A Little Vice (Trans Magical Girl fic)

Voted best in category in the Users' Choice awards.
There is a genre of fic that can be summed up as "people are nice to the trans girl" which a lot of trans girls like because wow such fantasy, "having friends that don't treat you like shit is actually wish fulfillment for a lot of us.

And that's not for everyone, but I don't think it's bad or even facile just because it's cozy or even a bit samey at times and there's a great deal of variety within the genre.

SH is also has plenty of darker trans dramas or more typical action/adventure stuff with a trans slant. You won't find much there a la Nevada in terms of being miserable or the like, but I don't think that's a weakness per se.
 
Speaking as a cis guy, and someone who hasn't read a lot of trans fiction but otherwise has read a lot, HaProTGirl is ok. Sure, it's not a masterpiece or anything, but the characters are likeable and distinctive, the story is plausible (in the bounds of parody at least) and it feels pretty good to read. Honestly, my main complaint is that the pacing was too fast (and I agree the protagonist might be just a bit too nice, but if her arc was slower I'd care less).
Now, I wouldn't want to (and probably won't) read many more stories like that, but I'm also not in the target audience, so...
 
Overly fast pacing is common in a lot of Trans fics I've found, particularly the works of QuietValerie over on SH. Really interesting worlds and ideas, absolutely fascinating futuristic dystopia setting for several of their fics, but somewhat marred by a tendency to rush things at times.

Would still recommend giving their works a look though, there's plenty about them that's entirely worth reading.
 
Meanwhile, I'd classify this series as a slow burn, but the intent here seems to be a full cour of an anime dedicated entirely to the coming-out journey of a girl with an eggshell made out of neutronium.
 
Oh absolutely, I'd say this is easily one of the best fics in the genre that I've read, mostly because it doesn't rush things like crazy. The other fics I mentioned sure as heck aren't bad by my reckoning but this one is a cut above without a doubt.
 
@GreatWyrmGold , your sentence beginning with the word "pronouns" is grammatically valid, I agree. But it's kind of lacking in the "Simon can understand what it's trying to convey, in the context of the post it replies to" department. Could you unpack that?
Sure. AlicePresentHell refers to one or more stories with "that" and their authors as "the author," making it unclear whether they're talking about A Little Vice, The Harem Protagonist Was Turned Into A Girl!! And Doesn't Want To Change Back!!!??, or some other story. I thought of a way to criticize that ambiguity which seemed both clever and clear.
I hope it was clever, because it apparently wasn't clear.


Sounds horrific. Absolutely awful. I hope to never read such trash.

What sites and specific stories should I avoid, to make sure I don't accidentally stumble across that?
Wish I'd thought of that.


3) Gawr Gura. The entire gag with Temperance is she's Gawr Gura. You actual asshole.
I swear it was just meant as a Blahaj joke...
I still imagine Temperance as Gura, no matter how many times I remind myself that they don't actually have much in common beyond a shark theme. And some of Gura's hair is blue, I guess. And I think Temperance is short? Unless the Gura poisoning just convinced me she is.
 
I got caught up in other obligations, so these thoughts aren't as fresh as they could've been, but, hm.

The format of a direct character narrated story of ALV is such that it's commonplace for us to see when it's very obvious when the POV is talking deeply incorrect shit (like C's horrible self-perception), but that also invites readers to take less egregious things at face value.

Things like, despite C having ABYSMAL respect for, C's (can I use "her" at this point? No, because Invidia Bat still thinks this is a boy-faking-girl thing) intelligence, C is under the clear impression that C understands Inessa more than Inessa understands C.

It's kinda pervasive, C talks Inessa up and down and side to side with as much love as spite, and whenever C isn't depressed Inessa became an unimaginably better person while C wasn't looking, C's sure Inessa's inner dimension are as transparent as the heart on her sleeve and doesn't. Really give allowances to Inessa's experience in this friendship being equal.

"We can help you." Inessa didn't ask if I'd been in control, didn't ask if I'd chosen to make monsters, to fight against the Saints. It must have seemed impossible, that poor pathetic little C would do any of those things of his own initiative.

"Let us bring you to Michael. We'll figure it out and keep you safe. I promise, we'll protect you C," I think I might have let her; if she had judged me a little, if she had looked and seen a person who wanted so badly to fall. But no, even now she was only talking at the phantom of a better friend.

Inessa never doubted me, never thought she might need to listen, never saw me as something that might not want to be protected the way I'd once offered to protect her. To her, I would always be nice, safe C: a brother, a font of moral support, a victim. She couldn't see the part of me that needed those dreams.

