I do think these nuances exist, but our control and information about them is limited so more obvious factors, such as whose scene we read or whether we win, might be more important.Yeah, this is a good point. Thinking about the theme and message of the composition Ling Qi will produce and how it will play off against what Yu Nuan does is probably important.
Also from a shonen battle perspective our song will be a philosophical argument. Hence, to a degree, this could maybe be considered a character development exercise to some degree.
(or maybe I'm just taking this too far)
LQ isn't optimistic at all.
I though this was well established?
I don't agree at all that depression is an accurate characterizations of pieces like FSS and FVM. Things like Loss and Endings are keenly felt, not muted and flat.Shes also not hard core depression only though and most of her music tends to shade that way. And if she does goes with zeqing then it's likely to continue being the same kind of feel to it.
I don't agree at all that depression is an accurate characterizations of pieces like FSS and FVM. Things like Loss and Endings are keenly felt, not muted and flat.
... The next chapter will come through Shonen Jump, I take it?"S'fine. One way or another, we'll understand each other by the end. That's what the music is about, isn't it?"
Shes also not hard core depression only though and most of her music tends to shade that way. And if she does goes with zeqing then it's likely to continue being the same kind of feel to it.