And that one was ALL Ironwood. Paranoid military generals who don't understand anything but big sticks even when not being paranoid idiots should not dictate international policy.
 
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V04C12 No Safe Haven

V04C12 No Safe Haven


No lyrics subtitles this time, either. Bye V4 intro song, I might miss you a bit. Certainly more than V3 intro song.

Kuroyuri is a combat zone again. Team RNJR (who all make a tumbling retreat here) have a highly dangerous and mostly unknown opponent, at least one emotionally compromised team member, and a stationary target to defend in the form of Qrow. Let the !!fun!! begin. Oh wow, that thing's roar is fit to be a sonic weapon.

I'm pretty sure the creative team set out to make this Grimm creepy, and they have very succeeded.

Jaune repositions fast to reach Qrow, but is then stranded in the open as the Grimm charges at him (literally - it's half-horse, half-rider). Ren applies Semblance to greyscale both of them; Jaune isn't expecting that and freezes up, but the Grimm can no longer sense him or his human cargo, and Nora diverts its attention to allow their escape.

Sounds of gunfire echo in the background as Jaune deposits Qrow somewhere hopefully a little safer, slowed down by Qrow refusing to let go of his hand for a bit (not sure why, please fill me in).

Jaune returns to chaos. Ruby and Nora both try stuff and are both slapped around by the rider's extendy-arms, which I assure you look much less silly than I'm making them sound. Ren diverts the attention of both arms. Jaune, the designated strategist, sees something in how Ren did it and advises Team RNJR to continually circle the Grimm. This works. For a bit.

In the middle of this, Jaune tries to attack it with his sword, finds he doesn't have enough cutting power, and gets kicked away. (Horse kicks are no joke. They'll damn well kill you. My cousin, an equestrian professional, has been concussed enough by horses that she's had to medically retire from it in her twenties due to the high risk that the next concussion could destroy the rest of her brain.) So he shows us the weapon upgrade he's been keeping in reserve all season: when the sword is sheathed, the sheath becomes more sword. How simple and yet still impractical. This allows him to accomplish a bit more with his next swing.

At this point, the Grimm decides this circling thing looks like fun, and spins around with the rider's arms extended, sweeping up all of Team RNJR to knock away and disarm them.

Ren climbs a tree to direct gunfire at the rider. His are very light guns, so the rider isn't fazed at all - it just extends an arm and smashes him into the side of a building. Nora and Ruby make a team attack (bookends!) just in time to divert the other arm. The net result is that Ren is still smashed into that wall, and Nora is dangling from her hammer which is smashed into that same wall several metres sideways and up, both kept there by a Grimm hand-thing. (...how does that joke even work? Here I was thinking that combat skirts prevented it entirely.)

The Grimm retracts the hand holding Nora's hammer. Hammer and Nora go with it. The latter is bounced off the ground a couple of times; the last one breaks her Aura.

With Jaune helping divert the Grimm's attention, Ren (now enraged) can finally prise himself free and try a berserker run. It goes just as poorly, and he ends up discarded on the ground next to Nora with his Aura broken as well.

As the Grimm prepares to charge at them, Nora tackles Ren under a building, just like old times. It charges anyway, but doesn't get there - Jaune has blocked it. But turning his scabbard into a sword extension has not done wonders for its functionality as a shield. Ruby does her best to harass from afar and keep its attention, but that's a dangerous prospect.

Ren insists on re-entering combat despite being down his weapons and Aura, to the point where Nora has to actually slap him before he sits down and listens to her. Nora is not the slightest bit impressed by Ren's new combat tactic of suicide-by-Grimm: if he goes off and gets rendered another ghost of Kuroyuri, she'll have to deal with the aftermath or follow suit, neither of which she's very enthusiastic about. (glares at Qrow for wandering off alone, at night, in the middle of nowhere, with a mishap Semblance, while injured)

In case Nora wasn't giving off enough callbacks already, Ren (stabilised for now) still has his father's dagger from their last interaction. Rearmed, they emerge and link back up with Ruby and Jaune. Look, they're actually planning a bit, this might go better.