I think about these lines. About 'if she judged me, I'd accept I needed her help.'

I spent the rest of the morning classes going over what had happened again and again. I hadn't meant to be mean. I'd just felt glad to finally be in on one of the group's in-jokes to the point that I hadn't realized that saying that in front of Lupin it would be different.

But that wasn't an excuse, not really. Insulting Inessa in front of the girl she liked was a low blow, something I should have known better than to do if I wasn't just a big ugly insensitive lug who couldn't keep his foot out of his mouth to save his life. And besides, whatever excuse or motivation I could construct after the fact, I'd hurt Inessa.

So I grabbed a square of lukewarm cafeteria pizza and stumbled toward the usual spot, rehearsing what I had to say to Inessa for the hundredth time.

"Hey," I greeted everyone, earning a hi from Ida and a nod from Temperance. I winced, Temperance hadn't told me she was transgender and I'd accidentally pushed her into revealing that when she wasn't in her right mind. I owed apologies there too.

More importantly, Inessa didn't say anything and, in fact, made a point of looking away from me.

"Umm, Inessa," I knew what I had to say. I'd gone over it enough that I couldn't really mess it up.

She did not respond.

"I just wanted to say that I'm really sorry for earlier!" Slowly, Inessa's gaze swung to face me, but her mouth remained pressed in a thin line.

"I really shouldn't have said that and you're not childish. If anything, I'm the childish one who can't do anything. You're really great. I admire you a lot actually and I really shouldn't have joked like that around Lupin as hard as it is for you to talk to her."

A small smile worked its way across Inessa's face before turning into a blush. "H-hey! I'm not that bad!" she flailed.

"And, umm, if there's anything I can do to make it up to you, please let me know. Again, I'm so so sorry, you shouldn't have to do anything so if you want me to go hang out somewhere else or something, that's okay and…"

"C!" Inessa cut me off, looking a lot more alarmed, "It's okay! I'm not really that angry. Look, I was a little hurt that you just said that in front of Lupin like that, but it's not like it was on purpose or anything and you don't have to make it up to me and we definitely don't want you to leave!"

When this is the last and only time Inessa has had a reaction more severe than pouting at C?

When C takes every bit of criticism personally as fact, no matter how awful or wrong the person is in every other sense, and has consistently signaled to being ready to leave 'for her own good' at the drop of a hat?

Whether it's conscious or instinctive, Inessa has clearly adapted to always needing to say the least negative thing and wholly give off a positive impression lest she finally scares off her best friend, and in hindsight it seems to bleed through into her general 'if I see even the tiniest bit of good in someone I can forgive anything!' magical girl main character attitude, especially with how Avaritia pushes the 'you think you get to hurt my Person you absolute bastard' button like no one else:

Avaritia pulled it wider, then spun on one heel to knock one of Castitas' fire arrows out of the air.

"Get away from him," Castitas shouted. Her voice was alien, furious in a way I'd never seen her. It wouldn't matter. She was too far away to reach me.
Inessa's eyes widened as she saw me. In reaction, Lupin spun and waved cheerfully, "Hiya C!" She wasted no time in bouncing toward me.

And Inessa did something utterly incomprehensible. Slowly, mournfully, she lifted her bow and raised it at us.

"Get away from em!" She shouted, as angry as I'd ever seen her.

"W-what, sorry, I—" I froze. I couldn't understand. All I could feel was a terrible, sinking sensation.

Fire coalesced around the drawn bow, an arrow aimed straight for me. How had it come to this? Was Inessa mind-controlled again?

"C!" Inessa shouted urgently, "You have to run!"

But just a day later she snaps to 'man no wonder ey were always against us when I kept misgendering em, even though ey's a good person otherwise' in a way that I'm, starting to wonder about:

"It is what it is," I pointed at her, "But, more importantly than that, how are you doing? Yesterday was," I wasn't sure what adjective could be used to describe a day where your crush reacted to an implied confession by ignoring you and asking a friend to hang out and then revealing emself to be a supervillain.

Inessa's face shifted to a look of personal horror.

"C! It's… it's awful," she said quietly.

I forced down the bile that rose to my throat.

Inessa blinked, then shook her head furiously, "N-no, I mean, it's awful I… I've been misgendering em this whole time! Ey probably hate me now and even if ey turns good ey'll never want to date me and…"

She paused, clamping one hand over her mouth, "I-I'm a lesbian, is it transphobic that I have a crush on em?!"

"Inessa," I rubbed the bridge of my nose, "you're kinda amazing, you know?"

She stuck her tongue out at me.

"I mean," she said, the panic dropping from her voice, "I think ey's trying to do the right thing in eir own way, so we'll find a way to get through to Lupin one way or another."

I couldn't help but smile at her. That's right, at the end of it all, Inessa Brandt was a hero. She wouldn't let anything get her down for long. And yet, was it really right to dismiss Avaritia's words that completely?

The way she immediately reacted to the anguish C tried to hide...

It's kinda the inherent irony of A Little Vice being a hypothetical fic of a hypothetic anime's main side character, instead of the revolving door of POVs the episode previews reference, we're solely in C's head, effectively hogging all emotional gravity and nuance, but when you take away the internal monologue that defines the story's mood, what seems like strained but earnest advice from C, and empty platitudes from the Saints, are pretty much exactly the same.

Inessa: C, that's not fair! Here I've been agonized about having to put on a mask and act all mysterious and you've known and been laughing at me this whole time!
C: Inessa, I knew you were silly long before you were a magical girl.
C: You're a hero you know. My hero. To think that little girl I had to protect from bullies would grow up to fight monsters.
Inessa: I'm glad, I've worried that, with so much time doing this and not being able to say anything and that we'd drift apart or stop being friends or….
C: Inessa, you're like my sister; you know, a bratty baby sister that's kind of embarrassing because she won't stop blatantly crushing on every pretty girl at school. I mean.
C: I mean, I said a lot of pretty nasty stuff before I got caught. I want to blame that all on Mr. Noir brainwashing me, but if you don't forgive me or you don't want to see me again or you want me to not be around you in public or anything I'd totally understand. It's what I deserve.
Inessa: Idiot, like whatever you said could be any more embarrassing than that time in fourth grade you said you wanted to grow up to be Princess Sirius.
C: A-anyway, if I'm fine and I have a Castitas approved bill of health, I should probably get home.
Inessa: Nope, not happening.
C: I can't just steal your bed and what will your parents say if they find out I was in your room at night!?
Inessa: Putting you up here tonight was their idea, they were just super insistent that you stay the night after we managed to talk them out of dragging you right to the hospital. They gave me specific orders to stop you from being an idiot and trying to go back to your place and everything.
C: Why?
Inessa: Oh come on, it's not that hard! They've known you since you were tiny and they adore you, honestly probably more than they like me. When I came out, my mom literally said her only regret was that this meant she wouldn't get to have you as a son in law. And, well, you don't talk about home much, but, we know you C.
C: Did they really think there was actually a chance we'd end up together?
Inessa: I know right!
C: W-weren't we planning on getting out of here before your mom comes home anyway? Besides, I promised Temperance ice-cream if she was good, so I was thinking we could try spending the afternoon in the park. I can text Inessa's family and tell them she snuck over pretty early to work on, I don't know a surprise for you or something, but we probably can't get away with having them at anyone's house…
Ida: Actually, that sounds great, but do you think you and Michael could watch them alone?
C: Going to grab some more sleep?
Ida: W-well, I really shouldn't skip lacrosse practice, and if I'm going, I should at least try to get to school for as much of the day as I should.
C: Actually, I'm a bit worried about losing them. You know, or something. Especially if we're going out. Inessa is one thing, but Temperance is, well.
Ida: I guess missing one day is okay. We can just study more to make up for later, Still, I did promise to be at practice.
C: If you don't really rest up, you're not going to be able to fight tonight, so maybe just come with us to the park and relax a little?
Ida: I have responsibilities. I need to stay diligent! Besides, how can I be at my best if I don't practice?
C: Practice is good and all, but if you just keep pushing yourself as hard as you can go, then what happens when something goes wrong? When you need to have a little more time or space or energy and you've already been working yourself to the bone? You'll have nothing extra to throw at an unexpected problem.
Ida: Obviously you need to look after your health. But when things get hard, you just dig deeper and find it in you if it really matters!
C: Anyway, we should get out of here before your mom comes back. I managed to get things mostly cleaned up while you were napping, and we can figure this out after we get these little hellions to the park where they can run through whatever energy they've got before you go fight.
Ida: I guess we should and, umm… Thanks for cleaning up and taking over for a bit? Really C, you're a life-saver.
C: I barely did anything, really!