Ruby has figured out how to keep the Grimm's attention without being punched out. Mostly. She now baits an arm out and stabs her scythe through it, pinning it to the ground. Ren throwing the dagger diverts its attention so Jaune can do something similar to bait out the other arm; Ren, borrowing his shield, dives on the extended arm and pins it long enough for Jaune to pin it more permanently with his sword.

Now it is Nora's turn to break. Its. Legs. ...No, just its horse-head, but that's still pretty painful for it. Ren retrieves his dagger and walks around to face the rider-head, completely unfazed by its roar, and systematically butcher the damn thing.

Kuroyuri is avenged. What can I say, sometimes you have to face your fears.

Qrow is just lucid enough to realise that the new lack of noise means the beast is slain, and conclude that Team RNJR did it.

Suddenly, air support! Two airships arrive at the ruins and collect Team RNJR+Q. In the air, the pilot explains that they saw smoke from an area uninhabited for years and figured something was worth checking on. Aren't we lucky. As Mistral (what else could it be) appears over the next mountain, Ruby finally accepts that Qrow's going to make it.

Nora and Ren sit out the side of the other airship. If you thought Amity didn't have safety railings, check these deathtraps out! Ren has his weapons, assuaging my concerns that they might have been left behind.

The music jumps nearly as high as Nora does when Ren takes her hand. This doesn't mean she doesn't accept it. (raucous cheering from the comments section) Even the subtitles think they're adorable.



Ruby enters a two-bed room in which Qrow is asleep. It doesn't look like a hospital room, so hopefully he's on the mend.

And here come the lyrics! Much less exciting than most situations with lyrics.

One verse later, Ruby sits down to write a letter home, evidently the latest of many. Letters, she writes, aren't reliable, but there's no CCTS to Vale any more so letters are all they've got. If she had her time again, she wouldn't just leave a note and scram, they told her it was reckless and they were absolutely right.

As Ruby continues to write (voiceover), a montage:
  • Weiss makes arrangements with a cargo pilot on the less-shiny side of Atlas to get her as far along her journey as possible (in a way that the pilot can plausibly deny knowing about).
  • Blake opens a treasure-chest-thing that evidently functions as Ghira's safe for White Fang mementos. She's pretty conflicted about the red-on-black flag in there.
  • Yang's on a boat, with her motorbike and a photo of Team STRQ. (At this point Ruby's narrating that she's learned that Yang was right that bad things just happen, all the time. This is possibly the most saddening thing I've heard all Volume, made worse by being in Ruby's voice.)
  • Tai is alone at home, with only the same photo of Team STRQ for company. Wait, he's got Zwei, how could I forget about best boy. Wait, he's got another framed photo: Team RWBY, captioned by Ruby as "NEW FRIENDS!!! ❤". (Ruby's narration is that she's out there so good things can happen to people. Go Ruby!)
  • Jaune stares at his equipment. ("We've all lost something." ...) Ren and Nora return to that room, Ren conspicuously equipped with his dagger which he places with Jaune's shield, and they just coexist for a bit.
  • Weiss sits on a crate and looks out the window at the passing mountain view.
  • Blake gets another flag out of the box: white on blue, with fewer stylised claw marks. I assume this is a vexillographical delineation between the eras of the White Fang. Then she looks over at Sun and doesn't see either of them as a liability or dead weight. It's a start, I guess...
  • Yang gets off the boat, farewelled by the same crew who were featured on Blake and Sun's trip; perhaps it's the same ship, or perhaps it's reuse of character models. She motorcycles away from the shore.
  • Oscar is on a train, heading for Mistral.
  • As Ruby narrates that there are too many people who will take advantage of others, Ilia drops in to report to the Albains. Ugh.
  • Cinder's new training is for Emerald to illusion her opponents into her vision (this time, Ruby), and Cinder to flamethrower them. Yikes. {{Salem lurks nearby, and gets her own camera shot a bit after voiceover-Ruby mentions a hypothetical/metaphorical "unstoppable monster we can never hope to beat". (throws tomato)}}
Wait, Ruby's writing this to Yang. Yang's left the house and won't receive it. The joys of snail mail.