That's really the whole thing with C, that as C's mental state deteriorates, C more and more resents people treating C as C treats them, without having the wherewithal to consider that if the shoes was on the other foot, would C know how to change tacks without being told?

It honestly rings out loudest with the degree C abhors being a cheerleader in need of protection, because really, genuinely, there's nothing that shows our dude's gone batty more than the way C's decided that being a regular person without superpowers who can't be immune to a rampaging monster is in fact a personal failing as a human being.

Especially in how it feeds into this condemnation of Inessa (which somehow, members of the audience agree with) for becoming different, and using this power to look after C in a way C explicitly compares to how Inessa used to be C's protectorate.

C's on so much macho bullshit with "How could you protect me like I used to do for you, you don't have a clue how pathetic that makes me feel!" and we're supposed to take that?

Our relationship was built on a symbiotic foundation from the start. I stood up to the bullies for Inessa in a way that made my mom worried and my dad cheer (I tried at least). Inessa shared her family with me. I gave her companionship in her many hobbies and fandoms and I got to copy her love of magical girl anime like Sailor Moon, Cardcaptor Sakura and Princess Knight Orion in return. Both of us were a bit depressed and aimless and we took solace in sharing that, even if Inessa learned to fake a smile as she got older and the bullies went away.
"You're a hero you know. My hero," I stifled a groan as I forced myself up and patted her gently on the head. "To think that little girl I had to protect from bullies would grow up to fight monsters."

"I'm glad," she hugged me, practically falling onto the bed, "I've worried that, with so much time doing this and not being able to say anything and that we'd drift apart or stop being friends or…."
"C," her voice was strained. "It hasn't been easy for you and you weren't the one shouting. You can rely on me." She flexed one arm, patting a nonexistent bicep. "I'm a hero, you know? It's what I do! Just say the word and we'll get you out."

That should have been reassuring. She was a hero. She was my hero. And yet, I didn't need to run from my problems, to stay weak and protected and be a burden on everyone around me. No, Inessa couldn't understand that. She'd gotten strong, strong enough to face herself in the mirror, strong enough to look after everyone else too. She didn't need me anymore, didn't really understand what it was like to look at yourself and find nothing worth keeping, nothing at all except the bitter thorny darkness. Avaritia had put it in terms I could understand, for all she was obviously in the wrong. I loved Inessa like a sister, I always would, but…
Inessa never doubted me, never thought she might need to listen, never saw me as something that might not want to be protected the way I'd once offered to protect her. To her, I would always be nice, safe C: a brother, a font of moral support, a victim. She couldn't see the part of me that needed those dreams.

"I don't need protection," I said, and in saying so edged ever so much closer to making it true.

We're supposed to say "Inessa is patronizing for wanting to protect C the only way she's ever been able to besides lending her parents and learning to smile better in all the years they've known each other, when she's only able to futilely offer a shoulder to cry on when it comes to the real problems C won't ask for anyone's help about"?

I don't think so.

I think we're supposed to ask if C and Avaritia know what they're talking about when they dismiss how thin the line between C becoming a Beast and Inessa becoming a Saint was, because, look, C and Inessa are the main mirrors of the story, it's why C is Invidia and Inessa is Castitas.

The reason there's a recurring sentiment that Inessa is trying to immaturely force her ideals on C is because C has been getting a more and more distorted image of Inessa as she's been living the life C wishes for, without C actually being able to see why Inessa took that step.

They have the same ideal, because they're the same kind of person, but because they have different ideas of each other's capacity to reach it, Invidia chose to wear Castitas as a halloween costume for a chance at clinging to the unattainable, even if it means giving up everything that (hadn't really) belonged to C, and.

"No, I'm sorry, I'm being awful to you," I sighed, "you don't deserve any of this. You're right, things aren't great, it makes everything," was I going to try to justify myself? Make excuses for my bad behavior instead of just owning what I was doing?

"C, I literally just asked you to vent," Inessa said, shaking her head like I was a lost cause. Then she laughed and tried to hug me. I wanted to recoil, but she'd done nothing to deserve that, so I smiled weakly and pretended like I was in on the joke.

"It's fine C, I come to you with my problems all the time," she added, reassuringly.

Inessa is trying to be like C, the friend who gave her hope as a kid.

It's really the little things on the other side of the fence.

Edit:

Why the fuck did the server shutdown right in the middle of me finishing this.
 
We're supposed to say "Inessa is patronizing for wanting to protect C the only way she's ever been able to besides lending her parents and learning to smile better in all the years they've known each other, when she's only able to futilely offer a shoulder to cry on when it comes to the real problems C won't ask for anyone's help about"?