Ruby is overcome by emotion and has to take a slight breather. Some lines later, just after she mentions meeting Qrow, he awakens. "Hey, aren't I normally the one saving you?" Yep, he's fine. The Elder Gunscythe and Ozpin's cane are stored in the corner.

Yang motorcycles up to a fork in the road. One path is signposted Mistral; the other, formerly Kuroyuri, has been overwritten with "BANDITS". Good thing Team RNJR didn't have to do that one the hard way while moving Qrow on a stretcher. It is left unclear which way Yang turns as Ruby finishes narrating-writing.

Ruby adds a postscript as we meet the office of Professor Lionheart, headmaster of Haven Academy, Mistral. So what you're telling me is that Beacon with its tower of green lights is run by Professor Ozpin with the assistance of Glynda Goodwitch; Atlas by James Ironwood who is half-prosthetics; and now Haven by a guy named Lionheart. All we need is for the latter to be a coward and we'll have pretty much the full set of L. Frank Baum references. I must say the episode title isn't filling me with confidence.

Ruby finishes with optimism that "things are gonna start start going our way" now that Team RNJR has reached Mistral. Right on cue, here's Watts meeting with "an informant in Mistral" aka probably Lionheart. I was joking. I was joking.



So, how's this credits song going to go?

Look, the piano intro had me fooled.

As with the title song, the credits song is much more hopeful in tone than its Volume 3 equivalent.

Initially, I thought that the first verse was about (and from the perspective of) Ruby, the second Yang, and there would be two more; but it is becoming increasingly clear that this is entirely a Yang song. With attendant terrible pun. Yeah, I bet you're armed now.

A solid seventy-five seconds remain for the post-credits scene (and new and improved Rooster Teeth post-credits outro, which has appeared after every episode of this Volume). Qrow lurks alone at a bar, as usual. Oscar enters and gets his attention. Qrow is understandably quite dismissive. Oscar eventually gets to the message he was supposed to pass on: "I'd like my cane back?" This was the password; Qrow now acknowledges him as Ozpin's reincarnation, and gives him the cane back. He'll still need a bit of practice with it, though.



Next time: A selection of sisters.
 
It is left unclear which way Yang turns as Ruby finishes narrating-writing.

When the bike pulls up, it's facing towards the Mistral path. She then rides it directly off screen without turning.

Qrow somewhere hopefully a little safer, slowed down by Qrow refusing to let go of his hand for a bit (not sure why, please fill me in).

It's never spelled out, but most people I've seen take it as a moment of lucidity on Qrows part, and a silent plea to look after his niece.

Yang gets off the boat, farewelled by the same crew who were featured on Blake and Sun's trip; perhaps it's the same ship, or perhaps it's reuse of character models. She motorcycles away from the shore.

Same boat, confirmed via WoG.
 
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V05C-- Team WBY's Character Shorts

Weiss' Character Short




Wow, they got to know the new animation software real good.

It is night. Weiss stands in a snowy courtyard in what looks like the Schnee live-in trophy cabinet, before what looks like an outdoor fountain that probably spends most of its time frozen over. The music and lyrics are incredibly depressing. She walks a short distance back into the courtyard, then summons a whirlwind to bound an arena and multiple spectral Beowolves to fight her in it.

The visuals freeze for two seconds, which is either terrible quality control or brilliant medium-painting. Turns out YouTube just went cactus and I had to refresh. Anyway, the look on Weiss' face suggests she might have been expecting fewer spectral Beowolves than actually appeared - I can't rule out that she expected zero - which suggests nothing good about her mental state either.

Fortunately, Weiss has remembered her combat skills. The first Beowolf is skewered; the next three are destroyed by a firewave (a trick that hasn't appeared for long enough that it has also received the Good Animation treatment since then). This induces small-w winter to start receding from the courtyard, but it heralds more spectral Beowolves, which really rattles Weiss for some reason, before she steels herself and starts dealing with them. It's really very effective.