I don't think so.

I think we're supposed to ask if C and Avaritia know what they're talking about when they dismiss how thin the line between C becoming a Beast and Inessa becoming a Saint was, because, look, C and Inessa are the main mirrors of the story, it's why C is Invidia and Inessa is Castitas.

The reason there's a recurring sentiment that Inessa is trying to immaturely force her ideals on C is because C has been getting a more and more distorted image of Inessa as she's been living the life C wishes for, without C actually being able to see why Inessa took that step.

When you speak of recurring sentiment I can't be sure whether you're referring to the readers of the story, the hypothetical watchers of the show, or the in-universe other characters. Mostly because while I'm pretty sure it's not the latter two, I disagree quite firmly with the notion of being lumped in with the first group.

Inessa never came across as patronizing to me in actuality. As you said earlier in your post C's inconsistencies and the way their depression and self-loathing (among other things) colour their perceptions tend to be pretty obvious in the writing. While C lies to themselves and by extension the readers about all sorts of things, they don't lie about the literal words being spoken in the quotation marks and it feels to me like there's a very obvious cognitive dissonance every time they start to take things in a way that clearly wasn't intended.

Inessa is doing her best and frankly her best is pretty damn good. C is just stuck in the kind of headspace that either takes serious long term effort or one really sudden and powerful moment to really dislodge, and given both the nature of the narrative and the in-story forces swirling around them, it was pretty much inevitable that 'sudden and powerful' was going to be what did it.

My read is that for most of the story C has been in a holding pattern, steadily spiraling downwards as the ennui of unacknowledged dysphoria and gender envy combined with being repeatedly vicitmized by the resinners and deliberately targeted by Avaritia and ey're (am I getting hte pronouns right?) toxic ideology. (No, it's fucking toxic, ey're making it work in a mostly positive way but it's super fucked up to push it on someone else who might not be able to work it as well.)

With the acknowledgement of C's state and their transformation, C is finally getting kicked out of that holding pattern, forced to move forward and actually change and grow. It's a shame that it came at the influence of literal evil, but that's what makes this feel like the story's darkest hour (and why I remain fairly certain that we're getting close to the ending). From this point, while C could end up becoming a worse person, mentally speaking this feels like the start of the most important self-acknowledgements and the road to recovery.

Or maybe I'm just crazy and misreading everything.
 
Well, yeah you might be right the mc is repetitive, but also that's like my only source of male to female magical or sci-fi transition stories. Gender bender stuff generally sucks and has its own annoying or disturbing tropes.
There is a genre of fic that can be summed up as "people are nice to the trans girl" which a lot of trans girls like because wow such fantasy, "having friends that don't treat you like shit is actually wish fulfillment for a lot of us.

And that's not for everyone, but I don't think it's bad or even facile just because it's cozy or even a bit samey at times and there's a great deal of variety within the genre.
Exactly. Having a section of the online community be about comfort fic seems fine. You can go to ao3 for more variety anyway. The protagonist being samey in traits could be a valid complaint, though I think femme mild autist is just who the authors are so it makes sense to write their wish fulfilment around that, still variety would be good. PrincessFelicie/Taxouck does commissions I think?
I dunno about moral conflict about the protagonist, but for more variety on scribblehub, you could go for Ryn of Avonside, college gets isekaied and goes fascist, protagonist's found family thinks she is dead. There's a Date with Faet, in which protagonist's wife accidentally screws her life up with magic. Note, both have sexual content. More conflict, though I didn't get far into them and can't tell the vibe properly.

C's on so much macho bullshit with "How could you protect me like I used to do for you, you don't have a clue how pathetic that makes me feel!" and we're supposed to take that?
Oh, didn't notice the macho thing.
It's kinda pervasive, C talks Inessa up and down and side to side with as much love as spite, and whenever C isn't depressed Inessa became an unimaginably better person while C wasn't looking, C's sure Inessa's inner dimension are as transparent as the heart on her sleeve and doesn't. Really give allowances to Inessa's experience in this friendship being equal.
When C takes every bit of criticism personally as fact, no matter how awful or wrong the person is in every other sense, and has consistently signaled to being ready to leave 'for her own good' at the drop of a hat?

Whether it's conscious or instinctive, Inessa has clearly adapted to always needing to say the least negative thing and wholly give off a positive impression lest she finally scares off her best friend, and in hindsight it seems to bleed through into her general 'if I see even the tiniest bit of good in someone I can forgive anything!' magical girl main character attitude, especially with how Avaritia pushes the 'you think you get to hurt my Person you absolute bastard' button like no one else:
Ah, pretty good insight into their relationship. Seems the relationship was getting damaged for a time.
There's a certain irony, of C being obsessed with not ditching her dad like her mom while being so ready to sink her other, positive relationships.
 
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On another note, how much was Superbia's/Noir's physical appearance described in the story? Right now, given that evil councilor is also the devil, I'm imagining him looking like a black-haired version of the Coachman from Pinocchio.
I sort of pictured him looking like the food critic from Ratatouille.

3) Gawr Gura. The entire gag with Temperance is she's Gawr Gura. You actual asshole.
I'd thought about that myself, just because Gula sounds like Gura. Though the Blahaj thing makes sense too. (Is totally not typing this in bed with a Blahaj right next to me. Nope, not at all.)
 
Ultimately it's important to remember that this story is first-person limited, and it's about the emotional journey of an extremely depressed, repressed, and self-loathing young woman. I don't think that C's narration is a reliable source for how anyone else is intending to act toward them, although she's empathetic enough that we can read between the lines and see, for example, that Inessa really does love her even if she makes mistakes and C hyperfixates on those. What the narration is a reliable source for is how C feels and reacts to things, which is ultimately the important thread of the story.
 
The relevant trying I haven't seen talked about is that becoming a sin is the only route she has available to embodying a girl. Like, she wanted to be a magical girl and got turned down. Ok, door closed. Medical transition seems out due to her dad and her own repression, so when she learns that she can actually have everything she wants as a sin, that means there's a huge personal sacrifice in giving that up. Without an alternative, my bet is that she'd fight to the death to not have that taken away.
 
Like, she wanted to be a magical girl and got turned down. Ok, door closed.
Ida, jamming her foot in the door and loudly yelling at C 'THERE IS STILL A CHANCE!', now turns to ask the audience 'am I a joke to you??'

Like. Don't get me wrong, C's desire to Be A Girl is definitely a major driving force.

But also like. In her depression, she keeps shutting out people trying to offer her other options, whether it's the Brandt's as a whole trying to offer her an out from her shitty home situation/her dad, or Ida explicitly point blank telling C "I got told exactly the same thing" with the implicit "and look where I am now" about joining the Saints, with an explicit offer to try to help her figure out how to Become Good Enough to join and help C with that and yadda.

It's not that C isn't being offered other options. It's that in her depression she rejects them, as too implausible or too hurtful to contemplate or whatever.
 
I really don't think C is in a place to look at the 'someday, maybe, if something about you changes' that Michael and Ida offered her and take that as an actual option.
 
Ida, jamming her foot in the door and loudly yelling at C 'THERE IS STILL A CHANCE!', now turns to ask the audience 'am I a joke to you??'

Like. Don't get me wrong, C's desire to Be A Girl is definitely a major driving force.

But also like. In her depression, she keeps shutting out people trying to offer her other options, whether it's the Brandt's as a whole trying to offer her an out from her shitty home situation/her dad, or Ida explicitly point blank telling C "I got told exactly the same thing" with the implicit "and look where I am now" about joining the Saints, with an explicit offer to try to help her figure out how to Become Good Enough to join and help C with that and yadda.

It's not that C isn't being offered other options. It's that in her depression she rejects them, as too implausible or too hurtful to contemplate or whatever.

I really don't think C is in a place to look at the 'someday, maybe, if something about you changes' that Michael and Ida offered her and take that as an actual option.
Both of these statements are correct, and kinda the crux of the plot.
 
Also if there is a flashback episode, it'll be fodder for so many AMVs. Like, I was there for Naruto, people love AMVs about Flashback episodes, because half the work is done for them in terms of creating a sort of pacing-buildup.
 
Also if there is a flashback episode, it'll be fodder for so many AMVs. Like, I was there for Naruto, people love AMVs about Flashback episodes, because half the work is done for them in terms of creating a sort of pacing-buildup.

The Littlest Vice - [TLV AMV] (Breaking the Habit - Linkin Park)

Because every show has a Linkin Park AMV.

Actually, weirdly enough now that I think of it, I've been imagining TLV as being a 2000s magical girl show, which really hits the Linkin Park AMV time period. It really isn't, subject matter wise, but I think I'm just inclined that way because that's the time period I watched a lot of anime in?
 
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