Ooh, nice trick with the ice glyph.

The lyrics return to Weiss' mirror motif as the weather in the whirlwind worsens and disarms her. She's not nearly as good at unarmed combat; maybe Yang might have a shot in this situation, but Weiss is swiftly pinned down by a Beowolf and it's all she can do to keep it from eating her - as more close in. "Winter!" she shouts. Large-W Winter dispels the scenario and looks disappointed. Winter is the mirror, isn't she. Yep, seems so.

Weiss reflects on her own feelings of inadequacy, which her sister isn't exactly helping with. She needs a Yang in her life, really.

Cut to Weiss in the cargo aircraft - that was all a flashback. No, a nightmare.



Blake's Character Short




Unlike the past two character shorts, it is daytime. Blake walks through a crowded marketplace in Menagerie. After a bit she examines a stall selling what appear to be flowers. The joke here is that she ignored the opposite one selling fish.

"Can I ask you something?" asks narrating Blake, not to be confused with on-screen Blake. Cut to a rooftop at night (ah man), where "you" is revealed to be Ilia. Blake asks why she (Ilia) joined the White Fang. Ilia says same reason as Blake, before deducing the actual question: why bother, when she can pass for human?

Intercut with Blake and Sun in that market checking faces against a picture on a Scroll, Ilia narrates her tragic backstory that Blake must be at least friendship level 3 to unlock. Fortunately she's at level 10.

Mantle, I'm guessing, is Atlas' undercity. Ilia's family lived there in standard Mantle conditions. They wanted better for Ilia, and she could pass, so they managed to get her into a good school. Of course, the problem with passing is you're suppressing who you are, which isn't a great long-term existence.

Under narration, Blake and Sun find one of those faces. When Blake draws on him, he shoots back, which doesn't accomplish much, then flees.

Ilia's late childhood involved a lot of agreeing with the racism in which she was immersed. It's sad.

Blake and Sun's target creates a diversion by cutting somebody's packed cargo trailer loose of its cart so it rolls down the slope and threatens to get somebody killed.

And then one day a mine accident got to the news. Ilia's 'friends' found it hilarious, which was heartbreaking enough for Ilia that she forgot not to change colours.

Sun stops the runaway cart with the aid of his Semblance. Blake continues after their target and manages to catch him briefly, but he somehow overpowers her weapon-ribbon and leaves.

And suddenly Ilia had no friends because they were scared of her newly revealed Faunus status. So she punched them all out. Small-child problem-solving...

Ilia now drops in on the chase scene to help the target escape, trailing more property damage. Blake declines to sell her out to Sun, who arrives a bit too late for the action (but doubtless having saved a life or two back there).

Surprise Rooster Teeth post-credits outro, which hadn't appeared in a character short thus far.



Yang's Character Short




There is naught but the sound of a motorbike engine for a while. Then daylight and sounds of fighting, then Ruby ends up on the dirt to Yang's admonishment that she (Ruby) "totally could have dodged that". Yang has both biological arms, indicating that this is also a flashback.

Yang will soon be going to Beacon. Little do they know that Ruby will be there too; but obviously they can't know that, so Yang's trying to toughen up Ruby in unarmed combat to be sure she (Ruby) can handle herself in Yang's absence.

Suffice to say that it's not going well for Ruby. Eventually she dodges a sure knockout blow by Semblancing off into the surrounding forest. Yang admonishes her that some problems can't be solved by running away, before calling her back out to resume. What responds is not Ruby but an Ursa. I will remain in suspense a while longer because YouTube keeps choking on this video.

And here come the lyrics!

Dramatic sequence of Yang and the Ursa running at each other from a much longer distance than just shown. The Ursa is completely unfazed by Yang's attempts to fight it, even with her weapon, and knocks her back at least halfway to her dramatic starting point. Yang tries a ranged attack with homing projectiles, which equally doesn't bother this absolute chonker. Clearly she gets a serious upgrade to something in the short-ish time before Beacon initiation.

Dammit YouTube, start working properly!

Once the video finally settles in, Yang gets smacked around, and eventually sent into the forest hard enough to fell at least one tree. Cut to Ruby, who evidently landed hard, because she hasn't noticed anything and walks unevenly back to the training clearing, only to notice the Ursa just before it notices her. Unarmed Ruby has an even worse matchup than Yang just did, so I'm a bit concerned.

The Ursa decides it's a horse and charges at Ruby, who for some reason adopts a boxing stance instead of anything sensible like preparing to dodge. Yang sees the impending disaster and runs in from perpendicular. She merely creates her own disaster: the Ursa grabs her and starts munching (breaking her Aura) before flinging her away.

Suddenly, Yang's Semblance! {{I thought Semblances didn't work without Aura? Clearly there's an "unless it would be really cool" in there somewhere.}} She recovers midair, launches off another tree and punches the Ursa so hard its paw bones break before it realises it's dead and evaporates. This proves that at least one type of Grimm has at least one type of internal anatomy.

Courtesy of Newton's Third Law (Rule of Cool amendment), Yang is then sent back into the base of the tree. Ruby understandably panics, but Yang's okay, and assures Ruby that "I've always got your back, sis". Cut to the present, with motorcycle noises, where Yang reflects that she really hasn't.

The Rooster Teeth post-credits outro appears again. I'm beginning to think it's here for the long haul.



Next time: People Qrow knows.
 
Dramatic sequence of Yang and the Ursa running at each other from a much longer distance than just shown. The Ursa is completely unfazed by Yang's attempts to fight it, even with her weapon, and knocks her back at least halfway to her dramatic starting point. Yang tries a ranged attack with homing projectiles, which equally doesn't bother this absolute chonker. Clearly she gets a serious upgrade to something in the short-ish time before Beacon initiation.

Also the general theory is that this Ursa was older than the ones in the initiation, and was thus tougher and more durable in general.

Intercut with Blake and Sun in that market checking faces against a picture on a Scroll, Ilia narrates her tragic backstory that Blake must be at least friendship level 3 to unlock. Fortunately she's at level 10.

*Cackles*
 
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Also the general theory is that this Ursa was older than the ones in the initiation, and was thus tougher and more durable in general.
It makes sense, as long as you don't think too hard about Jaunedice.

...that's V1 in a nutshell, really.

I regret only that I lifted that joke wholesale from someone's author's note in a fic, and I've now forgotten which fic Found it! (spoils V8) Chapter 10 of One Never Steps Foot In The Same River Twice.
notes
Yang: So, what was your childhood like?
Weiss: Oh, you mean my tragic backstory that you must be at least level 3 friendship to unlock?
Yang: ... What level am I at?
Weiss: 10. So it all started-
 
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The lyrics return to Weiss' mirror motif as the weather in the whirlwind worsens and disarms her. She's not nearly as good at unarmed combat; maybe Yang might have a shot in this situation, but Weiss is swiftly pinned down by a Beowolf and it's all she can do to keep it from eating her - as more close in. "Winter!" she shouts. Large-W Winter dispels the scenario and looks disappointed. Winter is the mirror, isn't she. Yep, seems so.

I feel it is important to emphasize, the beowulf pinning her down was actively going for the throat. I'm sure Winter would explain/justify this as her trying to up the realism of the whole thing, but it really does help to emphasize that Weiss had only one person decent to her in her life before Beacon. And the fact that he was paid to be there can not have helped Weiss's emotional state, even if he does by all appearances truly care for her.

Suddenly, Yang's Semblance! {{I thought Semblances didn't work without Aura? Clearly there's an "unless it would be really cool" in there somewhere.}}

That's one of the things that really isn't adequately explained. Like a lot to do with Semblances to be honest.
 
Nah, CRDL really sucks at fighting Grimm, or Pyhrra. Or anyone else. And Jaune... had room for improvement.

I think he's talking about how Jaune was able to win against a similar looking Ursa before he accepted Pyrrha's help in getting his shit together. CRDL having trouble with an enemy that takes Yang effort to beat makes perfect sense. An untrained and unprepared Jaune managing to beat the same with just a one time correction on his form is... odd.
 
I think he's talking about how Jaune was able to win against a similar looking Ursa before he accepted Pyrrha's help in getting his shit together. CRDL having trouble with an enemy that takes Yang effort to beat makes perfect sense. An untrained and unprepared Jaune managing to beat the same with just a one time correction on his form is... odd.

Yeah, I don't think that was an older Ursa. CRDL just sucks, and Jaunes swing was aimed to the right spot with a lot of luck and a little polarity.
 
I think Yang's aura was dying but didn't fully break.
It really should've been called the "Volume 5 Ilia Short (Starring Blake)"
What I really like is Weiss was clearly trying to show off to Winter with the posing and overly dramatic flourishes. Which backfired and prompted Winter to tell her to take it more seriously.
 
I feel it is important to emphasize, the beowulf pinning her down was actively going for the throat.
Aieee. Winter, really?

I think Yang's aura was dying but didn't fully break.
You might be right actually. This is the volume where they tweaked the aura break effect, if I recall right.
If Yang still had the dregs of her Aura, that would explain a couple of things, including how she didn't break her neck or something on that last tree. It would also irritate me slightly that if I think I see the VFX for Aura breaking, it might now instead only mean almost that.
 
It would also irritate me slightly that if I think I see the VFX for Aura breaking, it might now instead only mean almost that.

Aura breaks are now much more obvious and distinct. Aura flashes are just from really hard knocks. The perils of improving animation.

Edit: in fact, I seem to recall a bit from one of the team about how several earlier 'aura breaks' were just hard blows that viewers mistook for full breaks, hence why they were made more distinct, but I may be misremembering somewhat
 
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Blake continues after their target and manages to catch him briefly, but he somehow overpowers her weapon-ribbon and leaves.
Watching this scene myself, I think the implication is that Ilia burst in and sliced the ribbon. You can hear a slash noise as the ribbon breaks, and next time the camera shows what's in front of Blake, Ilia is there holding her weapon.
 
She merely creates her own disaster: the Ursa grabs her and starts munching (breaking her Aura) before flinging her away.

Suddenly, Yang's Semblance! {{I thought Semblances didn't work without Aura? Clearly there's an "unless it would be really cool" in there somewhere.}}
Aura is shown when stressed, and has a slightly different effect than when it breaks.
This proves that at least one type of Grimm has at least one type of internal anatomy.
It's more structural than life-sustaining.
I'm sure Winter would explain/justify this as her trying to up the realism of the whole thing, but it really does help to emphasize that Weiss had only one person decent to her in her life before Beacon.
Or Winter thinks that that is decent behavior due to the army culture.
 
Aura is shown when stressed, and has a slightly different effect than when it breaks.

It's more structural than life-sustaining.

Or Winter thinks that that is decent behavior due to the army culture.

I mean while the source of this bad behavior Is something worth examining it doesn't change the results of said behavior.

Though it definitely is worth considering what it means that a high ranking member of the Atlas military apparently sees this as a normal thing to do
 
I mean while the source of this bad behavior Is something worth examining it doesn't change the results of said behavior.

Though it definitely is worth considering what it means that a high ranking member of the Atlas military apparently sees this as a normal thing to do
Weiss did still have aura, so maybe Winter felt she's be safe enough with a nip to the neck?
 
On a highly related note; do you think you're going to watch Ice Queendom or just the main stuff? Cause if you aren't I think there's something from there that Really drives home Winter and Weiss's relationship as it stands.
I'm planning to start on the other series (plural) after finishing V9, assuming Warner Bros Discovery hasn't thrown it all down the tax-reasons memory hole by then.

It's more structural than life-sustaining.
I was assuming that much.

Weiss did still have aura, so maybe Winter felt she's be safe enough with a nip to the neck?
...!
 
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